New York City Opera proudly announces the winners of the 2023 Duncan Williams Voice Competition. Hosted by J’Nai Bridges, the competition spotlights Black and Latinx singers and awards over $50,000 in prize money. On February 3, 2023 at Manhattan School of Music, 11 winners were announced in 4 categories: The Emerging Artists category, awarding $8,000 to Cierra Byrd, Daniel Rich, and César Andrés Parreño; the Developing Artists category, awarding $5,000 to Elizabeth Hanje, Benjamin Ruiz, and Jazmine Saunders; the Encouragement Award, awarding $3,500 to Joseph Parrish; and the Black and Latinx Song Presentation category, awarding $750 to Daniel Espinal, Kresley Figueroa, Lwazi Hlati, and Ardeen Pierre.
The Duncan Williams Voice Competition is named for baritone Todd Duncan and soprano Camilla Williams, the first African American singers to sing with a major United States opera company when they made their debuts with New York City Opera in 1945 and 1946, respectively. The Duncan Williams Voice Competition aims to address systemic barriers faced by...
The Duncan Williams Voice Competition is named for baritone Todd Duncan and soprano Camilla Williams, the first African American singers to sing with a major United States opera company when they made their debuts with New York City Opera in 1945 and 1946, respectively. The Duncan Williams Voice Competition aims to address systemic barriers faced by...
- 2/28/2023
- by Music Martin Cid Magazine
- Martin Cid Music
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Gianni Amelio’s chronicle of the persecution of Aldo Braibanti, Lord of the Ants (Il Signore delle Formiche), doesn’t avoid the propensity of many Italian period dramas for dense verbosity, with characters spouting great gobs of manicured prose. That’s perhaps especially the case since the protagonist was a poet, playwright and philosopher. But Amelio’s classical approach, and the dignified refusal of martyrdom in Luigi Lo Cascio’s lead performance, make this account of Braibanti’s controversial imprisonment for homosexuality in 1968 after a four-year trial a quietly stirring portrait of institutional intolerance.
The Braibanti case drew international attention in the wake of his conviction due to the number of influential public figures who spoke out against the travesty of justice — Pier Paolo Pasolini, Alberto Moravia, Elsa Morante, Marco Bellocchio and Umberto Eco among them.
What’s striking now about the courtroom...
Gianni Amelio’s chronicle of the persecution of Aldo Braibanti, Lord of the Ants (Il Signore delle Formiche), doesn’t avoid the propensity of many Italian period dramas for dense verbosity, with characters spouting great gobs of manicured prose. That’s perhaps especially the case since the protagonist was a poet, playwright and philosopher. But Amelio’s classical approach, and the dignified refusal of martyrdom in Luigi Lo Cascio’s lead performance, make this account of Braibanti’s controversial imprisonment for homosexuality in 1968 after a four-year trial a quietly stirring portrait of institutional intolerance.
The Braibanti case drew international attention in the wake of his conviction due to the number of influential public figures who spoke out against the travesty of justice — Pier Paolo Pasolini, Alberto Moravia, Elsa Morante, Marco Bellocchio and Umberto Eco among them.
What’s striking now about the courtroom...
- 9/6/2022
- by David Rooney
- The Hollywood Reporter - Movie News
From Snow White to Jack White, and Cumbria to Cannes, the Observer's critics pick the season's highlights. What are you most looking forward to? Post your comments below
Download the spring arts calendar 2012
April
2 Pop Dr John The New Orleans legend decamps to Nashville to record with the Black Keys' Dan Auerbach; excellence ensues on the Locked Down LP.
4 Art Damien Hirst The world's richest living artist enjoys a major survey of more than 20 years of his work, including medicine cabinets, diamond skull and a certain preserved shark. Tate Modern, London until 9 September.
6 Film This Must Be the Place Sean Penn plays a retired rock star scouring America for the fugitive Nazi who tormented his father in Auschwitz. Paolo Sorrentino escapes from the art house in his first English-language film.
7 Theatre Where Have I Been All My Life? Following the success of London Road, her verbatim musical at the National,...
Download the spring arts calendar 2012
April
2 Pop Dr John The New Orleans legend decamps to Nashville to record with the Black Keys' Dan Auerbach; excellence ensues on the Locked Down LP.
4 Art Damien Hirst The world's richest living artist enjoys a major survey of more than 20 years of his work, including medicine cabinets, diamond skull and a certain preserved shark. Tate Modern, London until 9 September.
6 Film This Must Be the Place Sean Penn plays a retired rock star scouring America for the fugitive Nazi who tormented his father in Auschwitz. Paolo Sorrentino escapes from the art house in his first English-language film.
7 Theatre Where Have I Been All My Life? Following the success of London Road, her verbatim musical at the National,...
- 3/31/2012
- The Guardian - Film News
Antonacci/Gillet/Richards/Cavallier/Monteverdi Choir/Orr/Gardiner
(Fra, 2DVDs)
This was recorded last year at the Opéra-Comique in Paris, where Carmen had its premiere in 1875. It in no way attempts historical reconstruction, but aims for a sense of the original scale and scope of a piece that has been performed as everything from the most intimate of chamber works to an epic, with a cast of thousands. John Eliot Gardiner conducts Richard Langham Smith's new critical edition with fiery precision, while the period sound of the Orchestre Révolutionnaire et Romantique adds rawness to the prevailing sensuality. Adrian Noble's production, hampered by its vortex-cum-bullring set, doesn't ideally anchor the work in the French naturalist tradition, but Anna Caterina Antonacci and Andrew Richards generate such a terrific erotic charge as Carmen and José that you understand why its first audiences found it obscene. Anne-Catherine Gillet's Micaela is timorous rather than morally strong,...
(Fra, 2DVDs)
This was recorded last year at the Opéra-Comique in Paris, where Carmen had its premiere in 1875. It in no way attempts historical reconstruction, but aims for a sense of the original scale and scope of a piece that has been performed as everything from the most intimate of chamber works to an epic, with a cast of thousands. John Eliot Gardiner conducts Richard Langham Smith's new critical edition with fiery precision, while the period sound of the Orchestre Révolutionnaire et Romantique adds rawness to the prevailing sensuality. Adrian Noble's production, hampered by its vortex-cum-bullring set, doesn't ideally anchor the work in the French naturalist tradition, but Anna Caterina Antonacci and Andrew Richards generate such a terrific erotic charge as Carmen and José that you understand why its first audiences found it obscene. Anne-Catherine Gillet's Micaela is timorous rather than morally strong,...
- 12/10/2010
- by Tim Ashley
- The Guardian - Film News
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