New York-based The Film Sales Company has pounced on the worldwide rights to Colombian documentary feature “Igualada” by Juan Mejía Botero ahead of its world premiere at the Sundance Film Festival in the World Cinema Documentary Competition sidebar.
Mejía Botero, whose most recent feature documentary “Death by a Thousand Cuts” won the Audience Award at Doc NYC, chronicles politician Francia Márquez’s groundbreaking journey from her start as a rural grassroot activist to her history-making campaign to become not only the first black but also the first female president of her native Colombia.
Given exclusive access, Mejía Botero follows Márquez as she “dares to challenge the status quo by launching a presidential campaign in Colombia, a nation beset by profound racial and socio-economic disparities,” per the synopsis.
Reclaiming the derogatory term “igualada” (used to belittle individuals asserting rights deemed beyond their position in society), Márquez propels a movement into the upper spheres of influence,...
Mejía Botero, whose most recent feature documentary “Death by a Thousand Cuts” won the Audience Award at Doc NYC, chronicles politician Francia Márquez’s groundbreaking journey from her start as a rural grassroot activist to her history-making campaign to become not only the first black but also the first female president of her native Colombia.
Given exclusive access, Mejía Botero follows Márquez as she “dares to challenge the status quo by launching a presidential campaign in Colombia, a nation beset by profound racial and socio-economic disparities,” per the synopsis.
Reclaiming the derogatory term “igualada” (used to belittle individuals asserting rights deemed beyond their position in society), Márquez propels a movement into the upper spheres of influence,...
- 1/8/2024
- by Anna Marie de la Fuente
- Variety Film + TV
It is not often that we come across a decent film on friendships sans drama coming out of Mexico. This Latino industry worldwide is known for its telenovela style of storytelling and filmmaking, which turns over the top and preposterous in no time. Thankfully, Maquíllame Otra Vez, loosely translated to Making it Up, is a Mexican movie written and directed by Guillermo Calderón that is broadly about female friendships, sisterhood, and how just a simple act of love and caring is what matters, and there need not be a spectacle to showcase that.
The plot of this one-hour, forty-minute film is simple. There is a small group of very talented makeup artists who are out of work and are desperately looking for a job. They come across another friend who seems to have contacts, but she is battling her demons and is trying very hard to overcome it. Maneuvering between odd jobs,...
The plot of this one-hour, forty-minute film is simple. There is a small group of very talented makeup artists who are out of work and are desperately looking for a job. They come across another friend who seems to have contacts, but she is battling her demons and is trying very hard to overcome it. Maneuvering between odd jobs,...
- 7/2/2023
- by Smriti Kannan
- Film Fugitives
Editor’s note: This review was originally published at the 2022 Sundance Film Festival. Kino Lorber releases the film in theaters on Friday, May 19.
“The Cow Who Sang a Song into the Future” uses magical realism to blend the story of a family deeply scarred by a suicide decades ago, and a fable of Mother Nature crying out for help. Thankfully, Francisca Alegría’s feature debut manages to be hauntingly moving and hopeful instead of angry and pessimistic, like Adam McKay’s recent doomsday satire “Don’t Look Up.”
The fish are dying from pollution, the bees are disappearing, and the milking cows are not far behind, not unlike the beginning of Douglas Adam’s “Hitchhiker’s Guide to the Galaxy.” And like the 2005 adaptation of the book, the lamentations of the animals is presented in song form, with the fish and cows singing woes of death and despair, begging for their...
“The Cow Who Sang a Song into the Future” uses magical realism to blend the story of a family deeply scarred by a suicide decades ago, and a fable of Mother Nature crying out for help. Thankfully, Francisca Alegría’s feature debut manages to be hauntingly moving and hopeful instead of angry and pessimistic, like Adam McKay’s recent doomsday satire “Don’t Look Up.”
The fish are dying from pollution, the bees are disappearing, and the milking cows are not far behind, not unlike the beginning of Douglas Adam’s “Hitchhiker’s Guide to the Galaxy.” And like the 2005 adaptation of the book, the lamentations of the animals is presented in song form, with the fish and cows singing woes of death and despair, begging for their...
- 1/28/2022
- by Rafael Motamayor
- Indiewire
The Red Sea International Film Festival has set the lineup for its inaugural edition which runs from December 6-15 in Jeddah, Saudi Arabia.
The roster includes 138 titles from 67 countries and will open with MGM’s Joe Wright-directed musical romance Cyrano. The film previously played Telluride and Rome among others and releases domestically on December 31. Among highlights are also Netflix’s Venice Film Festival drama The Lost Daughter. Closing the Red Sea Fest is the world premiere of Egyptian director Amr Salama’s Bara El Manhag.
Sixteen films will run in the competition which is focused on films from Asia, Africa and the Arab world (see full list below). They will vie for the Golden Yusr Award as well as in individual directing, acting and writing categories. Among the titles screening are Hany Abu-Assad’s Huda’s Salon, Georgian Oscar submission Brighton 4th and Panah Panahi’s Hit The Road.
Kaleem Aftab,...
The roster includes 138 titles from 67 countries and will open with MGM’s Joe Wright-directed musical romance Cyrano. The film previously played Telluride and Rome among others and releases domestically on December 31. Among highlights are also Netflix’s Venice Film Festival drama The Lost Daughter. Closing the Red Sea Fest is the world premiere of Egyptian director Amr Salama’s Bara El Manhag.
Sixteen films will run in the competition which is focused on films from Asia, Africa and the Arab world (see full list below). They will vie for the Golden Yusr Award as well as in individual directing, acting and writing categories. Among the titles screening are Hany Abu-Assad’s Huda’s Salon, Georgian Oscar submission Brighton 4th and Panah Panahi’s Hit The Road.
Kaleem Aftab,...
- 11/9/2021
- by Nancy Tartaglione
- Deadline Film + TV
Women are dominating the Chilean film industry more than ever, replicating what is happening across most of Latin America. In Bolivia, 85% of the producers are said to be women and in Mexico, nearly half of the audiovisual workforce is female. Of the 10 key Chilean titles participating at the Marché du Film Online Producers Network Spotlight this year, eight are produced by women.
Films made by this ever-growing generation of female producers are “ever more robust, of a larger caliber, with big casts, and made in international co-production, not small films made with just Chilean funding,” says Constanza Arena, executive director of Chilean film-tv promotion board CinemaChile. She cites Florencia Larrea’s “My Tender Matador,” Macarena Lopez’s “La Felicidad,” Gabriela Sandoval’s “Jailbreak Pact” and Karina Jury’s “Vera de Verdad,” co-produced with Italy and selected for the Marché du Film’s Frontières genre showcase.
“The whole industry is evolving...
Films made by this ever-growing generation of female producers are “ever more robust, of a larger caliber, with big casts, and made in international co-production, not small films made with just Chilean funding,” says Constanza Arena, executive director of Chilean film-tv promotion board CinemaChile. She cites Florencia Larrea’s “My Tender Matador,” Macarena Lopez’s “La Felicidad,” Gabriela Sandoval’s “Jailbreak Pact” and Karina Jury’s “Vera de Verdad,” co-produced with Italy and selected for the Marché du Film’s Frontières genre showcase.
“The whole industry is evolving...
- 6/22/2020
- by Shalini Dore
- Variety Film + TV
Buenos Aires – Ventana Sur’s Opening Windows conference series welcomed an esteemed line-up of women in film to Buenos Aires’ Uca campus on Wednesday afternoon for a panel that sought to familiarize the audience with the enormous weight of breaking into a male-dominated industry throughout the years.
Among the panelists was Argentine Producer Lita Stantic, who has been in the industry since she swapped out her career as a journalist in the ‘60s. She recalls, “I was 20 years old, and there were no women in cinema, and I studied journalism because I wanted to be, let’s say, I thought that the only way to be near cinema was to write film criticism.” She then went on to regale the audience with her inspiring foray into film that began when she started creating short films, continuing to have an illustrious career as a producer, working on films like “La Ciénaga,...
Among the panelists was Argentine Producer Lita Stantic, who has been in the industry since she swapped out her career as a journalist in the ‘60s. She recalls, “I was 20 years old, and there were no women in cinema, and I studied journalism because I wanted to be, let’s say, I thought that the only way to be near cinema was to write film criticism.” She then went on to regale the audience with her inspiring foray into film that began when she started creating short films, continuing to have an illustrious career as a producer, working on films like “La Ciénaga,...
- 12/7/2019
- by Holly Jones
- Variety Film + TV
Santiago De Chile – When Dominga Sotomayor won an unprecedented best director prize at Switzerland’s Locarno Festival for her coming-of-age drama “Too Late to Die Young,” a big cheer resounded throughout the Chilean film industry.
As the first female director to receive Locarno’s Leopard for Best Direction, Sotomayor represents a growing surge of female talent – both creative and executive – behind the camera in Chile.
Constanza Arena, executive director of Chilean audiovisual promotion org CinemaChile, noted: “I remember that eight years ago, as the head of CinemaChile, the only producers I’d meet with were male.” “Nowadays, I’ve seen a greater parity, especially among the younger professionals aged between 20 and 35 years,” she added.
In CinemaChile’s film catalogue, Arena noted that 20 titles were directed by women, of which eight were fiction and 12 documentary, listing other female directors like Marcela Said, Claudia Huaiquimilla, Marialy Rivas and Maite Alberdi “who have...
As the first female director to receive Locarno’s Leopard for Best Direction, Sotomayor represents a growing surge of female talent – both creative and executive – behind the camera in Chile.
Constanza Arena, executive director of Chilean audiovisual promotion org CinemaChile, noted: “I remember that eight years ago, as the head of CinemaChile, the only producers I’d meet with were male.” “Nowadays, I’ve seen a greater parity, especially among the younger professionals aged between 20 and 35 years,” she added.
In CinemaChile’s film catalogue, Arena noted that 20 titles were directed by women, of which eight were fiction and 12 documentary, listing other female directors like Marcela Said, Claudia Huaiquimilla, Marialy Rivas and Maite Alberdi “who have...
- 8/22/2018
- by Anna Marie de la Fuente
- Variety Film + TV
It’s a wonderful thing to be proven wrong after declaring a little-known character actor to have had a once-in-a-career moment — when that unforeseen breakthrough merely paves the way for an unexpectedly fruitful career. So it is with Chile’s Paulina Garcia, whose vibrant late-career performance in 2013’s “Gloria” turned out to be a fixed bolt from the blue, its reverberations running the gamut from TV’s “Narcos” to Ira Sachs’ “Little Men.” Now, in Cecilia Atán and Valeria Pivato’s wistfully gorgeous miniature “The Desert Bride,” it has a true and worthy companion piece.
Another story of middle-aged female loneliness and displacement, Atán and Pivato’s anecdote-scaled film is presented through a quieter, more fragile narrative prism than “Gloria’s,” as a repressed domestic worker’s unplanned pit stop en route to a new job opens the narrowest of windows onto a new life altogether. It’s a loving...
Another story of middle-aged female loneliness and displacement, Atán and Pivato’s anecdote-scaled film is presented through a quieter, more fragile narrative prism than “Gloria’s,” as a repressed domestic worker’s unplanned pit stop en route to a new job opens the narrowest of windows onto a new life altogether. It’s a loving...
- 5/1/2018
- by Guy Lodge
- Variety Film + TV
Labs take place over two sessions at Sundance Resort, Utah, in July.
Sundance Institute has announced the eight projects selected for its annual Documentary Edit and Story Labs.
The Documentary Edit and Story Lab is centred on nurturing non-fiction storytellers during the later stages of post-production.
The selected projects are:
Always In Season (Us) Jacqueline Olive (director)
Charm City (Us) Marilyn Ness (director), Don Bernier (editor)
Facing The Dragon (Afghanistan/Us) Sedika Mojadidi (director), Sinead Kinnane (editor)
Freedom Fields (UK/Libya) Naziha Arebi (director), Alice Powell (editor)
Impeachment (Brazil) Petra Costa (director), Jordana Berg (editor)
The Infiltrators (Us) Cristina Ibarra (co-director/co-editor), Alex Rivera (co-director/co-editor)
People’s Republic Of Desire (China/Us)Hao Wu (director), Nanfu Wang (editor)
Warrior Women (Us) Christina D. King (co-director), Elizabeth Castle (co-director), Kristen Nutile (editor)
Overseen by documentary film programme director Tabitha Jackson and Labs director Kristin Feeley, each lab connects independent director and editor teams with seasoned documentary filmmakers...
Sundance Institute has announced the eight projects selected for its annual Documentary Edit and Story Labs.
The Documentary Edit and Story Lab is centred on nurturing non-fiction storytellers during the later stages of post-production.
The selected projects are:
Always In Season (Us) Jacqueline Olive (director)
Charm City (Us) Marilyn Ness (director), Don Bernier (editor)
Facing The Dragon (Afghanistan/Us) Sedika Mojadidi (director), Sinead Kinnane (editor)
Freedom Fields (UK/Libya) Naziha Arebi (director), Alice Powell (editor)
Impeachment (Brazil) Petra Costa (director), Jordana Berg (editor)
The Infiltrators (Us) Cristina Ibarra (co-director/co-editor), Alex Rivera (co-director/co-editor)
People’s Republic Of Desire (China/Us)Hao Wu (director), Nanfu Wang (editor)
Warrior Women (Us) Christina D. King (co-director), Elizabeth Castle (co-director), Kristen Nutile (editor)
Overseen by documentary film programme director Tabitha Jackson and Labs director Kristin Feeley, each lab connects independent director and editor teams with seasoned documentary filmmakers...
- 6/8/2017
- ScreenDaily
The Sundance Institute has announced the eight projects selected for its annual Documentary Edit and Story Lab, which will take place in two sessions at the Sundance Resort in Utah, including June 23 – July 1 and July 7 – 15. The Documentary Edit and Story Lab was designed to “create an incubation space for nonfiction storytellers to creatively interrogate their projects during the later stages of post-production. Among the breathtaking scenery of the Sundance Mountain Resort, filmmakers take advantage of the Lab’s creative environment to intensively explore story, dramatic structure and character development, centering their work around their own original motivation and intention.”
The Lab will be overseen by Documentary Film Program Director Tabitha Jackson and Labs Director Kristin Feeley, and will combine independent director and editor teams with world-renowned documentary filmmakers who serve as mentors and advisors. For the second year, the Lab will also host writers-in-residence Eric Hynes and Logan Hill, as...
The Lab will be overseen by Documentary Film Program Director Tabitha Jackson and Labs Director Kristin Feeley, and will combine independent director and editor teams with world-renowned documentary filmmakers who serve as mentors and advisors. For the second year, the Lab will also host writers-in-residence Eric Hynes and Logan Hill, as...
- 6/8/2017
- by Kate Erbland
- Indiewire
Fortaleza – Andres Wood’s Violeta Went to Heaven, a biopic of Chilean songwriter and folklorist Violeta Parra, topped the Ceara Ibero American Film Fest, which closed last night at the Jose Alencar Theater in the city of Fortaleza with a screening of Halder Gomes’ Cine Hollyudi. Violeta received the Usd 10,000 Mucuripe Award for Best Film, as well as Best Editing (to Andrea Chignoli) and Best Script (to writers Eliseo Altunaga, Rodrigo Bazaes, Guillermo Calderon and Andres Wood) The film, starring Francisca Gavilan recently picked up a Grand Jury Prize in Sundance. Story: Social Struggles Take Over Brazilian Festival
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- 6/9/2012
- by Agustin Mango
- The Hollywood Reporter - Movie News
HollywoodNews.com: The Tribeca Film Institute (Tfi) announced the award winners for the Tfi Latin America Media Arts Fund and first-ever Heineken Voces grant at a celebration over the weekend for Latin American filmmakers during the Tribeca Film Festival. The funds, totaling $60,000, support innovative Latin American film and video artists to help them explore stories reflecting diverse cultures and gain exposure in the film industry.
The Tfi Latin America Media Arts Fund awards $10,000 grants to animation, documentary, or hybrid feature-length films in advanced development, production or post-production from filmmakers living and working in the Caribbean, Mexico, Central and South America. Grantees also receive exclusive guidance from Tfi to ensure that each film reaches completion and enters the U.S. marketplace from the best possible vantage point. The Fund is sponsored by Moviecity and Canacine.
“We are proud to support this year’s Latin America Fund and Heineken Voces winners, and...
The Tfi Latin America Media Arts Fund awards $10,000 grants to animation, documentary, or hybrid feature-length films in advanced development, production or post-production from filmmakers living and working in the Caribbean, Mexico, Central and South America. Grantees also receive exclusive guidance from Tfi to ensure that each film reaches completion and enters the U.S. marketplace from the best possible vantage point. The Fund is sponsored by Moviecity and Canacine.
“We are proud to support this year’s Latin America Fund and Heineken Voces winners, and...
- 4/23/2012
- by Josh Abraham
- Hollywoodnews.com
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