HamptonsFilm’s 16th annual SummerDocs series will feature three Sundance favorites: “Skywalkers: A Love Story,” “War Game,” and “Super/Man:The Christopher Reeve Story.” HamptonsFilm and Hamptons Intl. Film Festival artistic director David Nugent and chairman emeritus Alec Baldwin will lead conversations with attending filmmakers and guests.
The series will kick-off on July 5 with Jeff Zimbalist and Maria Bukhonina’s “Skywalkers: A Love Story.” Following a successful Sundance debut, Netflix acquired the worldwide rights to the docu about daredevil couple Angela Nikolau and Ivan Beerkus from Moscow, as they take their relationship to terrifying new heights in a wild scheme to climb the world’s last great skyscraper and perform a death-defying stunt on its spire. Following the screening, Bukhonina will take part in a Q&a.
Tony Gerber and Jesse Moss’s “War Game” will screen on July 20 followed by Q&a with both filmmakers. The docu, which debuted at Sundance 2024, imagines a nation-wide insurrection,...
The series will kick-off on July 5 with Jeff Zimbalist and Maria Bukhonina’s “Skywalkers: A Love Story.” Following a successful Sundance debut, Netflix acquired the worldwide rights to the docu about daredevil couple Angela Nikolau and Ivan Beerkus from Moscow, as they take their relationship to terrifying new heights in a wild scheme to climb the world’s last great skyscraper and perform a death-defying stunt on its spire. Following the screening, Bukhonina will take part in a Q&a.
Tony Gerber and Jesse Moss’s “War Game” will screen on July 20 followed by Q&a with both filmmakers. The docu, which debuted at Sundance 2024, imagines a nation-wide insurrection,...
- 5/21/2024
- by Addie Morfoot
- Variety Film + TV
It’s that time of year again! The annual Rooftop Films Summer Series is back, with IndieWire exclusively debuting the 2024 lineup.
This year’s Summer Series will run from May 17 through August 23, and will include over 40 events, featuring new independent feature films, short film programs, family screenings, and live performances. Programming highlights include the 20th anniversary of “Napoleon Dynamite,” the NYC premiere of “In a Violent Nature,” and an early screening of “War Game.”
Non-profit Rooftop Films annually celebrates independent films and filmmakers with one of the world’s longest running and largest outdoor festivals for indie film. The screenings take place in outdoor venues across New York City’s five boroughs, with “In a Violent Nature” set to debut on Governors Island.
“The 2024 Summer Series isn’t just a celebration of groundbreaking new cinema,” Rooftop Films’ Executive Director Adnaan Wasey said. “It’s also a catalyst for connecting communities...
This year’s Summer Series will run from May 17 through August 23, and will include over 40 events, featuring new independent feature films, short film programs, family screenings, and live performances. Programming highlights include the 20th anniversary of “Napoleon Dynamite,” the NYC premiere of “In a Violent Nature,” and an early screening of “War Game.”
Non-profit Rooftop Films annually celebrates independent films and filmmakers with one of the world’s longest running and largest outdoor festivals for indie film. The screenings take place in outdoor venues across New York City’s five boroughs, with “In a Violent Nature” set to debut on Governors Island.
“The 2024 Summer Series isn’t just a celebration of groundbreaking new cinema,” Rooftop Films’ Executive Director Adnaan Wasey said. “It’s also a catalyst for connecting communities...
- 5/7/2024
- by Samantha Bergeson
- Indiewire
Chicago – Doc10, the annual Chicago documentary film festival, highlights a cautionary note for its 2024 Closing Night film on Sunday May 5th, at Chicago’s Davis Theater. ‘War Game’ is a look into a consequence exercise with expert participants playing roles, regarding a “what-if” the insurrection that occurred on January 6th, 2021 would escalate into a more coordinated attack … including the use of extremists within the military for the potential coup. Click War Game for information and tickets.
The participants who took roles in the exercise … and all will appear at a Q&a on Doc10’s Closing Night … include former Montana Governor Steve Bullock, former North Dakota Senator Heidi Heitkamp, retired Major General Linda Singh and National Security Expert Elizabeth Neumann. Also appearing will be CEO Janessa Goldbeck of the VetVoice Foundation, the organization that expedited the war game, and the filmmakers of the “War Game” documentary, Jesse Moss and Tony Gerber.
The participants who took roles in the exercise … and all will appear at a Q&a on Doc10’s Closing Night … include former Montana Governor Steve Bullock, former North Dakota Senator Heidi Heitkamp, retired Major General Linda Singh and National Security Expert Elizabeth Neumann. Also appearing will be CEO Janessa Goldbeck of the VetVoice Foundation, the organization that expedited the war game, and the filmmakers of the “War Game” documentary, Jesse Moss and Tony Gerber.
- 5/4/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chris Smith’s “Devo” will open the ninth edition of Chicago’s Doc10 documentary film festival on May 2.
The film, which premiered at Sundance 2024, charts the life of the art-movement-turned-band Devo from Akron, Ohio, through archival footage of the band and candid sit-down interviews with band members. Smith follows the band on their journey from Dadaist, Kent State radicals to unlikely icons of 1980s MTV. Currently celebrating their 50 years of De-Evolution Tour, Devo band members will join Doc10 in a live, virtual Q&a moderated by Wxrt’s Marty Lennartz.
Doc10, a four-day fest running May 2-5, features a selection of 10 documentaries making their Chicago premieres along with a package of 10 prestigious documentary shorts. The fest is hosted by Chicago Media Project, a company that has generated more than $8.5 million in funding for documentary projects. Cmp has directly supported over 150 films including “Icarus,” “Crip Camp” and most recently “Gaucho, Gaucho,...
The film, which premiered at Sundance 2024, charts the life of the art-movement-turned-band Devo from Akron, Ohio, through archival footage of the band and candid sit-down interviews with band members. Smith follows the band on their journey from Dadaist, Kent State radicals to unlikely icons of 1980s MTV. Currently celebrating their 50 years of De-Evolution Tour, Devo band members will join Doc10 in a live, virtual Q&a moderated by Wxrt’s Marty Lennartz.
Doc10, a four-day fest running May 2-5, features a selection of 10 documentaries making their Chicago premieres along with a package of 10 prestigious documentary shorts. The fest is hosted by Chicago Media Project, a company that has generated more than $8.5 million in funding for documentary projects. Cmp has directly supported over 150 films including “Icarus,” “Crip Camp” and most recently “Gaucho, Gaucho,...
- 4/3/2024
- by Addie Morfoot
- Variety Film + TV
The nerve-wracking documentary “War Game” follows a 6-hour Situation Room re-creation of events of Jan. 6, 2021, albeit on a larger, more distressing scale. In the process, the film lays bare numerous weaknesses in America’s political infrastructure, but its most revealing subjects might not be who you think.
Directors Tony Gerber and Jesse Moss strip their opening scenes of context, as they follow two former U.S. soldiers in Washington, D.C. Dressed in tactical gear, they survey the U.S. Capitol and avoid the watchful eyes of police while discussing where they might attack. The conversation is concerning, but it’s soon revealed that these men — Chris Jones of the Marine Corps and Kris Goldsmith of the U.S. Army — are merely tacticians in a roleplaying game. However, once the full scope of their experiment fades into view, “War Game” becomes perturbing all over again.
The seeds for this game — designed...
Directors Tony Gerber and Jesse Moss strip their opening scenes of context, as they follow two former U.S. soldiers in Washington, D.C. Dressed in tactical gear, they survey the U.S. Capitol and avoid the watchful eyes of police while discussing where they might attack. The conversation is concerning, but it’s soon revealed that these men — Chris Jones of the Marine Corps and Kris Goldsmith of the U.S. Army — are merely tacticians in a roleplaying game. However, once the full scope of their experiment fades into view, “War Game” becomes perturbing all over again.
The seeds for this game — designed...
- 3/20/2024
- by Siddhant Adlakha
- Variety Film + TV
Jesse Moss and Tony Gerber’s War Game documents a nifty six-hour exercise in roleplay, commencing on the anniversary of the January 6 United States Capitol attack. Put on by the Vet Voice Foundation in 2023, this bit of roleplay included U.S. officials in both defense and intelligence acting out their response to a fabricated but feasible coup attempt supported by the active military. It’s a stark, scary scenario succinctly laid out by Moss and Gerber, with aide from Janessa Goldbeck, CEO of Vet Voice. The results of the planned practice aren’t very reassuring.
Steve Bullock (former governor of Montana) plays “the President” here, informed by his team of a developing situation wherein a potential organized revolt is activating all across the nation. Each side is represented in the action, with veterans Kristofer Goldsmith and Chris Jones playing leaders of the fictional “Order of Columbus,” an extremist group leading the treasonous mission.
Steve Bullock (former governor of Montana) plays “the President” here, informed by his team of a developing situation wherein a potential organized revolt is activating all across the nation. Each side is represented in the action, with veterans Kristofer Goldsmith and Chris Jones playing leaders of the fictional “Order of Columbus,” an extremist group leading the treasonous mission.
- 1/31/2024
- by Dan Mecca
- The Film Stage
"War Game" isn't what one might consider a typical horror movie, but thanks to its subject matter, it's one of the scariest films you're likely to see in 2024.
Two years after the January 6, 2021 insurrection, a collection of current and former U.S. intelligence agents, Army veterans, defense specialists, senators, and high-ranking advisors meet near the U.S. Capitol to participate in a secret national security exercise overseen by a non-partisan veterans organization called Vet Voice. With concerns running high that the next real-life insurrection could involve members of the active duty military, this unscripted exercise was concocted to see how the federal government might respond to a contested presidential election in 2024, and another attempt to stop the peaceful transfer of power on January 6, 2025. This time, the loser of the presidential race openly calls for rebellion by encouraging military members to ignore orders from the President and take up arms against their countrymen.
Two years after the January 6, 2021 insurrection, a collection of current and former U.S. intelligence agents, Army veterans, defense specialists, senators, and high-ranking advisors meet near the U.S. Capitol to participate in a secret national security exercise overseen by a non-partisan veterans organization called Vet Voice. With concerns running high that the next real-life insurrection could involve members of the active duty military, this unscripted exercise was concocted to see how the federal government might respond to a contested presidential election in 2024, and another attempt to stop the peaceful transfer of power on January 6, 2025. This time, the loser of the presidential race openly calls for rebellion by encouraging military members to ignore orders from the President and take up arms against their countrymen.
- 1/29/2024
- by Ben Pearson
- Slash Film
Jesse Moss and Tony Gerber’s chilling and engrossing documentary “War Game” begins ominously, moves with urgency, and never lets up. The film begins with two suspicious men surveilling the capitol building in Washington D.C. and the surrounding era, taking photos, recording videos, and gaming out a plan for what sounds like another threatening insurrection plot. An authoritarian figure we vaguely recognize, but not as a politician, delivers a portentous speech about election results, but as the tension coils, we soon realize he’s an actor.
Continue reading ‘War Game’ Review: Role-Playing Insurrection Exercise Plays Like A Riveting Political Thriller [Sundance] at The Playlist.
Continue reading ‘War Game’ Review: Role-Playing Insurrection Exercise Plays Like A Riveting Political Thriller [Sundance] at The Playlist.
- 1/23/2024
- by Rodrigo Perez
- The Playlist
“Look at where we are right now,” states former Montana Gov. Steve Bullock of the divisions in America and the disinformation war that has reached an even higher pitch three years after the violent assault on the Capital. “About three weeks ago, polling said a fourth of Americans think that the FBI actually incited January 6.” the one-time presidential candidate says incredulously. “We have 171 election deniers in the House, a third of the overall members of Congress.”
To Bullock’s point on this day of the New Hampshire primary, polls also show that a significant swath of Americans are weary of a re-match between Joe Biden and Donald Trump. Starring Bullock as a semi-fictional Potus, War Game, a film debuting right now at the Sundance Film Festival, worries about a possible and bloody consequence of a disputed 2024 election that could make January 6, 2021 look like a tame rehearsal.
“This isn’t some like idle.
To Bullock’s point on this day of the New Hampshire primary, polls also show that a significant swath of Americans are weary of a re-match between Joe Biden and Donald Trump. Starring Bullock as a semi-fictional Potus, War Game, a film debuting right now at the Sundance Film Festival, worries about a possible and bloody consequence of a disputed 2024 election that could make January 6, 2021 look like a tame rehearsal.
“This isn’t some like idle.
- 1/23/2024
- by Dominic Patten
- Deadline Film + TV
At this year’s Sundance Film Festival, the IndieWire team is endeavoring to take you into the heart of the festival experience, thanks to a series of rolling roundups that aim to synthesize each day, all the action, most of the drama, and the stuff everyone is talking about, in Park City and beyond.
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
- 1/23/2024
- by Kate Erbland, Ryan Lattanzio and Marcus Jones
- Indiewire
The new documentary War Game follows lawmakers and military officials role-playing the response to a political coup
Is the US government prepared to withstand another January 6? That’s the question a new documentary sparking conversation at the Sundance film festival chillingly poses, arguing that US government and military officials must brace for the possibility of a potential political coup in a divided America.
War Game, directed by Jesse Moss and Tony Gerber, observes a closed-door, unscripted simulation of an armed attack on the Capitol based on the events of 6 January 2021, when a mob of Trump supporters and far-right stormed the building to disrupt lawmakers’ certification of Joe Biden’s election. The six-hour exercise asked a bipartisan group of US defense, intelligence and elected policymakers spanning five presidential administrations to role-play the administrative response to a political coup backed by rogue members of the US military in the wake of a contested election.
Is the US government prepared to withstand another January 6? That’s the question a new documentary sparking conversation at the Sundance film festival chillingly poses, arguing that US government and military officials must brace for the possibility of a potential political coup in a divided America.
War Game, directed by Jesse Moss and Tony Gerber, observes a closed-door, unscripted simulation of an armed attack on the Capitol based on the events of 6 January 2021, when a mob of Trump supporters and far-right stormed the building to disrupt lawmakers’ certification of Joe Biden’s election. The six-hour exercise asked a bipartisan group of US defense, intelligence and elected policymakers spanning five presidential administrations to role-play the administrative response to a political coup backed by rogue members of the US military in the wake of a contested election.
- 1/22/2024
- by Adrian Horton
- The Guardian - Film News
Echoing the work of Adam Curtis, film-maker Sierra Pettengill curates archive footage from riot-torn 60s America to create an unsettling picture of the authorities’ response
As if in a seance or hypnotic trance, Sierra Pettengill conjures the ambient voices of the riot-torn United States in the 1960s, traumatised by the uproar in Watts, Chicago, Newark and Detroit. She curates archive TV discussion show clips and newsreel footage of the times, including some quite extraordinary contemporary reports about the “Riotsville” imitation towns that the US army built to practise anti-riot techniques. These were complete with audience bleachers in which an invited crowd of military brass could approvingly watch a full-scale re-enactment of the Watts riot – a bizarre theatrical fantasy in which the disorder was swiftly and efficiently brought under control. (Jesse Moss and Tony Gerber’s 2008 film Full Battle Rattle discussed the fake Iraqi town built in the Mojave Desert for very similar reasons.
As if in a seance or hypnotic trance, Sierra Pettengill conjures the ambient voices of the riot-torn United States in the 1960s, traumatised by the uproar in Watts, Chicago, Newark and Detroit. She curates archive TV discussion show clips and newsreel footage of the times, including some quite extraordinary contemporary reports about the “Riotsville” imitation towns that the US army built to practise anti-riot techniques. These were complete with audience bleachers in which an invited crowd of military brass could approvingly watch a full-scale re-enactment of the Watts riot – a bizarre theatrical fantasy in which the disorder was swiftly and efficiently brought under control. (Jesse Moss and Tony Gerber’s 2008 film Full Battle Rattle discussed the fake Iraqi town built in the Mojave Desert for very similar reasons.
- 3/29/2023
- by Peter Bradshaw
- The Guardian - Film News
AC Independent, Anonymous Content’s new sales and finance division, is set to introduce Pippa Ehrlich’s anticipated follow-up to her Oscar-winning “My Octopus Teacher,” as well as Walter Salles’ “Sócrates,” to buyers at the Berlin Film Festival.
Ehrlich’s untitled new project and Salles’ “Sócrates” are part of AC Independent’s robust slate of documentary features from celebrated filmmakers.
In her upcoming project, Ehrlich will shed light on the secretive and endangered world of pangolins, a species viewed as mythological creatures. When Stevie, a baby pangolin, is rescued from death at the hands of poachers in Johannesburg, an investment manager pivots his life to become the animal’s caretaker, teaching him to trust the world again and, in doing so, rediscovers his own purpose. Hand-reared until his release back into the wild, Stevie takes Gareth into his dragon world and together they find freedom and healing in the wild.
Ehrlich’s untitled new project and Salles’ “Sócrates” are part of AC Independent’s robust slate of documentary features from celebrated filmmakers.
In her upcoming project, Ehrlich will shed light on the secretive and endangered world of pangolins, a species viewed as mythological creatures. When Stevie, a baby pangolin, is rescued from death at the hands of poachers in Johannesburg, an investment manager pivots his life to become the animal’s caretaker, teaching him to trust the world again and, in doing so, rediscovers his own purpose. Hand-reared until his release back into the wild, Stevie takes Gareth into his dragon world and together they find freedom and healing in the wild.
- 2/14/2023
- by Elsa Keslassy
- Variety Film + TV
Anonymous Content and Boat Rocker have partnered to co-finance and co-sell an untitled political thriller feature documentary by Emmy Award-winning filmmakers Jesse Moss (“Boys State”) and Tony Gerber (“The Notorious Mr. Bout”).
Produced by Boat Rocker’s Matador Content, the project was shot over the course of two days last month in Washington, D.C.
While details on the project are being kept under wraps, Moss teased it as a “an utterly unique story that is equal parts political thriller, dystopian science fiction and intimate cinema vérité.”
“It expands the form of non-fiction filmmaking in exciting ways and is of enormous significance to our political future. We can’t wait to share it,” Moss continued.
Moss and Gerber previously co-directed “Full Battle Rattle,” a critically acclaimed film about life inside the U.S. Army’s Iraq simulation in the California desert. Moss’s credits also include “Boys State” which won a...
Produced by Boat Rocker’s Matador Content, the project was shot over the course of two days last month in Washington, D.C.
While details on the project are being kept under wraps, Moss teased it as a “an utterly unique story that is equal parts political thriller, dystopian science fiction and intimate cinema vérité.”
“It expands the form of non-fiction filmmaking in exciting ways and is of enormous significance to our political future. We can’t wait to share it,” Moss continued.
Moss and Gerber previously co-directed “Full Battle Rattle,” a critically acclaimed film about life inside the U.S. Army’s Iraq simulation in the California desert. Moss’s credits also include “Boys State” which won a...
- 2/9/2023
- by Elsa Keslassy
- Variety Film + TV
Emmy nominee Jovan Adepo and Juliana Canfield have signed on to star as abolitionists William and Ellen Craft in the upcoming movie “Everlasting Yea!” Co-written and co-directed by Lynn Nottage and Tony Gerber, the feature follows the “epic and deeply human” love story of the Crafts, as the couple rise to fame in the Abolitionist movement following their bold and perilous escape from slavery.
Set in the “free” North before the Civil War, “Everlasting Yea!” unveils the incredible untold true story as the Crafts “must negotiate their unwanted celebrity, their young marriage, and their safety as the news of their singular escape — with Ellen disguised as a white Southern gentleman, and William in the role of her obedient slave — becomes the most sensational and subversive news story of the day further dividing an already fractured nation.”
“Our film centers the complex reality of free Blacks in the antebellum North, posing the question,...
Set in the “free” North before the Civil War, “Everlasting Yea!” unveils the incredible untold true story as the Crafts “must negotiate their unwanted celebrity, their young marriage, and their safety as the news of their singular escape — with Ellen disguised as a white Southern gentleman, and William in the role of her obedient slave — becomes the most sensational and subversive news story of the day further dividing an already fractured nation.”
“Our film centers the complex reality of free Blacks in the antebellum North, posing the question,...
- 6/30/2022
- by Angelique Jackson
- Variety Film + TV
After making its debut at the Tribeca Film Festival, the gripping documentary “Takeover” is set to be adapted into a narrative feature from Sister and Market Road Films.
“Takeover” marks the first Market Road Films project to come out of its first-look deal with Sister, which was co-founded by Elisabeth Murdoch, Stacey Snider and Jane Featherstone.
The short-subject documentary — directed by Emma Francis-Snyder and produced by Market Road Films’ Tony Gerber — chronicles the 12 historic hours in 1970 when 50 members of the Young Lords Party stormed the dilapidated Lincoln Hospital in the South Bronx and made their cries for health justice known to the world. The Lincoln Hospital takeover resulted in the Patient Bill of Rights, which marks the 50th anniversary of its adoption next year. And though the Young Lords did not achieve its goal of universal healthcare, the bill is still the basis of care to this day.
Market Road...
“Takeover” marks the first Market Road Films project to come out of its first-look deal with Sister, which was co-founded by Elisabeth Murdoch, Stacey Snider and Jane Featherstone.
The short-subject documentary — directed by Emma Francis-Snyder and produced by Market Road Films’ Tony Gerber — chronicles the 12 historic hours in 1970 when 50 members of the Young Lords Party stormed the dilapidated Lincoln Hospital in the South Bronx and made their cries for health justice known to the world. The Lincoln Hospital takeover resulted in the Patient Bill of Rights, which marks the 50th anniversary of its adoption next year. And though the Young Lords did not achieve its goal of universal healthcare, the bill is still the basis of care to this day.
Market Road...
- 10/11/2021
- by Angelique Jackson
- Variety Film + TV
Exclusive: Sister, the independent studio founded by Elisabeth Murdoch, Stacey Snider and Jane Featherstone, has struck a first-look deal with Chris Goldberg and his Winterlight Pictures to develop and produce television and feature content. Under the pact, Goldberg will be based out of Sister Los Angeles.
“Chris is dynamic and thoughtful and shares our creative sensibility and passion around storytelling,” said Snider, Sister’s Global CEO and Co-Founder. “His ability to discover and nurture material and bring it to life is spot on with our mission, and we are incredibly excited to welcome him to our LA team. His dedication and partnership come at a perfect time as we ramp up activity and production out of the US.”
As part of its mission to invest in visionary storytellers, Sister also recently entered a first-look deal with Pulitzer Prize-winning playwright Lynn Nottage and Emmy-winning director Tony Gerber’s Market Road Films for film and television content,...
“Chris is dynamic and thoughtful and shares our creative sensibility and passion around storytelling,” said Snider, Sister’s Global CEO and Co-Founder. “His ability to discover and nurture material and bring it to life is spot on with our mission, and we are incredibly excited to welcome him to our LA team. His dedication and partnership come at a perfect time as we ramp up activity and production out of the US.”
As part of its mission to invest in visionary storytellers, Sister also recently entered a first-look deal with Pulitzer Prize-winning playwright Lynn Nottage and Emmy-winning director Tony Gerber’s Market Road Films for film and television content,...
- 7/29/2021
- by Nellie Andreeva
- Deadline Film + TV
Sister, the upstart studio from Elisabeth Murdoch, Jane Featherstone and Stacey Snider, has signed esteemed production company Market Road Films to a first-look film and TV deal.
Comprised of Pulitzer Prize-winning playwright Lynn Nottage and Emmy-winning director Tony Gerber, Market Road will develop and produce series and feature content in both scripted and unscripted categories.
“Lynn and Tony have enjoyed unparalleled and acclaimed success in every form of storytelling that they’ve endeavored. We’re so excited to tap into their unique creative genius and to support the new and diverse voices that they seek out and nurture,” said Snider.
Nottage added that “Tony and I are beyond thrilled to partner with the team at Sister whose work and mandate are a beacon, a lightning rod for creators compelled to tell smart, character-driven, and culturally engaged stories.”
The company falls in line with Sister’s mission to support and invest in evocative and unusual storytellers.
Comprised of Pulitzer Prize-winning playwright Lynn Nottage and Emmy-winning director Tony Gerber, Market Road will develop and produce series and feature content in both scripted and unscripted categories.
“Lynn and Tony have enjoyed unparalleled and acclaimed success in every form of storytelling that they’ve endeavored. We’re so excited to tap into their unique creative genius and to support the new and diverse voices that they seek out and nurture,” said Snider.
Nottage added that “Tony and I are beyond thrilled to partner with the team at Sister whose work and mandate are a beacon, a lightning rod for creators compelled to tell smart, character-driven, and culturally engaged stories.”
The company falls in line with Sister’s mission to support and invest in evocative and unusual storytellers.
- 3/2/2021
- by Matt Donnelly
- Variety Film + TV
Soo Hugh, television writer and executive producer of AMC’s “The Terror” and creator of ABC’s “The Whispers,” has inked a multi-year overall deal with Universal Content Productions to develop, write and produce projects for the studio.
In addition, Hugh will launch an incubator program with the goal of helping find new Asian talent to create shows and jumpstart fruitful careers in the entertainment industry.
“From ‘The Terror’ to ‘Pachinko,’ Soo has captured epic stories with intimate, complex characters. She’s the rare talent who has the ability to write across time and space while always making a show feel modern and unexpected. We are thrilled to partner with her to bring that vision and versatility to UCP,” UCP president Beatrice Springborn said in a statement.
Hugh, a Yale University and University of Southern California alumna, is currently working on bringing the award-winning Min Jin Lee novel “Pachinko” to...
In addition, Hugh will launch an incubator program with the goal of helping find new Asian talent to create shows and jumpstart fruitful careers in the entertainment industry.
“From ‘The Terror’ to ‘Pachinko,’ Soo has captured epic stories with intimate, complex characters. She’s the rare talent who has the ability to write across time and space while always making a show feel modern and unexpected. We are thrilled to partner with her to bring that vision and versatility to UCP,” UCP president Beatrice Springborn said in a statement.
Hugh, a Yale University and University of Southern California alumna, is currently working on bringing the award-winning Min Jin Lee novel “Pachinko” to...
- 2/26/2021
- by Mónica Marie Zorrilla
- Variety Film + TV
Writer-producer Soo Hugh is getting into business with UCP. Hugh has signed a multi-year overall deal to develop, write and produce projects for the studio, a division of Universal Studio Group. As part of the deal, Hugh will launch an incubator program with the mandate of helping new Asian voices create shows and establish careers in the industry.
Hugh is currently adapting Min Jin Lee’s international bestseller Pachinko as a drama series for Apple+. She also serves as showrunner and created the vision for the series, which chronicles the hopes and dreams of four generations of a Korean immigrant family. Previously, Hugh was the co-showrunner for the first season of AMC’s The Terror, the critically-acclaimed drama produced by Ridley Scott and starring Jared Harris, Ciaran Hinds and Tobias Menzies.
“From The Terror to Pachinko, Soo has captured epic stories with intimate, complex characters, said UCP President Beatrice Springborn.
Hugh is currently adapting Min Jin Lee’s international bestseller Pachinko as a drama series for Apple+. She also serves as showrunner and created the vision for the series, which chronicles the hopes and dreams of four generations of a Korean immigrant family. Previously, Hugh was the co-showrunner for the first season of AMC’s The Terror, the critically-acclaimed drama produced by Ridley Scott and starring Jared Harris, Ciaran Hinds and Tobias Menzies.
“From The Terror to Pachinko, Soo has captured epic stories with intimate, complex characters, said UCP President Beatrice Springborn.
- 2/26/2021
- by Denise Petski
- Deadline Film + TV
On the heels of two momentous performances on Sunday’s American Music Awards and ahead of the arrival of a new Netflix documentary, singer/songwriter Shawn Mendes, along with his longtime manager Andrew Gertler, have announced their entry into original content with Permanent Content, a new film and television production company that will develop scripted and documentary projects “focused on issues that impact or are important to today’s youth.”
Among its first projects is the Netflix Original documentary, “In Wonder,” which chronicles Mendes’ rise to the top strata of pop music. Noted video director Grant Singer directed the feature-length doc which was executive produced by Mendes and Gertler (for Permanent Content) and Ben Winston for Fulwell73.
“I’m so excited for the launch of Permanent Content, with the Netflix documentary as our first project, and so many more exciting things we’re working on,” said Mendes. “Our goal is...
Among its first projects is the Netflix Original documentary, “In Wonder,” which chronicles Mendes’ rise to the top strata of pop music. Noted video director Grant Singer directed the feature-length doc which was executive produced by Mendes and Gertler (for Permanent Content) and Ben Winston for Fulwell73.
“I’m so excited for the launch of Permanent Content, with the Netflix documentary as our first project, and so many more exciting things we’re working on,” said Mendes. “Our goal is...
- 11/23/2020
- by Jazz Tangcay and Shirley Halperin
- Variety Film + TV
Rohena Gera’s Sir has achieved glory all over the world. Its most recent victory has been in the 19th Annual New York Indian Film Festival held recently. The film has won the award for the Best Film while lead actress Tillotama Shome has bagged the Best Actress award at the festival.
An elated Rohena says, “I am just so delighted! The audience response was fantastic and that means the world. Winning an award in New York feels really special because I had my first film job in Manhattan at Paramount Pictures and then on the sets of Tony Gerber’s 5-Borough Film side streets. So coming back with a film feels like a full circle.”
She adds, “I am particularly pleased about Tillotama’s award because her portrayal of Ratna brought out the complexities of the situation and script, bringing alive an optimistic and intelligent character who has had...
An elated Rohena says, “I am just so delighted! The audience response was fantastic and that means the world. Winning an award in New York feels really special because I had my first film job in Manhattan at Paramount Pictures and then on the sets of Tony Gerber’s 5-Borough Film side streets. So coming back with a film feels like a full circle.”
She adds, “I am particularly pleased about Tillotama’s award because her portrayal of Ratna brought out the complexities of the situation and script, bringing alive an optimistic and intelligent character who has had...
- 5/15/2019
- by Stacey Yount
- Bollyspice
As the gap between great TV and great film narrows, so does the gap between their respective awards organizations. Can a project receive Oscars and Emmys? In some cases, the answer is a resounding “No”: The Academy of Motion Picture Arts & Sciences changed its rules after Ezra Edelman’s acclaimed ESPN documentary “O.J.: Made in America” won the 2017 Oscar. Never again, said AMPAS, will a multi-part TV “series” cross our stage.
Still, many two-hour documentary films see theatrical debuts before they hit television, which makes them eligible for both Oscars and Emmys. This year’s Oscar winner, “Icarus,” came from Netflix, as did Oscar-nominee “Strong Island.” And they are among the five films in the Documentary Emmy race, along with “Jane” (National Geographic), Matt Heinemann’s “City of Ghosts” (A&E) and “What Haunts Us” (Starz).
“Jane” has a chance at seven Emmys, including Exceptional Merit in Documentary Filmmaking, Directing,...
Still, many two-hour documentary films see theatrical debuts before they hit television, which makes them eligible for both Oscars and Emmys. This year’s Oscar winner, “Icarus,” came from Netflix, as did Oscar-nominee “Strong Island.” And they are among the five films in the Documentary Emmy race, along with “Jane” (National Geographic), Matt Heinemann’s “City of Ghosts” (A&E) and “What Haunts Us” (Starz).
“Jane” has a chance at seven Emmys, including Exceptional Merit in Documentary Filmmaking, Directing,...
- 7/30/2018
- by Anne Thompson
- Thompson on Hollywood
As the gap between great TV and great film narrows, so does the gap between their respective awards organizations. Can a project receive Oscars and Emmys? In some cases, the answer is a resounding “No”: The Academy of Motion Picture Arts & Sciences changed its rules after Ezra Edelman’s acclaimed ESPN documentary “O.J.: Made in America” won the 2017 Oscar. Never again, said AMPAS, will a multi-part TV “series” cross our stage.
Still, many two-hour documentary films see theatrical debuts before they hit television, which makes them eligible for both Oscars and Emmys. This year’s Oscar winner, “Icarus,” came from Netflix, as did Oscar-nominee “Strong Island.” And they are among the five films in the Documentary Emmy race, along with “Jane” (National Geographic), Matt Heinemann’s “City of Ghosts” (A&E) and “What Haunts Us” (Starz).
“Jane” has a chance at seven Emmys, including Exceptional Merit in Documentary Filmmaking, Directing,...
Still, many two-hour documentary films see theatrical debuts before they hit television, which makes them eligible for both Oscars and Emmys. This year’s Oscar winner, “Icarus,” came from Netflix, as did Oscar-nominee “Strong Island.” And they are among the five films in the Documentary Emmy race, along with “Jane” (National Geographic), Matt Heinemann’s “City of Ghosts” (A&E) and “What Haunts Us” (Starz).
“Jane” has a chance at seven Emmys, including Exceptional Merit in Documentary Filmmaking, Directing,...
- 7/30/2018
- by Anne Thompson
- Indiewire
The Shape of Water and Coco win big at the PGA AwardsThe Shape of Water and Coco win big at the PGA AwardsAdriana Floridia1/22/2018 11:50:00 Am
The Producers Guild of America gave out their top film prizes this weekend. The PGA is often indicative of which movie will win Best Picture on Oscar night.
Three Billboards Outside Ebbing, Missourihas been sweeping the awards race so far this year, but it looks like the edge may be given over to The Shape of Water, which won the coveted PGA on Saturday night. Three Billboards Outside Ebbing, Missouri is the film's biggest competition for a Best Picture Oscar at this rate. To no-one's surprise, Coco won in the animated category and it's a surefire lock for the Animated Feature prize at the Oscars.
Check out the full list of winners below!
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion...
The Producers Guild of America gave out their top film prizes this weekend. The PGA is often indicative of which movie will win Best Picture on Oscar night.
Three Billboards Outside Ebbing, Missourihas been sweeping the awards race so far this year, but it looks like the edge may be given over to The Shape of Water, which won the coveted PGA on Saturday night. Three Billboards Outside Ebbing, Missouri is the film's biggest competition for a Best Picture Oscar at this rate. To no-one's surprise, Coco won in the animated category and it's a surefire lock for the Animated Feature prize at the Oscars.
Check out the full list of winners below!
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion...
- 1/22/2018
- by Adriana Floridia
- Cineplex
“The Shape of Water” is rapidly becoming the Best Picture Oscar favorite after winning the 29th PGA Awards Saturday night, with producers Guillermo del Toro and J. Miles Dale taking home the top Darryl F. Zanuck prize. That’s two in a row for del Toro’s adult fairy tale of love and inclusion after topping the Critics Choice Awards, with momentum heading into Tuesday’s Oscar nominations.
Del Toro, though, winner of the Golden Globe for Best Director, was unable to attend. He was in Mexico with his ailing father. “The Shape of Water” co-star Richard Jenkins read a note on del Toro’s behalf, dedicating the award to both his parents.
For the first time, thanks to a tie, the PGA had a record 11 nominees, with “The Shape of Water” beating Golden Globe winner, “Three Billboards Outside Ebbing, Missouri” (both from Fox Searchlight). But “Three Billboards” is the...
Del Toro, though, winner of the Golden Globe for Best Director, was unable to attend. He was in Mexico with his ailing father. “The Shape of Water” co-star Richard Jenkins read a note on del Toro’s behalf, dedicating the award to both his parents.
For the first time, thanks to a tie, the PGA had a record 11 nominees, with “The Shape of Water” beating Golden Globe winner, “Three Billboards Outside Ebbing, Missouri” (both from Fox Searchlight). But “Three Billboards” is the...
- 1/21/2018
- by Bill Desowitz
- Indiewire
Honour keeps fantasy-drama on course for Oscar.
Source: Fox Searchlight
‘The Shape Of Water’
Fox Searchlight’s The Shape Of Water received a big fillip in its Oscar ambitions as it won the Producers Guild Of America’s (PGA) Darryl F. Zanuck for best feature at the 29th annual PGA Awards in Los Angeles on Saturday night (January 20).
The PGA best feature winner has gone on to win the best picture Oscar in 19 out of the last 27 years. That said, in the last two years PGA winners La La Land and The Big Short lost out at the Academy Awards to Moonlight and Spotlight.
Director-producer Guillermo del Toro was absent due to the ill health of his father in Mexico. His fellow producer J. Miles Dale collected the honour and read a message on behalf of del Toro.
Jordan Peele won the Stanley Kramer award for a film that raises awareness of social issues for Universal’s Get Out...
Source: Fox Searchlight
‘The Shape Of Water’
Fox Searchlight’s The Shape Of Water received a big fillip in its Oscar ambitions as it won the Producers Guild Of America’s (PGA) Darryl F. Zanuck for best feature at the 29th annual PGA Awards in Los Angeles on Saturday night (January 20).
The PGA best feature winner has gone on to win the best picture Oscar in 19 out of the last 27 years. That said, in the last two years PGA winners La La Land and The Big Short lost out at the Academy Awards to Moonlight and Spotlight.
Director-producer Guillermo del Toro was absent due to the ill health of his father in Mexico. His fellow producer J. Miles Dale collected the honour and read a message on behalf of del Toro.
Jordan Peele won the Stanley Kramer award for a film that raises awareness of social issues for Universal’s Get Out...
- 1/21/2018
- by Jeremy Kay
- ScreenDaily
The Producers Guild of America hands out its awards on Saturday, Jan. 20, 2018. That is the night before the Screen Actors Guild does the same. Unlike, the latter, which will air on TNT and TBS, the PGA ceremony is not televised. However, it is an equally important stop on the road to the Oscars.
The PGA Awards has an enviable track record at presaging the eventual Best Picture winner at the Academy Awards. The guild and the academy have agreed on 19 of the most recent 28 Best Picture champs. Last year, all nine Oscar nominees for Best Picture numbered among the 10 PGA contenders; only “Deadpool” was snubbed by the academy. The PGA prize went to “La La Land” while the Oscar was (eventually) won by “Moonlight.”
Discuss All the Oscar contenders with Hollywood insiders in our notorious forums
Nominees for the 29th annual edition of the PGA awards in the three film...
The PGA Awards has an enviable track record at presaging the eventual Best Picture winner at the Academy Awards. The guild and the academy have agreed on 19 of the most recent 28 Best Picture champs. Last year, all nine Oscar nominees for Best Picture numbered among the 10 PGA contenders; only “Deadpool” was snubbed by the academy. The PGA prize went to “La La Land” while the Oscar was (eventually) won by “Moonlight.”
Discuss All the Oscar contenders with Hollywood insiders in our notorious forums
Nominees for the 29th annual edition of the PGA awards in the three film...
- 1/20/2018
- by Paul Sheehan
- Gold Derby
//players.brightcove.net/416418724/default_default/index.min.js
First Lady Michelle Obama and Meryl Streep had much to celebrate on Tuesday when they hugged on stage at the White House.
The two were present at the debut screening of Obama’s new CNN documentary We Will Rise, which coincided with the International Day of the Girl.
AP Photo/Molly Riley
The two traveled together over the summer to Liberia and Morocco, alongwith Malia and Sasha Obama.
The screening of the documentary coincided with the International Day of the Girl.
The 67-year-old actress embraced Obama, 52, on stage during the event. The First Lady...
First Lady Michelle Obama and Meryl Streep had much to celebrate on Tuesday when they hugged on stage at the White House.
The two were present at the debut screening of Obama’s new CNN documentary We Will Rise, which coincided with the International Day of the Girl.
AP Photo/Molly Riley
The two traveled together over the summer to Liberia and Morocco, alongwith Malia and Sasha Obama.
The screening of the documentary coincided with the International Day of the Girl.
The 67-year-old actress embraced Obama, 52, on stage during the event. The First Lady...
- 10/12/2016
- by Alexia Fernandez
- PEOPLE.com
"The Notorious Mr. Bout," the latest doc from co-directors Tony Gerber ("Full Battle Rattle") and Maxim Pozdorovkin ("Pussy Riot: A Punk Prayer") delves into the life of a famous Russian arms dealer. Aside from terrific archival footage the film also takes a long look at the way Bout's case was handled and if it was done so fairly. Also whether or not that matters when everyone knows you're a bad, bad man.
- 11/4/2015
- by Christopher Llewellyn Reed
- Hammer to Nail
You may know the co-directors of The Notorious Mr. Bout for their prior individual projects, the likes include Maxim Pozdorovkin’s co-directed project HBO alongside Mike Lerner, Pussy Riot: A Punk Prayer, and Tony Gerber’s acclaimed collaboration with Jesse Moss, Full Battle Rattle, but together Pozdorovkin and Gerber have created a surprisingly funny depiction of international crime by profiling famed arms dealer and novice documentarian, Viktor Bout.
Utilizing a treasure trove of footage shot by the Merchant of Death himself, the filmmakers reimagine the glorified public image bestowed upon him by the bloodthirsty mainstream media by deeply investigating his entire mercantile career via interviews with his best friends and biggest enemies. The Notorious Mr. Bout has been picked up for distribution worldwide by Kaleidoscope Film Distribution, sadly excluding Us screens, so domestically they still seem to be waiting it out. The film premiered earlier this year in Park...
Utilizing a treasure trove of footage shot by the Merchant of Death himself, the filmmakers reimagine the glorified public image bestowed upon him by the bloodthirsty mainstream media by deeply investigating his entire mercantile career via interviews with his best friends and biggest enemies. The Notorious Mr. Bout has been picked up for distribution worldwide by Kaleidoscope Film Distribution, sadly excluding Us screens, so domestically they still seem to be waiting it out. The film premiered earlier this year in Park...
- 11/3/2015
- by Jordan M. Smith
- IONCINEMA.com
They say that truth is stranger than fiction, and while Viktor Bout inspired Nicolas Cage's character in "Lord Of War," the real story of the infamous arms dealer beats anything you could put down on paper. Today we have an exclusive clip from the documentary"The Notorious Mr. Bout" Read More: The Films Of Nicolas Cage: A Retrospective Directed by Tony Gerber and Maxim Pozdorovkin, the movie details the rise and fall of Russian entrepreneur, war profiteer, aviation magnate, arms smuggler and even amateur filmmaker Bout, who was captured in 2008. But as you'll see in the scene below, Bout was either the victim of entrapment or fell prey to a clever sting. Following a premiere at the Sundance Film Festival in 2014, "The Notorious Mr. Bout" hits VOD today. Watch below.
- 11/3/2015
- by Edward Davis
- The Playlist
Tinker, Tailer, Soldier, Spoof: Gerber & Pozdorovkin Indulge Bout
You probably know him by his wildly exaggerated media coined title, the ‘Merchant of Death’, or you might even remember Nicolas Cage’s war mongering Hollywood fictionalization of the man in Lord of War, but the real life Viktor Bout, though undeniably complicit in the black market arms trade, may have been more a business savvy buffoon than the master of ballistics he’s thought to be. Collaborating for the first time, directors Tony Gerber and Maxim Pozdorovkin paint a very different picture of the man than we are used to seeing. Harvesting a wealth of hilarious and humanizing home movies shot by Bout himself and his wife, Alla, the filmmakers reveal a man not obsessed with weaponry nor money, but one whose joy springs from time spent with his adoring network of family and friends, as well as from the simple pleasures of tourism,...
You probably know him by his wildly exaggerated media coined title, the ‘Merchant of Death’, or you might even remember Nicolas Cage’s war mongering Hollywood fictionalization of the man in Lord of War, but the real life Viktor Bout, though undeniably complicit in the black market arms trade, may have been more a business savvy buffoon than the master of ballistics he’s thought to be. Collaborating for the first time, directors Tony Gerber and Maxim Pozdorovkin paint a very different picture of the man than we are used to seeing. Harvesting a wealth of hilarious and humanizing home movies shot by Bout himself and his wife, Alla, the filmmakers reveal a man not obsessed with weaponry nor money, but one whose joy springs from time spent with his adoring network of family and friends, as well as from the simple pleasures of tourism,...
- 11/3/2015
- by Jordan M. Smith
- IONCINEMA.com
I enjoyed Andrew Niccol‘s Lord of War when it came out in 2005. It was a fast-paced, enjoyable ride down the rabbit hole of the illegal arms trade, but I had no idea Nicolas Cage‘s character Yuri Orlov was based on a real life “Merchant of Death”. His name is Viktor Bout and he wasn’t even arrested until three years after Hollywood sensationalized the myth of his businessman seen as an international criminal throughout the media. As directors Tony Gerber and Maxim Pozdorovkin sought to tell a tale within this sector of gun smuggling, he of course would prove the logical subject to focus on. The fact he was an amateur filmmaker who documented his travels via home video only made the prospect more intriguing.
Their documentary The Notorious Mr. Bout begins with the 2008 sting operation that brought the titular Russian down. There he sits in grainy black...
Their documentary The Notorious Mr. Bout begins with the 2008 sting operation that brought the titular Russian down. There he sits in grainy black...
- 11/3/2015
- by Jared Mobarak
- The Film Stage
Read More: Exclusive: Meet The Man Who Inspired 'Lord Of War' In Clip From Sundance Doc 'The Notorious Mr. Bout' Andrew Niccol's 2005 film "Lord of War" earned Nicolas Cage some of the best reviews of his varied career. Cage played Yuri Orlov, a Ukrainian-American gunrunner, and now the inspiration behind the character is coming to light in a new documentary from Tony Gerber and Maxim Pozdorovkin. Titled "The Notorious Mr. Bout," the doc exposes the wild life and unconvential professions of Russian buisnessman Viktor Bout. The official synopsis reads: "Viktor Bout was a Russian entrepreneur, a war profiteer, an aviation magnate, an arms smuggler and, strangest of all, an amateur filmmaker. Until three days prior to his 2008 arrest on charges of conspiring to kill Americans, Bout kept the camera running, documenting a life spent in the grey areas of international law. Dubbed the 'merchant of death,' Viktor Bout...
- 10/6/2015
- by Zack Sharf
- Indiewire
The 6th annual Migrating Forms will be returning to the BAMcinématek in Brooklyn, New York on December 10-18 for a full week of new and classic experimental media.
The fun kicks off with the lyrical portrait of North Korea, Songs From the North, for which filmmaker Soon-Mi Yoo compiled footage from popular films, state-organized demonstrations and home video from her own visits to the country.
Highlights of the fest include a three-film retrospective of documentarian William Greaves, Still a Brother, The Fight and Symbiopsychotaxiplasm: Take One; a new consumerist exploration by Cory Arcangel, Freshbuzz (www.subway.com); the oblique narrative Don’t Go Back to Sleep by Stanya Kahn; and the Hong Kong experimental post-apocalyptic The Midnight After by Fruit Chan.
The full lineup for the 2014 Migrating Forms is below:
December 10
8:00 p.m.: Songs From the North, dir. Soon-Mi Yoo. This portrait of North Korea has been crafted...
The fun kicks off with the lyrical portrait of North Korea, Songs From the North, for which filmmaker Soon-Mi Yoo compiled footage from popular films, state-organized demonstrations and home video from her own visits to the country.
Highlights of the fest include a three-film retrospective of documentarian William Greaves, Still a Brother, The Fight and Symbiopsychotaxiplasm: Take One; a new consumerist exploration by Cory Arcangel, Freshbuzz (www.subway.com); the oblique narrative Don’t Go Back to Sleep by Stanya Kahn; and the Hong Kong experimental post-apocalyptic The Midnight After by Fruit Chan.
The full lineup for the 2014 Migrating Forms is below:
December 10
8:00 p.m.: Songs From the North, dir. Soon-Mi Yoo. This portrait of North Korea has been crafted...
- 12/10/2014
- by Mike Everleth
- Underground Film Journal
“Who’s Mr Bout?” is the first thing anyone asks on hearing the title. Think Nicolas Cage’s unscrupulous arms dealer in Lord of War (2005) and you have the answer. However, whereas Cage’s fictitiously-named Yuri Orlov, who is based on Mr Bout, the ‘Merchant of Death’, is slightly insane, the real-life character in directors Tony Gerber and Maxim Pozdorovkin’s documentary comes across as anything but – initially, more jolly capitalist cashing in on a lucrative shipping market in post-Soviet Russia than abject rogue.
The film is pieced together with homemade video from filmmaking enthusiast Viktor Bout to build a picture of him at home and in ‘the workplace’. It then follows the timeline of events until his arrest in Thailand in 2008, following a Us government sting operation that all seems too ‘easy’ to be true. There is also ‘present-day’ commentary from his loyal wife, Alla, as she bravely faces...
The film is pieced together with homemade video from filmmaking enthusiast Viktor Bout to build a picture of him at home and in ‘the workplace’. It then follows the timeline of events until his arrest in Thailand in 2008, following a Us government sting operation that all seems too ‘easy’ to be true. There is also ‘present-day’ commentary from his loyal wife, Alla, as she bravely faces...
- 8/16/2014
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
Thanks to the increase in access to small scale non-fiction films through the barrage of streaming services viewers now have access to – Netflix, Hulu Plus, Amazon Prime, Mubi, Vudu, etc – people are watching more documentaries than ever before. You can literally turn on any web ready device of your choosing and be watching any number of top quality docs within a number of seconds. It’s nothing short of incredible. But, with ease of access comes an over saturation of content used to fill in the curatorial gaps. For every Marwencol, Senna, Gimme Shelter or The Act of Killing, there are heaps of ordures cinéma clogging up precious bandwidth. And let’s not forget, cinemas themselves are enjoying a renewed trust in the non-fiction form, exhibiting over 100 documentaries on the silver screen last year and banking over $50 Million at the box office in the process, not including the hundreds of...
- 7/28/2014
- by Jordan M. Smith
- IONCINEMA.com
Ifp announced its 2014 slate of 133 new films in development and works in progress selected for its esteemed Project Forum at Independent Film Week. This one-of-a-kind event brings the international film and media community to New York City to advance new projects by nurturing the work of both emerging and established independent artists and filmmakers. Through the Project Forum, creatives connect with financiers, executives, influencers and decision-makers in film, television, new media and cross-platform storytelling that can help them complete their latest works and connect with audiences. Under the curatorial leadership of Deputy Director/Head of Programming Amy Dotson & Senior Director of Programming Milton Tabbot, this one-of-a-kind event takes place September 14-18, 2014 at Lincoln Center supporting bold new content from a wide variety of domestic and international artists.
“As we set to embark on our 36th Independent Film Week, we are impressed by the outstanding slate of both U.S. and international projects selected for this year’s Project Forum,” said Joana Vicente, Executive Director of Ifp. “We know that the industry will be as excited as we are with the accomplished storytellers and their diverse and boundary pushing films.”
Featured works at the 2014 Independent Film Week include filmmakers and content creators from a variety of backgrounds and experiences. From documentarians Tony Gerber ("Full Battle Rattle"), Pamela Yates ("Granito: How To Nail A Dictator"), and Penny Lane ("Our Nixon") to Michelangelo Frammartino ("Quattro Volte") and Alexis Dos Santos ("Unmade Beds"), as well as new work from critically acclaimed artists and directors Aurora Guerrero ("Mosquita y Mari"), Barry Jenkins ("Medicine for Melancholy"), Travis Matthews ("Interior. Leather. Bar") and Yen Tan ("Pit Stop").
Independent Film Week brings the international film and media community to New York City to advance new documentary and narrative works-in-progress and support the future of storytelling. The program nurtures the work of both emerging and established independent artists and filmmakers through the facilitation of over 3,500+ custom, one-to-one meetings with the financiers, executives, influencers and decision-makers in film, television, new media and cross-platform storytelling that can help them complete their latest works and connect with audiences. In recent years, it has also played a vital role in launching the first films of many of today’s rising stars on the independent scene including Rama Burshtein ("Fill The Void"), Derek Cianfrance ("Blue Valentine"), Marshall Curry ("If A Tree Falls: A Story of the Earth LIberation Front"), Laura Poitras ("The Oath"), Denis Villeneuve ("Incendies") and Benh Zeitlin ("Beasts of the Southern Wild").
For the full 2014 Project Forum slate visit Here
New For 2014
Evenly split between documentary and narrative features, selected projects hail from throughout the U.S., Europe and Canada, as well Africa, Asia, South America, and the Middle East. New this year, Ifp will be including web series in it programming, as well as spotlighting Latin & Central American artists and content with 15 projects featured across all programs in the Forum.
In a joint effort to recognize the importance of career and creative sustainability, Ifp and Durga Entertainment have partnered on a new $20,000 filmmaker grant for an alumnus of Ifp. The grant is intended for active, working filmmakers who are also balancing a filmmaking career with parenting. The grant provides a $20,000 unrestricted prize to encourage the recipient to continue on her or his career path of making quality independent films. American directors or screenwriters working in narrative film who have participated in the Ifp Filmmaker Labs or Ifp Independent Film Week's Emerging Storytellers or No-Borders International Co-Production market are encouraged to apply by the deadline of August 8, 2014.
Narrative Feature Highlights
Narrative features and webseries in Rbc’s Emerging Storytellers and No Borders International Co-Production Market sections highlight new work from top emerging and established creative visionaries on the U.S. and international independent scene.
This year’s slate includes new feature scripts featuring directors Dev Benegal ("Road, Movie"), Alexis Dos Santos ("Unmade Beds"), Jason Cortlund and Julia Halperin ("Now, Forager"), Michelangelo Frammartino ("Le Quattro Volte"),Terry George ("Hotel Rwanda"), Rashaad Ernesto Green ("Gun Hill Road"), Aurora Guerrero ("Mosquita Y Mari"), Barry Jenkins ("Medicine for Melancholy"),Alison Klayman ("Ai Weiwei: Never Sorry"), Travis Mathews ("Interior. Leather Bar"), Stacie Passon ("Concussion"), Yen Tan ("Pit Stop"), as well as up-an-coming actor/directors Karrie Crouse ("Land Ho!") and Peter Vack ("Fort Tilden""I Believe in Unicorns").
Producers and executive producers of note attached to participating projects include Jennifer Dubin and Cora Olson ("Good Dick"), Jonathan Duffy and Kelly Williams ("Hellion"),Laura Heberton ("Gayby"), Dan Janvey ("Beasts of the Southern Wild"), Kishori Rajan ("Gimme the Loot"), Adele Romanski ("The Myth of the American Sleepover"), Kim Sherman ("A Teacher"), Susan Stover ("High Art"), and Alicia Van Couvering ("Tiny Furniture").
Web Storytellers Highlights
For the first time this year, Ifp presents a dedicated spotlight within the Rbc’s Emerging Storytellers program for creators developing episodic content for digital platforms. The inaugural slate for the Web Storytellers spotlight includes new works from filmmakers Desiree Akhavan ("Appropriate Behavior", HBO’s Girls), Calvin Reeder ("The Rambler"), and Gregory Bayne ("Person of Interest"), as well as producers Elisabeth Holm ("Obvious Child"), Susan Leber ( "Down to the Bone"), and Amanda Warman ("The Outs,"Whatever This Is"). Two of the series participating are currently in post-production, and will be making their online debut in the coming months – Rachel Morgan’s Middle Americans, starring Scott Thompson, Carlen Altman, and Alex Rennie, and Daniel Zimbler and Elisabeth Gray’s Understudies, starring Richard Kind and David Rasche. [p Spotlight On Documentaries Highlights
The documentary selection includes new work from seasoned non-fiction directors such as Emmy winners Robert Bahar andAlmudena Carracedo ("Made in La"), Pamela Yates ("Granito: How to Nail a Dictator"),Ramona Diaz ("Imelda," "Don’t Stop Believin’") Gini Reticker ("Pray the Devil Back to Hell") Tony Gerber ("Full Battle Rattle"); from producers such as Court 13’s Benh Zeitlin and Dan Janvey ("Beasts of the Southern Wild"), Liran Atzmor ("The Law in These Parts"), Tim Williams ("Once In A Lifetime") and Hilla Medalia ("Web Junkie"), and follow-up second features from recent doc world “breakouts”Steve Hoover ("Blood Brother") Penny Lane ("Our Nixon"), Michael Collins ("Give Up Tomorrow"), and Michael Nichols and Christopher Walker ("Flex is Kings").
Exciting new work from debut documentary directors previously known for fiction films include Alex Sichel ("All over Me") with her personal doc The Movie about Anna, Lisa Cortés (producer, "Precious") with "Mothership: The Untold Story of Women and Hip Hop," and Daniel Patrick Carbone ("Hide Your Smiling Faces") with Phantom Cowboys.
Sponsors
Independent Film Week’s Premier sponsors are Royal Bank of Canada (Rbc) and HBO. Gold sponsors are A&E IndieFilms and SAGIndie. Silver sponsors are Durga Entertainment, Eastman Kodak Company, National Film & Video Foundation of South Africa and Telefilm Canada. Official Independent Film Week Partner is Film Society of Lincoln Center. Independent Film Week is supported, in part, by funds provided by the Ford Foundation, New York City Department of Cultural Affairs, New York State Council for the Arts and Time Warner Foundation.
About Ifp
The Independent Filmmaker Project (Ifp) champions the future of storytelling by connecting artists with essential resources at all stages of development and distribution. The organization fosters a vibrant and sustainable independent storytelling community through its year-round programs, which include Independent Film Week, Filmmaker Magazine, the Gotham Independent Film Awards and the Made in NY Media Center by Ifp, a new incubator space developed with the Mayor’s Office of Media and Entertainment. Ifp represents a growing network of 10,000 storytellers around the world, and plays a key role in developing 350 new feature and documentary works each year. During its 35-year history, Ifp has supported over 8,000 projects and offered resources to more than 20,000 filmmakers, including Debra Granik, Miranda July, Michael Moore, Dee Rees, and Benh Zeitlin. More info at www.ifp.org.
“As we set to embark on our 36th Independent Film Week, we are impressed by the outstanding slate of both U.S. and international projects selected for this year’s Project Forum,” said Joana Vicente, Executive Director of Ifp. “We know that the industry will be as excited as we are with the accomplished storytellers and their diverse and boundary pushing films.”
Featured works at the 2014 Independent Film Week include filmmakers and content creators from a variety of backgrounds and experiences. From documentarians Tony Gerber ("Full Battle Rattle"), Pamela Yates ("Granito: How To Nail A Dictator"), and Penny Lane ("Our Nixon") to Michelangelo Frammartino ("Quattro Volte") and Alexis Dos Santos ("Unmade Beds"), as well as new work from critically acclaimed artists and directors Aurora Guerrero ("Mosquita y Mari"), Barry Jenkins ("Medicine for Melancholy"), Travis Matthews ("Interior. Leather. Bar") and Yen Tan ("Pit Stop").
Independent Film Week brings the international film and media community to New York City to advance new documentary and narrative works-in-progress and support the future of storytelling. The program nurtures the work of both emerging and established independent artists and filmmakers through the facilitation of over 3,500+ custom, one-to-one meetings with the financiers, executives, influencers and decision-makers in film, television, new media and cross-platform storytelling that can help them complete their latest works and connect with audiences. In recent years, it has also played a vital role in launching the first films of many of today’s rising stars on the independent scene including Rama Burshtein ("Fill The Void"), Derek Cianfrance ("Blue Valentine"), Marshall Curry ("If A Tree Falls: A Story of the Earth LIberation Front"), Laura Poitras ("The Oath"), Denis Villeneuve ("Incendies") and Benh Zeitlin ("Beasts of the Southern Wild").
For the full 2014 Project Forum slate visit Here
New For 2014
Evenly split between documentary and narrative features, selected projects hail from throughout the U.S., Europe and Canada, as well Africa, Asia, South America, and the Middle East. New this year, Ifp will be including web series in it programming, as well as spotlighting Latin & Central American artists and content with 15 projects featured across all programs in the Forum.
In a joint effort to recognize the importance of career and creative sustainability, Ifp and Durga Entertainment have partnered on a new $20,000 filmmaker grant for an alumnus of Ifp. The grant is intended for active, working filmmakers who are also balancing a filmmaking career with parenting. The grant provides a $20,000 unrestricted prize to encourage the recipient to continue on her or his career path of making quality independent films. American directors or screenwriters working in narrative film who have participated in the Ifp Filmmaker Labs or Ifp Independent Film Week's Emerging Storytellers or No-Borders International Co-Production market are encouraged to apply by the deadline of August 8, 2014.
Narrative Feature Highlights
Narrative features and webseries in Rbc’s Emerging Storytellers and No Borders International Co-Production Market sections highlight new work from top emerging and established creative visionaries on the U.S. and international independent scene.
This year’s slate includes new feature scripts featuring directors Dev Benegal ("Road, Movie"), Alexis Dos Santos ("Unmade Beds"), Jason Cortlund and Julia Halperin ("Now, Forager"), Michelangelo Frammartino ("Le Quattro Volte"),Terry George ("Hotel Rwanda"), Rashaad Ernesto Green ("Gun Hill Road"), Aurora Guerrero ("Mosquita Y Mari"), Barry Jenkins ("Medicine for Melancholy"),Alison Klayman ("Ai Weiwei: Never Sorry"), Travis Mathews ("Interior. Leather Bar"), Stacie Passon ("Concussion"), Yen Tan ("Pit Stop"), as well as up-an-coming actor/directors Karrie Crouse ("Land Ho!") and Peter Vack ("Fort Tilden""I Believe in Unicorns").
Producers and executive producers of note attached to participating projects include Jennifer Dubin and Cora Olson ("Good Dick"), Jonathan Duffy and Kelly Williams ("Hellion"),Laura Heberton ("Gayby"), Dan Janvey ("Beasts of the Southern Wild"), Kishori Rajan ("Gimme the Loot"), Adele Romanski ("The Myth of the American Sleepover"), Kim Sherman ("A Teacher"), Susan Stover ("High Art"), and Alicia Van Couvering ("Tiny Furniture").
Web Storytellers Highlights
For the first time this year, Ifp presents a dedicated spotlight within the Rbc’s Emerging Storytellers program for creators developing episodic content for digital platforms. The inaugural slate for the Web Storytellers spotlight includes new works from filmmakers Desiree Akhavan ("Appropriate Behavior", HBO’s Girls), Calvin Reeder ("The Rambler"), and Gregory Bayne ("Person of Interest"), as well as producers Elisabeth Holm ("Obvious Child"), Susan Leber ( "Down to the Bone"), and Amanda Warman ("The Outs,"Whatever This Is"). Two of the series participating are currently in post-production, and will be making their online debut in the coming months – Rachel Morgan’s Middle Americans, starring Scott Thompson, Carlen Altman, and Alex Rennie, and Daniel Zimbler and Elisabeth Gray’s Understudies, starring Richard Kind and David Rasche. [p Spotlight On Documentaries Highlights
The documentary selection includes new work from seasoned non-fiction directors such as Emmy winners Robert Bahar andAlmudena Carracedo ("Made in La"), Pamela Yates ("Granito: How to Nail a Dictator"),Ramona Diaz ("Imelda," "Don’t Stop Believin’") Gini Reticker ("Pray the Devil Back to Hell") Tony Gerber ("Full Battle Rattle"); from producers such as Court 13’s Benh Zeitlin and Dan Janvey ("Beasts of the Southern Wild"), Liran Atzmor ("The Law in These Parts"), Tim Williams ("Once In A Lifetime") and Hilla Medalia ("Web Junkie"), and follow-up second features from recent doc world “breakouts”Steve Hoover ("Blood Brother") Penny Lane ("Our Nixon"), Michael Collins ("Give Up Tomorrow"), and Michael Nichols and Christopher Walker ("Flex is Kings").
Exciting new work from debut documentary directors previously known for fiction films include Alex Sichel ("All over Me") with her personal doc The Movie about Anna, Lisa Cortés (producer, "Precious") with "Mothership: The Untold Story of Women and Hip Hop," and Daniel Patrick Carbone ("Hide Your Smiling Faces") with Phantom Cowboys.
Sponsors
Independent Film Week’s Premier sponsors are Royal Bank of Canada (Rbc) and HBO. Gold sponsors are A&E IndieFilms and SAGIndie. Silver sponsors are Durga Entertainment, Eastman Kodak Company, National Film & Video Foundation of South Africa and Telefilm Canada. Official Independent Film Week Partner is Film Society of Lincoln Center. Independent Film Week is supported, in part, by funds provided by the Ford Foundation, New York City Department of Cultural Affairs, New York State Council for the Arts and Time Warner Foundation.
About Ifp
The Independent Filmmaker Project (Ifp) champions the future of storytelling by connecting artists with essential resources at all stages of development and distribution. The organization fosters a vibrant and sustainable independent storytelling community through its year-round programs, which include Independent Film Week, Filmmaker Magazine, the Gotham Independent Film Awards and the Made in NY Media Center by Ifp, a new incubator space developed with the Mayor’s Office of Media and Entertainment. Ifp represents a growing network of 10,000 storytellers around the world, and plays a key role in developing 350 new feature and documentary works each year. During its 35-year history, Ifp has supported over 8,000 projects and offered resources to more than 20,000 filmmakers, including Debra Granik, Miranda July, Michael Moore, Dee Rees, and Benh Zeitlin. More info at www.ifp.org.
- 7/25/2014
- by Peter Belsito
- Sydney's Buzz
On the heels of the 39th edition of the Toronto Int. Film Festival (Sept 4-14), Ifp’s Independent Film Week is where a plethora of fiction, non-fiction and new this year, web-based series from the likes of Desiree Akhavan and Calvin Reeder find future coin. Sectioned off as projects at the very beginning of financing to those that are nearing completion, there happens to be tons of Sundance alumni in the names below. Among those that caught our attention we have Medicine for Melancholy‘s Barry Jenkins’ sophomore feature, produced by Bad Milo!‘s Adele Romanski, Moonlight is about “two Miami boys navigate the temptations of the drug trade and their burgeoning sexuality in this triptych drama about black queer youth”. Concussion‘s Stacie Passon digs into the thriller genre with Strange Things Started Happening. Produced by vet Mary Jane Skalski (Mysterious Skin), this is about “a woman who has...
- 7/24/2014
- by Eric Lavallee
- IONCINEMA.com
Ifp, Filmmaker Magazine’s publisher, announced today the 133 new films in development and works in progress chosen for its Independent Film Wee Forum Project. A complete list of the projects can be found here. Featured works at the 2014 Independent Film Week include filmmakers and content creators from a variety of backgrounds and experiences, from documentarians Tony Gerber (Full Battle Rattle), Pamela Yates (Granito: How To Nail A Dictator), and Penny Lane (Our Nixon) to Michelangelo Frammartino (Le Quattro Volte) and Alexis Dos Santos (Unmade Beds), as well as new work from critically acclaimed artists and directors Aurora Guerrero (Mosquito […]...
- 7/23/2014
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Ifp, Filmmaker Magazine’s publisher, announced today the 133 new films in development and works in progress chosen for its Independent Film Wee Forum Project. A complete list of the projects can be found here. Featured works at the 2014 Independent Film Week include filmmakers and content creators from a variety of backgrounds and experiences, from documentarians Tony Gerber (Full Battle Rattle), Pamela Yates (Granito: How To Nail A Dictator), and Penny Lane (Our Nixon) to Michelangelo Frammartino (Le Quattro Volte) and Alexis Dos Santos (Unmade Beds), as well as new work from critically acclaimed artists and directors Aurora Guerrero (Mosquito […]...
- 7/23/2014
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Ifp top brass announced on Wednesday (23) their 2014 slate of 133 films in development and works-in-progress selected for Project Forum at Independent Film Week.
Film-makers will include documentarians Tony Gerber (Full Battle Rattle), Pamela Yates (Granito: How To Nail A Dictator) and Penny Lane (Our Nixon) as well as Michelangelo Frammartino (Quattro Volte) and Alexis Dos Santos (Unmade Beds).
For the first time, Ifp will include web series as well as a spotlight on Latin & Central American artists and content.
Ifp and Durga Entertainment have partnered on an inaugural $20,000 film-maker grant for an alumnus of Ifp. The grant is intended for working film-makers who are also balancing a filmmaking career with parenting.
Click here for the full 2014 Project Forum slate.
The San Francisco Film Society has launched a suite of film-maker support services. The Sffs Producers Initiative will support independent producers currently working on narrative feature projects, through a combination of financial support, programmes, mentorship...
Film-makers will include documentarians Tony Gerber (Full Battle Rattle), Pamela Yates (Granito: How To Nail A Dictator) and Penny Lane (Our Nixon) as well as Michelangelo Frammartino (Quattro Volte) and Alexis Dos Santos (Unmade Beds).
For the first time, Ifp will include web series as well as a spotlight on Latin & Central American artists and content.
Ifp and Durga Entertainment have partnered on an inaugural $20,000 film-maker grant for an alumnus of Ifp. The grant is intended for working film-makers who are also balancing a filmmaking career with parenting.
Click here for the full 2014 Project Forum slate.
The San Francisco Film Society has launched a suite of film-maker support services. The Sffs Producers Initiative will support independent producers currently working on narrative feature projects, through a combination of financial support, programmes, mentorship...
- 7/23/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Catapult Film Fund, a company that provides documentary filmmakers with development funding, has announced the recipients of their Spring 2014 Grant Awards. While in previous years only seven projects were recognized, an increase in funding has added three more projects to the mix this year. The following filmmakers and films are the recipients of this year's awards (descriptions courtesy of Catapult):"A Blind Eye," director Kirsten JohnsonDrawing on footage she's shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition, and human obligation that come with filming the lives of others. "American Warlord," director Tony Gerber"American Warlord" details the journey of Charles Taylor's American-born son "Chucky" from the suburban ghettos of Orlando, Florida to one of Africa's most violent civil wars, charting his transformation from a troubled teenager with hip-hop...
- 5/22/2014
- by Eric Eidelstein
- Indiewire
"Lord of War" may not have been Nicolas Cage's shining moment, but it probably looked great on paper. The movie sees Cage jet-setting all over the planet with suitcases full of money, and making high-stakes weapons deals in exotic countries. The film is based on the life of Russian arms dealer Viktor Bout, and while "Lord of War" may have been a so-so movie, Bout's real life exploits are anything but average.
A new documentary about Bout -- "The Notorious Mr. Bout" -- has made its way to Hot Docs, and it's well worth a look. It may not be as flashy as Hollywood, but it does fill in the blanks on this unimaginable and surprisingly human story. Viktor Bout doesn't love it, but his nickname is "The Merchant of Death." According to authorities around the world, he has earned every letter of this macabre moniker, but Bout thinks...
A new documentary about Bout -- "The Notorious Mr. Bout" -- has made its way to Hot Docs, and it's well worth a look. It may not be as flashy as Hollywood, but it does fill in the blanks on this unimaginable and surprisingly human story. Viktor Bout doesn't love it, but his nickname is "The Merchant of Death." According to authorities around the world, he has earned every letter of this macabre moniker, but Bout thinks...
- 5/2/2014
- by Mark Wigmore
- Moviefone
The Pussy Riot documentary, Pussy Riot: A Punk Prayer, had its world premiere last year at Sundance. The doc was co-directed by Russian filmmaker Maxin Pozdorovkin, who now is teamed with a different director (Tony Gerber), but returned to the same festival with another documentary that explores a polemical legal case. Meet Viktor Bout. Russian. Businessman. Video aficionado. And, apparently, the notorious Taliban-supporting arms trafficker who inspired the Nicolas Cage movie Lord of War and conspired to kill Americans in 2008. The Notorious Mr. Bout asks simple yet precise questions: Who is Bout? What lead to his 2008 arrest by the DEA? Is he really the so-called "Merchant of Death" who supported terrorists and deserves to be incarcerated? To find these answers, the documentarians present...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 1/28/2014
- Screen Anarchy
The merchant of death. One of the most dangerous men on the face of the Earth. The man who inspired the Nicolas Cage flick "Lord of War." There has been nothing understated about the life of Viktor Bout, and now his tale will be told in the forthcoming "The Notorious Mr. Bout," premiering at the Sundance Film Festival in the World Cinema Documentary Competition category. Directed by Tony Gerber and Maxim Pozdorovkin, the documentary tells the remarkable true story of the Russian entrepreneur, aviation magnate, amateur filmmaker (really) and arms smuggler, who spent a life dancing between the legalities of international law while becoming one of the most infamous people in his trade. Utilizing home video, DEA surveillance footage and more, "The Notorious Mr. Bout" tells of his rise and fall, and his fame which spread around the globe. And in this exclusive clip from the film, we see a...
- 1/13/2014
- by Kevin Jagernauth
- The Playlist
The Sundance Film Festival has unveiled its 2014 Competition lineup, made up of several categories. The 30th edition of the event will take place between January 16th-26th in the new year.
U.S. Dramatic Competition
Camp X-Ray (Peter Sattler)
Cold in July (Jim Mickle)
Dear White People (Justin Simien)
Fishing Without Nets (Cutter Hodierne)
John's Pocket (John Slattery)
Happy Christmas (Joe Swanberg)
Hellion (Kat Candler)
Infinitely Polar Bear (Maya Forbes)
Jamie Marks is Dead (Carter Smith)
Kumiko, the Treasure Hunter (David Zellner)
Life After Beth (Jeff Baena)
Low Down (Joe Preiss)
The Skeleton Twins (Craig Johnson)
The Sleepwalker (Mona Fastvold)
Song One (Kate Barker-Froyland)
Whiplash (Damien Chazelle)
U.S. Documentary Competition
Alive Inside: A Story of Music & Memory (Michael Rossato-Bennett)
All the Beautiful Things (John Harkrider)
Captivated: The Trials of Pamela Smart (Jeremiah Zagar)
The Case Against 8 (Ben Cotner, Ryan White)
Cesar's Last Fast (Richard Ray Perez, Lorena Parlee...
U.S. Dramatic Competition
Camp X-Ray (Peter Sattler)
Cold in July (Jim Mickle)
Dear White People (Justin Simien)
Fishing Without Nets (Cutter Hodierne)
John's Pocket (John Slattery)
Happy Christmas (Joe Swanberg)
Hellion (Kat Candler)
Infinitely Polar Bear (Maya Forbes)
Jamie Marks is Dead (Carter Smith)
Kumiko, the Treasure Hunter (David Zellner)
Life After Beth (Jeff Baena)
Low Down (Joe Preiss)
The Skeleton Twins (Craig Johnson)
The Sleepwalker (Mona Fastvold)
Song One (Kate Barker-Froyland)
Whiplash (Damien Chazelle)
U.S. Documentary Competition
Alive Inside: A Story of Music & Memory (Michael Rossato-Bennett)
All the Beautiful Things (John Harkrider)
Captivated: The Trials of Pamela Smart (Jeremiah Zagar)
The Case Against 8 (Ben Cotner, Ryan White)
Cesar's Last Fast (Richard Ray Perez, Lorena Parlee...
- 12/6/2013
- by Notebook
- MUBI
The 2014 Sundance Film Festival is right around the corner, and the Sundance Institute has released the full line-up for the competition films that will be premiering!
This year there were 12,218 total submissions, and 117 films were accepted from 37 countries around the world. It looks like there's a lot of good selection of films this year.
The Sundance Film Festival 2014 runs from January 16th to the 26th, and the GeekTyrant team will be there to cover as many movies as we possibly can.
U.S. Dramatic Competition
The 16 films in this section are world premieres and, unless otherwise noted, are from the U.S.
“Camp X-Ray” — Directed and written by Peter Sattler. A young female guard at Guantanamo Bay forms an unlikely friendship with one of the detainees. Cast: Kristen Stewart, Payman Maadi, Lane Garrison, J.J. Soria, John Carroll Lynch.
“Cold in July” — Directed by Jim Mickle, written by Nick Damici.
This year there were 12,218 total submissions, and 117 films were accepted from 37 countries around the world. It looks like there's a lot of good selection of films this year.
The Sundance Film Festival 2014 runs from January 16th to the 26th, and the GeekTyrant team will be there to cover as many movies as we possibly can.
U.S. Dramatic Competition
The 16 films in this section are world premieres and, unless otherwise noted, are from the U.S.
“Camp X-Ray” — Directed and written by Peter Sattler. A young female guard at Guantanamo Bay forms an unlikely friendship with one of the detainees. Cast: Kristen Stewart, Payman Maadi, Lane Garrison, J.J. Soria, John Carroll Lynch.
“Cold in July” — Directed by Jim Mickle, written by Nick Damici.
- 12/5/2013
- by Joey Paur
- GeekTyrant
Sundance Film Festival continues to be one of the most popular, and arguably one of the most important, events on the industry calendar, launching as it does some of the most prominent independent films at the start of each year.
This year will be no different, with Sundance announcing last night the initial line-up of films screening in competition, led by Song One, starring Anne Hathaway; Camp X-Ray, starring Kristen Stewart; Infinitely Polar Bear, with Mark Ruffalo and Zoe Saldana; Joe Swanberg’s Happy Christmas, starring Anna Kendrick, Melanie Lynskey, Mark Webber, Lena Dunham, and Swanberg himself; The Skeleton Twins, with Bill Hader, Kristen Wiig, Luke Wilson, and Ty Burrell; Life After Beth, with Aubrey Plaza, Dane DeHaan, and John C. Reilly; Listen Up Philip, with Jason Schwartzman and Elisabeth Moss; Whiplash, starring Miles Teller and J.K. Simmons; and many, many more.
U.S. Dramatic Competition
Presenting the world premieres of 16 narrative feature films,...
This year will be no different, with Sundance announcing last night the initial line-up of films screening in competition, led by Song One, starring Anne Hathaway; Camp X-Ray, starring Kristen Stewart; Infinitely Polar Bear, with Mark Ruffalo and Zoe Saldana; Joe Swanberg’s Happy Christmas, starring Anna Kendrick, Melanie Lynskey, Mark Webber, Lena Dunham, and Swanberg himself; The Skeleton Twins, with Bill Hader, Kristen Wiig, Luke Wilson, and Ty Burrell; Life After Beth, with Aubrey Plaza, Dane DeHaan, and John C. Reilly; Listen Up Philip, with Jason Schwartzman and Elisabeth Moss; Whiplash, starring Miles Teller and J.K. Simmons; and many, many more.
U.S. Dramatic Competition
Presenting the world premieres of 16 narrative feature films,...
- 12/5/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
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