Paris Images Online, an industry showcase promoting locations in the French capital, has lured some of France’s top dogs, including Federation Entertainment’s Pascal Breton, “Sing 2” producer Jacques Bled, and “Notre Dame on Fire” filmmaker Jean-Jacques Annaud. The conference is taking place on Jan. 24 as part of the Paris Images conference, which kicks off Thursday and runs through Jan. 29.
Co-organized by France’s National Film Board (Cnc), the event comprises several round tables and case studies bringing together professionals and talents who worked on high-profile films and TV shows, which recently shot or did their post-production in Paris, from Ridley Scott’s “The Last Duel,” to Tom McCarthy’s “Stillwater,” season 2 of “Emily in Paris” and the upcoming “Marie-Antoinette” series.
The event kicks off with a case study on “The Last Duel” with Béatrice Bauwens, VFX and post director at Mpc Film & Episodic, John Bernard, producer and CEO at Peninsula Film,...
Co-organized by France’s National Film Board (Cnc), the event comprises several round tables and case studies bringing together professionals and talents who worked on high-profile films and TV shows, which recently shot or did their post-production in Paris, from Ridley Scott’s “The Last Duel,” to Tom McCarthy’s “Stillwater,” season 2 of “Emily in Paris” and the upcoming “Marie-Antoinette” series.
The event kicks off with a case study on “The Last Duel” with Béatrice Bauwens, VFX and post director at Mpc Film & Episodic, John Bernard, producer and CEO at Peninsula Film,...
- 1/20/2022
- by Elsa Keslassy
- Variety Film + TV
France’s heroic leader Charles de Gaulle might have lent his name to airports and famed metropolitan intersections as one of the previous century’s most pivotal political figures. But save for a TV film here and a documentary there, he surprisingly has never been granted a major biopic of his own before. In that regard, writer-director Gabriel Le Bomin’s epically scaled, mainstream wartime drama “De Gaulle” feels sorely overdue, which makes it all the more frustrating that it’s saddle with a lackluster script unworthy of its larger-than-life subject and cookie-cutter visual aesthetics.
Then again, perhaps no cinematic endeavor could really do justice to the significant legacy of de Gaulle, a leader who shepherded Free France Forces against the Nazi Germany as an army officer, helped rebuild democracy in his nation in the mid ’40s as the head of the Provisional Government of the French Republic and served...
Then again, perhaps no cinematic endeavor could really do justice to the significant legacy of de Gaulle, a leader who shepherded Free France Forces against the Nazi Germany as an army officer, helped rebuild democracy in his nation in the mid ’40s as the head of the Provisional Government of the French Republic and served...
- 10/20/2021
- by Tomris Laffly
- Variety Film + TV
Mentoring emerging cinematographers has always been a key mission at the EnergaCamerimage International Film Festival and this year’s online version of the event features a score of streaming master classes and seminars that inform and offer insights from top filmmakers and technology experts.
Streaming through the end of 2020 (online.energacamerimage.pl), the talks and teach-ins are, with rare exceptions, accessible without a password or online Camerimage entry card – unlike the usual live format of master classes at the festival, which invariably sell out if you don’t find a seat at least 20 minutes before the start.
One of the buzziest events from the festival, which officially ran Nov. 13-20, is the virtual career masterclass with cinematographer Phedon Papamichael, in which he discusses his remarkable career, leading up to his latest feature, Aaron Sorkin’s “The Trial of the Chicago 7.”
The Netflix drama is built around the sensational political...
Streaming through the end of 2020 (online.energacamerimage.pl), the talks and teach-ins are, with rare exceptions, accessible without a password or online Camerimage entry card – unlike the usual live format of master classes at the festival, which invariably sell out if you don’t find a seat at least 20 minutes before the start.
One of the buzziest events from the festival, which officially ran Nov. 13-20, is the virtual career masterclass with cinematographer Phedon Papamichael, in which he discusses his remarkable career, leading up to his latest feature, Aaron Sorkin’s “The Trial of the Chicago 7.”
The Netflix drama is built around the sensational political...
- 12/18/2020
- by Will Tizard
- Variety Film + TV
Cold War, Roma also win awards.
The Fortress cinematographer Ji-yong Kim won the Golden Frog in main competition at Camerimage, the international film festival for the art of cinematography.
Scroll down for full list of winners
The 26th edition was held in Bydgoszcz, Poland from November 10 - 17.
The Fortress, directed by Dong-hyuk Hwang, tells the story of the second Manchu invasion of Korea in 1636. Ji-yong Kim was also awarded the best cinematographer award at this year’s Asian Film Awards.
Polish cinematographer Lukasz Zal won the Silver Frog for Pawel Pawlikowski’s black-and-white drama Cold War, Poland’s official foreign language Oscar entry.
The Fortress cinematographer Ji-yong Kim won the Golden Frog in main competition at Camerimage, the international film festival for the art of cinematography.
Scroll down for full list of winners
The 26th edition was held in Bydgoszcz, Poland from November 10 - 17.
The Fortress, directed by Dong-hyuk Hwang, tells the story of the second Manchu invasion of Korea in 1636. Ji-yong Kim was also awarded the best cinematographer award at this year’s Asian Film Awards.
Polish cinematographer Lukasz Zal won the Silver Frog for Pawel Pawlikowski’s black-and-white drama Cold War, Poland’s official foreign language Oscar entry.
- 11/18/2018
- by Tiffany Pritchard
- ScreenDaily
Camerimage, the weeklong celebration of cinematography in Bydgoszcz, Poland, comes to a close today by handing out its prestigious Frog prizes. The big winner was South Korean drama “The Fortress,” which won the top prize, the Golden Frog, in the Main Competition. The film directed by Dong-Hyuk Hwang and lensed by Ji Yong Kim was a massive hit in its home country in late 2017 and has since been released in 28 countries, including the U.S., reaching 3.8 million viewers worldwide.
The competition jury gave the Silver Frog to cinematographer Łukasz Żal for “Cold War” and the Bronze Frog to director-cinematographer Alfonso Cuarón for “Roma.” With over 900 cinematographers from around the world in attendance, many voting members of the Asc, Camerimage is an important bellwether for the Oscar race for Best Cinematography. The silver and bronze prizes should be a big boost for the two black-and-white films angling for Oscar nominations.
Five years ago,...
The competition jury gave the Silver Frog to cinematographer Łukasz Żal for “Cold War” and the Bronze Frog to director-cinematographer Alfonso Cuarón for “Roma.” With over 900 cinematographers from around the world in attendance, many voting members of the Asc, Camerimage is an important bellwether for the Oscar race for Best Cinematography. The silver and bronze prizes should be a big boost for the two black-and-white films angling for Oscar nominations.
Five years ago,...
- 11/17/2018
- by Chris O'Falt
- Indiewire
(l-r) Guillaume Canet as author Emile Zola and Guillaume Gallienne as painter Paul Cezanne, in Daniele Thompson’s biopic Cezanne Et Moi. Photo by Luc Roux. Courtesy of Magnolia Pictures ©
The French film Cezanne Et Moi (“Cezanne and I”) focuses on the real life-long, if sometimes stormy, friendship between a painter and an author. The “moi” in this historical drama is novelist Emile Zola, and the artist is, of course, post-Impressionist painter Paul Cezanne. One has to wonder why the filmmakers didn’t just title the film “Cezanne and Zola.” The title suggests that the story is told from Zola’s point-of-view but while it might favor Zola’s view-point a little, the film actually spends more screen time with Cezanne, wonderfully played by Guillaume Gallienne. Zola is played by French star Guillaume Canet, and the two Guillaumes are terrific in their scenes together
Strong acting, lush visuals, and historical...
The French film Cezanne Et Moi (“Cezanne and I”) focuses on the real life-long, if sometimes stormy, friendship between a painter and an author. The “moi” in this historical drama is novelist Emile Zola, and the artist is, of course, post-Impressionist painter Paul Cezanne. One has to wonder why the filmmakers didn’t just title the film “Cezanne and Zola.” The title suggests that the story is told from Zola’s point-of-view but while it might favor Zola’s view-point a little, the film actually spends more screen time with Cezanne, wonderfully played by Guillaume Gallienne. Zola is played by French star Guillaume Canet, and the two Guillaumes are terrific in their scenes together
Strong acting, lush visuals, and historical...
- 4/21/2017
- by Cate Marquis
- WeAreMovieGeeks.com
Guillaume Gallienne and Guillaume Canet are Paul Cézanne and Émile Zola in Danièle Thompson's Cézanne Et Moi
Where else can you find Édouard Manet (Nicolas Gob), Camille Pissarro (Romain Cottard), Guy de Maupassant (Félicien Juttner), Baptistin Baille (Pierre Yvon), Auguste Renoir (Alexandre Kouchner), Ambroise Vollard (Laurent Stocker), Francisco Oller (Pablo Cisneros), Achille Empéraire (Romain Lancry), Père Tanguy (Christian Hecq), Frédéric Bazille (Patrice Tepasso), the great Sabine Azéma as Paul Cézanne's mother, and Glasgow's own Freya Mavor (Joann Sfar's The Lady In The Car With Glasses And A Gun) as the mother to Zola's children - all in one film?
Danièle Thompson on Jean-Marie Dreujou: "He's a wonderful cinematographer." Photo: Anne-Katrin Titze
Déborah François (of Régis Roinsard's Populaire) is Hortense, Cézanne's wife, Alice Pol is Zola's wife Alexandrine, and his mother Émilie is played by Isabelle Candelier. Back and forth in time we jump, from...
Where else can you find Édouard Manet (Nicolas Gob), Camille Pissarro (Romain Cottard), Guy de Maupassant (Félicien Juttner), Baptistin Baille (Pierre Yvon), Auguste Renoir (Alexandre Kouchner), Ambroise Vollard (Laurent Stocker), Francisco Oller (Pablo Cisneros), Achille Empéraire (Romain Lancry), Père Tanguy (Christian Hecq), Frédéric Bazille (Patrice Tepasso), the great Sabine Azéma as Paul Cézanne's mother, and Glasgow's own Freya Mavor (Joann Sfar's The Lady In The Car With Glasses And A Gun) as the mother to Zola's children - all in one film?
Danièle Thompson on Jean-Marie Dreujou: "He's a wonderful cinematographer." Photo: Anne-Katrin Titze
Déborah François (of Régis Roinsard's Populaire) is Hortense, Cézanne's wife, Alice Pol is Zola's wife Alexandrine, and his mother Émilie is played by Isabelle Candelier. Back and forth in time we jump, from...
- 3/24/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Juries revealed for Un Certain Regard, Short Films & Cinéfondation and Caméra d’or.
Swiss actress Marthe Keller is to preside over the Un Certain Regard jury at the upcoming Cannes Film Festival (May 11-22). Keller is still perhaps best known for her role opposite Dustin Hoffman in Marathon Man (1976) and will next be seen in Joachim Lafosse’s After Love, which will play in Directors’ Fortnight at Cannes.
The jury, which will consider 18 films in competition, includes: Mexican filmmaker Diego Luno, who stars in the upcoming Star Wars spin-off Rogue One; Ruben Ostlund, the Swedish director of Un Certain Regard jury prize winner Force Majeure (2014); and French actress Céline Sallette, perhaps best known for roles in Rust And Bone (2012) and TV series The Returned.
The winners will be announced on May 21.
Un Certain RegardInversion, Behnam Behzadi (Iran)Apprentice, Boo Junfeng (Singapore)The Stopover, Delphine Coulin & Muriel Coulin (France)The Dancer, Stéphanie Di Giusto (France...
Swiss actress Marthe Keller is to preside over the Un Certain Regard jury at the upcoming Cannes Film Festival (May 11-22). Keller is still perhaps best known for her role opposite Dustin Hoffman in Marathon Man (1976) and will next be seen in Joachim Lafosse’s After Love, which will play in Directors’ Fortnight at Cannes.
The jury, which will consider 18 films in competition, includes: Mexican filmmaker Diego Luno, who stars in the upcoming Star Wars spin-off Rogue One; Ruben Ostlund, the Swedish director of Un Certain Regard jury prize winner Force Majeure (2014); and French actress Céline Sallette, perhaps best known for roles in Rust And Bone (2012) and TV series The Returned.
The winners will be announced on May 21.
Un Certain RegardInversion, Behnam Behzadi (Iran)Apprentice, Boo Junfeng (Singapore)The Stopover, Delphine Coulin & Muriel Coulin (France)The Dancer, Stéphanie Di Giusto (France...
- 4/28/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Carol, Suffragette and Rams also among 15 titles in competition at cinematography festival.
The titles in the running for the main competition at the 23rd Camerimage (Nov 14-21), the International Film Festival of the Art of Cinematography, have been revealed.
A total of 15 films will vie for the Golden Frog, Silver Frog and Bronze Frog awards, to be awarded to those titles representing the greatest achievements in cinematography at the festival, held in the Polish city of Bydgoszcz.
13 Minutes (Ger)
dir. Oliver Hirschbiegel, cin. Judith Kaufmann
The 33 (Chile)
dir. Patricia Riggen, cin. Checco Varese
Brooklyn (Can-uk-Ire)
dir. John Crowley, cin. Yves Belanger
Carol (UK-us)
dir. Todd Haynes, cin. Ed Lachman
I Saw The Light (Us)
Marc Abraham, cin. Dante Spinotti
Mad Max: Fury Road (Aus)
dir. George Miller, cin. John Seale
The Midwife (Fin)
dir. Antti J. Jokinen’, cin. Rauno Ronkainen
Rams (Den-Ice)
dir. Grímur Hákonarson, cin. Sturla Brandth Grøvlen
The Red Spider (Cze-Slo-Pol)
dir. Marcin Koszałka...
The titles in the running for the main competition at the 23rd Camerimage (Nov 14-21), the International Film Festival of the Art of Cinematography, have been revealed.
A total of 15 films will vie for the Golden Frog, Silver Frog and Bronze Frog awards, to be awarded to those titles representing the greatest achievements in cinematography at the festival, held in the Polish city of Bydgoszcz.
13 Minutes (Ger)
dir. Oliver Hirschbiegel, cin. Judith Kaufmann
The 33 (Chile)
dir. Patricia Riggen, cin. Checco Varese
Brooklyn (Can-uk-Ire)
dir. John Crowley, cin. Yves Belanger
Carol (UK-us)
dir. Todd Haynes, cin. Ed Lachman
I Saw The Light (Us)
Marc Abraham, cin. Dante Spinotti
Mad Max: Fury Road (Aus)
dir. George Miller, cin. John Seale
The Midwife (Fin)
dir. Antti J. Jokinen’, cin. Rauno Ronkainen
Rams (Den-Ice)
dir. Grímur Hákonarson, cin. Sturla Brandth Grøvlen
The Red Spider (Cze-Slo-Pol)
dir. Marcin Koszałka...
- 10/28/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
★★★★☆ It's been more than two decades since audiences last got to see a new film from visionary Chilean director Alejandro Jodorowsky, with Frank Pavich's documentary on an abandoned sci-fi epic - Jodorowsky's Dune (2013) - looking like being the closet they might get. Now comes The Dance of Reality (2013), an absurdist dreamscape of a biopic that begins with the director himself addressing the camera extolling the the life-giving power of money; presumably by way of an explanation for his twenty-five year absence and its abrupt end. While still a carnival of politics and sex, in keeping with his most famous work, it's significantly more sincere story of myth and memory.
The edges of his provocation have been rounded and wilful obfuscation is less of a hurdle than viewers may have had to leap in the past; though this may not be surprising for a film that purports to tell of his family history.
The edges of his provocation have been rounded and wilful obfuscation is less of a hurdle than viewers may have had to leap in the past; though this may not be surprising for a film that purports to tell of his family history.
- 9/13/2015
- by CineVue UK
- CineVue
Release Date: Out Now Director: Patrice Leconte Cinematographer: Jean-Marie Dreujou Studio/Run Time: Severin Films, 80 min. Cambodia from the eyes of a tourist Most documentary narrators act like khaki-clad tour guides, measuring their self-importance by the number of factoids they can send in one ear and out the other. Dogora is a documentary that features no narrator or dialogue; instead, filmmaker Patrice Leconte cues Etienne Perruchon’s compositions (one of which is the documentary’s namesake) to add a sense of grandeur to Cambodians’ day-to-day lives. With wide-eyed fascination, Leconte’s camera peers over a group of kids sleeping under an outdoor...
- 7/26/2010
- Pastemagazine.com
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