In the contemporary landscape of supernatural investigators on television—high school cheerleaders adept at martial arts and chiseled GQ hunks offering quips with every shot of a silver bullet—Carl Kolchak would appear to be an anomaly. The name itself is likely unknown to the younger generation, lest they faintly recall handsome Stuart Townsend briefly playing the role on ABC in 2005 before disintegrating into the televisual ether.
But before this scant resurrection, there was the original Kolchak. Author Jeff Rice’s unpublished manuscript The Kolchak Papers was picked up by producer Dan Curtis, the creator of Dark Shadows, to be filmed as a made-for-television movie in 1972 that would star established actor Darren McGavin as the irascible reporter. The film, retitled The Night Stalker, dealt with the Las Vegas inkslinger’s investigation into a series of prostitute deaths that turned out to be the work of red-eyed and centuries-old vampire Janos Skorzeny.
But before this scant resurrection, there was the original Kolchak. Author Jeff Rice’s unpublished manuscript The Kolchak Papers was picked up by producer Dan Curtis, the creator of Dark Shadows, to be filmed as a made-for-television movie in 1972 that would star established actor Darren McGavin as the irascible reporter. The film, retitled The Night Stalker, dealt with the Las Vegas inkslinger’s investigation into a series of prostitute deaths that turned out to be the work of red-eyed and centuries-old vampire Janos Skorzeny.
- 12/3/2014
- by Jose Cruz
- SoundOnSight
Title: Close-Up Writer-director: Jose Cruz, Jr. Starring: Shaun Paul Costello, Valentina Mohle, Brian Gallagher, Jacqueline Schneider, Brian Anthony Wilson, with Alan Ruck and Ryan Dunn One of the common pitfalls of independent film comes by way of the navel-gazing that, perhaps somewhat understandably, a hard-grinding life of either on-the-fringe or upwardly mobile artistic endeavor engenders and encourages. Movies about would-be filmmakers or struggling actors and other artists are of course neither automatically good nor bad, but do often lose themselves in a thicket of puffed-up self-importance, mistaking their impediments and human efforts as somehow automatically more interesting than that of the so-called common man, and thus requiring of less dramatic lift....
- 6/10/2011
- by bsimon
- ShockYa
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