Girls Will Be Girls To Premiere At Sundance Film Festival 2024: Here’s Everything You Should Know About Chadha & Ali Fazal’s Debut Production! ( Photo Credit – Instagram )
Ali Fazal and Richa Chadha’s debut production, ‘Girls Will Be Girls,’ a female-led drama written and directed by debutante Shuchi Talati, is set to premiere at the prestigious Sundance Film Festival 2024. The film will be screened in the World Dramatic Feature category, marking an extraordinary achievement for producers as well as the director. ‘Girls Will Be Girls’ is one of 16 films chosen to participate in the competitive category of the renowned Film Festival.
The 40th edition of the Sundance Film Festival, which aims to provide a space to gather, celebrate, and engage with risk-taking artists who are committed to bringing their independent visions to audiences through independent storytelling, will take place from January 18–28, 2024, in Park City, Utah.
Speaking about the film, producer Richa Chadha earlier said,...
Ali Fazal and Richa Chadha’s debut production, ‘Girls Will Be Girls,’ a female-led drama written and directed by debutante Shuchi Talati, is set to premiere at the prestigious Sundance Film Festival 2024. The film will be screened in the World Dramatic Feature category, marking an extraordinary achievement for producers as well as the director. ‘Girls Will Be Girls’ is one of 16 films chosen to participate in the competitive category of the renowned Film Festival.
The 40th edition of the Sundance Film Festival, which aims to provide a space to gather, celebrate, and engage with risk-taking artists who are committed to bringing their independent visions to audiences through independent storytelling, will take place from January 18–28, 2024, in Park City, Utah.
Speaking about the film, producer Richa Chadha earlier said,...
- 12/10/2023
- by Shivani Negi
- KoiMoi
Roberto Berliner’s newest feature, “Nise: The Heart of Madness,” tells the fascinating true story of an unlikely group of artists and the woman who helped them find their voice (or, in this case, their paints).
Set in 1940’s Brazil, Gloria Pires plays Dr. Nise da Silveira, who works in a psychiatric hospital on the outskirts of Rio de Janeiro, where she refuses to employ the new and violent electroshock for the treatment of schizophrenics. Ridiculed by other doctors, she is forced to take over abandoned Sector for Occupational Therapy, where she starts a revolution through painting, animals and love.
Read More: Cannes Critics’ Week Jury to Be Lead By Brazilian Filmmaker Kleber Mendonça Filho, Other Jurors Announced
Berliner’s film follows the real-life story of da Silveira as she nurtures her patients to craft work that eventually set them apart as some of Brazil’s most lauded artists. In our exclusive clip below,...
Set in 1940’s Brazil, Gloria Pires plays Dr. Nise da Silveira, who works in a psychiatric hospital on the outskirts of Rio de Janeiro, where she refuses to employ the new and violent electroshock for the treatment of schizophrenics. Ridiculed by other doctors, she is forced to take over abandoned Sector for Occupational Therapy, where she starts a revolution through painting, animals and love.
Read More: Cannes Critics’ Week Jury to Be Lead By Brazilian Filmmaker Kleber Mendonça Filho, Other Jurors Announced
Berliner’s film follows the real-life story of da Silveira as she nurtures her patients to craft work that eventually set them apart as some of Brazil’s most lauded artists. In our exclusive clip below,...
- 4/26/2017
- by Kate Erbland
- Indiewire
Nise: The Heart Of Madness (O Coracão da Loucara) Outsider Films/ Strand Releasing Reviewed by: Harvey Karten, Shockya Grade: A- Director: Roberto Berliner Written by: Flávia Castro, Mauricio Lissovski Cast: Gloria Pires, Filipe Rocha, Claudio Jaborandy, Simone Mazzer, Roney Villela, Fabricio Boliveira, Charles Fricks Screened at: Review 2, NYC, 4/17/17 Opens: April 28, 2017 Aside […]
The post Nise: The Heart of Madness Movie Review appeared first on Shockya.com.
The post Nise: The Heart of Madness Movie Review appeared first on Shockya.com.
- 4/24/2017
- by Harvey Karten
- ShockYa
The Brazilian promotional body will attend the Efm for the tenth consecutive year to talk up a slate of national films that includes Panorama selections Time Was Endless and Don’t Call Me Son.
Cinema do Brasil, which works with the Brazilian Trade and Investment Promotion Agency and has support from the audiovisual department of the Ministry Of Culture to champion home-grown fare, will be in Berlin representing a delegation of 32 companies.
Both Panorama entries will receive from Cinema do Brasil a $25,000 Sales Agent Support Award.
Don’t Call Me Son (Mae So Ha Uma, pictured) is Anna Muylaert’s follow-up to her widely admired 2015 Panorama winner and Brazilian foreign language Oscar submission The Second Mother.
The film premieres on Friday and tells of a teenage city boy who learns that the woman he thought was his mother is not his biological parent and goes on a search for his real family.
Time Was Endless...
Cinema do Brasil, which works with the Brazilian Trade and Investment Promotion Agency and has support from the audiovisual department of the Ministry Of Culture to champion home-grown fare, will be in Berlin representing a delegation of 32 companies.
Both Panorama entries will receive from Cinema do Brasil a $25,000 Sales Agent Support Award.
Don’t Call Me Son (Mae So Ha Uma, pictured) is Anna Muylaert’s follow-up to her widely admired 2015 Panorama winner and Brazilian foreign language Oscar submission The Second Mother.
The film premieres on Friday and tells of a teenage city boy who learns that the woman he thought was his mother is not his biological parent and goes on a search for his real family.
Time Was Endless...
- 2/9/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The 28th edition of the Tokyo International Film Festival took place from the 22th until the 31th of October in the great city of Tokyo. This ten day event is the only Japanese film festival accredited by the International Federation of Film Producers Associations (Fiapf). It started in 1985 and since then it became one of the most important festival in the world. The festival offers the audience a great chance to see the very best film from around the world and bring them the best national productions.
Competition Section
Tokyo Grand Prix
Nise – O Coração da Loucura (Nise – The Heart of Madness) by Roberto Berliner – Brazil | 2015 – 109 min.
Special Jury Prize
Nous Trois ou Rien (All Three of Us) by Kheiron – France | 2015 – 102 min.
Award for Best Director
Mustafa Kara for his film Kalandar Soğuğu (Cold of Kalandar) Turkey, Hungary | 2015 – 139 min.
Award for Best Actress
Gloria Pires for the film Nise – O...
Competition Section
Tokyo Grand Prix
Nise – O Coração da Loucura (Nise – The Heart of Madness) by Roberto Berliner – Brazil | 2015 – 109 min.
Special Jury Prize
Nous Trois ou Rien (All Three of Us) by Kheiron – France | 2015 – 102 min.
Award for Best Director
Mustafa Kara for his film Kalandar Soğuğu (Cold of Kalandar) Turkey, Hungary | 2015 – 139 min.
Award for Best Actress
Gloria Pires for the film Nise – O...
- 11/4/2015
- by Sebastian Nadilo
- AsianMoviePulse
Other winners include All Three of Us, Cold of Kalandar, Land Of Mine, God Willing and Family Film.
Roberto Berliner’s Nise - The Heart of Madness, based on the true story of a Brazilian psychiatrist, took the top prize at the 28th Tokyo International Film Festival on Saturday.
The Brazilian film’s Gloria Pires also won the Best Actress award for her performance in the title role as Nise da Silveira, a doctor assigned to a Rio de Janeiro mental hospital in the 1940s.
“We all felt that it was a very believable world full of sadness, of humour and of triumph,” competition jury president Bryan Singer said in presenting the Tokyo Grand Prix, which comes with a cash prize of $50,000.
Berliner described the film as a “cruel job” in that it took 13 years out of his life to make but he never lost his determination to bring Nise da Silveira’s story to the screen...
Roberto Berliner’s Nise - The Heart of Madness, based on the true story of a Brazilian psychiatrist, took the top prize at the 28th Tokyo International Film Festival on Saturday.
The Brazilian film’s Gloria Pires also won the Best Actress award for her performance in the title role as Nise da Silveira, a doctor assigned to a Rio de Janeiro mental hospital in the 1940s.
“We all felt that it was a very believable world full of sadness, of humour and of triumph,” competition jury president Bryan Singer said in presenting the Tokyo Grand Prix, which comes with a cash prize of $50,000.
Berliner described the film as a “cruel job” in that it took 13 years out of his life to make but he never lost his determination to bring Nise da Silveira’s story to the screen...
- 11/1/2015
- ScreenDaily
The sensorial cinema of Gabriel Mascaro, who turned the life of a group of cowhands into a poetic experience in Neon Bull (Boi Neon), was the big winner at the 17th edition of Rio de Janeiro’s International Film Festival.
The allegory of the recent economic transformations in Brazil received four Redentor awards on Tuesday night: best film, best screenplay, best cinematography and best supporting actress for Alyne Santana.
Previously the film screened in Venice, where it won the Orizzonti special jury prize, and Toronto.
The best director prize was shared between Ives Rosenfeld’s Hopefuls (Aspirantes), a journey of a young amateur football player, and Anita Rocha da Silveira’s Kill Me Please (Mate-Me Por Favor), a teen horror film set at a school in Barra de Tijuca. Both works are first features.
The jury headed by the director and cinematographer Walter Carvalho also celebrated Hopefuls with a best actor prize for Ariclenes Barroso and a...
The allegory of the recent economic transformations in Brazil received four Redentor awards on Tuesday night: best film, best screenplay, best cinematography and best supporting actress for Alyne Santana.
Previously the film screened in Venice, where it won the Orizzonti special jury prize, and Toronto.
The best director prize was shared between Ives Rosenfeld’s Hopefuls (Aspirantes), a journey of a young amateur football player, and Anita Rocha da Silveira’s Kill Me Please (Mate-Me Por Favor), a teen horror film set at a school in Barra de Tijuca. Both works are first features.
The jury headed by the director and cinematographer Walter Carvalho also celebrated Hopefuls with a best actor prize for Ariclenes Barroso and a...
- 10/13/2015
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Rio de Janeiro’s International Film Festival opened last night (Oct 1) celebrating the life and work of local hero Chico Buarque who, at 71, remains one of Brazil’s top composers, musicians and singers.
The world premiere of documentary Chico - Artista Brasileiro packed Cine Odeon, a 90-year-old movie theatre that will host public screenings of the most important festival sections, including Premiere Brasil.
As Rio celebrated its 450th anniversary in March, it proved appropriate to open the city’s film festival with a documentary that reflected its spirit and culture.
Directed by Miguel Faria Jr., the film attempts to uncover the man behind the artist simply known as “Chico” in Brazil, with testimonials from the musician and those closest to him.
Chico - Artista Brasileiro centres on the list of the artist who wrote Bossa Nova songs in the 1960s and faced censorship in the 1970s, for attacking the Brazilian military dictatorship in his lyrics.
Chico is also...
The world premiere of documentary Chico - Artista Brasileiro packed Cine Odeon, a 90-year-old movie theatre that will host public screenings of the most important festival sections, including Premiere Brasil.
As Rio celebrated its 450th anniversary in March, it proved appropriate to open the city’s film festival with a documentary that reflected its spirit and culture.
Directed by Miguel Faria Jr., the film attempts to uncover the man behind the artist simply known as “Chico” in Brazil, with testimonials from the musician and those closest to him.
Chico - Artista Brasileiro centres on the list of the artist who wrote Bossa Nova songs in the 1960s and faced censorship in the 1970s, for attacking the Brazilian military dictatorship in his lyrics.
Chico is also...
- 10/2/2015
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Rio de Janeiro’s International Film Festival opened last night (Oct 1) celebrating the life and work of local hero Chico Buarque who, at 71, remains one of Brazil’s top composers, musicians and singers.
The world premiere of documentary Chico - Artista Brasileiro packed Cine Odeon, a 90-year-old movie theatre that will host public screenings of the most important festival sections, including Premiere Brasil.
As Rio celebrated its 450th anniversary in March, it proved appropriate to open the city’s film festival with a documentary that reflected its spirit and culture.
Directed by Miguel Faria Jr., the film attempts to uncover the man behind the artist simply known as “Chico” in Brazil, with testimonials from the musician and those closest to him.
Chico - Artista Brasileiro centres on the list of the artist who wrote Bossa Nova songs in the 1960s and faced censorship in the 1970s, for attacking the Brazilian military dictatorship in his lyrics.
Chico is also...
The world premiere of documentary Chico - Artista Brasileiro packed Cine Odeon, a 90-year-old movie theatre that will host public screenings of the most important festival sections, including Premiere Brasil.
As Rio celebrated its 450th anniversary in March, it proved appropriate to open the city’s film festival with a documentary that reflected its spirit and culture.
Directed by Miguel Faria Jr., the film attempts to uncover the man behind the artist simply known as “Chico” in Brazil, with testimonials from the musician and those closest to him.
Chico - Artista Brasileiro centres on the list of the artist who wrote Bossa Nova songs in the 1960s and faced censorship in the 1970s, for attacking the Brazilian military dictatorship in his lyrics.
Chico is also...
- 10/2/2015
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Competition section features six world premieres including titles from Koji Fukada and Yoshihiro Nakamura.
The 28th Tokyo International Film Festival (October 22-31) has unveiled its line-up with six world premieres in the Competition section, including Turkish director Mustafa Kara’s Cold Of Kalandar, Hao Jie’s My Original Dream and Thai film-maker Kongdej Jaturanrasmee’s Snap.
Also world-premiering in Competition are three Japanese titles: Kohei Oguri’s Foujita, Yoshihiro Nakamura’s The Inerasable and Koji Fukada’s Sayonara – the most local films in the main section since 2004.
The other selections are either Asian or international premieres. The topics of war or refugeeism are a common thread among some films, echoing current day headlines. “We were not conscious about choosing those types, it just happened that way and we noticed afterwards,” said Competition programming director Yoshi Yatabe.
“As much as possible we’d like to cover a wide range of geographical areas and genres,” he said of...
The 28th Tokyo International Film Festival (October 22-31) has unveiled its line-up with six world premieres in the Competition section, including Turkish director Mustafa Kara’s Cold Of Kalandar, Hao Jie’s My Original Dream and Thai film-maker Kongdej Jaturanrasmee’s Snap.
Also world-premiering in Competition are three Japanese titles: Kohei Oguri’s Foujita, Yoshihiro Nakamura’s The Inerasable and Koji Fukada’s Sayonara – the most local films in the main section since 2004.
The other selections are either Asian or international premieres. The topics of war or refugeeism are a common thread among some films, echoing current day headlines. “We were not conscious about choosing those types, it just happened that way and we noticed afterwards,” said Competition programming director Yoshi Yatabe.
“As much as possible we’d like to cover a wide range of geographical areas and genres,” he said of...
- 9/29/2015
- ScreenDaily
Competition section features six world premieres including titles from Koji Fukada and Yoshihiro Nakamura.
The 28th Tokyo International Film Festival (October 22-31) has unveiled its line-up with six world premieres in the Competition section, including Turkish director Mustafa Kara’s Cold Of Kalandar, Hao Jie’s My Original Dream and Thai film-maker Kongdej Jaturanrasmee’s Snap.
Also world-premiering in Competition are three Japanese titles: Kohei Oguri’s Foujita, Yoshihiro Nakamura’s The Inerasable and Koji Fukada’s Sayonara – the most local films in the main section since 2004.
The other selections are either Asian or international premieres. The topics of war or refugeeism are a common thread among some films, echoing current day headlines. “We were not conscious about choosing those types, it just happened that way and we noticed afterwards,” said Competition programming director Yoshi Yatabe.
“As much as possible we’d like to cover a wide range of geographical areas and genres,” he said of...
The 28th Tokyo International Film Festival (October 22-31) has unveiled its line-up with six world premieres in the Competition section, including Turkish director Mustafa Kara’s Cold Of Kalandar, Hao Jie’s My Original Dream and Thai film-maker Kongdej Jaturanrasmee’s Snap.
Also world-premiering in Competition are three Japanese titles: Kohei Oguri’s Foujita, Yoshihiro Nakamura’s The Inerasable and Koji Fukada’s Sayonara – the most local films in the main section since 2004.
The other selections are either Asian or international premieres. The topics of war or refugeeism are a common thread among some films, echoing current day headlines. “We were not conscious about choosing those types, it just happened that way and we noticed afterwards,” said Competition programming director Yoshi Yatabe.
“As much as possible we’d like to cover a wide range of geographical areas and genres,” he said of...
- 9/29/2015
- ScreenDaily
Top brass at the Rio de Janeiro Film Festival announced that 41 feature and 19 shorts from Brazilian filmmakers will screen in the 17th edition, set to run from October 1-14.
The Première Brasil competition section will screen 13 features, of which ten will receive world premieres. An additional two features and two documentaries will screen out of competition.
Other Brazilian productions such as a restoration of Walter Lima Jr’s 1965 classic Menino de Engenho (Plantation Boy) will screen in special Première Brasil sidebars such as New Trends, Panorama, Expectation and Fronteiras.
Première Brasil is the only competitive section of the festival and Redentors will be presented on closing night. The audience will vote on three awards for best Brazilian feature film, best documentary and best short film.
As part of this years commemoration of the 450 years of the founding of Rio, the festival will screen six films that have the city as its setting or reflect the theme of Rio...
The Première Brasil competition section will screen 13 features, of which ten will receive world premieres. An additional two features and two documentaries will screen out of competition.
Other Brazilian productions such as a restoration of Walter Lima Jr’s 1965 classic Menino de Engenho (Plantation Boy) will screen in special Première Brasil sidebars such as New Trends, Panorama, Expectation and Fronteiras.
Première Brasil is the only competitive section of the festival and Redentors will be presented on closing night. The audience will vote on three awards for best Brazilian feature film, best documentary and best short film.
As part of this years commemoration of the 450 years of the founding of Rio, the festival will screen six films that have the city as its setting or reflect the theme of Rio...
- 9/2/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Film-maker Kleber Mendoça, who won the Fipresci Prize at Rotterdam and Wroclaw’s New Horizons for his fiction feature debut Neighbouring Sounds in 2012, will be in Locarno next month as part of an almost 60-strong Brazilian delegation.
Mendoça, who is also the director of Recife’s Janela International Film Festival, will be joined by, among others, festival director colleagues Renata de Almeida and Ivan Melo of the Sao Paulo Iff as well as Manoel Rangel and Eduardo Valente of film funder Ancine, André Sturm of Cinema do Brasil, producers Sara Silveira (Dezenove Som et Imagem), Eliane Ferreira (Muiraquita Filmes) and Elias Ribeiro (Urucu Media), distributors Jean-Thomas Bernardini (Imovision) and Marcos De Oliveira (Europa Filmes), and sales agent Sandro Fiorin (Figa Films).
Carte Blanche focus on Brazil
The fourth edition of Locarno’s Carte Blanche showcase will be the focus of the Brazilian presence at the Swiss festival with the presentation of new Brazilian features and documentaries by their...
Mendoça, who is also the director of Recife’s Janela International Film Festival, will be joined by, among others, festival director colleagues Renata de Almeida and Ivan Melo of the Sao Paulo Iff as well as Manoel Rangel and Eduardo Valente of film funder Ancine, André Sturm of Cinema do Brasil, producers Sara Silveira (Dezenove Som et Imagem), Eliane Ferreira (Muiraquita Filmes) and Elias Ribeiro (Urucu Media), distributors Jean-Thomas Bernardini (Imovision) and Marcos De Oliveira (Europa Filmes), and sales agent Sandro Fiorin (Figa Films).
Carte Blanche focus on Brazil
The fourth edition of Locarno’s Carte Blanche showcase will be the focus of the Brazilian presence at the Swiss festival with the presentation of new Brazilian features and documentaries by their...
- 7/29/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The 15th annual Rio International Film Festival winners were announced on October 10 at an awards ceremony held at the festival’s downtown Armazem 6 dockland pavilion.Scroll down for full list of winners
As in every year, the awards were exclusively for domestic films that screened in the Premiere Brasil section, dedicated to new work from local directors.
For the first time in festival history the most prestigious prize, the Redentor award presented to the Best Fiction Feature, was shared between two films, both from first-time directors: Caru Alves de Souza’s Underage (De Menor) and Fernando Coimbra’s Wolf At The Door (O Lobo Atrás da Porta).
Underage touches on a topical subject that divides Brazilian society about reducing the age of criminal responsibility for heinous crimes.
It follows the steps of a young woman, Helena (Rita Batata), a recently graduated attorney who works as a public defender of children and adolescents and also takes care of...
As in every year, the awards were exclusively for domestic films that screened in the Premiere Brasil section, dedicated to new work from local directors.
For the first time in festival history the most prestigious prize, the Redentor award presented to the Best Fiction Feature, was shared between two films, both from first-time directors: Caru Alves de Souza’s Underage (De Menor) and Fernando Coimbra’s Wolf At The Door (O Lobo Atrás da Porta).
Underage touches on a topical subject that divides Brazilian society about reducing the age of criminal responsibility for heinous crimes.
It follows the steps of a young woman, Helena (Rita Batata), a recently graduated attorney who works as a public defender of children and adolescents and also takes care of...
- 10/11/2013
- by elaineguerini@terra.com.br (Elaine Guerini)
- ScreenDaily
Top brass at the Rio de Janeiro International Film Festival have revealed the 11 features and eight documentaries that will compete for the Redentor prizes.
The selection sees a healthy mix of first-time filmmakers up against established industry names from more than a dozen states including Rio de Janeiro, São Paulo, Paraná, Pernambuco, Maranhão, Minas Gerais, Espírito Santo, Bahia, Ceará, Paraíba and Santa Catarina.
Last year’s top Redentor prize went to first-time filmmaker Kleber Mendonça Filho’s O Som Ao Redor (Neighbouring Sounds), which earned the best film and screenplay honours.
Premiere Brazil 2013 full competition selection:
Fiction
De Menor (Underage), dir Caru Alves de Souza (São Paulo);
Entre Nós (Sheep’s Clothing), dir Paulo Morelli (Sao Paulo);
Estrada 47 - A Montanha (Road 47 - The Mountain), dir Vicente Ferraz (São Paulo) – world premiere;
O Homem Das Multidões (The Man Of The Crowd), dir Marcelo Gomes & Cao Guimarães (Minas Gerais) – world premiere;
Jogo Das Decapitações (Beheadings Game), dir Sérgio...
The selection sees a healthy mix of first-time filmmakers up against established industry names from more than a dozen states including Rio de Janeiro, São Paulo, Paraná, Pernambuco, Maranhão, Minas Gerais, Espírito Santo, Bahia, Ceará, Paraíba and Santa Catarina.
Last year’s top Redentor prize went to first-time filmmaker Kleber Mendonça Filho’s O Som Ao Redor (Neighbouring Sounds), which earned the best film and screenplay honours.
Premiere Brazil 2013 full competition selection:
Fiction
De Menor (Underage), dir Caru Alves de Souza (São Paulo);
Entre Nós (Sheep’s Clothing), dir Paulo Morelli (Sao Paulo);
Estrada 47 - A Montanha (Road 47 - The Mountain), dir Vicente Ferraz (São Paulo) – world premiere;
O Homem Das Multidões (The Man Of The Crowd), dir Marcelo Gomes & Cao Guimarães (Minas Gerais) – world premiere;
Jogo Das Decapitações (Beheadings Game), dir Sérgio...
- 9/3/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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