Acclaimed Nepalese filmmaker Deepak Rauniyar has wrapped principal photography on his next feature “Rajagunj” (“The Sky is Mine”).
The film is also one of nine projects to receive funding from the Norwegian Film Institute’s Sorfond. It received NOK625,000.
Rauniyar’s first feature, “Highway,” premiered at the 2012 Berlinale and played Locarno, while his sophomore feature “White Sun” (2016) won awards at the Venice, Palm Springs, Fribourg and Singapore festivals. He is also a Berlinale Talents alumnus saw and short film “Four Nights” play at Berlinale Shorts in 2022.
Written by Rauniyar, David Barker and Asha Magrati, “The Sky is Mine” examines the caste system endemic to South Asia, where there is great emphasis on skin color. The film follows Pooja, a light-skinned Nepali police officer, who has broken centuries-old misogyny by becoming the first female detective in the country. She comes across her first case in a violent border town. While tens...
The film is also one of nine projects to receive funding from the Norwegian Film Institute’s Sorfond. It received NOK625,000.
Rauniyar’s first feature, “Highway,” premiered at the 2012 Berlinale and played Locarno, while his sophomore feature “White Sun” (2016) won awards at the Venice, Palm Springs, Fribourg and Singapore festivals. He is also a Berlinale Talents alumnus saw and short film “Four Nights” play at Berlinale Shorts in 2022.
Written by Rauniyar, David Barker and Asha Magrati, “The Sky is Mine” examines the caste system endemic to South Asia, where there is great emphasis on skin color. The film follows Pooja, a light-skinned Nepali police officer, who has broken centuries-old misogyny by becoming the first female detective in the country. She comes across her first case in a violent border town. While tens...
- 10/12/2023
- by Naman Ramachandran
- Variety Film + TV
Following their recent collaboration on Apache Delivery Service, the creative trio of Matt Kindt, Tyler Jenkins, and Hilary Jenkins are reteaming for the new comic book miniseries Hairball. Following a young girl and her enigmatic black cat, Hairball #1 will be released in April 2023 through Kindt's Flux House imprint at Dark Horse Comics, and we have a look at the cover art and details on the supernatural thriller:
Press Release: Timed to National Cat Lover’s Month, Flux House and Dark Horse Comics are announcing Hairball by bestselling writer Matt Kindt and artist Tyler Jenkins with colors by Hilary Jenkins. In this supernatural thriller from the Eisner-nominated creators of Fear Case and Apache Delivery Service, a dysfunctional family’s mounting problems may or may not be caused by an unlikely culprit: the family’s cat. This frightening, four-part mini-series is Matt Kindt’s latest series with frequent collaborators Tyler Jenkins and Hilary Jenkins.
Press Release: Timed to National Cat Lover’s Month, Flux House and Dark Horse Comics are announcing Hairball by bestselling writer Matt Kindt and artist Tyler Jenkins with colors by Hilary Jenkins. In this supernatural thriller from the Eisner-nominated creators of Fear Case and Apache Delivery Service, a dysfunctional family’s mounting problems may or may not be caused by an unlikely culprit: the family’s cat. This frightening, four-part mini-series is Matt Kindt’s latest series with frequent collaborators Tyler Jenkins and Hilary Jenkins.
- 12/29/2022
- by Derek Anderson
- DailyDead
Playground Films has optioned Hilary Bell’s Sydney Theatre Company stage play Splinter and Fiona Wright’s novel Small Acts of Disappearance.
David Barker and Melissa Anastasi are currently adapting both works; Splinter into a feature film, and Small Acts of Disappearance into an eight-part TV dramedy.
Splinter centres around an abducted child, mysteriously returned to her parents nine months after her disappearance, unable, or unwilling, to speak. A modern-day gothic, it follows the unravelling of the parents’ relationship in the aftermath of their trauma.
Anastasi, whose short film Chlorine recently won an Australian Directors’ Guild Award will direct, with Barker to produce. The project is currently in script development in consultation with Bell.
“The first time I read Splinter I was immediately struck by the power of the text, which explores themes of obsession, grief, childhood and identity, with the underlying disquiet of a classic gothic mystery. It’s...
David Barker and Melissa Anastasi are currently adapting both works; Splinter into a feature film, and Small Acts of Disappearance into an eight-part TV dramedy.
Splinter centres around an abducted child, mysteriously returned to her parents nine months after her disappearance, unable, or unwilling, to speak. A modern-day gothic, it follows the unravelling of the parents’ relationship in the aftermath of their trauma.
Anastasi, whose short film Chlorine recently won an Australian Directors’ Guild Award will direct, with Barker to produce. The project is currently in script development in consultation with Bell.
“The first time I read Splinter I was immediately struck by the power of the text, which explores themes of obsession, grief, childhood and identity, with the underlying disquiet of a classic gothic mystery. It’s...
- 11/13/2020
- by Jackie Keast
- IF.com.au
By Shikhar Verma
“White Sun”, the title of Deepak Rauniyar’s sophomore Nepalese drama refers to peace. The peace that is neither as peaceful as it seems on the surface nor as easy as it is supposed to be. Balancing detailed and intimate human drama with sharply observed political delicacy, Rauniyar’s film beautifully encapsulates the post-war scenario in contemporary Nepal. Satirizing the traditions and beliefs where the old are set against the new, “White Sun” observes the dilemma of well-rounded characters and their baggage with each other, through death and change. It also observes the guilt, transformations, and freedom that something as stark as war can bring into some people’s life. With a light touch and absurd comic situations, Rauniyar’s film slowly and assuredly becomes an important piece of cinema which gives to all the viewers an opportunity to look into the world we live in or should know about.
“White Sun”, the title of Deepak Rauniyar’s sophomore Nepalese drama refers to peace. The peace that is neither as peaceful as it seems on the surface nor as easy as it is supposed to be. Balancing detailed and intimate human drama with sharply observed political delicacy, Rauniyar’s film beautifully encapsulates the post-war scenario in contemporary Nepal. Satirizing the traditions and beliefs where the old are set against the new, “White Sun” observes the dilemma of well-rounded characters and their baggage with each other, through death and change. It also observes the guilt, transformations, and freedom that something as stark as war can bring into some people’s life. With a light touch and absurd comic situations, Rauniyar’s film slowly and assuredly becomes an important piece of cinema which gives to all the viewers an opportunity to look into the world we live in or should know about.
- 8/3/2020
- by Guest Writer
- AsianMoviePulse
‘Hotel Mumbai’.
Nick Matthews was named Australian cinematographer of the year for his work on director Anthony Maras’ Hotel Mumbai at the annual Australian Cinematographers Society (Acs) National Awards on Saturday night.
In addition, he collected the Gold Tripod for features budgeted above $2 million with Denson Baker receiving an award of distinction in that category for Claire McCarthy’s Ophelia.
In the awards presented online, Dion Beebe, Roger Lanser and John Wheeler were inducted into the Hall of Fame and the Ron Windon Award went to Robb Shaw-Velzen.
For features budgeted below $2 million Joshua Flavell received the Gold Tripod for David Barker’s Pimped and Chris Bland got the award of distinction for Heath Davis’ Locusts.
Among the other honorees, Zoe White won the drama series or telefeatures prize for The Handmaid’s Tale and Katie Milwright took the dramatised documentaries gong for Matthew Sleeth’s Guilty, which chronicles the final...
Nick Matthews was named Australian cinematographer of the year for his work on director Anthony Maras’ Hotel Mumbai at the annual Australian Cinematographers Society (Acs) National Awards on Saturday night.
In addition, he collected the Gold Tripod for features budgeted above $2 million with Denson Baker receiving an award of distinction in that category for Claire McCarthy’s Ophelia.
In the awards presented online, Dion Beebe, Roger Lanser and John Wheeler were inducted into the Hall of Fame and the Ron Windon Award went to Robb Shaw-Velzen.
For features budgeted below $2 million Joshua Flavell received the Gold Tripod for David Barker’s Pimped and Chris Bland got the award of distinction for Heath Davis’ Locusts.
Among the other honorees, Zoe White won the drama series or telefeatures prize for The Handmaid’s Tale and Katie Milwright took the dramatised documentaries gong for Matthew Sleeth’s Guilty, which chronicles the final...
- 5/17/2020
- by The IF Team
- IF.com.au
If not for a cell phone that’s promptly taken away from our juvenile protagonist, you might think “Buck Run” takes place in the late ’70s or early ’80s. Evidently, it was that era which saw the last spasm of prosperity in the film’s rural Pennsylvania setting, as any home improvements seem to date back at least a couple decades. A thick haze of economic hopelessness and all the related woes it brings hangs over this gritty indie drama from director Nick Frangione (“Roxie”).
While the film is compelling in atmospheric and textural terms, it’s less successful as storytelling, as David Hauslein’s script proves excessively reluctant in parceling out much explanatory detail in this tale of a newly motherless boy’s strained reunion with his ne’er-do-well deer-hunter father. The result is a mixed bag that’s less than satisfying, albeit still distinctive enough to warrant a...
While the film is compelling in atmospheric and textural terms, it’s less successful as storytelling, as David Hauslein’s script proves excessively reluctant in parceling out much explanatory detail in this tale of a newly motherless boy’s strained reunion with his ne’er-do-well deer-hunter father. The result is a mixed bag that’s less than satisfying, albeit still distinctive enough to warrant a...
- 1/12/2019
- by Dennis Harvey
- Variety Film + TV
‘Lords of Chaos.’
The organisers of Monster Fest aim to parlay the brand into a theatrical distribution gateway for Australian and international genre films.
Monster Films has successfully trialed the concept with Mandy, Panos Cosmatos’ neo-noir horror movie which it sub-licensed from Madman Entertainment.
Next year the distributor will release Luke Sparke’s Occupation: Rainfall, a sci-fi thriller which stars Crazy Rich Asians’ Ken Jeong, Temuera Morrison, Dan Ewing, Stephany Jacobsen, Aaron Jeffery and Zac Garred.
Monster’s Grant Hardie developed a relationship with Sparke after staging sold-out special event screenings for Occupation.
“We want to turn the Monster Fest brand into a legitimate theatrical pathway with a cinema network consisting of as many locations as we can secure to build audiences,” Hardie tells If. “Genre films are under-represented in cinemas.”
While he has no titles lined up to release apart from the Occupation sequel, he is open to talking to producers.
The organisers of Monster Fest aim to parlay the brand into a theatrical distribution gateway for Australian and international genre films.
Monster Films has successfully trialed the concept with Mandy, Panos Cosmatos’ neo-noir horror movie which it sub-licensed from Madman Entertainment.
Next year the distributor will release Luke Sparke’s Occupation: Rainfall, a sci-fi thriller which stars Crazy Rich Asians’ Ken Jeong, Temuera Morrison, Dan Ewing, Stephany Jacobsen, Aaron Jeffery and Zac Garred.
Monster’s Grant Hardie developed a relationship with Sparke after staging sold-out special event screenings for Occupation.
“We want to turn the Monster Fest brand into a legitimate theatrical pathway with a cinema network consisting of as many locations as we can secure to build audiences,” Hardie tells If. “Genre films are under-represented in cinemas.”
While he has no titles lined up to release apart from the Occupation sequel, he is open to talking to producers.
- 10/11/2018
- by The IF Team
- IF.com.au
Andrena Finlay.
After 36 years as one of Australia’s most successful producers, Andrena Finlay is pursuing a new passion: imparting her knowledge and expertise to emerging producers.
Via her firm Screen Arts Business Consulting (Screen ABC), she is running workshops in Sydney and November and December and as well as offering guidance to individual producers. She is also willing to consult for established producers.
“I still love producing but I want to impart my knowledge to up-and-comers,” says Finlay, who has produced 10 features including Goddess, Paws, Me Myself I, Razzle Dazzle, Frauds and Emma’s War, as well as three shorts and two television films
“My skills have always been on the business side of producing. There are two sides of the creative coin: The script and casting; and how you set and structure a budget which the market can support, and how you raise the finance.
“I see a...
After 36 years as one of Australia’s most successful producers, Andrena Finlay is pursuing a new passion: imparting her knowledge and expertise to emerging producers.
Via her firm Screen Arts Business Consulting (Screen ABC), she is running workshops in Sydney and November and December and as well as offering guidance to individual producers. She is also willing to consult for established producers.
“I still love producing but I want to impart my knowledge to up-and-comers,” says Finlay, who has produced 10 features including Goddess, Paws, Me Myself I, Razzle Dazzle, Frauds and Emma’s War, as well as three shorts and two television films
“My skills have always been on the business side of producing. There are two sides of the creative coin: The script and casting; and how you set and structure a budget which the market can support, and how you raise the finance.
“I see a...
- 10/8/2018
- by The IF Team
- IF.com.au
David Barker is a hard one to put a finger on. He is an American writer and editor who over the past 10 years has gained an international reputation for his analytical ability and open, unconventional approach. Recent collaborations include Deepak Rauniyar’s sensitive exploration of the impact of Nepalese civil war White Sun (opening today at New York’s Moma and running through September 12) and Josephine Decker’s upcoming feature with Molly Parker, Mirandy July and Helena Howard, Madeline Madeline. Things happen with David differently than you’d expect them to. You walk an entirely other route than you wanted and end […]...
- 9/6/2017
- by Micah Magee
- Filmmaker Magazine - Blog
Josephine Decker's Butter on the Latch is playing on Mubi in the Us through September 30. Her next film, Thou Wast Mild and Lovely, will be running through October 1. Photo courtesy of josephinedecker.squarespace.com.Josephine Decker’s last two films (Butter on the Latch and Thou Wast Mild and Lovely) were both exciting low budget gems that won over audiences and critical praise at the Berlin International Film Festival in 2014. Decker is able to command a strong hold of everyday realism, similar to that of contemporary director and collaborator Joe Swanberg, while her main characters lose hold of their own reality, reaching a breaking point before they can pull themselves back together and push forward. Decker’s films can also be humorous and genuinely frightening works, maintaining the low budget mumblecore feel with an added touch of psychological horror.It was a real pleasure getting to talk to Josephine Decker...
- 9/2/2015
- by David Grillo
- MUBI
Read More: Springboard: Meet the Directors Behind 'Sweaty Betty,' a Film Unlike Anything Playing on the Festival Circuit The Brooklyn Film Festival concluded its 18th edition on Sunday with an awards gala at the Wythe Hotel. This year’s event screened 108 features and shorts from 26 countries and was attended by 70 filmmakers. Joseph Frank and Zachary Reed were awarded Best Feature Film and the Grand Chameleon Award for "Sweaty Betty," a documentary-like look at genial lower class Americans in Hyattsville, Maryland. Alison Bagnall's "Funny Bunny" also earned two awards: Best Actor for Olly Alexander and Best Editing for Kentucker Audley, David Barker and Caleb Johnson. Other winners included "But Not For Me," "Eric, Winter to Spring" and "Frame by Frame." "We're so pleased with this year's festival," said Director of Programming Bryce J. Renninger. "The films, filmmakers, audiences and sponsors all...
- 6/9/2015
- by Zack Sharf
- Indiewire
This weekend’s onslaught of smaller new films will have awards contenders and big names to jostle with at the box office. Awards hopefuls Foxcatcher and The Homesman begin their theatrical runs in limited New York and L.A. rollouts, with the former a likely winner in the first weekend when the numbers come in Sunday. The films from Sony Pictures Classics and Roadside Attractions, respectively, tell particularly American stories, though from very different eras. The Daily Show‘s Jon Stewart took time off in 2013 to work on his directorial debut. Open Road’s Rosewater, starring Gael García Bernal, will begin its theatrical rollout this weekend. It will be the biggest opener of this weekend’s cadre of specialty newcomers, playing in several hundred locations in the U.S. and Canada. Actor Chris Lowell also makes his filmmaking launch with Beside Still Waters. The project had smooth sailing until it came time for distribution,...
- 11/14/2014
- by Brian Brooks
- Deadline
First things first. There's an announcement from last week to catch up with: "Aldo Tambellini's Black Films and pioneering experimental works by four other filmmakers — Ian Hugo, the international banker-turned-artist who worked with Anaïs Nin; Mike Kuchar; Gregory Markopoulos; and Jud Yalkut — will soon be saved through the 2012 Avant-Garde Masters Grants from the National Film Preservation Foundation and The Film Foundation." Martin Scorsese, who began the initiative in 2003 through seed money from The Film Foundation: "There's no other program of its kind. I'm thrilled that the work of such artists as George Kuchar, Shirley Clark, and Kenneth Anger has been preserved and — equally important — made available so audiences can actually see these extraordinary films."
On a somewhat related note, Marilyn Ferdinand has put out a call regarding For the Love of Film: The Film Preservation Blogathon, taking place in just a couple of weeks now: "Bloggers, we need to...
On a somewhat related note, Marilyn Ferdinand has put out a call regarding For the Love of Film: The Film Preservation Blogathon, taking place in just a couple of weeks now: "Bloggers, we need to...
- 4/23/2012
- MUBI
I hate to sound like your mother, but you should never pick up hitchhikers. Haven't you seen enough horror movies to know it never ends well? If not, maybe David Barker's new film, Daylight, will finally get the message across. And if we're lucky, it might even live up to its press.
Daylight is the story of a young expectant couple who give a ride to some hitchhikers to disastrous and "shattering" results. I know, sounds familiar, right? But according to the flick's press release, Daylight is not just another exploitation movie. In reality, it's a "powerful, shocking piece of vigorous cinema, which fuses eroticism and tenderness with the harrowing weight of pregnancy and kidnapping." Whoa.
A movie I haven't heard of, from a filmmaker I haven't heard of, Daylight is being touted as the Next Big Thing by sources other than its studio's marketing department. It's been called "shocking,...
Daylight is the story of a young expectant couple who give a ride to some hitchhikers to disastrous and "shattering" results. I know, sounds familiar, right? But according to the flick's press release, Daylight is not just another exploitation movie. In reality, it's a "powerful, shocking piece of vigorous cinema, which fuses eroticism and tenderness with the harrowing weight of pregnancy and kidnapping." Whoa.
A movie I haven't heard of, from a filmmaker I haven't heard of, Daylight is being touted as the Next Big Thing by sources other than its studio's marketing department. It's been called "shocking,...
- 7/7/2011
- by Theron
- Planet Fury
Cinema Purgatorio has a reputation of delivering indie style films to select audiences via custom-crafted theatrical and semi-theatrical releases (including press campaigns), and to mass audiences via output VOD and disc deals. Their latest offering is a film entitled Daylight. Daylight is a creepy little flick directed by David Barker. Look for this psychological thriller to play this July in NYC! Check out the details Here. Expect a VOD and…...
- 6/19/2011
- Horrorbid
The fear-meisters over at Cinema Purgatorio are back with a spooky new flick that is sure to make you see horror in an all new light ... Daylight! Read on for details, artwork, and even a trailer.
Daylight, directed by David Barker, is playing this July in NYC! Click here for details! Expect a VOD and DVD launch to follow soon!
From the Press Release
A harrowing psychological thriller from a widely acclaimed filmmaker, Daylight pits a couple lost in America against a conniving gang of kidnappers, in David Barker’s rigorous and personal re-imagining of the genre film. Despite its familiar genre elements, Daylight is different – a powerful, shocking piece of vigorous cinema, which fuses eroticism and tenderness with the harrowing weight of pregnancy and kidnapping.
This isn’t about what you want.
On their way to a wedding, Danny and Irene pick up a hitchhiker – throwing the film in...
Daylight, directed by David Barker, is playing this July in NYC! Click here for details! Expect a VOD and DVD launch to follow soon!
From the Press Release
A harrowing psychological thriller from a widely acclaimed filmmaker, Daylight pits a couple lost in America against a conniving gang of kidnappers, in David Barker’s rigorous and personal re-imagining of the genre film. Despite its familiar genre elements, Daylight is different – a powerful, shocking piece of vigorous cinema, which fuses eroticism and tenderness with the harrowing weight of pregnancy and kidnapping.
This isn’t about what you want.
On their way to a wedding, Danny and Irene pick up a hitchhiker – throwing the film in...
- 6/19/2011
- by Uncle Creepy
- DreadCentral.com
What is it about horror movie people--why are they so frakking stupid? People who start off seemingly sensible, suddenly lose their minds, forget all the rules and we're left screaming at the screen: "Don't go in there! Don't leave the knife on the counter! Don't open the door! Don't let him/them in!" Where does the common sense go?
Just in case you, dear Pajibans, ever find yourself in a horror movie-like situation, here are some of the hard and fast rules. Live them, learn them, never, ever forget them:
5. Don't let a stranger into your house, especially when he (they) come(s) knocking at night. If someone comes knocking at night, have a weapon nearby when you answer the door. (Me, I'm pretending I'm still asleep.)
4. Don't go camping at deserted campgrounds where legend has it that a killer ran rampant. The same goes for exploring any abandoned or haunted house,...
Just in case you, dear Pajibans, ever find yourself in a horror movie-like situation, here are some of the hard and fast rules. Live them, learn them, never, ever forget them:
5. Don't let a stranger into your house, especially when he (they) come(s) knocking at night. If someone comes knocking at night, have a weapon nearby when you answer the door. (Me, I'm pretending I'm still asleep.)
4. Don't go camping at deserted campgrounds where legend has it that a killer ran rampant. The same goes for exploring any abandoned or haunted house,...
- 6/16/2011
- by Cindy Davis
Cinema Purgatorio has acquired Craig MacNeill and Alexei Kalaina's "The Afterlight" and David Barker's "Daylight;" two films that share a similar title and little else in common. "The Afterlight" concerns itself with a young couple who move to an abandoned schoolhouse to start anew. Once relocated, their relationship begins to take a negative turn, one that affects the lives of everyone around them. The low-budget thriller "Daylight" pits a couple ...
- 3/14/2011
- Indiewire
The European Film Market is only for film buyers, but what this event has to offer is an early look at some horror and thrillers films that will likely be released in the not too distant future. Daylight is one such film that will be shown at the market next Friday (Feb' 12) and the film is already receiving some early buzz through film reviews. The movie review site We Are Movie Geeks has given Daylight a positive review and so have several other sites. Daylight is more in the thriller genre and currently Cinema Vault is shopping this feature at the Efm. More details are sure to come this way soon, but this is a first look at what could be an excellent film for 2010. A few more details inside.
A brief synopsis for Daylight here:
"Irene and Daniel are an upwardly mobile couple that is a few weeks away...
A brief synopsis for Daylight here:
"Irene and Daniel are an upwardly mobile couple that is a few weeks away...
- 2/6/2010
- by Michael Ross Allen
- 28 Days Later Analysis
The following is a series of interviews with directors whose films screened at the 2009 CineVegas Film Festival, which took place this past week. A Total Artwork: “Asylum Seekers” Director Rania Ajami Owning His Film: “Easier with Practice” Director Kyle Patrick Alvarez A Good Crisis: “Daylight” Director David Barker Tackling Corruption, Greed and Love: “Patriotville” Director Talmage Cooley The Right Script: “Mercy” Director Patrick Hoelck Blaxploitation Meets Art-House: “Modus Operandi” Director …...
- 6/15/2009
- indieWIRE - People
Editor’s Note: This is one of a series of interviews with directors whose films are screening at the 2009 CineVegas Film Festival. “Daylight” (USA, 2009) Director: David Barker Cast: Alexandra Meierhans, Michael Godere, Aidan Redmond, Ivan Martin When pregnant newlywed Irene is violently taken hostage, she confronts the truth about her marriage - and finds a state of unexpected grace - in her fight to survive. What initially attracted you to …...
- 6/11/2009
- indieWIRE - People
Hue Rhodes' "Saint John of Las Vegas" will have its world premiere as the opening-night film at the 11th annual CineVegas Film Festival, which will be held June 10-15 at the Palms Casino Resort and Brenden Theatres in Las Vegas. The film stars Steve Buscemi as an ex-gambler-turned-fraud investigator who returns to Vegas to investigate an insurance claim.
"Saint John" also stars Sarah Silverman, Romany Malco, Peter Dinklage, Tim Blake Nelson, John Cho and Emmanuelle Chriqui.
Eight other films will have their world premieres at the fest, overseen by artistic director Trevor Groth.
Slated in the narrative competition, they are Rania Ajami's "Asylum Seekers," a story of six people trying to escape modern life; David Barker's "Daylight," about a pregnant woman caught in a life-or-death situation; Kyle Patrick Alvarez's "Easier With Practice," based on the true story of a writer's long-distance relationship with a mysterious woman; Jeff Mizushima's "Etienne!
"Saint John" also stars Sarah Silverman, Romany Malco, Peter Dinklage, Tim Blake Nelson, John Cho and Emmanuelle Chriqui.
Eight other films will have their world premieres at the fest, overseen by artistic director Trevor Groth.
Slated in the narrative competition, they are Rania Ajami's "Asylum Seekers," a story of six people trying to escape modern life; David Barker's "Daylight," about a pregnant woman caught in a life-or-death situation; Kyle Patrick Alvarez's "Easier With Practice," based on the true story of a writer's long-distance relationship with a mysterious woman; Jeff Mizushima's "Etienne!
- 3/24/2009
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
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