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News
Drummer Bill Ward will apparently not be participating in Black Sabbath's upcoming reunion tour and album, as he has deemed the contract "unsignable." Read Ward's statement on the matter here and the rest of the band's announcement here.
Knut have gone on an indefinite hiatus. The Swiss sludge metal/post-hardcore band formed in 1994 and most recently released Wonder in 2010 on Hydra Head Records.
Eulogy Recordings has signed Kid Gorgeous (featuring members of Every Time I Die, Buried Alive, Anterrabae). The band will release an Ep entitled Blue Romance - their first material since reforming in 2010 - with three new tracks, a...
News
Drummer Bill Ward will apparently not be participating in Black Sabbath's upcoming reunion tour and album, as he has deemed the contract "unsignable." Read Ward's statement on the matter here and the rest of the band's announcement here.
Knut have gone on an indefinite hiatus. The Swiss sludge metal/post-hardcore band formed in 1994 and most recently released Wonder in 2010 on Hydra Head Records.
Eulogy Recordings has signed Kid Gorgeous (featuring members of Every Time I Die, Buried Alive, Anterrabae). The band will release an Ep entitled Blue Romance - their first material since reforming in 2010 - with three new tracks, a...
- 2/6/2012
- by Alex DiVincenzo
- DreadCentral.com
Monday, January 16 The Awards Line: 10 Things We Learned from the 2012 Golden Globe Awards by Erik Childress DVD Obscura: 'The Man From London,' 'Hell and Back Again,' 'Revenge of the Electric Car,' 'Justified' and More by Alonso Duralde 'Underworld' 101: Your Guide to Everything That's Happened Leading Up to 'Underworld: Awakening' by Robert B. DeSalvo The Conversation: What Did You Think of the 2012 Golden Globe Awards? by Christopher Campbell Tuesday, January 17 When Can I Watch 'Red Tails' With My Kids? by Sean O'Connell Buy Me, Rent Me, Forget Me: 'Redline,' 'Ides of March,' 'Abduction,' and Many, Many More by Peter Hall The VOD...
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- 1/23/2012
- by Peter Hall
- Movies.com
Collider: Jeff Ames comments on a report from an Australian Web site that Warner Brothers “has expressed interest in a sequel” to Christopher Nolan’s “Inception,” which was released domestically this summer and has earned nearly $811 million internationally. Ames writes, “Nolan clearly enjoyed the experience of making the film and has recently stated plans to develop a video game based on the concept,” but “there really isn’t a logical way to further explore the world” portrayed in the film aside from a prequel — especially after Sir Michael Caine’s spoiler-slip on BBC Radio last month — so it will all depend on Nolan’s personal level of interest.
Cinematical: Chris Campbell reviews the history of celebrity narration of documentaries, a phenomenon that he says “has been around since the early days of sound cinema.” Originally, the primary candidate was seen as one who had a “deep and/or distinguished speech...
Cinematical: Chris Campbell reviews the history of celebrity narration of documentaries, a phenomenon that he says “has been around since the early days of sound cinema.” Originally, the primary candidate was seen as one who had a “deep and/or distinguished speech...
- 10/25/2010
- by Mary Skawinski
- Scott Feinberg
Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Darren Aronofsky's Pi (1998). Today’s story is a little shorter than the rest in this series, but it’s worth remembering because it involves another instance where one Sundance success directly resulted in the making of a later Sundance success (a la Slacker leading to Clerks). The earlier film in this case was Welcome to the Dollhouse, which Darren Aronofsky saw at the 1996 festival. In Peter Biskind’s book <a href="http://www.amazon.com/Down-Dirty ...
- 1/15/2009
- by Christopher Campbell
- Spout
Each day this week, Christopher Campbell will take a look back at a “classic” film that played the Sundance Film Festival. Today’s installment: Darren Aronofsky's Pi (1998). Today’s story is a little shorter than the rest in this series, but it’s worth remembering because it involves another instance where one Sundance success directly resulted in the making of a later Sundance success (a la Slacker leading to Clerks). The earlier film in this case was Welcome to the Dollhouse, which Darren Aronofsky saw at the 1996 festival. In Peter Biskind’s book <a href="http://www.amazon.com/Down-Dirty ...
- 1/15/2009
- by Christopher Campbell
- Spout
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