Launched last year by Wes Anderson’s producing partners at Indian Paintbrush, Galerie has emerged as a well-curated film club publishing unique selections of films from artists with their personal annotations. With past lists from the likes of James Gray, Ed Lachman, Mike Mills, Karyn Kusama, Ethan Hawke, and more, today we’re pleased to exclusively share a sneak peek from the lists of two celebrated Chilean filmmakers, Pablo Larraín and Sebastián Lelio, which have recently landed on the site.
Both filmmakers are currently working on their latest projects: Larraín is helming the Angelina Jolie-led Maria Callas drama, while Lelio is handling the musical The Wave, inspired by Chile’s “feminist May” movement in 2018. While in post-production on the projects, they’ve shared their curated collections.
The Spencer and El Conde director features Apichatpong Weerasethakul’s Cemetery of Splendor and Joshua Oppenheimer’s The Act of Killing on his list,...
Both filmmakers are currently working on their latest projects: Larraín is helming the Angelina Jolie-led Maria Callas drama, while Lelio is handling the musical The Wave, inspired by Chile’s “feminist May” movement in 2018. While in post-production on the projects, they’ve shared their curated collections.
The Spencer and El Conde director features Apichatpong Weerasethakul’s Cemetery of Splendor and Joshua Oppenheimer’s The Act of Killing on his list,...
- 5/17/2024
- by Jordan Raup
- The Film Stage
Exclusive: Activist Artists Management has signed Chilean actress Renata González Spralja (The Wave) for representation, with Bernie Cahill and Justin Deanda to run point for the new client.
Most recently, Spralja wrapped production on The Wave (La Ola), a musical feature directed by Oscar and Goya winner Sebastián Lelio (A Fantastic Woman). Produced by Pablo Larraín’s Fabula, the film inspired by a true story from 2018 tells the story of a Chilean student who gets involved in a feminist movement on her university. Suddenly, she finds herself becoming a central figure in the movement.
Previously, Spralja worked with Larraín and Fabula on Llévame al Cielo (Take Me to Heaven), the first Chilean Disney+ series, which is slated for release worldwide this year. She made her screen debut opposite Giancarlo Esposito in Blackbird, a four-episode English-language marketing miniseries produced by Fabula for Nissan, and continues to be represented by Constanza Arena...
Most recently, Spralja wrapped production on The Wave (La Ola), a musical feature directed by Oscar and Goya winner Sebastián Lelio (A Fantastic Woman). Produced by Pablo Larraín’s Fabula, the film inspired by a true story from 2018 tells the story of a Chilean student who gets involved in a feminist movement on her university. Suddenly, she finds herself becoming a central figure in the movement.
Previously, Spralja worked with Larraín and Fabula on Llévame al Cielo (Take Me to Heaven), the first Chilean Disney+ series, which is slated for release worldwide this year. She made her screen debut opposite Giancarlo Esposito in Blackbird, a four-episode English-language marketing miniseries produced by Fabula for Nissan, and continues to be represented by Constanza Arena...
- 5/15/2024
- by Matt Grobar
- Deadline Film + TV
Richard Gere
Photo: Darren Goldstein and Courtesy of Lionsgate
We have good news and bad news for Richard Gere, star of the upcoming drama Longing. The good news: Gere’s character, Daniel Bloch, just found out that he’s a father. The bad: His new son is dead. With his English-language remake of Longing,...
Photo: Darren Goldstein and Courtesy of Lionsgate
We have good news and bad news for Richard Gere, star of the upcoming drama Longing. The good news: Gere’s character, Daniel Bloch, just found out that he’s a father. The bad: His new son is dead. With his English-language remake of Longing,...
- 5/14/2024
- by Matt Schimkowitz
- avclub.com
“The Hyperboreans,” the Cannes Directors’ Fortnight entry from Chile, defines the inventive works that have emerged from this small nation. Many of its films touch on traumatic national events of the past but play with rarely explored genres in the region. Case in point: the country’s recent Oscar submission, “The Settlers,” about Chile’s bloody colonial 1901 battle in its south, is a neo-Western.
Helmed by animation mavens Cristóbal León and Joaquín Cociña, “The Hyperboreans” (“Los Hiperbóreos”) combines live action and stop-motion animation in a story that also stands out for its singularity. In it, Chilean actress and psychologist Antonia Giesen films a script from her patient’s mind, leading to a reality-bending spiral when she discovers it originates from Nazi poet Miguel Serrano.
“We planned this as an exhibition of the filming process at an art gallery in Chile, so we filmed this in a single space and with only one actress,...
Helmed by animation mavens Cristóbal León and Joaquín Cociña, “The Hyperboreans” (“Los Hiperbóreos”) combines live action and stop-motion animation in a story that also stands out for its singularity. In it, Chilean actress and psychologist Antonia Giesen films a script from her patient’s mind, leading to a reality-bending spiral when she discovers it originates from Nazi poet Miguel Serrano.
“We planned this as an exhibition of the filming process at an art gallery in Chile, so we filmed this in a single space and with only one actress,...
- 5/14/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Industry veterans and producers Frida Torresblanco (Pan’s Labyrinth) and Frank Murray (First Reformed), have launched Hangtime, a transatlantic production company headquartered in both London and New York.
Unveiled Tuesday as the duo works from the Cannes Film Festival and market, Hangtime will develop and produce U.S. and regional content with global appeal.
The partnership will focus on specialist and mainstream content across film, television, and documentaries in both English and Spanish language. The team is backed by an eight-figure investment out of New York and are in the late stages of securing an additional development fund.
Their lineup across film and television will span all genres including drama, crime, thrillers, action/adventure, horror, and sci-fi.
Whilst remaining true to “unwavering creative integrity, the company is built as an agile development-to-delivery operation with a focus on the fundamentals of production efficiency.” Hangtime will also work with partners to be...
Unveiled Tuesday as the duo works from the Cannes Film Festival and market, Hangtime will develop and produce U.S. and regional content with global appeal.
The partnership will focus on specialist and mainstream content across film, television, and documentaries in both English and Spanish language. The team is backed by an eight-figure investment out of New York and are in the late stages of securing an additional development fund.
Their lineup across film and television will span all genres including drama, crime, thrillers, action/adventure, horror, and sci-fi.
Whilst remaining true to “unwavering creative integrity, the company is built as an agile development-to-delivery operation with a focus on the fundamentals of production efficiency.” Hangtime will also work with partners to be...
- 5/14/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Exclusive: Veteran producers Frida Torresblanco (Pan’s Labyrinth) and Frank Murray (First Reformed) have teamed up to launch Hangtime International Pictures, a new transatlantic production company headquartered in London and New York.
Backed by an eight-figure investment out of New York, the company will focus on developing and producing what London-based Murray and NYC-based Torresblanco described to us as “U.S. and regional content with global appeal.”
The partners told us they will work on high-end, specialist, and mainstream content across film, television, and documentaries in both English and Spanish. In addition to the US and Spain, Torresblanco and Murray told us they will prioritize producing content in other key markets, including the UK, Ireland, Australia, Canada, and Latam. The company is currently in the process of securing cash for an additional development fund.
“We are so very thankful to our backers for believing in our vision for Hangtime,” Murray told us.
Backed by an eight-figure investment out of New York, the company will focus on developing and producing what London-based Murray and NYC-based Torresblanco described to us as “U.S. and regional content with global appeal.”
The partners told us they will work on high-end, specialist, and mainstream content across film, television, and documentaries in both English and Spanish. In addition to the US and Spain, Torresblanco and Murray told us they will prioritize producing content in other key markets, including the UK, Ireland, Australia, Canada, and Latam. The company is currently in the process of securing cash for an additional development fund.
“We are so very thankful to our backers for believing in our vision for Hangtime,” Murray told us.
- 5/14/2024
- by Zac Ntim
- Deadline Film + TV
Element Pictures is coming off the back of yet another buzzy awards season with its absurdist comedy Poor Things, directed by Yorgos Lanthimos, notching 11 Oscar nominations and coming home with four wins, including Best Actress for Emma Stone. But just when it feels like the company’s trajectory can’t get higher, the Irish-Anglo production, distribution and exhibition banner is hitting the Croisette this year with no less than three films in the Cannes official selection. Lanthimos’s Kinds of Kindness, which reunites him with his long-term writing partner Efthimis Fillipou and Poor Things stars Stone and Willem Dafoe, will compete for the Palme d’Or, while French actor Ariane Labed’s directorial debut September Says and I Am Not a Witch director Rungano Nyoni’s sophomore feature On Becoming A Guinea Fowl are both screening in the Un Certain Regard section.
It’s especially significant to Element co-founders and...
It’s especially significant to Element co-founders and...
- 5/9/2024
- by Diana Lodderhose
- Deadline Film + TV
Fremantle and Fabula have renewed their first-look partnership with an agreement they say will result in them working even more closely to develop a fresh slate of original dramas and films.
Under the accord, Fremantle’s international sales wing, Fmi, will distribute the drama projects worldwide.
Global production and distribution company Fremantle and Pablo and Juan de Dios Larraín’s Santiago, Chile-based banner Fabula struck their original first-look deal in 2019.
Under the accord, Fabula has produced prize-winning series La Jauría and Señorita 89 as well as the upcoming Midnight Family for Apple TV+, a 10-episode medical drama inspired by the award-winning documentary of the same name.
On the feature film front, Fabula and Fremantle have just wrapped production on Sebastián Lelio’s film musical The Wave, in partnership with Participant Media.
The drama tells the story of the mass university rallies that took place during Chile’s so-called “Feminist May” in...
Under the accord, Fremantle’s international sales wing, Fmi, will distribute the drama projects worldwide.
Global production and distribution company Fremantle and Pablo and Juan de Dios Larraín’s Santiago, Chile-based banner Fabula struck their original first-look deal in 2019.
Under the accord, Fabula has produced prize-winning series La Jauría and Señorita 89 as well as the upcoming Midnight Family for Apple TV+, a 10-episode medical drama inspired by the award-winning documentary of the same name.
On the feature film front, Fabula and Fremantle have just wrapped production on Sebastián Lelio’s film musical The Wave, in partnership with Participant Media.
The drama tells the story of the mass university rallies that took place during Chile’s so-called “Feminist May” in...
- 4/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
Some cool international film news dropping before Cannes unveils their line-up, Variety gets the exclusive scoop on a new Sebastián Lelio project flying off our radar. Production is now complete on The Wave — a musical inspired by the mass protests and university rallies that took place during Chile’s so-called “feminist May” movement in 2018. Production took place over the past two months back in Chile. After 2022’s The Wonder, we were thinking that he’d move towards previous studio type projects in sci-fi pitched Apple/A24 Bride (last mentioned in 2020) or Voyagers but Lelio focused on a local uprising with the curious choice of utilizing the musical genre for a hard-hitting moment in Chile’s recent history.…...
- 4/10/2024
- by Eric Lavallée
- IONCINEMA.com
Oscar-winning Chilean director Sebastián Lelio has wrapped production on the newly announced musical film “The Wave,” inspired by the mass protests and university rallies that took place during Chile’s so-called “feminist May” movement in 2018.
The film — starring newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés — centers on Julia, a dedicated music student who gets involved in the growing feminist movement on her university campus — a group effort where women step up to bring attention to the widespread harassment and abuse suffered by many of their peers. Amid the excitement of protest marches, she joins her friends in dancing and singing, revisiting her own experiences of mistreatment. But as she gathers the courage to share her story, she unexpectedly becomes a central figure in the movement. It’s a role she didn’t foresee, but one which forces her to address her identity as a survivor in a...
The film — starring newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés — centers on Julia, a dedicated music student who gets involved in the growing feminist movement on her university campus — a group effort where women step up to bring attention to the widespread harassment and abuse suffered by many of their peers. Amid the excitement of protest marches, she joins her friends in dancing and singing, revisiting her own experiences of mistreatment. But as she gathers the courage to share her story, she unexpectedly becomes a central figure in the movement. It’s a role she didn’t foresee, but one which forces her to address her identity as a survivor in a...
- 4/10/2024
- by Alex Ritman
- Variety Film + TV
Oscar-winning director Sebastián Lelio has wrapped production and released first images on his new musical film The Wave (La Ola), inspired by the protests and university rallies that took place in Chile during the so-called “feminist May” in 2018.
The film, which stars newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés, shot on location in Chile for nine weeks.
It centres on Julia, a dedicated music student, who gets involved in the growing feminist movement on her university campus to protest widespread harassment and abuse suffered by many of their peers. Julia joins her friends in dancing and singing,...
The film, which stars newcomers Daniela López, Avril Aurora, Lola Bravo and Paulina Cortés, shot on location in Chile for nine weeks.
It centres on Julia, a dedicated music student, who gets involved in the growing feminist movement on her university campus to protest widespread harassment and abuse suffered by many of their peers. Julia joins her friends in dancing and singing,...
- 4/10/2024
- ScreenDaily
Oscar-winning filmmaker Sebastián Lelio has wrapped production on musical film The Wave (La Ola) inspired by the wave of feminist civil disobedience that swept Chile in the spring of 2018.
The mass protests and university rallies, sparked by a collective desire to bring attention to widespread harassment and abuse against women in Chile, came to be known as the “Feminist May”.
The movement was seen as a turning point for Chilean consciousness around women’s rights, reverberated across the world.
The movie’s original musical compositions have been created collaboratively by 17 female Chilean musicians including Ana Tijoux, Camila Moreno and Javiera Parra, as well as the film’s award-winning composer Matthew Herbert, whose credits include Lelio’s The Wonder, A Fantastic Woman, Gloria Bell and Disobedience.
The choreographer is award-winning Ryan Heffington who has worked with recording artists including Sia, Florence and the Machine and Christine and the Queens as well...
The mass protests and university rallies, sparked by a collective desire to bring attention to widespread harassment and abuse against women in Chile, came to be known as the “Feminist May”.
The movement was seen as a turning point for Chilean consciousness around women’s rights, reverberated across the world.
The movie’s original musical compositions have been created collaboratively by 17 female Chilean musicians including Ana Tijoux, Camila Moreno and Javiera Parra, as well as the film’s award-winning composer Matthew Herbert, whose credits include Lelio’s The Wonder, A Fantastic Woman, Gloria Bell and Disobedience.
The choreographer is award-winning Ryan Heffington who has worked with recording artists including Sia, Florence and the Machine and Christine and the Queens as well...
- 4/10/2024
- by Melanie Goodfellow
- Deadline Film + TV
Chilean director Sebastián Lelio has revealed details of his new film, The Wave, a Spanish-language production the director of The Wonder and A Fantastic Woman has shot under the radar in Chile over the past nine weeks.
A musical, The Wave was inspired by the mass demonstrations protesting violence against women that swept Chile in 2018, galvanizing the feminist movement in the country and leading to constitutional reform on the rights of women.
The film follows Julia (newcomer Daniela López), a Chilean music student who gets involved in the growing feminist movement on her university campus. While joining her friends in dancing and singing as part of the protests against gender-based violence, Julia revisits her own experiences of mistreatment. She unexpectedly becomes a central figure in the movement that is pushing for change in a society that is resistant to it. Produced by Juan de Dios Larraín, Pablo Larraín, Rocío Jadue and Lelio,...
A musical, The Wave was inspired by the mass demonstrations protesting violence against women that swept Chile in 2018, galvanizing the feminist movement in the country and leading to constitutional reform on the rights of women.
The film follows Julia (newcomer Daniela López), a Chilean music student who gets involved in the growing feminist movement on her university campus. While joining her friends in dancing and singing as part of the protests against gender-based violence, Julia revisits her own experiences of mistreatment. She unexpectedly becomes a central figure in the movement that is pushing for change in a society that is resistant to it. Produced by Juan de Dios Larraín, Pablo Larraín, Rocío Jadue and Lelio,...
- 4/10/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Sebastián Lelio is setting the soundtrack of a feminist revolution with musical film “The Wave (La Ola)” — it just wrapped production.
The Academy Award-winning director helms the film that follows music student Julia (Daniela López) who gets involved in the growing feminist #MeToo movement on her university campus. Amid the excitement of protest marches, per the official synopsis, Julia joins her friends in dancing and singing, revisiting her own experiences of mistreatment. As she gathers the courage to share her own abuse story, she unexpectedly becomes a central figure in the movement — a role she didn’t foresee, which forces her to address her identity as a survivor in a society that promises change but remains resistant to it.
Avril Aurora, Lola Bravo, and Paulina Cortés also star. See below for first-look images.
Lelio co-wrote the screenplay with Manuela Infante, Josefina Fernández, and Paloma Salas. The writer/director/producer was...
The Academy Award-winning director helms the film that follows music student Julia (Daniela López) who gets involved in the growing feminist #MeToo movement on her university campus. Amid the excitement of protest marches, per the official synopsis, Julia joins her friends in dancing and singing, revisiting her own experiences of mistreatment. As she gathers the courage to share her own abuse story, she unexpectedly becomes a central figure in the movement — a role she didn’t foresee, which forces her to address her identity as a survivor in a society that promises change but remains resistant to it.
Avril Aurora, Lola Bravo, and Paulina Cortés also star. See below for first-look images.
Lelio co-wrote the screenplay with Manuela Infante, Josefina Fernández, and Paloma Salas. The writer/director/producer was...
- 4/10/2024
- by Samantha Bergeson
- Indiewire
UK director Molly Manning Walker is among the six filmmakers who have been selected for Cannes Film Festival’s annual La Résidence programme for first- or second-time directors, running March 15-July 31.
Walker won the Un Certain Regard award last year for her debut feature How To Have Sex, which also picked up the European film award for discovery and four Bafta nominations.
She is joined by Oscar-nominated director Daria Kashcheeva from the Czech Republic. Her 2020 film Daughter was nominated in the best animated short film category while her next project Electra won best short film at Toronto last year.
The...
Walker won the Un Certain Regard award last year for her debut feature How To Have Sex, which also picked up the European film award for discovery and four Bafta nominations.
She is joined by Oscar-nominated director Daria Kashcheeva from the Czech Republic. Her 2020 film Daughter was nominated in the best animated short film category while her next project Electra won best short film at Toronto last year.
The...
- 3/21/2024
- ScreenDaily
UK director, writer and cinematographer Molly Manning Walker, who won the Cannes Un Certain Regard prize last year for How To Have Sex, has been selected for the festival’s four-and-a-half month La Résidence program in Paris.
She will be joined by Aditya Ahmad (Indonesia), Daria Kashcheeva (Tajikistan), Danech San (Cambodia), Ernst De Geer (Sweden) and Anastasiia Solonevych (Ukraine).
They follow in the wake of Meltse Van Coillie (Belgium), Diana Cam Van Nguyen (Vietnam/Czech Republic), Hao Zhao (China), Gessica Généus (Haiti), Andrea Slaviček (Croatia), Asmae El Moudir (Morocco) who are currently coming to the end of their residency.
Both intakes will be brought together at the Cannes Film Festival’s 77th edition, running May 14 to 25.
Since its launch in 2000, La Résidence has welcomed 250 directors from around 60 countries including Lucrecia Martel, Kornél Mundruczó, Sebastián Lelio, Antonio Campos, Karim Aïnouz and Jonas Carpignano.
Based in a large flat in Paris’ ninth arrondissement,...
She will be joined by Aditya Ahmad (Indonesia), Daria Kashcheeva (Tajikistan), Danech San (Cambodia), Ernst De Geer (Sweden) and Anastasiia Solonevych (Ukraine).
They follow in the wake of Meltse Van Coillie (Belgium), Diana Cam Van Nguyen (Vietnam/Czech Republic), Hao Zhao (China), Gessica Généus (Haiti), Andrea Slaviček (Croatia), Asmae El Moudir (Morocco) who are currently coming to the end of their residency.
Both intakes will be brought together at the Cannes Film Festival’s 77th edition, running May 14 to 25.
Since its launch in 2000, La Résidence has welcomed 250 directors from around 60 countries including Lucrecia Martel, Kornél Mundruczó, Sebastián Lelio, Antonio Campos, Karim Aïnouz and Jonas Carpignano.
Based in a large flat in Paris’ ninth arrondissement,...
- 3/20/2024
- by Melanie Goodfellow
- Deadline Film + TV
Rachel Weisz is the Oscar winner who has been very selective of her screen appearances of late, and it has certainly paid off. In 2018 alone, she co-starred in two highly-regarded films — “Disobedience” from Oscar winner Sebastián Lelio as the daughter of a late Orthodox rabbi who is romantically drawn to a female childhood friend, and Yorgos Lanthimos‘ “The Favourite,” in which she plays Lady Sarah Churchill, a noblewoman whose position in the court of Queen Anne is threatened by her upstart cousin. Her performance as Lady Sarah earned Weitz her first BAFTA Award.
In fact, in the course of her 30 year-long career in films, Weisz has amassed quite a collection of awards. She won an Academy Award for her performance in 2005’s “The Constant Gardener” and was Oscar-nominated again for “The Favourite.” She has garnered three Golden Globe noms, winning again for “Gardener,” and her “Favourite” win at the BAFTAs came on her second nomination.
In fact, in the course of her 30 year-long career in films, Weisz has amassed quite a collection of awards. She won an Academy Award for her performance in 2005’s “The Constant Gardener” and was Oscar-nominated again for “The Favourite.” She has garnered three Golden Globe noms, winning again for “Gardener,” and her “Favourite” win at the BAFTAs came on her second nomination.
- 3/1/2024
- by Tom O'Brien, Misty Holland and Chris Beachum
- Gold Derby
Guillermo del Toro is currently working on his gothic horror adaptation of Mary Shelley’s Frankenstein, which is a property that suits the director’s storytelling style. Fresh off of Netlfix’s Pinocchio, Frankenstein will count as the second outing for the director with the streaming giant. The director is also set to do other projects with the streaming giant as well.
Guillermo del Toro
As a part of the production process, Guillermo del Toro has scouted some brilliant locations for his film, such that fans are now clamoring for a behind-the-scenes travel logue with the director, going through the locations that the director has made public via social media.
Suggested“What you’re making is already a movie”: Hideo Kojima Would’ve Left Gaming If Not for Guillermo del Toro
Fans want to go on the adventure with Guillermo del Toro
Guillermo del Toro
Frankenstein as a story calls for powerful,...
Guillermo del Toro
As a part of the production process, Guillermo del Toro has scouted some brilliant locations for his film, such that fans are now clamoring for a behind-the-scenes travel logue with the director, going through the locations that the director has made public via social media.
Suggested“What you’re making is already a movie”: Hideo Kojima Would’ve Left Gaming If Not for Guillermo del Toro
Fans want to go on the adventure with Guillermo del Toro
Guillermo del Toro
Frankenstein as a story calls for powerful,...
- 2/24/2024
- by Anuraag Chatterjee
- FandomWire
Chilean film and TV shows scored 309 awards around the world in 2023, CinemaChile announced in January. One month later, CinemaChile, the national promotion board, is turning 15 at Berlin. The consequence of longterm uninterrupted promotion of an industry must not be underestimated.
Over the last 15 years, film and TV have seen two seismic revolutions: Streamers’ Dtc distribution; the explosive rise of production levels across the globe.
The latter has left huge hostages to fortune, suddenly underscoring the significance of national support orgs such as CinemaChile. Below, 10 points on CinemaChile by way of introduction to the often ignored missing link in the latest evolution of the international independent industry: National film agencies.
Why National Film Agencies Are So Useful These Days
In 2005, Argentina released 74 features, Brazil 73, Mexico 33 and Chile 11. Cut to 2022, and those figures had skyrocketed respectively to 230, 173, 88 and 38, a 176% increase in collective levels from 191 films to 529. As slews of films challenge for sales and theatrical release abroad,...
Over the last 15 years, film and TV have seen two seismic revolutions: Streamers’ Dtc distribution; the explosive rise of production levels across the globe.
The latter has left huge hostages to fortune, suddenly underscoring the significance of national support orgs such as CinemaChile. Below, 10 points on CinemaChile by way of introduction to the often ignored missing link in the latest evolution of the international independent industry: National film agencies.
Why National Film Agencies Are So Useful These Days
In 2005, Argentina released 74 features, Brazil 73, Mexico 33 and Chile 11. Cut to 2022, and those figures had skyrocketed respectively to 230, 173, 88 and 38, a 176% increase in collective levels from 191 films to 529. As slews of films challenge for sales and theatrical release abroad,...
- 2/18/2024
- by John Hopewell and Anna Marie de la Fuente
- Variety Film + TV
Partway into “All Shall Be Well,” the main character meets a lawyer friend in a bar one night. “Why did you wait so long to see me?,” the lawyer asks the other woman sitting across from her, regarding an ongoing dispute over an inheritance. “I thought we were all family,” replies the lead. After a light chuckle, the friend says, “Even mother and son fall out when money’s involved.” Set in Hong Kong, this deeply moving fourth feature from writer-director Ray Yeung tenderly explores the aftermath of unexpected loss, where the uncertainty and chaos of the immediate grieving period is compounded by delicate negotiations that need addressing amid a very specific set of circumstances.
Both in their late sixties, Angie (Patra Au Ga Man) and Pat (Maggie Li Lin Lin) are a lesbian couple who’ve been together for over four decades. Previously factory-worker colleagues in their younger days,...
Both in their late sixties, Angie (Patra Au Ga Man) and Pat (Maggie Li Lin Lin) are a lesbian couple who’ve been together for over four decades. Previously factory-worker colleagues in their younger days,...
- 2/16/2024
- by Josh Slater-Williams
- Indiewire
A quick Google search will reveal a whole lot of articles talking about the death of the "Movie Star" in the 21st century. Brands and IPs have replaced A-listers as the biggest selling points for films over the last 25 years, there's no denying that. Still, things may not be quite as dire as they appear. For one, audiences seem to be growing a little tired of the franchise model lately. For another, there's a small group of 20-something actors who are steadily making a bigger name for themselves and carving out a career much like the mega-stars of old did.
Their ranks include Timothée Chalamet and Florence Pugh, both of whom have been noticeably careful about the films they make and, just as importantly, the directors they work with. Between them, the pair have collaborated with the likes of Christopher Nolan, Luca Guadagnino, Paul King, Ari Aster, Wes Anderson, and...
Their ranks include Timothée Chalamet and Florence Pugh, both of whom have been noticeably careful about the films they make and, just as importantly, the directors they work with. Between them, the pair have collaborated with the likes of Christopher Nolan, Luca Guadagnino, Paul King, Ari Aster, Wes Anderson, and...
- 2/15/2024
- by Sandy Schaefer
- Slash Film
Exclusive: Tessa Ross and Juliette Howell do not court publicity and when the duo welcome Deadline to their London office in early February, it is the first interview they have given about House Productions since they set up the film and TV outfit nearly seven years ago.
The Zone of Interest and The Iron Claw are in UK movie theaters when we speak, serving as a timely reminder of the company’s film credits, which have been built brick by brick. A second season of James Graham’s drama series Sherwood will drop in coming months on the BBC and the House principals are fresh back from L.A. as they line up U.S. partners for new projects.
Drama in the works include a series about the Costa Concordia cruise ship disaster, a TV adaptation of the musical Kathy and Stella Solve a Murder, and an early-stage project with Ncuti Gatwa.
The Zone of Interest and The Iron Claw are in UK movie theaters when we speak, serving as a timely reminder of the company’s film credits, which have been built brick by brick. A second season of James Graham’s drama series Sherwood will drop in coming months on the BBC and the House principals are fresh back from L.A. as they line up U.S. partners for new projects.
Drama in the works include a series about the Costa Concordia cruise ship disaster, a TV adaptation of the musical Kathy and Stella Solve a Murder, and an early-stage project with Ncuti Gatwa.
- 2/13/2024
- by Stewart Clarke
- Deadline Film + TV
Exclusive: Fabula, the production company of internationally renowned brother filmmakers Pablo Larraín and Juan de Dios Larraín, has appointed Yira Vilaro as Vice President Of Film And Television, Deadline has learned.
Vilaro joins from Anonymous Content, where she worked as VP Film & TV for a year and a half. Previously, she held roles as a development executive at Amazon Studios, and as Director of Development at Macro, prior to that working at companies like Imagine Entertainment, Jerry Bruckheimer Films and WME, among others.
In her new role, Vilaro will focus on Fabula’s growing slate of English-language features and series. She reports to Andrew Hevia, Head of Fabula North America, and will work out of the company’s Los Angeles office. News of her hiring comes on the heels of an ASC Award nomination for Ed Lachman, cinematographer of Fabula’s El Conde, as well as the naming of the...
Vilaro joins from Anonymous Content, where she worked as VP Film & TV for a year and a half. Previously, she held roles as a development executive at Amazon Studios, and as Director of Development at Macro, prior to that working at companies like Imagine Entertainment, Jerry Bruckheimer Films and WME, among others.
In her new role, Vilaro will focus on Fabula’s growing slate of English-language features and series. She reports to Andrew Hevia, Head of Fabula North America, and will work out of the company’s Los Angeles office. News of her hiring comes on the heels of an ASC Award nomination for Ed Lachman, cinematographer of Fabula’s El Conde, as well as the naming of the...
- 1/20/2024
- by Matt Grobar
- Deadline Film + TV
FilmNation Entertainment and Bleecker Street will partner on the worldwide release of Treasure (fka Iron Box), a road trip pic starring Lena Dunham (Girls) and Stephen Fry (The Sandman) that’s set to world premiere as a special gala presentation at this year’s Berlin Film Festival.
An adaptation of Lily Brett’s bestselling autobiographical novel Too Many Men from director Julia von Heinz (And Tomorrow the Entire World), the film will be the first to be co-distributed globally by the two companies, which have previously collaborated on Waitress: The Musical, as well as Sebastián Lelio’s Disobedience. It’s the third part of Von Heinz’s “Aftermath Trilogy,” examining the legacy of Germany’s Nazi past, on the heels of 2013’s Hanna’s Journey and Germany’s official 2020 Oscar entry, And Tomorrow the Entire World.
The story takes place in 1990s Poland and follows Ruth (Dunham), an American music journalist,...
An adaptation of Lily Brett’s bestselling autobiographical novel Too Many Men from director Julia von Heinz (And Tomorrow the Entire World), the film will be the first to be co-distributed globally by the two companies, which have previously collaborated on Waitress: The Musical, as well as Sebastián Lelio’s Disobedience. It’s the third part of Von Heinz’s “Aftermath Trilogy,” examining the legacy of Germany’s Nazi past, on the heels of 2013’s Hanna’s Journey and Germany’s official 2020 Oscar entry, And Tomorrow the Entire World.
The story takes place in 1990s Poland and follows Ruth (Dunham), an American music journalist,...
- 1/16/2024
- by Matt Grobar
- Deadline Film + TV
In a notable prestige project package from Chile, Gonzalo Maza, co-writer of Sebastian Lelio’s Academy Award-winning “A Fantastic Woman,” has boarded “I Don’t Know How to Say Goodbye,” a drama thriller non-fiction series to be directed by Carola Fuentes and produced by Rafael Valdeavellano, re-teaming after their collaboration as co-writers and directors on the admired “Chicago Boys,” (2015) and “Breaking the Brick” (2022).
Both doc features were nuanced studies of the impact of Chicago school of Neoliberal thought on standard economic policy in Augusto Pinochet’s Chile. “Goodbye” turns on another often deleterious mindset, the highly codified and often cruel power dynamics seen in the online representation of fellow high school students.
Set up at the partners’ La Ventana Cine in Santiago de Chile, “I Don’t Want to Say Goodbye,” now in development, is executive produced by director Marcela Said, who has helmed episodes of “Gangs of London,” (2022), “Lupin...
Both doc features were nuanced studies of the impact of Chicago school of Neoliberal thought on standard economic policy in Augusto Pinochet’s Chile. “Goodbye” turns on another often deleterious mindset, the highly codified and often cruel power dynamics seen in the online representation of fellow high school students.
Set up at the partners’ La Ventana Cine in Santiago de Chile, “I Don’t Want to Say Goodbye,” now in development, is executive produced by director Marcela Said, who has helmed episodes of “Gangs of London,” (2022), “Lupin...
- 11/27/2023
- by John Hopewell
- Variety Film + TV
Voting will close on November 1.
Voting is now open for the Big Screen Award’s Best British Film of the Year 2023.
The vote closes on November 1 and the winner will be announced at the Big Screen Awards ceremony on November 23 at The Brewery in London.
The Big Screen Awards 2023: Best British Film Of The Year
Last year’s best British film was awarded to Kenneth Branagh’s Belfast with Mark Jenkin’s Bait winning in 2019 and 2018’s inaugural prize going to Daniel Kokotajlo’s Apostasy.
The full list of nominees for this year’s Big Screen Awards can be found here.
Voting is now open for the Big Screen Award’s Best British Film of the Year 2023.
The vote closes on November 1 and the winner will be announced at the Big Screen Awards ceremony on November 23 at The Brewery in London.
The Big Screen Awards 2023: Best British Film Of The Year
Last year’s best British film was awarded to Kenneth Branagh’s Belfast with Mark Jenkin’s Bait winning in 2019 and 2018’s inaugural prize going to Daniel Kokotajlo’s Apostasy.
The full list of nominees for this year’s Big Screen Awards can be found here.
- 10/11/2023
- by Screen staff¬Ellie Calnan
- ScreenDaily
The Big Screen Awards unveils Best British Film shortlist, Breakthrough actor and filmmaker nominees
Aimee Lou Wood for ‘Living’, ‘Rye Lane’ team and ‘Aftersun’ director Charlotte Wells among the nominees
The Big Screen Awards can unveil the shortlists for best British film as well as the nominees for breakthrough British actor and filmmaker.
The nominees for British film, which will be decided by a public vote, include Martin McDonagh’s The Banshees Of Inisherin, Matthew Warchus’s Roald Dahl’s Matilda The Musical and Sam Mendes’ Empire Of Light.
Vote for Best British Film of the Year here
Also among the nominees is Charlotte Wells’ Aftersun and Raine Allen-Miller’s Rye Lane – both of...
The Big Screen Awards can unveil the shortlists for best British film as well as the nominees for breakthrough British actor and filmmaker.
The nominees for British film, which will be decided by a public vote, include Martin McDonagh’s The Banshees Of Inisherin, Matthew Warchus’s Roald Dahl’s Matilda The Musical and Sam Mendes’ Empire Of Light.
Vote for Best British Film of the Year here
Also among the nominees is Charlotte Wells’ Aftersun and Raine Allen-Miller’s Rye Lane – both of...
- 10/11/2023
- by Ellie Calnan
- ScreenDaily
Sofia Coppola’s Priscilla, Cailee Spaeny with her Elvis, Jacob Elordi at the 61st New York Film Festival press conference Photo: Anne-Katrin Titze
The press conference for Sofia Coppola’s Priscilla, a portrait of Elvis Presley’s (Jacob Elordi) wife, born Priscilla Ann Wagner (Cailee Spaeny), was attended by the two stars, plus producer Youree Henley, production designer Tamara Deverell, and Coppola’s longtime costume designer Stacey Battat (Somewhere; The Bling Ring; The Beguiled; On the Rocks). Stacey also worked with Jason Schwartzman, Roman Coppola, and Alex Timbers on Mozart In The Jungle; Wash Westmoreland and Richard Glatzer on Still Alice; Scott McGehee and David Siegel on What Maisie Knew, and Sebastián Lelio on Gloria Bell.
Yuree Henley reading Sofia Coppola’s letter with Cailee Spaeny Jacob Elordi, Stacey Battat and Tamara Deverell Photo: Anne-Katrin Titze
“I am honoured to be back at the New York Film Festival with my...
The press conference for Sofia Coppola’s Priscilla, a portrait of Elvis Presley’s (Jacob Elordi) wife, born Priscilla Ann Wagner (Cailee Spaeny), was attended by the two stars, plus producer Youree Henley, production designer Tamara Deverell, and Coppola’s longtime costume designer Stacey Battat (Somewhere; The Bling Ring; The Beguiled; On the Rocks). Stacey also worked with Jason Schwartzman, Roman Coppola, and Alex Timbers on Mozart In The Jungle; Wash Westmoreland and Richard Glatzer on Still Alice; Scott McGehee and David Siegel on What Maisie Knew, and Sebastián Lelio on Gloria Bell.
Yuree Henley reading Sofia Coppola’s letter with Cailee Spaeny Jacob Elordi, Stacey Battat and Tamara Deverell Photo: Anne-Katrin Titze
“I am honoured to be back at the New York Film Festival with my...
- 10/10/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Cannes Film Festival has admitted six filmmakers, five women and one man, to its 2024 residency program.
The list of filmmakers includes Morrocan director Asmae El Moudir, best known for her feature The Mother of All Lies, which shared last year’s the L’Oeil d’or (Golden Eye) prize for the best documentary with Four Daughters (Kaouther Ben Hania) at this year’s Cannes Film Festival.
The other participants are Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček. The residency program runs over four and a half months, during which all participants will live in Paris and receive personalized support to aid the writing of their first or second feature film screenplay.
The Cannes residency program was created in 2000 by Pierre Viot and Gilles Jacob and was first headed by Sylvie Perras. It is now helmed by Stéphanie Lamome.
“This year, five female...
The list of filmmakers includes Morrocan director Asmae El Moudir, best known for her feature The Mother of All Lies, which shared last year’s the L’Oeil d’or (Golden Eye) prize for the best documentary with Four Daughters (Kaouther Ben Hania) at this year’s Cannes Film Festival.
The other participants are Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček. The residency program runs over four and a half months, during which all participants will live in Paris and receive personalized support to aid the writing of their first or second feature film screenplay.
The Cannes residency program was created in 2000 by Pierre Viot and Gilles Jacob and was first headed by Sylvie Perras. It is now helmed by Stéphanie Lamome.
“This year, five female...
- 10/6/2023
- by Zac Ntim
- Deadline Film + TV
Rojas Valencia’s third film following ‘Roots’ and ‘A Place Called Dignity’ is based on the 1960 novel by Chilean writer Carlos Droguett
Chilean star Alfredo Castro will play the lead role in the third film by Rojas Valencia, Patas de Perro (which translates to ‘dogs legs’)
The project is a co-production between Chile’s Horamágica and A Simple Vista Producciones and Brazil’s Centauro. Horamágica’s Úrsula Budnik also produced Sebastian Lelio’s early works The Sacred Family (2005) and Christmas (2009).
The film is an adaptation of the 1960 novel by prominent Chilean writer Carlos Droguett. Droguett was a member of the...
Chilean star Alfredo Castro will play the lead role in the third film by Rojas Valencia, Patas de Perro (which translates to ‘dogs legs’)
The project is a co-production between Chile’s Horamágica and A Simple Vista Producciones and Brazil’s Centauro. Horamágica’s Úrsula Budnik also produced Sebastian Lelio’s early works The Sacred Family (2005) and Christmas (2009).
The film is an adaptation of the 1960 novel by prominent Chilean writer Carlos Droguett. Droguett was a member of the...
- 9/27/2023
- by Emilio Mayorga
- ScreenDaily
San Sebastian’s pix-in-post showcases have often launched standout movies, such as Sebastian Lelio’s “Gloria,” winner of the Films in Progress Award at the 2012 edition, plus notable directors, such as Jayro Bustamante, whose praised debut “Ixcanul” played at the festival in rough cut in 2015 before winning the Alfred Bauer prize for innovation at 2016’s Berlinale, breaking out handsome sales.
San Sebastian’s 2023 Co-Production Forum registers two trends: Films that are genre pics or enrol genre tropes or genre blend; an exploration of identity.
Thus year’s San Sebastian Wip Latam skews in another direction. “The films and stories are very grounded in reality, either by there hybrid formal move between fiction and non-fiction, their singular take on daily matters or the very social issues they address,” Javier Martín, San Sebastian Latin American delegate, told LatAmCinema.com.
Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse...
San Sebastian’s 2023 Co-Production Forum registers two trends: Films that are genre pics or enrol genre tropes or genre blend; an exploration of identity.
Thus year’s San Sebastian Wip Latam skews in another direction. “The films and stories are very grounded in reality, either by there hybrid formal move between fiction and non-fiction, their singular take on daily matters or the very social issues they address,” Javier Martín, San Sebastian Latin American delegate, told LatAmCinema.com.
Yet genre surfaces in disparate ways: the mix of coming of age, apocalypse...
- 9/23/2023
- by Emiliano De Pablos and John Hopewell
- Variety Film + TV
The San Sebastian International Film Festival has long been considered the most intimate of the A-list festivals, neatly wrapping up a hectic fall festival season as delegates descend on the enchanting seaside city in Northern Spain. But in the last few years, the event has cemented itself into a festival reputed for championing new talent and emerging voices across all sections of its programming.
Indeed, in the last four years, San Sebastian has awarded its top prize, the Golden Shell, to either directorial debut titles or second features, a sure sign that it takes its role as a promoter of rising talent seriously.
This year’s edition, which takes place September 22-30, is no different, with the official competition having 11 films from first or second-time directors including: Raven Jackson’s debut All Dirt Roads Taste of Salt, which premiered in Sundance; Isabel Herguera’s animation Sultana’s Dream; Noah Pritzker’s second feature Ex-Husbands,...
Indeed, in the last four years, San Sebastian has awarded its top prize, the Golden Shell, to either directorial debut titles or second features, a sure sign that it takes its role as a promoter of rising talent seriously.
This year’s edition, which takes place September 22-30, is no different, with the official competition having 11 films from first or second-time directors including: Raven Jackson’s debut All Dirt Roads Taste of Salt, which premiered in Sundance; Isabel Herguera’s animation Sultana’s Dream; Noah Pritzker’s second feature Ex-Husbands,...
- 9/19/2023
- by Diana Lodderhose
- Deadline Film + TV
“The Eternal Memory,” Chilean documentarian Maite Alberdi’s follow-up to the Oscar-nominated “The Mole Agent,” is smashing box office records in Chile.
Bowing Thursday Aug. 24 in 70 theaters and shooting straight to No. 1, “The Eternal Memory’s” first week 80,157 ticket sales gave the film the biggest bow of any doc feature in history in Chile and the best opening of any Chilean film of any kind since 2018.
As the film sold out at screenings, its screen count was hiked to a 105 screen count from Aug. 28, doubling theaters in some regions and adding ones in parts of Chile which doesn’t normally screen national films.
“The Eternal Memory’s” first 10-day 102,696 admissions converted it into the high-grossing doc feature in Chilean history.
Tracking at near to 200,000 admissions, “The Eternal Memory” has now begun to challenge live action features, such as “Papa al Rescate,” Chile’s big early year comedy.
“What’s most...
Bowing Thursday Aug. 24 in 70 theaters and shooting straight to No. 1, “The Eternal Memory’s” first week 80,157 ticket sales gave the film the biggest bow of any doc feature in history in Chile and the best opening of any Chilean film of any kind since 2018.
As the film sold out at screenings, its screen count was hiked to a 105 screen count from Aug. 28, doubling theaters in some regions and adding ones in parts of Chile which doesn’t normally screen national films.
“The Eternal Memory’s” first 10-day 102,696 admissions converted it into the high-grossing doc feature in Chilean history.
Tracking at near to 200,000 admissions, “The Eternal Memory” has now begun to challenge live action features, such as “Papa al Rescate,” Chile’s big early year comedy.
“What’s most...
- 9/11/2023
- by John Hopewell
- Variety Film + TV
Brazil’s Raccord Produções, Chile’s Araucaria Cine and France’s Nord-Ouest Films are teaming to produce acclaimed Brazilian filmmaker Gabe Klinger’s feature drama project “Okonomiyaki.”
“Okonomiyaki” will topline celebrated Brazilian actor-helmer Leandra Leal, Yuki Sugimoto, star of Disney+ series “Mila in the Multiverse,” and feature Marco Pigossi, of Netflix’s “Invisible City” and “Tidelands.”
The feature-length project has been selected for the San Sebastian Film Festival’s Europe-Latin America Co-production Forum, its industry centerpiece, which runs Sept. 25-27.
The film is produced by Clélia Bessa and Marcos Pieri at Raccord, Araucaria’s Isabel Orellana and Nord-Ouest Films’ Ola Byszuk, who are looking fo further financing and co-production, as well as sales and distribution partners for the project.
Offscreen talent includes longtime Pablo Larraín Dp Sergio Armstrong and editor Soledad Salfate, of Sebastián Lelio’s Oscar-winner “A Fantastic Woman.”
Principal photography on “Okonomiyaki” is scheduled to kick-off second quarter next year in Sao Paulo.
“Okonomiyaki” will topline celebrated Brazilian actor-helmer Leandra Leal, Yuki Sugimoto, star of Disney+ series “Mila in the Multiverse,” and feature Marco Pigossi, of Netflix’s “Invisible City” and “Tidelands.”
The feature-length project has been selected for the San Sebastian Film Festival’s Europe-Latin America Co-production Forum, its industry centerpiece, which runs Sept. 25-27.
The film is produced by Clélia Bessa and Marcos Pieri at Raccord, Araucaria’s Isabel Orellana and Nord-Ouest Films’ Ola Byszuk, who are looking fo further financing and co-production, as well as sales and distribution partners for the project.
Offscreen talent includes longtime Pablo Larraín Dp Sergio Armstrong and editor Soledad Salfate, of Sebastián Lelio’s Oscar-winner “A Fantastic Woman.”
Principal photography on “Okonomiyaki” is scheduled to kick-off second quarter next year in Sao Paulo.
- 8/28/2023
- by Emiliano De Pablos
- Variety Film + TV
Chile’s at it again. Since’s Andrés Wood’s breakout “Machuca” in 2004, Chilean filmmakers, led by Pablo Larraín, Sebastián Lelio and now Maite Alberdi, have punched consistently above the country’s weight, consistently winning plaudits at Sundance, Berlin and Cannes. Chile has also won three Oscars – for Claudio Miranda’s cinematography on 2012’s “Life of Pi,” 2015’s animated short “Bear Story” and Lelio’s 2017’s fiction feature “A Fantastic Woman” – more any other South American country apart from Argentina.
First half 2023 has proved no exception in Chile’s statue trawl. Some of the awards on offer are among the biggest out: Alberdi’s “The Eternal Memory,” from Fabula, scooped Sundance’s World Cinema Grand Prize; Andrés Wood’s “News of a Kidnapping” walked off with best series at the Platino Awards, the Spanish-speaking world’s nearest kudos fest to the Oscars.
In all, according to a CinemaChile study released during Sanfic,...
First half 2023 has proved no exception in Chile’s statue trawl. Some of the awards on offer are among the biggest out: Alberdi’s “The Eternal Memory,” from Fabula, scooped Sundance’s World Cinema Grand Prize; Andrés Wood’s “News of a Kidnapping” walked off with best series at the Platino Awards, the Spanish-speaking world’s nearest kudos fest to the Oscars.
In all, according to a CinemaChile study released during Sanfic,...
- 8/24/2023
- by John Hopewell, Anna Marie de la Fuente and Holly Jones
- Variety Film + TV
Chile has picked its 2024 Oscar contender, selecting Felipe Gálvez’s critically acclaimed anti-colonialist western The Settlers for the awards race in the best international feature category.
The drama, which premiered in Cannes Un Certain Regard section this year, explores the massacre of Indigenous tribes at the hands of Spanish landowners in 19th century Chile. A critical hit, the film won the international film critics’ Fipresci prize.
The Settlers will have its North American premiere at the Toronto Film Festival next month. Mubi has domestic rights and will release the film theatrically in North America. Mubi also snatched up distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.
The story of The Settlers follows three horsemen — a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant — hired by a wealthy Chilean landowner to mark out the perimeter of his extensive property...
The drama, which premiered in Cannes Un Certain Regard section this year, explores the massacre of Indigenous tribes at the hands of Spanish landowners in 19th century Chile. A critical hit, the film won the international film critics’ Fipresci prize.
The Settlers will have its North American premiere at the Toronto Film Festival next month. Mubi has domestic rights and will release the film theatrically in North America. Mubi also snatched up distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.
The story of The Settlers follows three horsemen — a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant — hired by a wealthy Chilean landowner to mark out the perimeter of his extensive property...
- 8/24/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Chile on Wednesday named the anti-colonialist Western The Settlers from first-time feature filmmaker Felipe Gálvez as its official entry for Best International Feature at the 2024 Academy Awards.
The film coming off a Fipresci Prize win at the 2023 Cannes Film Festival, where it played in Un Certain Regard, joins a list of entrants that includes Smoke Sauna Sisterhood (Estonia), The Teachers’ Lounge (Germany), Concrete Utopia (South Korea) and Thunder (Switzerland), as previously announced.
Following forthcoming screenings at the Toronto Film Festival and the New York Film Festival, the pic will be released theatrically in North America by Mubi, which also holds distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India, and will unveil further details as to its release plans at a later date.
Written by Gálvez and Antonia Girardi, in collaboration with Mariano Llinás, The Settler is set in Chile at the beginning of the 20th century,...
The film coming off a Fipresci Prize win at the 2023 Cannes Film Festival, where it played in Un Certain Regard, joins a list of entrants that includes Smoke Sauna Sisterhood (Estonia), The Teachers’ Lounge (Germany), Concrete Utopia (South Korea) and Thunder (Switzerland), as previously announced.
Following forthcoming screenings at the Toronto Film Festival and the New York Film Festival, the pic will be released theatrically in North America by Mubi, which also holds distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India, and will unveil further details as to its release plans at a later date.
Written by Gálvez and Antonia Girardi, in collaboration with Mariano Llinás, The Settler is set in Chile at the beginning of the 20th century,...
- 8/23/2023
- by Matt Grobar
- Deadline Film + TV
El Conde. Jaime Vadell as El Conde in El Conde. Cr. Pablo Larrain / Netflix © 2023
Filmmaker Pablo Larrain’s upcoming movie El Conde is a dark comedy/horror that imagines a parallel universe inspired by the recent history of Chile.
The film portrays Augusto Pinochet, a symbol of world fascism, as a vampire who lives hidden in a ruined mansion in the cold southern tip of the continent. Feeding his appetite for evil to sustain his existence. After two hundred and fifty years of life, Pinochet has decided to stop drinking blood and abandon the privilege of eternal life. He can no longer bear that the world remembers him as a thief. Despite the disappointing and opportunistic nature of his family, he finds new inspiration to continue living a life of vital and counterrevolutionary passion through an unexpected relationship.
Check out the trailer and watch the film on Netflix September 15.
In...
Filmmaker Pablo Larrain’s upcoming movie El Conde is a dark comedy/horror that imagines a parallel universe inspired by the recent history of Chile.
The film portrays Augusto Pinochet, a symbol of world fascism, as a vampire who lives hidden in a ruined mansion in the cold southern tip of the continent. Feeding his appetite for evil to sustain his existence. After two hundred and fifty years of life, Pinochet has decided to stop drinking blood and abandon the privilege of eternal life. He can no longer bear that the world remembers him as a thief. Despite the disappointing and opportunistic nature of his family, he finds new inspiration to continue living a life of vital and counterrevolutionary passion through an unexpected relationship.
Check out the trailer and watch the film on Netflix September 15.
In...
- 8/10/2023
- by Michelle McCue
- WeAreMovieGeeks.com
The ‘Scrapper’ producer will take on the role of executive producer, film.
Tessa Ross and Juliette Howell’s UK film and TV production outfit, House Productions, has expanded its senior film team with the hire of Scrapper producer Theo Barrowclough as executive producer.
Barrowclough will work alongside Ross and Howell on their burgeoning film slate, which includes The Iron Claw from Sean Durkin, Ed Berger’s Conclave and Daniel Kokotajlo’s Starve Acre, which all wrapped in the last six months.
Barrowclough joins House Productions from Dmc Film where he worked for eight years and most recently produced Charlotte Regan’s debut Scrapper,...
Tessa Ross and Juliette Howell’s UK film and TV production outfit, House Productions, has expanded its senior film team with the hire of Scrapper producer Theo Barrowclough as executive producer.
Barrowclough will work alongside Ross and Howell on their burgeoning film slate, which includes The Iron Claw from Sean Durkin, Ed Berger’s Conclave and Daniel Kokotajlo’s Starve Acre, which all wrapped in the last six months.
Barrowclough joins House Productions from Dmc Film where he worked for eight years and most recently produced Charlotte Regan’s debut Scrapper,...
- 7/24/2023
- by Mona Tabbara
- ScreenDaily
The Larraín brothers’ indie company Fábula, producer of Oscar winning “A Fantastic Woman,” is preparing tragi-comic docudrama “Los guardaespaldas de Superman” (“Superman’s Bodyguards”).
The four-episode, half-hour crime-adventure series, directed by Sebastián Radic (“Instrucciones para Mi Funeral”) and scripted by Rodrigo Bastidas and Rodrigo Muñoz, focuses on a trip Christopher Reeve’s made to Chile in 1987, under Pinochet’s dictatorship, to save the lives of 78 people under death threat.
“Superman’s Bodyguards” is one of the five projects selected to form part of Pitch Docudrama, a showcase at Conecta Fiction 2023 edition, which takes place June 26-29 in Toledo, the capital of Spain’s Castilla-La Mancha, just south of Madrid.
At Toledo, Fabula execs will be looking for co-production partners to strengthen the possiblility of shooting outside Chile. Also, they will seek to get the word out to the market that Fabula is producing documentary series content.
“The tragicomedy appeals to universal values,...
The four-episode, half-hour crime-adventure series, directed by Sebastián Radic (“Instrucciones para Mi Funeral”) and scripted by Rodrigo Bastidas and Rodrigo Muñoz, focuses on a trip Christopher Reeve’s made to Chile in 1987, under Pinochet’s dictatorship, to save the lives of 78 people under death threat.
“Superman’s Bodyguards” is one of the five projects selected to form part of Pitch Docudrama, a showcase at Conecta Fiction 2023 edition, which takes place June 26-29 in Toledo, the capital of Spain’s Castilla-La Mancha, just south of Madrid.
At Toledo, Fabula execs will be looking for co-production partners to strengthen the possiblility of shooting outside Chile. Also, they will seek to get the word out to the market that Fabula is producing documentary series content.
“The tragicomedy appeals to universal values,...
- 6/21/2023
- by Emiliano De Pablos
- Variety Film + TV
Exclusive: Filmmaker Tyler Taormina (Ham on Rye) has wrapped production on Long Island on Christmas Eve In Miller’s Point, a Christmas comedy to star Michael Cera (Life & Beth), Elsie Fisher (Barry), Maria Dizzia (The Good Nurse), Francesca Scorsese (We Are Who We Are), Ben Shenkman (Billions), Gregg Turkington (Ant-Man and the Wasp: Quantumania), Sawyer Spielberg (Masters of the Air) and newcomer Matilda Fleming.
Written by Taormina, Eric Berger and Kevin Anton, the film watches as four generations of the Balsano family gather for what may be the last Christmas in the family home. As they lose themselves in rowdy celebration, cousins Emily and Michelle sneak away to a winter wonderland, where suburban teenagers find their rebellious paradise.
The project hails from Omnes Films and was produced in association with Crypto Castle Productions and Puente Films. Producers included Cera, Krista Minto, Taormina, David Croley Broyles and Duncan Sullivan. The executive producers are Jeremy Gardner,...
Written by Taormina, Eric Berger and Kevin Anton, the film watches as four generations of the Balsano family gather for what may be the last Christmas in the family home. As they lose themselves in rowdy celebration, cousins Emily and Michelle sneak away to a winter wonderland, where suburban teenagers find their rebellious paradise.
The project hails from Omnes Films and was produced in association with Crypto Castle Productions and Puente Films. Producers included Cera, Krista Minto, Taormina, David Croley Broyles and Duncan Sullivan. The executive producers are Jeremy Gardner,...
- 6/15/2023
- by Matt Grobar
- Deadline Film + TV
In 2017, we put a feature together on the burgeoning Chilean New Wave of cinema: Beyond Pablo Larraín: 6 Chilean Directors You Should Know. They included filmmakers you probably are very familiar with, including Sebastián Lelio and Sebastián Silva. But cut to six years later, if we updated it, there would be many more— many women too— and certainly the addition of Academy Award nominee Maite Alberdi, known for her celebrated 2020 doc “The Mole Agent.
Continue reading ‘The Eternal Memory’ Trailer: Director Maite Alberdi Explores Chilean History & Trauma Through Memory & A Great Love at The Playlist.
Continue reading ‘The Eternal Memory’ Trailer: Director Maite Alberdi Explores Chilean History & Trauma Through Memory & A Great Love at The Playlist.
- 6/15/2023
- by Rodrigo Perez
- The Playlist
Loyalty is essential to a person’s character, and breaking away from the norm to explore other avenues often comes at a price. For Florence Pugh, her signing to play Yelena Belova in the Marvel Cinematic Universe rubbed people in the indie film community the wrong way. Some actors see the Marvel community as a blight against their craft. In contrast, others embrace the opportunity to star in a money-printing blockbuster alongside some of the biggest names in Hollywood. In a Time Next Generation Leaders profile, Pugh admits she’s experienced backlash for starring in Marvel properties like Black Widow and the Disney+ series Hawkeye.
“So many people in the indie film world were really pissed off at me. They were like, ‘Great, now she’s gone forever,'” Pugh told Time. “And I’m like, no, I’m working as hard as I used to work. I’ve always done back-to-back movies.
“So many people in the indie film world were really pissed off at me. They were like, ‘Great, now she’s gone forever,'” Pugh told Time. “And I’m like, no, I’m working as hard as I used to work. I’ve always done back-to-back movies.
- 5/23/2023
- by Steve Seigh
- JoBlo.com
Florence Pugh revealed to Time magazine that a lot of people in the independent film community were “pissed off” at her when she decided to join the Marvel Cinematic Universe. Pugh made a name for herself with acclaimed roles in indies such as “Lady Macbeth” and “Midsommar” before earning an Oscar nomination for Greta Gerwig’s “Little Women.” She joined the MCU as Yelena Belova in “Black Widow” and reprised the role in the Disney+ series “Hawkeye.” Yelena will be back in Marvel’s upcoming tentpole film “Thunderbolts.”
“So many people in the indie film world were really pissed off at me,” Pugh said. “They were like, ‘Great, now she’s gone forever.’ And I’m like, no, I’m working as hard as I used to work. I’ve always done back-to-back movies. It’s just people are watching them now. You just have to be a bit more organized with your schedule.
“So many people in the indie film world were really pissed off at me,” Pugh said. “They were like, ‘Great, now she’s gone forever.’ And I’m like, no, I’m working as hard as I used to work. I’ve always done back-to-back movies. It’s just people are watching them now. You just have to be a bit more organized with your schedule.
- 5/23/2023
- by Zack Sharf
- Variety Film + TV
The 2023 Cannes market runs May 16-24.
Screen is rounding up the key packages launched before and during the 2023 Cannes market (which runs May 16-24).
Refresh the page for latest updates.
May 16 ’The Salt Path’
The feature debut of acclaimed theatre director Marianne Elliott stars Gillian Anderson and Jason Isaacs portraying the real-life couple who trekked 630 miles of UK coastline after being kicked out of their home. Black Bear are distributing in the UK.
World sales: Rocket Science
’The Rule Of Jenny Pen’
Geoffrey Rush and John Lithgow star in James Ashcroft’s thriller as a conceited judging and a psychopath...
Screen is rounding up the key packages launched before and during the 2023 Cannes market (which runs May 16-24).
Refresh the page for latest updates.
May 16 ’The Salt Path’
The feature debut of acclaimed theatre director Marianne Elliott stars Gillian Anderson and Jason Isaacs portraying the real-life couple who trekked 630 miles of UK coastline after being kicked out of their home. Black Bear are distributing in the UK.
World sales: Rocket Science
’The Rule Of Jenny Pen’
Geoffrey Rush and John Lithgow star in James Ashcroft’s thriller as a conceited judging and a psychopath...
- 5/16/2023
- by Screen staff
- ScreenDaily
The Eternal Memory
Chile, U.S.
Director: Maite Alberdi
Alberdi’s follow-up to Oscar- nominated “The Mole Agent” snagged Sundance’s top doc award and a worldwide distribution deal with MTV at Sundance. Co-produced by Fabula, it centers on a loving elderly couple struggling with the man’s fading memory.
The Cardinal (“El Cardenal”)
Chile, Argentina, Brazil
Director: Benjamín Ávila
Drama in development with Argentina’s Magma Cine, Brazil’s Gullane and Storyboard Media turns on a cardinal who struggles to accept the reality of Augusto Pinochet’s vicious dictatorship in the early 1970s.
Horizonte
Chile, Colombia, France, Germany, Luxembourg
Director: Cesar Augusto Acevedo
Chile’s Paulina Garcia stars in Colombian Acevedo’s follow-up to Cannes-winning “Land and Shade.” Film follows Basilio and his mother, who search for his father through a wartorn land of the dead.
The House (“La Casa”)
Chile, Germany
Director: Bettina Perut and Iván Osnovikoff
Docu...
Chile, U.S.
Director: Maite Alberdi
Alberdi’s follow-up to Oscar- nominated “The Mole Agent” snagged Sundance’s top doc award and a worldwide distribution deal with MTV at Sundance. Co-produced by Fabula, it centers on a loving elderly couple struggling with the man’s fading memory.
The Cardinal (“El Cardenal”)
Chile, Argentina, Brazil
Director: Benjamín Ávila
Drama in development with Argentina’s Magma Cine, Brazil’s Gullane and Storyboard Media turns on a cardinal who struggles to accept the reality of Augusto Pinochet’s vicious dictatorship in the early 1970s.
Horizonte
Chile, Colombia, France, Germany, Luxembourg
Director: Cesar Augusto Acevedo
Chile’s Paulina Garcia stars in Colombian Acevedo’s follow-up to Cannes-winning “Land and Shade.” Film follows Basilio and his mother, who search for his father through a wartorn land of the dead.
The House (“La Casa”)
Chile, Germany
Director: Bettina Perut and Iván Osnovikoff
Docu...
- 5/16/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Rev up your DeLorean and check that old flux capacitor because Cannes 2023 is looking like a trip back to the future.
After the disruption and near devastation brought on by the Covid pandemic, and concerns that the rising tide of global streamers would wash away the business model of independent film distributors worldwide, buyers and sellers arrive on the Croisette this year on a wave of good (ish) news on the return of the theatrical business and a bumper crop of big movies, both blockbuster-y and arthouse-esque, up for sale at the Marché.
“The box office in North America is back up pretty close [to pre-pandemic levels],” notes Rob Carney, vp of sales at FilmNation, referencing first-quarter figures that showed domestic revenues of $1.8 billion, just 25 percent off the record highs of 2019. Gross box office in the European Union (EU) and the U.K. last year, as reported by the European Audiovisual Observatory, was up 70 percent from the 2021 figures,...
After the disruption and near devastation brought on by the Covid pandemic, and concerns that the rising tide of global streamers would wash away the business model of independent film distributors worldwide, buyers and sellers arrive on the Croisette this year on a wave of good (ish) news on the return of the theatrical business and a bumper crop of big movies, both blockbuster-y and arthouse-esque, up for sale at the Marché.
“The box office in North America is back up pretty close [to pre-pandemic levels],” notes Rob Carney, vp of sales at FilmNation, referencing first-quarter figures that showed domestic revenues of $1.8 billion, just 25 percent off the record highs of 2019. Gross box office in the European Union (EU) and the U.K. last year, as reported by the European Audiovisual Observatory, was up 70 percent from the 2021 figures,...
- 5/16/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The ongoing Hollywood writers’ strike casts a cloud over what otherwise promises to be a solid Cannes film market. Most buyers and sellers came out of Berlin this year “cautiously optimistic” as the (partial) resurgence of the theatrical market alongside a slowly but steadily growing digital ancillary business offers reason to believe reports of the death of the indie industry — widespread in the wake of the Covid theater shutdowns — have been greatly exaggerated.
“I see the investment by Amazon and Apple TV in the theatrical business as a real positive,” says David Garrett of Mister Smith Entertainment, “because it shows they recognize the real value of the theatrical experience.” Amazon’s success with Ben Affleck’s sports-marketing biopic Air, which grossed upwards of $80 million worldwide in theaters before going out online, bodes well for the upcoming rollout of Apple’s Cannes title Killers of the Flower Moon from Martin Scorsese,...
“I see the investment by Amazon and Apple TV in the theatrical business as a real positive,” says David Garrett of Mister Smith Entertainment, “because it shows they recognize the real value of the theatrical experience.” Amazon’s success with Ben Affleck’s sports-marketing biopic Air, which grossed upwards of $80 million worldwide in theaters before going out online, bodes well for the upcoming rollout of Apple’s Cannes title Killers of the Flower Moon from Martin Scorsese,...
- 5/15/2023
- by Scott Roxborough and Mia Galuppo
- The Hollywood Reporter - Movie News
Once upon a time, Todd Haynes’ hot Cannes Competition title “May December” — a psychological drama based on the Mary Kay Letourneau case, starring Natalie Portman and Julianne Moore — would already have a North American distributor. (A source placed its budget just under $20 million.) However, we no longer live in a world where buyers will overpay for a film before they can gauge its theatrical value: The risk is just too great.
That’s why sellers CAA and UTA opted to not show the film to distributors before the festival. Instead, they’re betting that an enthusiastic response from Cannes media and audiences will boost its sale price.
“People are being skittish about paying top dollar for a movie as easily as they did in the past,” said Sony Pictures Classics co-president Michael Barker. At Cannes, SPC will screen the Pedro Almodovar gay western short “Strange Way of Life” starring Ethan Hawke...
That’s why sellers CAA and UTA opted to not show the film to distributors before the festival. Instead, they’re betting that an enthusiastic response from Cannes media and audiences will boost its sale price.
“People are being skittish about paying top dollar for a movie as easily as they did in the past,” said Sony Pictures Classics co-president Michael Barker. At Cannes, SPC will screen the Pedro Almodovar gay western short “Strange Way of Life” starring Ethan Hawke...
- 5/12/2023
- by Anne Thompson and Brian Welk
- Indiewire
The San Sebastian Film Festival will fete Javier Bardem with its prestigious Donostia Award at its 71st edition, running 22 — 30 September.
The actor will receive the career achievement prize on Friday 22 September at the Kursaal Auditorium, thirty years after his first visit to the Festival for the competition screening of Bigas Luna’s film Golden Balls in 1993. An image of Bardem will also serve as the official poster of this year’s festival. Check out the poster down below.
Bardem is one of Spain’s most prominent cinematic names, with over 70 screen credits. He picked up an Academy Award, Golden Globe, and a BAFTA for his turn in the Coen Brothers’ neo-western No Country for Old Men. Bardem was last at San Sebastian in 2021 with the workplace comedy-drama The Good Boss from Fernando León de Aranoa. The pic was Spain’s submission for the international Oscar race. Later this year, Bardem...
The actor will receive the career achievement prize on Friday 22 September at the Kursaal Auditorium, thirty years after his first visit to the Festival for the competition screening of Bigas Luna’s film Golden Balls in 1993. An image of Bardem will also serve as the official poster of this year’s festival. Check out the poster down below.
Bardem is one of Spain’s most prominent cinematic names, with over 70 screen credits. He picked up an Academy Award, Golden Globe, and a BAFTA for his turn in the Coen Brothers’ neo-western No Country for Old Men. Bardem was last at San Sebastian in 2021 with the workplace comedy-drama The Good Boss from Fernando León de Aranoa. The pic was Spain’s submission for the international Oscar race. Later this year, Bardem...
- 5/12/2023
- by Zac Ntim
- Deadline Film + TV
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