Veteran French editor Dominique Auvray says there’s an essential intuitive element to her work. The woman who created the sound for “Paris, Texas” and cut such films as “No Fear, No Die,” “L’Amour Fou,” and “Hu-Man” says her career has been built around one key ability: Tuning in to your eyes and ears.
Speaking at the Ji.hlava International Documentary Film Festival this week, the longtime collaborator with seminal French director and author Marguerite Duras said, “I think the first thing when you are an editor, you have to look and to listen. And to listen at the same time to your heart and your head. And to listen to the director. And to listen to what the images say, you know.”
Auvray says she approached her work on the definitive Duras films “Le Camion,” “Woman of the Ganges” and “Le Navire Night” this way, and is still listening...
Speaking at the Ji.hlava International Documentary Film Festival this week, the longtime collaborator with seminal French director and author Marguerite Duras said, “I think the first thing when you are an editor, you have to look and to listen. And to listen at the same time to your heart and your head. And to listen to the director. And to listen to what the images say, you know.”
Auvray says she approached her work on the definitive Duras films “Le Camion,” “Woman of the Ganges” and “Le Navire Night” this way, and is still listening...
- 10/28/2023
- by Will Tizard
- Variety Film + TV
Ji.hlava Intl. Documentary Film Festival has unveiled the program for its 27th edition, which will take place in the Czech city of Jihlava between Oct. 24-29. The festival will showcase 357 films in both competitive and non-competitive sections, with 115 world premieres, 22 international premieres and 17 European premieres.
This year’s program touches on themes of artificial intelligence and new technologies, the changing planetary climate, migration, transformation of the democratic system and society, as well as the search for new paths to freedom and happiness.
Festival director Marek Hovorka says of the concept of this year’s edition: “The world in which we live is rapidly changing, and this year’s Ji.hlava brings images of these transformations. The films in the program are thematically and formally very diverse, allowing us to recognize and contemplate the world’s transformation.”
Works related to the theme of this year’s Ji.hlava include Sophie Compton...
This year’s program touches on themes of artificial intelligence and new technologies, the changing planetary climate, migration, transformation of the democratic system and society, as well as the search for new paths to freedom and happiness.
Festival director Marek Hovorka says of the concept of this year’s edition: “The world in which we live is rapidly changing, and this year’s Ji.hlava brings images of these transformations. The films in the program are thematically and formally very diverse, allowing us to recognize and contemplate the world’s transformation.”
Works related to the theme of this year’s Ji.hlava include Sophie Compton...
- 10/13/2023
- by Rafa Sales Ross
- Variety Film + TV
May on the Criterion Channel will be good to the auteurs. In fact they’re giving Richard Linklater better treatment than the distributor of his last film, with a 13-title retrospective mixing usual suspects—the Before trilogy, Boyhood, Slacker—with some truly off the beaten track. There’s a few shorts I haven’t seen but most intriguing is Heads I Win/Tails You Lose, the only available description of which calls it a four-hour (!) piece “edited together by Richard Linklater in 1991 from film countdowns and tail leaders from films submitted to the Austin Film Society in Austin, Texas from 1987 to 1990. It is Linklater’s tribute to the film countdown, used by many projectionists over the years to cue one reel of film after another when switching to another reel on another projector during projection.” Pair that with 2008’s Inning by Inning: A Portrait of a Coach and your completionism will be on-track.
- 4/21/2022
- by Leonard Pearce
- The Film Stage
Amos Gitai [pictured], Michael Smiley and Lenora Crichlow among the judges at this year’s festival.
Edinburgh International Film Festival (Eiff) has announced this year’s juries.
Amos Gitai will chair the jury for the Michael Powell Award Competition for Best British Feature Film, with Nina Hoss and Michael Smiley also on the jury. The award carries a cash prize of £20,000 and the jury will also select the award for Best Performance in a British feature film.
The jury for Best International Feature Film Competition (£10,000) includes Niki Karimi (chair), Michael Fitzgerald and Mark Rabinowitz, while the Best Documentary Feature Film Competition (£10,000 and supported by Al Jazeera) will be chaired by Cynthia Beatt alongside Dominique Auvray and Sunmin Park.
Linda Ruth Williams will chair the jury for the Short Film Competition (supported by Virgin Atlantic) along with Lenora Crichlow and Nicole Gerhards.
Now in its third year, the Student Critics Jury programme will see seven aspiring film critics work under...
Edinburgh International Film Festival (Eiff) has announced this year’s juries.
Amos Gitai will chair the jury for the Michael Powell Award Competition for Best British Feature Film, with Nina Hoss and Michael Smiley also on the jury. The award carries a cash prize of £20,000 and the jury will also select the award for Best Performance in a British feature film.
The jury for Best International Feature Film Competition (£10,000) includes Niki Karimi (chair), Michael Fitzgerald and Mark Rabinowitz, while the Best Documentary Feature Film Competition (£10,000 and supported by Al Jazeera) will be chaired by Cynthia Beatt alongside Dominique Auvray and Sunmin Park.
Linda Ruth Williams will chair the jury for the Short Film Competition (supported by Virgin Atlantic) along with Lenora Crichlow and Nicole Gerhards.
Now in its third year, the Student Critics Jury programme will see seven aspiring film critics work under...
- 6/10/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
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