The Best Visual Effects is often the place where the Academy recognizes what it is frequently accused of avoiding elsewhere: mainstream spectacle. Blockbusters reign in this category, at least at the nomination stage, with fantasy films, franchises and other money-makers always featuring prominently. The branch also has its specific fetishes, at least historically (talking animals immediately jumps to mind), though, in recent years, it has seemingly been all 3D, all the time. There are dozens if not hundreds of individuals who work on a film’s visual effects but the nomination can ultimately be shared by only four of them – usually the special effects supervisor and three visual effects supervisors. While some names are "favorites" of the branch (John Frazier, Joe Letteri), this branch is hardly the most insular and tends to be more concerned about the work on display. We will receive a hint of the way they are...
- 10/9/2014
- by Gerard Kennedy
- Hitfix
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