In 1962, two filmmakers met in a room at Universal Studios to discuss (what else?) cinema. Those directors were François Truffaut and Alfred Hitchcock. (Providing assistance was French-language translator Helen Scott.) Together, they talked for over 50 hours, poring over every film the old master ever made. In 1967, Truffaut published what has universally come to be known as an essential text, titled Hitchcock/Truffaut, which contains rich and detailed transcripts of the extraordinary conversation.
Filmmaker Kent Jones‘ documentary about this historic meeting of the minds is now out, which inspired The Film Stage to look back at some of the forgotten, overlooked, and underrated films from these two beloved directors. The following ten titles contain all of the nuance, mystery and joy that we’ve come to expect from Hitchcock and Truffaut, with many overlapping themes and stylistic sensibilities.
Please enjoy the list, and don’t forget to suggest your own favorites in the comments.
Filmmaker Kent Jones‘ documentary about this historic meeting of the minds is now out, which inspired The Film Stage to look back at some of the forgotten, overlooked, and underrated films from these two beloved directors. The following ten titles contain all of the nuance, mystery and joy that we’ve come to expect from Hitchcock and Truffaut, with many overlapping themes and stylistic sensibilities.
Please enjoy the list, and don’t forget to suggest your own favorites in the comments.
- 12/7/2015
- by Tony Hinds
- The Film Stage
Topol in Joseph Losey‘s Galileo (top); Maggie Cheung in Zhang Yimou‘s Hero (middle); Jean-Pierre Cargol, François Truffaut in Truffaut’s L’Enfant sauvage / The Wild Child (bottom) According to London’s bfi Southbank site, filmmaker Joseph Losey, a victim of the Red Scare who settled in England in the ’50s, had already directed Bertold Brecht’s play Galileo in 1947 in Los Angeles. In the 1974 film version to be screened on Friday, June 18, Academy Award nominee Topol (for Fiddler on the Roof, 1971) replaces Charles Laughton in the title role. The bfi site adds that Galileo was made for the American Film Theater, thus retaining "much of its Brechtian theatricality, including a revolving set and Hanns Eisler’s music, to underscore the various points made in its debate about the clash between scientific theory and religious dogma. The cast [including Edward Fox, John Gielgud, Tom Conti, and Michael Lonsdale] is particularly impressive." Also on [...]...
- 6/17/2010
- by Andre Soares
- Alt Film Guide
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