Top Brazilian titles at the Berlin Festival and EFM:
“Betânia,” (Marcelo Botta)
Botta’s feature debut, produced by Salvatore Filmes, associate produced by Ventre Studio, selected for Berlin’s Panorama. Set in stunning but barren Brazilian sand dunes, Betânia, 65, rebuilds amid global collapse. After losing her husband to a salty diet common in electricity-deprived areas, she seeks solace in a new village, cherishing its traditions. Sales: MPM Premium
“The Best Friend,” (Allan Deberton)
By Deberton, director of award-winning “Pacarrete,” co-produced by Ceara-based Deberton Filmes and Telecine. During a quiet beach trip to Canoa Quebrada, Lucas reunites with his old college friend Felipe, whose free-spirited nature sparks feelings of nostalgia. Sales: Deberton Filmes
“Carnival is Over,” (Fernando Coimbra)
A much awaited title from helmer-scribe, now in post. Winner of a Sundance Institute global filmmaking award, the thriller centers on Regina and Valerio who live an opulent lifestyle in Rio as heirs...
“Betânia,” (Marcelo Botta)
Botta’s feature debut, produced by Salvatore Filmes, associate produced by Ventre Studio, selected for Berlin’s Panorama. Set in stunning but barren Brazilian sand dunes, Betânia, 65, rebuilds amid global collapse. After losing her husband to a salty diet common in electricity-deprived areas, she seeks solace in a new village, cherishing its traditions. Sales: MPM Premium
“The Best Friend,” (Allan Deberton)
By Deberton, director of award-winning “Pacarrete,” co-produced by Ceara-based Deberton Filmes and Telecine. During a quiet beach trip to Canoa Quebrada, Lucas reunites with his old college friend Felipe, whose free-spirited nature sparks feelings of nostalgia. Sales: Deberton Filmes
“Carnival is Over,” (Fernando Coimbra)
A much awaited title from helmer-scribe, now in post. Winner of a Sundance Institute global filmmaking award, the thriller centers on Regina and Valerio who live an opulent lifestyle in Rio as heirs...
- 2/16/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Felipe Sholl’s feature directorial debut earned top honours as the 18th edition of the Rio Film Festival concluded on Sunday night by honouring new voices of Brazilian cinema.
The Redentor awards were handed out at Espaco Cultural Bnds, where The Other End also received the best actress prize for Karine Teles, who stars in the unusual love story between a teenage boy and the female patient of his psychoanalyst mother.
The Other End explores the idea that love can be found in unexpected places with irony and lightness. Sholl dealt with a similar theme in Tá (2007), the winner of the Teddy award for best short film at Berlinale that centres on two young men who meet in a public bathroom.
A Woman And The Father, Cristiane Oliveira’s first feature, picked up three awards. Oliveira took the best director award, while the young newcomer Verónica Perrotta was named best supporting actress and cinematographer Heloisa Passos won the...
The Redentor awards were handed out at Espaco Cultural Bnds, where The Other End also received the best actress prize for Karine Teles, who stars in the unusual love story between a teenage boy and the female patient of his psychoanalyst mother.
The Other End explores the idea that love can be found in unexpected places with irony and lightness. Sholl dealt with a similar theme in Tá (2007), the winner of the Teddy award for best short film at Berlinale that centres on two young men who meet in a public bathroom.
A Woman And The Father, Cristiane Oliveira’s first feature, picked up three awards. Oliveira took the best director award, while the young newcomer Verónica Perrotta was named best supporting actress and cinematographer Heloisa Passos won the...
- 10/16/2016
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Felipe Sholl’s feature directorial debut earned top honours as the 18th edition of the Rio Film Festival concluded on Sunday night by honouring new voices of Brazilian cinema.
The Redentor awards were handed out at Espaco Cultural Bnds, where The Other End also received the best actress prize for Karine Teles, who stars in the unusual love story between a teenage boy and the female patient of his psychoanalyst mother.
The Other End explores the idea that love can be found in unexpected places with irony and lightness. Sholl dealt with a similar theme in Tá (2007), the winner of the Teddy award for best short film at Berlinale that centres on two young men who meet in a public bathroom.
A Woman And The Father, Cristiane Oliveira’s first feature, picked up three awards. Oliveira took the best director award, while the young newcomer Verónica Perrotta was named best supporting actress and cinematographer Heloisa Passos won the...
The Redentor awards were handed out at Espaco Cultural Bnds, where The Other End also received the best actress prize for Karine Teles, who stars in the unusual love story between a teenage boy and the female patient of his psychoanalyst mother.
The Other End explores the idea that love can be found in unexpected places with irony and lightness. Sholl dealt with a similar theme in Tá (2007), the winner of the Teddy award for best short film at Berlinale that centres on two young men who meet in a public bathroom.
A Woman And The Father, Cristiane Oliveira’s first feature, picked up three awards. Oliveira took the best director award, while the young newcomer Verónica Perrotta was named best supporting actress and cinematographer Heloisa Passos won the...
- 10/16/2016
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
As revealed earlier this week, the 18th edition of the festival will feature more than 20 world premieres. Screen runs through some local highlights and previews the RioMarket.
The 2016 Rio de Janeiro International Film Festival (Oct 6-16) will open with the South American premiere of Denis Villeneuve’s Arrival, which premiered at Venice Film Festival.
The festival’s full line-up, which was revealed earlier this week, will include 20 world premieres. The majority of those are local productions selected to compete for the Redentor award (a trophy that resembles the Christ Redeemer statue, made of 35mm film pieces).
The event’s competitive strand, Premiere Brasil, will feature eight titles this year, all of which have been selected to showcase new productions in the country’s film industry.
Seven of those films are world premieres, including the most recent titles of established directors, such as Andrucha Waddington (Me, You, Them and The House of Sand), and debuts from emerging film-makers...
The 2016 Rio de Janeiro International Film Festival (Oct 6-16) will open with the South American premiere of Denis Villeneuve’s Arrival, which premiered at Venice Film Festival.
The festival’s full line-up, which was revealed earlier this week, will include 20 world premieres. The majority of those are local productions selected to compete for the Redentor award (a trophy that resembles the Christ Redeemer statue, made of 35mm film pieces).
The event’s competitive strand, Premiere Brasil, will feature eight titles this year, all of which have been selected to showcase new productions in the country’s film industry.
Seven of those films are world premieres, including the most recent titles of established directors, such as Andrucha Waddington (Me, You, Them and The House of Sand), and debuts from emerging film-makers...
- 9/28/2016
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Debuts The Winter and The Giant, share the special jury prize; Hong Sang-soo wins Silver Shell for best director.
The San Sebastián International Film Festival (Sept 16-24) awards ceremony had a marked Asian flavour last night [24].
Feng Xiaogang’s I Am Not Madame Bovary - the social satire about a woman seeking to restore honour after a bitter divorce - won the Golden Shell for best film at the 64th edition of the festival.
I Am Not Madame Bovary, which had previously won the fipresci prize in Toronto, also earned Chinese star Fan Bingbing the Silver Shell in San Sebastián for best actress.
South Korea’s director Hong Sang-soo won the Silver Shell for best director for the love story Yourself And Yours.
The Special Jury Prize was shared between the Argentinian-French coproduction The Winter, a contemporary western set in a remote area in Patagonia by first time director Emiliano Torres, and the Swedish-Danish...
The San Sebastián International Film Festival (Sept 16-24) awards ceremony had a marked Asian flavour last night [24].
Feng Xiaogang’s I Am Not Madame Bovary - the social satire about a woman seeking to restore honour after a bitter divorce - won the Golden Shell for best film at the 64th edition of the festival.
I Am Not Madame Bovary, which had previously won the fipresci prize in Toronto, also earned Chinese star Fan Bingbing the Silver Shell in San Sebastián for best actress.
South Korea’s director Hong Sang-soo won the Silver Shell for best director for the love story Yourself And Yours.
The Special Jury Prize was shared between the Argentinian-French coproduction The Winter, a contemporary western set in a remote area in Patagonia by first time director Emiliano Torres, and the Swedish-Danish...
- 9/25/2016
- ScreenDaily
The 64th San Sebastian Film Festival, which ran from September 16 to 24, closed out its celebrations by announcing its winners on Saturday night. The top prize, known as the Golden Shell, was awarded to Feng Xiaogang’s drama “I Am Not Madame Bovary.” Its lead, Fan Bingbing, also took home the Best Actress award that night.
“I have a lot of experience and a lot of habits. These habits can cage you. When I started this film, I tried to set these habits aside and try to work as if it were my directorial debut and do something courageous. I knew it was very risky,” Feng said, per The Hollywood Reporter. “I didn’t know if it was the right thing to do, but today the San Sebastian Film festival gave me the answer with this prize for the best film.”
Read More: Critics Pick the Best Films From the Toronto...
“I have a lot of experience and a lot of habits. These habits can cage you. When I started this film, I tried to set these habits aside and try to work as if it were my directorial debut and do something courageous. I knew it was very risky,” Feng said, per The Hollywood Reporter. “I didn’t know if it was the right thing to do, but today the San Sebastian Film festival gave me the answer with this prize for the best film.”
Read More: Critics Pick the Best Films From the Toronto...
- 9/24/2016
- by Liz Calvario
- Indiewire
The Untamed, from Cannes best director award winner, among 13 titles.
The 64rd San Sebastian Film Festival (Sept 16-24) has revealed the 13 titles in its Horizontes Latinos programme, comprising some of the best Latin American films of the year to date.
Films selected may have competed or premiered at international festivals, but will have not yet been screened at a Spanish festival or had their commercial release in Spain.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The titles include The Untamed, from Amat Escalante, who won the Best Director Award in Cannes for Heli in 2013. The film, which will premiere in competition at this year’s Venice, centres on a young couple living in the Mexican lowlands whose lives are changed when a meteorite crashes into an nearby mountain.
Horizontes...
The 64rd San Sebastian Film Festival (Sept 16-24) has revealed the 13 titles in its Horizontes Latinos programme, comprising some of the best Latin American films of the year to date.
Films selected may have competed or premiered at international festivals, but will have not yet been screened at a Spanish festival or had their commercial release in Spain.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The titles include The Untamed, from Amat Escalante, who won the Best Director Award in Cannes for Heli in 2013. The film, which will premiere in competition at this year’s Venice, centres on a young couple living in the Mexican lowlands whose lives are changed when a meteorite crashes into an nearby mountain.
Horizontes...
- 8/17/2016
- ScreenDaily
Three Spanish titles will compete for this year’s Golden Shell.Scroll down for full line-up
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
- 7/28/2016
- ScreenDaily
Three Spanish titles will compete for this year’s Golden Shell.Scroll down for full line-up
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
- 7/28/2016
- ScreenDaily
The Hubert Bals Fund of the International Film Festival Rotterdam has selected fourteen film projects from countries across Africa, Asia, Latin America and the Middle East to receive grants in the categories Hbf Script & Project Development and Hbf Postproduction, totalling € 175,000. The selected films include the latest project by acclaimed Iranian auteur Mohammad Rasoulof
Two film projects from Argentina, produced by Viking Film and Topkapi Films, have been selected for the second round of the Netherlands Film Fund + Hubert Bals Fund (Nff+Hbf) Coproduction Scheme 2015.
Hbf Script & Project Development selection
In its Fall 2015 selection round, the Hbf supported eight projects with a Script and Project Development grant, selected from 259 applications. The selection includes four first or second projects by filmmakers Sorayos Prapapan, Gym Lumbera, Shahram Mokri and Liu Shu, and new projects by four award-winning filmmakers.
"Arnold Is a Model Student," Sorayos Prapapan, Thailand
"Kékszakállú," Gastón Solnicki, Argentina
"Lotus Position," Liu Shu, China
"The Mysteries of Taal: A Philippine Volcano and Lake, Her Sea Life and Lost Towns," Gym Lumbera, Philippines
"Over the City," Emir Baigazin, Kazakhstan
"Wine Sediment," Mohammad Rasoulof, Iran
"Yellow Apples," Shahram Mokri, Iran
"Antigone," Pedro González-Rubio, Mexico
Hbf Postproduction selection
The Hubert Bals Fund supported six films with a Postproduction grant, selected from 65 applications. Three filmmakers’ first fiction feature films were selected: "Hedi" by Mohamed Ben Attia, "Suspension" by Ala Eddine Slim and Alba by Ana Cristina Barragan. Also awarded with a Hbf Postproduction grant are: "La flor" by Mariano Llinás, "Era o Hotel Cambridge" by Eliane Caffé and "Burning Birds" by former Iffr Tiger Awards nominee Sanjeewa Pushkumara.
"Alba," Ana Cristina Barragan, Ecuador
"Burning Birds," Sanjeewa Pushpakumara, Sri Lanka
"Era o Hotel Cambridge," Eliane Caffé, Brazil
"Hedi," Mohamed Ben Attia, Tunisia
"La flor," Mariano Llinás, Argentina
"Suspension," Ala Eddine Slim, Tunisia
Nff+Hbf Coproduction Scheme 2015 selection
The Netherlands Film Fund and the Hubert Bals Fund have selected two Argentinian film projects in the Fall 2015 round of its joint Nff+Hbf Coproduction Scheme: "Rojo" by Benjamin Naishtat, coproduced by Dutch producer Viking Film and "La cama" by Mónica Lairana, coproduced by Dutch producer Topkapi Films. These two projects will receive a production contribution of €50,000 from the Netherlands Film Fund.
Viking Film will coproduce "Rojo," Benjamin Naishtat’s third feature film. Earlier films of this filmmaker include " Historia del miedo" (Competition Berlinale, 2014) and "El movimiento" (Competition Locarno, Filmmakers of the Present, 2015). "Rojo" is set in Argentina in the 1970s, a country suffering from an unprecedented wave of political violence. In these dark times, an ordinary man sees his chances to hide a very bad deed. The film will be produced by Pucará Cine (Argentina) and coproduced by Ecce Films (France), Sutor Kolonko Filmproduktion (Germany) , Desvia (Brazil) and Viking Film (The Netherlands).
Topkapi Films will coproduce Mónica Lairana’s first feature film "La cama." Laraina’s previous short films include "María" (2012), "Rosa" (2010), which both screened at Iffr. La cama tells the story of Jorge (58) and Mabel (56) in the final day of their relationship. We see them eat, make love, cry and laugh, while deconstructing their family home after 30 years of marriage. The film will be produced by Rio Abajo Producciones (Argentina) and coproduced by Gema Films (Argentina), Adriana Yurkovich (Argentina) , Mónica Lairana (Argentina) and Topkapi Films (The Netherlands).
Two film projects from Argentina, produced by Viking Film and Topkapi Films, have been selected for the second round of the Netherlands Film Fund + Hubert Bals Fund (Nff+Hbf) Coproduction Scheme 2015.
Hbf Script & Project Development selection
In its Fall 2015 selection round, the Hbf supported eight projects with a Script and Project Development grant, selected from 259 applications. The selection includes four first or second projects by filmmakers Sorayos Prapapan, Gym Lumbera, Shahram Mokri and Liu Shu, and new projects by four award-winning filmmakers.
"Arnold Is a Model Student," Sorayos Prapapan, Thailand
"Kékszakállú," Gastón Solnicki, Argentina
"Lotus Position," Liu Shu, China
"The Mysteries of Taal: A Philippine Volcano and Lake, Her Sea Life and Lost Towns," Gym Lumbera, Philippines
"Over the City," Emir Baigazin, Kazakhstan
"Wine Sediment," Mohammad Rasoulof, Iran
"Yellow Apples," Shahram Mokri, Iran
"Antigone," Pedro González-Rubio, Mexico
Hbf Postproduction selection
The Hubert Bals Fund supported six films with a Postproduction grant, selected from 65 applications. Three filmmakers’ first fiction feature films were selected: "Hedi" by Mohamed Ben Attia, "Suspension" by Ala Eddine Slim and Alba by Ana Cristina Barragan. Also awarded with a Hbf Postproduction grant are: "La flor" by Mariano Llinás, "Era o Hotel Cambridge" by Eliane Caffé and "Burning Birds" by former Iffr Tiger Awards nominee Sanjeewa Pushkumara.
"Alba," Ana Cristina Barragan, Ecuador
"Burning Birds," Sanjeewa Pushpakumara, Sri Lanka
"Era o Hotel Cambridge," Eliane Caffé, Brazil
"Hedi," Mohamed Ben Attia, Tunisia
"La flor," Mariano Llinás, Argentina
"Suspension," Ala Eddine Slim, Tunisia
Nff+Hbf Coproduction Scheme 2015 selection
The Netherlands Film Fund and the Hubert Bals Fund have selected two Argentinian film projects in the Fall 2015 round of its joint Nff+Hbf Coproduction Scheme: "Rojo" by Benjamin Naishtat, coproduced by Dutch producer Viking Film and "La cama" by Mónica Lairana, coproduced by Dutch producer Topkapi Films. These two projects will receive a production contribution of €50,000 from the Netherlands Film Fund.
Viking Film will coproduce "Rojo," Benjamin Naishtat’s third feature film. Earlier films of this filmmaker include " Historia del miedo" (Competition Berlinale, 2014) and "El movimiento" (Competition Locarno, Filmmakers of the Present, 2015). "Rojo" is set in Argentina in the 1970s, a country suffering from an unprecedented wave of political violence. In these dark times, an ordinary man sees his chances to hide a very bad deed. The film will be produced by Pucará Cine (Argentina) and coproduced by Ecce Films (France), Sutor Kolonko Filmproduktion (Germany) , Desvia (Brazil) and Viking Film (The Netherlands).
Topkapi Films will coproduce Mónica Lairana’s first feature film "La cama." Laraina’s previous short films include "María" (2012), "Rosa" (2010), which both screened at Iffr. La cama tells the story of Jorge (58) and Mabel (56) in the final day of their relationship. We see them eat, make love, cry and laugh, while deconstructing their family home after 30 years of marriage. The film will be produced by Rio Abajo Producciones (Argentina) and coproduced by Gema Films (Argentina), Adriana Yurkovich (Argentina) , Mónica Lairana (Argentina) and Topkapi Films (The Netherlands).
- 12/1/2015
- by Sydney Levine
- Sydney's Buzz
Lucile Hadzihalilovic’s Evolution wins special jury prize; Joachim Lafosse’s The White Knights wins Silver Shell.Scroll down for full list of winners
Rúnar Rúnarsson’s Sparrows has won the Golden Shell for best film at the 63rd San Sebastian International Film Festival (Sept 18-26).
Runarsson’s second film, following Volcano (2011), follows 16-year-old Ari, who has to leave his mother’s home in Reykjavik and move back to his former hometown in the isolated Westfjords of Iceland where he navigates a rocky relationship with his father.
Lucile Hadzihalilovic’s surreal horror film Evolution picked up the Special Jury Prize. The French director’s first feature in more than a decade follows a young boy living in a mysterious, isolated seaside clinic who uncovers the sinister purposes of his keepers.
The film also saw Manu Dacosse pick up the Jury Prize for best cinematography.
The Silver Shell for best director went to Joachim Lafosse for The White...
Rúnar Rúnarsson’s Sparrows has won the Golden Shell for best film at the 63rd San Sebastian International Film Festival (Sept 18-26).
Runarsson’s second film, following Volcano (2011), follows 16-year-old Ari, who has to leave his mother’s home in Reykjavik and move back to his former hometown in the isolated Westfjords of Iceland where he navigates a rocky relationship with his father.
Lucile Hadzihalilovic’s surreal horror film Evolution picked up the Special Jury Prize. The French director’s first feature in more than a decade follows a young boy living in a mysterious, isolated seaside clinic who uncovers the sinister purposes of his keepers.
The film also saw Manu Dacosse pick up the Jury Prize for best cinematography.
The Silver Shell for best director went to Joachim Lafosse for The White...
- 9/26/2015
- ScreenDaily
Eliane Caffé’s film scooped the Industry Award prize.
The Cambridge Squatter, director Eliane Caffé’s latest feature project, has won the Industry Award at the films in progress showcase of San Sebastian Film Festival (Sept 18-26).
The film is a portrayal of homelessness in São Paulo, Brazil’s most populous city.
Caffé’s previous work has seen him receive major recognition in Brazil and abroad, including his 2003 feature The Storytellers, which won awards at festivals across South America.
Films in progress is the bi-annual initiative run jointly by San Sebastian International Film Festival and the Cinélatino, Rencontres de Toulouse to support Latin American films through post-production.
The Cambridge Squatter beat competition including new projects from directors Alejandro Fernández Almendras and Daniel Hendler.
The Cambridge Squatter, director Eliane Caffé’s latest feature project, has won the Industry Award at the films in progress showcase of San Sebastian Film Festival (Sept 18-26).
The film is a portrayal of homelessness in São Paulo, Brazil’s most populous city.
Caffé’s previous work has seen him receive major recognition in Brazil and abroad, including his 2003 feature The Storytellers, which won awards at festivals across South America.
Films in progress is the bi-annual initiative run jointly by San Sebastian International Film Festival and the Cinélatino, Rencontres de Toulouse to support Latin American films through post-production.
The Cambridge Squatter beat competition including new projects from directors Alejandro Fernández Almendras and Daniel Hendler.
- 9/24/2015
- ScreenDaily
113 films from 20 countries were submitted to the Films in Progress 28 initiative at the San Sebastian Film Festival. The final selection includes: "Aquí no ha pasado nada" (Much Ado About Nothing) by Alejandro Fernández Almendras (Chile),whose previous film, "To Kill a Man," won numerous prizes at international festivals and represented Chile at the Oscars last year; "Era o Hotel Cambridge" (The Cambridge Squatter) by Eliane Caffé (Brazil - France), "La Emboscada" (The Ambush) by Daniel Hendler (Uruguay - Argentina), "La Princesita" (The Princess) by Marialy Rivas (Chile - Argentina - Spain), "Rara" by Pepa San Martín (Chile - Argentina) and "Sobrevivientes de Rober Calzadilla" (Venezuela - Colombia).
Films in Progress gains strength as a not-to-be-missed gathering for Latin American production. Four of the films presented last year at San Sebastian, in Films in Progress 26, will be screened at this year’s Festival: Eugenio Canevari’s "Paula" will compete in the New Directors section and Jayro Bustamante’s "Ixcanul,"which has just been announced as Guatemala's Oscar submission, will screen in the Horizontes Latinos section, having won the Silver Bear – Alfred Bauer Award at the Berlin Festival.
Salvador de Solar’s "Magallanes," winner of the Films in Progress Industry Award and Aly Muritiba’s "Para minha amada morta" (To My Beloved), will also compete for the Horizontes Award. And another of the films presented last year, Sergio Castro’s "La mujer de barro" (The Mud Woman), was programmed in the Berlin Festival’s Forum section.
Among the projects revealed at the Toulouse event last March, Pablo Agüero’s "Eva no duerme" (Eva doesn't sleep) is programmed in the official competition; Sebastián Brahm’s "Vida sexual de las plantas" (Sex Life of Plants) is part of the New Directors selection; and Lorenzo Vigas’s "Desde allá" (From afar) will be presented in Horizontes Latinos after having participated in the official competition at the Venice Festival.
"Aquí No Ha Pasado Nada" (Much Ado About Nothing) Alejandro Fernández Almendras (Chile) Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. "I wasn’t driving", he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, "Matar a un hombre" (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival.
"Era o Hotel Cambridge" (The Cambridge Squatter)
Eliane Caffé (Brazil - France) The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters.
"La Emboscada" (The Ambush) Daniel Hendler (Uruguay - Argentina) Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of "El Palomar," participated in the I Europe-Latin America Co-production Forum.
"La Princesita" (The Princess) Marialy Rivas (Chile - Argentina - Spain) A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her "lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, "Joven y alocada," participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals.
"Rara" Pepa San Martín (Chile - Argentina) A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family.
"Sobrevivientes" Rober Calzadilla (Venezuela - Colombia) 1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eye-watering.
Awards:
Films in Progress Industry Award : The companies Daniel Goldstein, Deluxe Spain, Dolby Iberia, Laserfilm Cine y Video, Nephilim producciones, No Problem Sonido and Wanda Visión will assume the post-production of a film until obtaining a Dcp subtitled in English and its distribution in Spain...
Films in Progress gains strength as a not-to-be-missed gathering for Latin American production. Four of the films presented last year at San Sebastian, in Films in Progress 26, will be screened at this year’s Festival: Eugenio Canevari’s "Paula" will compete in the New Directors section and Jayro Bustamante’s "Ixcanul,"which has just been announced as Guatemala's Oscar submission, will screen in the Horizontes Latinos section, having won the Silver Bear – Alfred Bauer Award at the Berlin Festival.
Salvador de Solar’s "Magallanes," winner of the Films in Progress Industry Award and Aly Muritiba’s "Para minha amada morta" (To My Beloved), will also compete for the Horizontes Award. And another of the films presented last year, Sergio Castro’s "La mujer de barro" (The Mud Woman), was programmed in the Berlin Festival’s Forum section.
Among the projects revealed at the Toulouse event last March, Pablo Agüero’s "Eva no duerme" (Eva doesn't sleep) is programmed in the official competition; Sebastián Brahm’s "Vida sexual de las plantas" (Sex Life of Plants) is part of the New Directors selection; and Lorenzo Vigas’s "Desde allá" (From afar) will be presented in Horizontes Latinos after having participated in the official competition at the Venice Festival.
"Aquí No Ha Pasado Nada" (Much Ado About Nothing) Alejandro Fernández Almendras (Chile) Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. "I wasn’t driving", he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, "Matar a un hombre" (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival.
"Era o Hotel Cambridge" (The Cambridge Squatter)
Eliane Caffé (Brazil - France) The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters.
"La Emboscada" (The Ambush) Daniel Hendler (Uruguay - Argentina) Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of "El Palomar," participated in the I Europe-Latin America Co-production Forum.
"La Princesita" (The Princess) Marialy Rivas (Chile - Argentina - Spain) A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her "lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, "Joven y alocada," participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals.
"Rara" Pepa San Martín (Chile - Argentina) A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family.
"Sobrevivientes" Rober Calzadilla (Venezuela - Colombia) 1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eye-watering.
Awards:
Films in Progress Industry Award : The companies Daniel Goldstein, Deluxe Spain, Dolby Iberia, Laserfilm Cine y Video, Nephilim producciones, No Problem Sonido and Wanda Visión will assume the post-production of a film until obtaining a Dcp subtitled in English and its distribution in Spain...
- 8/28/2015
- by Sydney Levine
- Sydney's Buzz
New projects from Alejandro Fernández Almendras, Eliane Caffé and Daniel Hendler are included in this year’s Films in Progress selection.
Films in Progress, the bi-annual initiative run jointly by San Sebastian International Film Festival and the Cinélatino, Rencontres de Toulouse to support Latin American films through post-production, will showcase six projects at this year’s San Sebastian festival (Sept 18-26).
Fernández Almendras, who won the 2014 Sundance world cinema grand jury prize for To Kill A Man, will present his new film Much Ado About Nothing, which was announced in Berlin this year.
The other projects include Eliane Caffé’s new film The Cambridge Squatter and actor Daniel Hendler’s debut feature The Ambush.
Four of the projects that were presented at last year’s San Sebastian Films in Progress will screen at this year’s festival: Paula, by Eugenio Canevari, will compete in the New Directors section, while Jayro Bustamante’s Ixcanul, which won the...
Films in Progress, the bi-annual initiative run jointly by San Sebastian International Film Festival and the Cinélatino, Rencontres de Toulouse to support Latin American films through post-production, will showcase six projects at this year’s San Sebastian festival (Sept 18-26).
Fernández Almendras, who won the 2014 Sundance world cinema grand jury prize for To Kill A Man, will present his new film Much Ado About Nothing, which was announced in Berlin this year.
The other projects include Eliane Caffé’s new film The Cambridge Squatter and actor Daniel Hendler’s debut feature The Ambush.
Four of the projects that were presented at last year’s San Sebastian Films in Progress will screen at this year’s festival: Paula, by Eugenio Canevari, will compete in the New Directors section, while Jayro Bustamante’s Ixcanul, which won the...
- 8/20/2015
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.