Oppenheimer continued its dominant awards season form on Sunday night at the American Society of Cinematographers’ ASC Outstanding Achievement Awards, with Hoyte van Hoytema taking the prize for theatrical feature film.
The win was Van Hoytema’s first ASC award, after previously being nominated for Dunkirk (2018) and Tinker Tailor Soldier Spy (2012).
On the TV side, The Marvelous Mrs. Maisel‘s M. David Mullen won the ASC prize for an episode of one hour of television, Barry‘s Carl Herse won for an episode of a half-hour series and Boston Strangler‘s Ben Kutchins won for limited or anthology series or motion picture made for TV.
Also on the night, Spike Lee was awarded the ASC Board of Governors Award and Don Burgess, whose work includes Academy Award-winning best picture Forrest Gump, received the Lifetime Achievement Award. Additionally, Steven Fierberg accepted the ASC Career Achievement in Television Award, and Amy Vincent...
The win was Van Hoytema’s first ASC award, after previously being nominated for Dunkirk (2018) and Tinker Tailor Soldier Spy (2012).
On the TV side, The Marvelous Mrs. Maisel‘s M. David Mullen won the ASC prize for an episode of one hour of television, Barry‘s Carl Herse won for an episode of a half-hour series and Boston Strangler‘s Ben Kutchins won for limited or anthology series or motion picture made for TV.
Also on the night, Spike Lee was awarded the ASC Board of Governors Award and Don Burgess, whose work includes Academy Award-winning best picture Forrest Gump, received the Lifetime Achievement Award. Additionally, Steven Fierberg accepted the ASC Career Achievement in Television Award, and Amy Vincent...
- 3/4/2024
- by Abid Rahman
- The Hollywood Reporter - Movie News
Refresh for latest: Oppenheimer continued its romp through awards season by winning the top film prize at the American Society of Cinematographers’ 38th annual ASC Awards, which were handed out Sunday night at the Beverly Hilton. See the winners list below.
Hoyte van Hoytema won for Oppenheimer, which is up for Best Cinematography at the Oscars next weekend. He will vie against the same quartet he beat for the ASC prize: Edward Lachman for El Conde, Matthew Libatique for Maestro, Rodrigo Prieto for Killers of the Flower Moon and Robbie Ryan, Poor Things (Searchlight).
The group’s film winner has gone on to claim the Academy Award nearly half of the time — 17 times in its 37 years — but not last year. Mandy Walker won the ASC’s top film prize in 2023, but the Academy Award went to James Friend for All Quiet on the Western Front.
Related: Ace Eddie Awards: ‘Oppenheimer...
Hoyte van Hoytema won for Oppenheimer, which is up for Best Cinematography at the Oscars next weekend. He will vie against the same quartet he beat for the ASC prize: Edward Lachman for El Conde, Matthew Libatique for Maestro, Rodrigo Prieto for Killers of the Flower Moon and Robbie Ryan, Poor Things (Searchlight).
The group’s film winner has gone on to claim the Academy Award nearly half of the time — 17 times in its 37 years — but not last year. Mandy Walker won the ASC’s top film prize in 2023, but the Academy Award went to James Friend for All Quiet on the Western Front.
Related: Ace Eddie Awards: ‘Oppenheimer...
- 3/4/2024
- by Erik Pedersen
- Deadline Film + TV
“Oppenheimer” cinematographer Hoyte van Hoytema won Feature Film at the 38th ASC Awards, March 3 at the Beverly Hilton Hotel. The Oscar favorite beat the other four Oscar nominees: “Killers of the Flower Moon,” “Maestro,” Poor Things,” and “El Conde”.
This marked van Hoytema’s first ASC win after three nominations (including “Dunkirk” and “Tinker Tailor Soldier Spy”) and positions the Dutch-Swedish cinematographer for his first Oscar win. Significantly, “Oppenheimer” represents the culmination of his experimental IMAX collaboration with director Christopher Nolan. The duo achieved a new kind of intimate spectacle with this psychological thriller about physicist J. Robert Oppenheimer (Best Actor nominee Cillian Murphy), the “father of the atomic bomb.” Van Hoytema used the large-format IMAX camera to explore the landscape of faces; namely, Oppenheimer’s in color from his perspective and Salieri-like adversary Admiral Lewis Strauss’ (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white from his.
What a...
This marked van Hoytema’s first ASC win after three nominations (including “Dunkirk” and “Tinker Tailor Soldier Spy”) and positions the Dutch-Swedish cinematographer for his first Oscar win. Significantly, “Oppenheimer” represents the culmination of his experimental IMAX collaboration with director Christopher Nolan. The duo achieved a new kind of intimate spectacle with this psychological thriller about physicist J. Robert Oppenheimer (Best Actor nominee Cillian Murphy), the “father of the atomic bomb.” Van Hoytema used the large-format IMAX camera to explore the landscape of faces; namely, Oppenheimer’s in color from his perspective and Salieri-like adversary Admiral Lewis Strauss’ (Best Supporting Actor nominee Robert Downey Jr.) in black-and-white from his.
What a...
- 3/4/2024
- by Bill Desowitz
- Indiewire
Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.”
Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.”
The awards were handed out Sunday night at the Beverly Hilton Hotel with Ed Helms hosting the festivities.
All five theatrical feature film nominees are also nominated for best cinematography at the Oscars.
In its 38-year history, only 17 have gone on to win the Oscar. Last year, Mandy Walker made history when she became the first woman to win an ASC award for her work on “Elvis.” The Academy Award ultimately went to James Friend for “All Quiet on the Western Front.”
On the TV side, winners included Carl Herse for “Barry” and Ben Kutchins for “Boston Strangler.”
Van...
Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.”
The awards were handed out Sunday night at the Beverly Hilton Hotel with Ed Helms hosting the festivities.
All five theatrical feature film nominees are also nominated for best cinematography at the Oscars.
In its 38-year history, only 17 have gone on to win the Oscar. Last year, Mandy Walker made history when she became the first woman to win an ASC award for her work on “Elvis.” The Academy Award ultimately went to James Friend for “All Quiet on the Western Front.”
On the TV side, winners included Carl Herse for “Barry” and Ben Kutchins for “Boston Strangler.”
Van...
- 3/4/2024
- by Jazz Tangcay
- Variety Film + TV
The American Society of Cinematographers has unveiled the nominations for its 38th annual ASC Awards, honoring the year’s best in feature film, documentary and television cinematography.
The society’s marquee Theatrical Feature Film nominees are chock-full of awards-season favorite pics, with one surprise. Edward Lachman is up for the Netflix pic El Conde, joining the likes of Matthew Libatique for Maestro, Rodrigo Prieto for Killers of the Flower Moon, Robbie Ryan for Poor Things, Hoyte van Hoytema for Oppenheimer.
Prieto also lensed the year’s No. 1 movie, Barbie, but missed the ASC cut today.
The group’s film winner has gone on to claim the Academy Award nearly half of the time — 17 times in its 37 years — but not last year. Mandy Walker won the ASC’s top film prize in 2023, but the Academy Award went to James Friend for All Quiet on the Western Front.
On the small-screen front,...
The society’s marquee Theatrical Feature Film nominees are chock-full of awards-season favorite pics, with one surprise. Edward Lachman is up for the Netflix pic El Conde, joining the likes of Matthew Libatique for Maestro, Rodrigo Prieto for Killers of the Flower Moon, Robbie Ryan for Poor Things, Hoyte van Hoytema for Oppenheimer.
Prieto also lensed the year’s No. 1 movie, Barbie, but missed the ASC cut today.
The group’s film winner has gone on to claim the Academy Award nearly half of the time — 17 times in its 37 years — but not last year. Mandy Walker won the ASC’s top film prize in 2023, but the Academy Award went to James Friend for All Quiet on the Western Front.
On the small-screen front,...
- 1/11/2024
- by Erik Pedersen
- Deadline Film + TV
“El Conde,” “Killers of the Flower Moon,” “Maestro,” “Poor Things,” and “Oppenheimer” were nominated by the American Society of Cinematographers (ASC) for outstanding achievement in theatrical film cinematography. Winners will be announced during the 38th Annual ASC Awards ceremony on March 3 at the Beverly Hilton in Beverly Hills, California; the event will also be live-streamed worldwide on theasc.com.
On the television side, the ASC singled out episodes of “Barry,” “The Bear,” and the “Marvelous Mrs. Maisel” alongside sci-fi stalwarts “Star Trek: Strange New Worlds” and “Foundation,” among others. The nominees for best anthology or limited series included episodes of “George and Tammy” and “Lessons in Chemistry” as well as made-for-tv movie “Boston Strangler.”
The ASC also singled out three documentaries: the first episode of the docu-series “Murder in Big Horn,” as well as the films “King Coal” and “Kokomo City.”
Below is the full list of nominations for the...
On the television side, the ASC singled out episodes of “Barry,” “The Bear,” and the “Marvelous Mrs. Maisel” alongside sci-fi stalwarts “Star Trek: Strange New Worlds” and “Foundation,” among others. The nominees for best anthology or limited series included episodes of “George and Tammy” and “Lessons in Chemistry” as well as made-for-tv movie “Boston Strangler.”
The ASC also singled out three documentaries: the first episode of the docu-series “Murder in Big Horn,” as well as the films “King Coal” and “Kokomo City.”
Below is the full list of nominations for the...
- 1/11/2024
- by Sarah Shachat
- Indiewire
Cinematographer Rodrigo Prieto’s lensing of Martin Scorsese’s drama Killers of the Flower Moon and Robbie Ryan’s photography of Yorgos Lanthimos’ fantasy Poor Things are among the nominees in the feature competition of the 2024 American Society of Cinematographers Awards, which will be held March 3 at the Beverly Hilton.
They are nominated alongside Edward Lachman, for Pablo Larraín’s El Conde; Matthew Libatique for Bradley Cooper’s Leonard Berstein drama Maestro; and Hoyte van Hoytema for Christopher Nolan’s biopic Oppenheimer. All five Oscar-nominated DPs have been previously nominated in this ASC category and each are seeking their first win. Lachman, whose previous credits include Carol and Far from Heaven, was the ASC’s 2017 Lifetime Achievement Award winner. This year, Prieto’s work also includes Greta Gerwig’s Barbie.
A year ago, Elvis cinematographer Mandy Walker became the first woman to win the ASC feature competition. All Quiet on...
They are nominated alongside Edward Lachman, for Pablo Larraín’s El Conde; Matthew Libatique for Bradley Cooper’s Leonard Berstein drama Maestro; and Hoyte van Hoytema for Christopher Nolan’s biopic Oppenheimer. All five Oscar-nominated DPs have been previously nominated in this ASC category and each are seeking their first win. Lachman, whose previous credits include Carol and Far from Heaven, was the ASC’s 2017 Lifetime Achievement Award winner. This year, Prieto’s work also includes Greta Gerwig’s Barbie.
A year ago, Elvis cinematographer Mandy Walker became the first woman to win the ASC feature competition. All Quiet on...
- 1/11/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
“Oppenheimer,” “Maestro” and “Killers of the Flower Moon” are among the films that received nominations for the American Society of Cinematographers Awards.
The ASC Award nominees for feature film, documentary and television cinematography represent the organization’s picks for the most compelling visual filmmaking.
Rounding out the feature film nominations are “El Conde” (Edward Lachman) and “Poor Things” (Robbie Ryan).
In television, “The Bear,” “Winning Time: The Rise of the Lakers Dynasty” and “The Marvelous Mrs. Maisel” were among the nominated series.
Last year’s feature film winner Mandy Walker made history when she became the first woman to win the ASC Award for her work on Baz Luhrmann’s “Elvis.” However, she did not go on to win the cinematography Oscar, which went to “All Quiet on the Western Front.” Still, seven of the past 11 ASC winners went on to win the Oscar for best cinematography.
The ASC Award...
The ASC Award nominees for feature film, documentary and television cinematography represent the organization’s picks for the most compelling visual filmmaking.
Rounding out the feature film nominations are “El Conde” (Edward Lachman) and “Poor Things” (Robbie Ryan).
In television, “The Bear,” “Winning Time: The Rise of the Lakers Dynasty” and “The Marvelous Mrs. Maisel” were among the nominated series.
Last year’s feature film winner Mandy Walker made history when she became the first woman to win the ASC Award for her work on Baz Luhrmann’s “Elvis.” However, she did not go on to win the cinematography Oscar, which went to “All Quiet on the Western Front.” Still, seven of the past 11 ASC winners went on to win the Oscar for best cinematography.
The ASC Award...
- 1/11/2024
- by Jazz Tangcay
- Variety Film + TV
“The Marvelous Mrs. Maisel” is not slowing down for its last turn at the Emmys. For its fifth and final season, the period comedy on Amazon Prime Video is finishing exactly at the same amount it started with, at 14 Emmy nominations, almost a fifth of the streamer’s 2023 total of 68. This is the longest-spanning season for the show, covering five decades in nine episodes detailing the title character’s ascending career and destructive personal life. Among its mentions are its bid for Best Comedy Series, an honor that it has received its entire run (it won in 2018), as well as major categories it has succeeded in years past. Read on for a closer look at “The Marvelous Mrs. Maisel’s” 14 Emmy nominations.
The series is the second-most nominated comedy this year at the Emmys, behind only Apple TV+’s “Ted Lasso” with 21. Over on the ad-supported Freevee stream, “Jury Duty...
The series is the second-most nominated comedy this year at the Emmys, behind only Apple TV+’s “Ted Lasso” with 21. Over on the ad-supported Freevee stream, “Jury Duty...
- 8/26/2023
- by Christopher Tsang
- Gold Derby
“You kind of grow with the show after all the years of being in it,” says makeup artist Patricia Regan, reflecting on her five season with “The Marvelous Mrs. Maisel.” She and hair stylist Kimberley Spiteri came together to discuss how they transformed the characters on the Amazon series over time. The pair are Emmy nominated in the Period and/or Character Makeup and Hairstyling categories, respectively. Watch the exclusive video interview above.
“The Marvelous Mrs. Maisel” began its life in the 1950s, and moved the action into the 60s in later seasons. So the concept of “evolution” is nothing new to Regan and Spiteri when it comes to style. With several years of the series under their belts, the pair grew accustomed to constant research for period-accurate looks, and always kept an eye out for new colors or textures that might inspire them. “I feel like it almost became second nature,...
“The Marvelous Mrs. Maisel” began its life in the 1950s, and moved the action into the 60s in later seasons. So the concept of “evolution” is nothing new to Regan and Spiteri when it comes to style. With several years of the series under their belts, the pair grew accustomed to constant research for period-accurate looks, and always kept an eye out for new colors or textures that might inspire them. “I feel like it almost became second nature,...
- 8/11/2023
- by Sam Eckmann
- Gold Derby
“The Marvelous Mrs. Maisel” has submitted “Your Personal Trash Man Can” in the outstanding original music and lyrics category for Emmys consideration.
Written by Curtis Moore and songwriting partner Thomas Mizer, the song features in “Susan,” Episode 4 of the Amazon Prime series’ fifth and final season. One of the most music-filled episodes of the show, “Susan” follows Susie (Alex Borstein) and Midge (Rachel Brosnahan) as they help a garbage man who calls in sick.
The episode was also submitted for production design for a narrative period or fantasy program (one hour or more) by Bill Groom, production designer; Neil Prince, supervising art director and Ellen Christiansen, set decorator.
The costume team also submitted the episode in the period costume category.
Meanwhile, the show’s cinematographers, Alex Nepomniaschy and M. David Mullen, will be vying for Emmy consideration in the cinematography for a single-camera series (one hour) category, with Nepomniaschy submitting...
Written by Curtis Moore and songwriting partner Thomas Mizer, the song features in “Susan,” Episode 4 of the Amazon Prime series’ fifth and final season. One of the most music-filled episodes of the show, “Susan” follows Susie (Alex Borstein) and Midge (Rachel Brosnahan) as they help a garbage man who calls in sick.
The episode was also submitted for production design for a narrative period or fantasy program (one hour or more) by Bill Groom, production designer; Neil Prince, supervising art director and Ellen Christiansen, set decorator.
The costume team also submitted the episode in the period costume category.
Meanwhile, the show’s cinematographers, Alex Nepomniaschy and M. David Mullen, will be vying for Emmy consideration in the cinematography for a single-camera series (one hour) category, with Nepomniaschy submitting...
- 5/11/2023
- by Jazz Tangcay
- Variety Film + TV
Multiple heavyweight series return this spring, which will have a big impact on the 2023 Emmy craft races, particularly with the final seasons of “Succession,” “Barry,” “The Marvelous Mrs. Maisel,” “Star Trek: Picard,” and possibly “Ted Lasso.” Plus, “The Mandalorian” is back and should continue its craft domination, while there are opportunities for improvement for new seasons of “Yellowjackets,” “The Great,” “Schmigadoon!,” and “Perry Mason.”
Before looking ahead at potential opportunities, it’s worth noting past Emmy performances.
“The Mandalorian” has set a new standard of excellence as the “Star Wars” crown jewel of Disney+. Powered by Ilm’s revolutionary StageCraft virtual production Volume platform, the sci-fi bounty hunter series starring Pedro Pascal, has amassed 14 craft wins in two seasons for cinematography, VFX, score, sound mixing, stunt coordination, production design, prosthetic makeup, and stunt performance.
“The Marvelous Mrs. Maisel” (Amazon Prime Video), the period comedy-drama about the titular stand-up (Rachel Brosnahan...
Before looking ahead at potential opportunities, it’s worth noting past Emmy performances.
“The Mandalorian” has set a new standard of excellence as the “Star Wars” crown jewel of Disney+. Powered by Ilm’s revolutionary StageCraft virtual production Volume platform, the sci-fi bounty hunter series starring Pedro Pascal, has amassed 14 craft wins in two seasons for cinematography, VFX, score, sound mixing, stunt coordination, production design, prosthetic makeup, and stunt performance.
“The Marvelous Mrs. Maisel” (Amazon Prime Video), the period comedy-drama about the titular stand-up (Rachel Brosnahan...
- 3/31/2023
- by Bill Desowitz
- Indiewire
“Elvis” director of photography Mandy Walker won Feature Film at the ASC Awards March 5, when the American Society of Cinematographers handed out its honors at the 37th annual awards at the Beverly Hilton Hotel.
Walker’s win in the feature film category could prove prescient; 17 out of the last 36 years found the ASC film winner winning the Academy Award. But it’s worth noting that Oscar nominees “Tár” and “All Quiet on the Western Front” were not among the ASC nominees.
In the TV categories, “The Old Man” took awards for Motion Picture, Limited Series, or Pilot Made for Television and Episode of a One-Hour Television Series – Commercial, while “Barry” won Episode of a Half-Hour Television Series for its Season 3 finale and “The Marvelous Mrs. Maisel” won Episode of a One-Hour Television Series – Non-Commercial for its Season 4 finale.
In addition, several honorary awards were handed out. Egot winner Viola Davis...
Walker’s win in the feature film category could prove prescient; 17 out of the last 36 years found the ASC film winner winning the Academy Award. But it’s worth noting that Oscar nominees “Tár” and “All Quiet on the Western Front” were not among the ASC nominees.
In the TV categories, “The Old Man” took awards for Motion Picture, Limited Series, or Pilot Made for Television and Episode of a One-Hour Television Series – Commercial, while “Barry” won Episode of a Half-Hour Television Series for its Season 3 finale and “The Marvelous Mrs. Maisel” won Episode of a One-Hour Television Series – Non-Commercial for its Season 4 finale.
In addition, several honorary awards were handed out. Egot winner Viola Davis...
- 3/6/2023
- by Mark Peikert
- Indiewire
Elvis cinematographer Mandy Walker cracked a glass ceiling on Sunday, becoming the first woman to win the American Society of Cinematographers Award in the feature competition during the 37th ASC Awards.
The crowd at the Beverly Hilton’s International Ballroom erupted with applause and gave Walker a lengthy standing ovation as her name was called.
“This is for all the women that win this award after me,” she said to enthusiastic applause, and she looked for to more women breaking more glass ceilings. “Thijs is an inclusive, representative community,” she said, adding, “I didn’t cry, I thought I was going to cry.”
She thanked Elvis director Baz Luhrmann for allowing her to “create magic with him;” Catherine Martin for her “support and inspiration; and her crew for “dancing with the camera and flying with the camera” during Austin Butler’s performance as Elvis.
Walker’s bold lensing of Elvis...
The crowd at the Beverly Hilton’s International Ballroom erupted with applause and gave Walker a lengthy standing ovation as her name was called.
“This is for all the women that win this award after me,” she said to enthusiastic applause, and she looked for to more women breaking more glass ceilings. “Thijs is an inclusive, representative community,” she said, adding, “I didn’t cry, I thought I was going to cry.”
She thanked Elvis director Baz Luhrmann for allowing her to “create magic with him;” Catherine Martin for her “support and inspiration; and her crew for “dancing with the camera and flying with the camera” during Austin Butler’s performance as Elvis.
Walker’s bold lensing of Elvis...
- 3/6/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The American Society of Cinematographers handed out its best visual storytelling in feature film award to “Elvis” on Sunday night, and in doing so, Mandy Walker has become the first woman to win the top prize in the society’s history.
Walker triumphed over Greig Fraser (“The Batman”), Darius Khondji, Claudio Miranda (“Top Gun: Maverick” and Roger Deakins (“Empire of Light”) in a very competitive race.
During her speech, she dedicated her win to “all the women who will win the award after me,” and was met with rapturous applause. She hoped for more women to break glass ceilings and continued, “This is an inclusive representative community. Let us all strive for success and show our mission and create art.”
Walker‘s triumph comes as Oscar voting ends on March 7, where she is also nominated. She became only the third woman ever nominated for cinematography for her work on “Elvis.
Walker triumphed over Greig Fraser (“The Batman”), Darius Khondji, Claudio Miranda (“Top Gun: Maverick” and Roger Deakins (“Empire of Light”) in a very competitive race.
During her speech, she dedicated her win to “all the women who will win the award after me,” and was met with rapturous applause. She hoped for more women to break glass ceilings and continued, “This is an inclusive representative community. Let us all strive for success and show our mission and create art.”
Walker‘s triumph comes as Oscar voting ends on March 7, where she is also nominated. She became only the third woman ever nominated for cinematography for her work on “Elvis.
- 3/6/2023
- by Jazz Tangcay
- Variety Film + TV
Mandy Walker has won the American Society of Cinematographers feature-film award for “Elvis,” making her the first woman ever to win that award. She is only the third female nominee in the category, after Rachel Morrison for “Mudbound” in 2018 and Ari Wegner for “The Power of the Dog” last year.
Walker now has the chance to become the first woman to win the Oscar for cinematography, where she is also the third female nominee in the gender-neutral Oscars category that took the longest to nominate a woman. Her competitors at the Oscars include two who were also nominated by the ASC, Roger Deakins for “Empire of Light” and Darius Khondji for “Bardo, False Chronicle of a Handful of Truth,” along with James Friend for “All Quiet on the Western Front” and Florian Hoffmeister for “Tar.”
“This is for all the women who will win the award after me, and for...
Walker now has the chance to become the first woman to win the Oscar for cinematography, where she is also the third female nominee in the gender-neutral Oscars category that took the longest to nominate a woman. Her competitors at the Oscars include two who were also nominated by the ASC, Roger Deakins for “Empire of Light” and Darius Khondji for “Bardo, False Chronicle of a Handful of Truth,” along with James Friend for “All Quiet on the Western Front” and Florian Hoffmeister for “Tar.”
“This is for all the women who will win the award after me, and for...
- 3/6/2023
- by Steve Pond and Jason Clark
- The Wrap
The American Society of Cinematographers is handing out its 37th annual ASC Awards tonight at the Beverly Hilton, and Deadline is posting the winners as they’re announced. See the list below.
The night’s first prize went to Carl Herse for HBO’s Barry, which won for Episode of a Half-Hour Series.
The society’s nominees for its marquee Theatrical Feature Film prize are Roger Deakins for Empire of Light, Greig Fraser for The Batman, Darius Khondji for Bardo, Claudio Miranda for Top Gun: Maverick and Mandy Walker for Elvis. Fraser won the ASC’s top prize last year for Dune, en route to winning the Cinematography Oscar.
The ASC film winner has won the Academy Award nearly half of the time — 17 times in its 36 years. Bardo, Elvis and Empire of Light will vie for the Best Cinematography Oscar on March 12 against All Quiet on the Western Front (James Friend...
The night’s first prize went to Carl Herse for HBO’s Barry, which won for Episode of a Half-Hour Series.
The society’s nominees for its marquee Theatrical Feature Film prize are Roger Deakins for Empire of Light, Greig Fraser for The Batman, Darius Khondji for Bardo, Claudio Miranda for Top Gun: Maverick and Mandy Walker for Elvis. Fraser won the ASC’s top prize last year for Dune, en route to winning the Cinematography Oscar.
The ASC film winner has won the Academy Award nearly half of the time — 17 times in its 36 years. Bardo, Elvis and Empire of Light will vie for the Best Cinematography Oscar on March 12 against All Quiet on the Western Front (James Friend...
- 3/6/2023
- by Erik Pedersen
- Deadline Film + TV
Alex Borstein is known to fans of “The Marvelous Mrs. Maisel” for her hilarious portrayal of agent Susie Myerson, and to viewers of “Family Guy” for providing the voice of Lois Griffin for more than two decades.
Now, those fans are going to experience a whole other side of Borstein when she takes to the stage for “Alex Borstein: Corsets & Clown Suits”, a new Prime Video comedy special that’s described as “a deeply personal and wildly fictitious account of one woman’s attempt to f**k with perception,” offering “a night of comedy, music, and waxing rhapsodic.”
Read More: Alex Borstein Urges Women To ‘Step Out Of Line’ In Powerful Emmys Acceptance Speech
According to Prime Video announcement, the “Corsets & Clown Suits” is “unique comedic special that will lead audiences into Alex Borstein’s mind through a marriage of humor and music… equal parts provocative and whimsical. Borstein’s...
Now, those fans are going to experience a whole other side of Borstein when she takes to the stage for “Alex Borstein: Corsets & Clown Suits”, a new Prime Video comedy special that’s described as “a deeply personal and wildly fictitious account of one woman’s attempt to f**k with perception,” offering “a night of comedy, music, and waxing rhapsodic.”
Read More: Alex Borstein Urges Women To ‘Step Out Of Line’ In Powerful Emmys Acceptance Speech
According to Prime Video announcement, the “Corsets & Clown Suits” is “unique comedic special that will lead audiences into Alex Borstein’s mind through a marriage of humor and music… equal parts provocative and whimsical. Borstein’s...
- 3/3/2023
- by Brent Furdyk
- ET Canada
Mrs. Maisel’s manager is taking her turn on the stage: The musical comedy special Alex Borstein: Corsets & Clown Suits will premiere Tuesday, April 18 on Prime Video.
The program is described as “a deeply personal and wildly fictitious account of one woman’s attempt to f*** with perception. A night of comedy, music, and waxing rhapsodic.” Borstein will be joined by her muse and maestro, Barcelona-native musicians, Eric Mills and Salva Rey.
More from TVLineDaisy Jones & the Six EP Explains Why Pete Is Missing From Band, How It Gives Camila Bigger Role -- Grade PremiereDid The Flash Rob Us of Flashbacks?...
The program is described as “a deeply personal and wildly fictitious account of one woman’s attempt to f*** with perception. A night of comedy, music, and waxing rhapsodic.” Borstein will be joined by her muse and maestro, Barcelona-native musicians, Eric Mills and Salva Rey.
More from TVLineDaisy Jones & the Six EP Explains Why Pete Is Missing From Band, How It Gives Camila Bigger Role -- Grade PremiereDid The Flash Rob Us of Flashbacks?...
- 3/3/2023
- by Vlada Gelman
- TVLine.com
Amazon is deepening its relationship with Alex Borstein.
In fact, The Marvelous Mrs. Maisel star is readying her first Amazon Original comedy special, which she’s titled Alex Borstein: Corsets & Clown Suits. It’s slated to hit on April 18th, four days after Maisel debuts its fifth and final season on the service. Fittingly, it was filmed at The Wolford Theatre, the fictional burlesque club from Maisel‘s fourth season, and relied on the award-winning crafts team from the show.
The special, which comes as Borstein and her co-stars embark on another crowded awards season, is being billed as the three-time Emmy winner’s “deeply personal and wildly fictitious account of one woman’s attempt to f*** with perception.” Equal parts provocative and whimsical, the self-penned performance will include assists from Borstein’s muse and maestro, Barcelona-native musicians, Eric Mills and Salva Rey. It is the first special from the former Mad TV star.
In fact, The Marvelous Mrs. Maisel star is readying her first Amazon Original comedy special, which she’s titled Alex Borstein: Corsets & Clown Suits. It’s slated to hit on April 18th, four days after Maisel debuts its fifth and final season on the service. Fittingly, it was filmed at The Wolford Theatre, the fictional burlesque club from Maisel‘s fourth season, and relied on the award-winning crafts team from the show.
The special, which comes as Borstein and her co-stars embark on another crowded awards season, is being billed as the three-time Emmy winner’s “deeply personal and wildly fictitious account of one woman’s attempt to f*** with perception.” Equal parts provocative and whimsical, the self-penned performance will include assists from Borstein’s muse and maestro, Barcelona-native musicians, Eric Mills and Salva Rey. It is the first special from the former Mad TV star.
- 3/3/2023
- by Lacey Rose
- The Hollywood Reporter - Movie News
The American Society of Cinematographers has unveiled the nominations for its 37th annual ASC Awards, honoring the year’s best in feature film, documentary and television cinematography.
The society’s marquee Theatrical Feature Film nominees are Roger Deakins for Empire of Light, Greig Fraser for The Batman , Darius Khondji for Bardo, Claudio Miranda for Top Gun: Maverick and Mandy Walker for Elvis.
Fraser won the ASC’s top prize last year for Dune, en route to winning the Cinematography Oscar. The ASC film winner has won the Academy Award nearly half of the time — 17 times in its 36 years.
On the small-screen front, the only program that made a return trip to the nominations was Hacks, which again is up for Episode of a Half-Hour Television Series.
Here are the nominees for the 2023 ASC Awards:
Theatrical Feature Film Nominees
Roger Deakins, Empire of Light (Searchlight Pictures)
Greig Fraser, The Batman (Warner Bros.)
Darius Khondji,...
The society’s marquee Theatrical Feature Film nominees are Roger Deakins for Empire of Light, Greig Fraser for The Batman , Darius Khondji for Bardo, Claudio Miranda for Top Gun: Maverick and Mandy Walker for Elvis.
Fraser won the ASC’s top prize last year for Dune, en route to winning the Cinematography Oscar. The ASC film winner has won the Academy Award nearly half of the time — 17 times in its 36 years.
On the small-screen front, the only program that made a return trip to the nominations was Hacks, which again is up for Episode of a Half-Hour Television Series.
Here are the nominees for the 2023 ASC Awards:
Theatrical Feature Film Nominees
Roger Deakins, Empire of Light (Searchlight Pictures)
Greig Fraser, The Batman (Warner Bros.)
Darius Khondji,...
- 1/9/2023
- by Erik Pedersen
- Deadline Film + TV
The cinematographers of “The Batman,” “Bardo, False Chronicle of a Handful of Truths,” “Elvis,” “Empire of Light” and “Top Gun: Maverick” have received nominations from the American Society of Cinematographers, the ASC announced on Monday.
Last year’s winner, “Dune” cinematographer Greig Fraser, was nominated again for “The Batman.” Darius Khondji received the nomination for “Bardo,” Claudio Miranda for “Top Gun,” Mandy Walker for “Elvis” and cinematography legend Roger Deakins received his record 17th ASC nomination for “Empire of Light.”
The nomination makes “Elvis” cinematographer Mandy Walker only the third woman to be nominated in the top feature-film category by the ASC, after Rachel Morrison for “Black Panther” and Ari Wegner for “The Power of the Dog.” No female cinematographer has ever won in the category.
Also Read:
Cinematographer Roger Deakins Fears That Moviegoing Has ‘Changed Beyond Repair’
The nominations bypassed “Avatar: The Way of Water,” “The Fabelmans,” “Tar” and “Everything Everywhere All at Once,...
Last year’s winner, “Dune” cinematographer Greig Fraser, was nominated again for “The Batman.” Darius Khondji received the nomination for “Bardo,” Claudio Miranda for “Top Gun,” Mandy Walker for “Elvis” and cinematography legend Roger Deakins received his record 17th ASC nomination for “Empire of Light.”
The nomination makes “Elvis” cinematographer Mandy Walker only the third woman to be nominated in the top feature-film category by the ASC, after Rachel Morrison for “Black Panther” and Ari Wegner for “The Power of the Dog.” No female cinematographer has ever won in the category.
Also Read:
Cinematographer Roger Deakins Fears That Moviegoing Has ‘Changed Beyond Repair’
The nominations bypassed “Avatar: The Way of Water,” “The Fabelmans,” “Tar” and “Everything Everywhere All at Once,...
- 1/9/2023
- by Steve Pond
- The Wrap
Roger Deakins (“Empire of Light”), Greig Fraser (“The Batman”), Darius Khondji, Claudio Miranda (“Top Gun: Maverick”), and Mandy Walker (“Elvis”) were nominated Monday for the 37th annual ASC Awards (to be held March 5 at the Beverly Hilton and live streamed).
For the legendary Deakins, who finds himself in the underdog position for exquisitely lensing Sam Mendes’ underappreciated ode to cinema, this marks his ASC-leading 17th nomination. The two-time Oscar winner (“1917” and “Blade Runner 2049”) has won five times, tied with Emmanuel “Chivo” Lubezki, the three-time Oscar winner, who didn’t make the cut for “Amsterdam,” which never got any critical traction. Fraser, last year’s Oscar and ASC winner for “Dune,” has two wins and three noms. For Matt Reeves’ “The Batman,” he provided a gritty noir look. Miranda, an Oscar winner for “Life of Pi,” has three nominations, and is considered the frontrunner for taking us into...
For the legendary Deakins, who finds himself in the underdog position for exquisitely lensing Sam Mendes’ underappreciated ode to cinema, this marks his ASC-leading 17th nomination. The two-time Oscar winner (“1917” and “Blade Runner 2049”) has won five times, tied with Emmanuel “Chivo” Lubezki, the three-time Oscar winner, who didn’t make the cut for “Amsterdam,” which never got any critical traction. Fraser, last year’s Oscar and ASC winner for “Dune,” has two wins and three noms. For Matt Reeves’ “The Batman,” he provided a gritty noir look. Miranda, an Oscar winner for “Life of Pi,” has three nominations, and is considered the frontrunner for taking us into...
- 1/9/2023
- by Bill Desowitz
- Indiewire
Mandy Walker’s bold lensing of Baz Luhrmann’s Elvis made her the third woman to ever be nominated in the feature category of the American Society of Cinematographers’ ASC Awards, which announced it nominations on Monday.
The feature nominees in the competitive 37th ASC Awards race are Walker; Roger Deakins for Empire of Light; Greig Fraser for The Batman; Darius Khondji for Bardo, False Chronicle of a Handful of Truths; and Claudio Miranda for Top Gun: Maverick.
Walker is now in a select group of just three women who have been nominated in the ASC feature competition. Rachel Morrison was nominated in 2018 for Mudbound, followed by Ari Wegner, who was nominated in 2022 for The Power of the Dog. Morrison and Wegner both went on to earn historic Oscar nominations.
With his work on Sam Mendes’ drama Empire of Light, Deakins extends his record number of ASC feature nominations to a remarkable 17 noms.
The feature nominees in the competitive 37th ASC Awards race are Walker; Roger Deakins for Empire of Light; Greig Fraser for The Batman; Darius Khondji for Bardo, False Chronicle of a Handful of Truths; and Claudio Miranda for Top Gun: Maverick.
Walker is now in a select group of just three women who have been nominated in the ASC feature competition. Rachel Morrison was nominated in 2018 for Mudbound, followed by Ari Wegner, who was nominated in 2022 for The Power of the Dog. Morrison and Wegner both went on to earn historic Oscar nominations.
With his work on Sam Mendes’ drama Empire of Light, Deakins extends his record number of ASC feature nominations to a remarkable 17 noms.
- 1/9/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
It’s been four years since Rachel Brosnahan won an Emmy Award for playing foul-mouthed comic Midge on Amazon’s “The Marvelous Mrs. Maisel.” Season 4 of the hit comedy brings the actress back into the Emmy race yet again. A poignant comedy act in a burlesque house and some tough love at Carnegie Hall might be enough to bring Brosnahan back to the winners circle.
Brosnahan scored her first Emmy nomination in 2015 for her guest role on “House of Cards.” She won the Best Comedy Actress prize in 2018 for the first season of “The Marvelous Mrs. Maisel” and has picked up three nominations for every season of “Mrs. Maisel” since.
Watch Bill Groom interview: ‘The Marvelous Mrs. Maisel’ production designer
Joining her in the race are four-time Emmy winner Jean Smart (“Hacks”), previous nominees Kaley Cuoco (“The Flight Attendant”) and Issa Rae (“Insecure”), and first-time nominees Quinta Brunson (“Abbott Elementary...
Brosnahan scored her first Emmy nomination in 2015 for her guest role on “House of Cards.” She won the Best Comedy Actress prize in 2018 for the first season of “The Marvelous Mrs. Maisel” and has picked up three nominations for every season of “Mrs. Maisel” since.
Watch Bill Groom interview: ‘The Marvelous Mrs. Maisel’ production designer
Joining her in the race are four-time Emmy winner Jean Smart (“Hacks”), previous nominees Kaley Cuoco (“The Flight Attendant”) and Issa Rae (“Insecure”), and first-time nominees Quinta Brunson (“Abbott Elementary...
- 8/24/2022
- by Sam Eckmann
- Gold Derby
As we have in the past, IndieWire reached out to this year’s nominees for Outstanding Cinematography for a Single-Camera Series (One Hour), Single-Camera Series (Half-Hour), and Limited or Anthology Series or Movie, and asked them which cameras and lenses they used — but even more important: Why were these the right tools to create the look of their series?
The nominees’ answers are below, organized by Emmy category and in alphabetical order by series title.
Outstanding Cinematography for a Single-Camera Series (One Hour)
“Euphoria”
Nominated Episode: “The Theater and Its Double”
Format: 35mm (3 perf)
Camera: Arricam Lt, Arri 435
Lens: Cooke S4, Cooke Panchro, Zeiss Super Speeds/B-speeds, Zeiss uncoated Super Speeds
Marcell Rév: Our goal for this season was to make it feel like a melancholic memory of high school years. The organic structure of these film stocks, the texture of old glass, the flairs, the imperfection of these...
The nominees’ answers are below, organized by Emmy category and in alphabetical order by series title.
Outstanding Cinematography for a Single-Camera Series (One Hour)
“Euphoria”
Nominated Episode: “The Theater and Its Double”
Format: 35mm (3 perf)
Camera: Arricam Lt, Arri 435
Lens: Cooke S4, Cooke Panchro, Zeiss Super Speeds/B-speeds, Zeiss uncoated Super Speeds
Marcell Rév: Our goal for this season was to make it feel like a melancholic memory of high school years. The organic structure of these film stocks, the texture of old glass, the flairs, the imperfection of these...
- 8/11/2022
- by Erik Adams and Chris O'Falt
- Indiewire
The five Emmy Award-nominated cinematographers who participated in our Gold Derby Meet the Experts: Cinematography panel are known not just for creating some of the most indelible images on television last year but for consistency in their collaborators. Each has been nominated for their show previously and frequently works together with the same directors and crew.
See over 150 interviews with 2022 Emmy contenders
“Something I learned throughout my film school years, is that it’s worth trusting the people you’re working with, especially directors you elect to work with,” “Euphoria” cinematographer and Emmy nominee Marcell Rev tells Gold Derby in our exclusive video interview. “Because when you’re in film school, and when you’re starting out, you’re really focused on your part in this machine. I think you have to learn – or at least I had to learn – to listen and to actually understand what’s going on...
See over 150 interviews with 2022 Emmy contenders
“Something I learned throughout my film school years, is that it’s worth trusting the people you’re working with, especially directors you elect to work with,” “Euphoria” cinematographer and Emmy nominee Marcell Rev tells Gold Derby in our exclusive video interview. “Because when you’re in film school, and when you’re starting out, you’re really focused on your part in this machine. I think you have to learn – or at least I had to learn – to listen and to actually understand what’s going on...
- 8/8/2022
- by Christopher Rosen
- Gold Derby
Cinematographer M. David Mullen is a two-time Emmy Award winner for his work on Amazon’s “The Marvelous Mrs. Maisel,” but even Mullen and his camera operators hadn’t faced a challenge as they did in the show’s Season 4 finale.
In the episode “How Do You Get to Carnegie Hall?” – notable for some major forward progress in the relationship between Midge (Rachel Brosnahan) and Lenny Bruce (Luke Kirby) – the club where the show’s title character has spent the season performing is raided by the police. The blitz leads to a chaotic scene as everyone tries to escape without being detained – and it was shot in one take, in keeping with the “Mrs. Maisel” visual aesthetic.
“All the seasons have had very elaborate camera movements, mostly pulled off by Jim McConkey, our Steadicam operator. But this one was one of the hardest he’s had to do,” Mullen tells...
In the episode “How Do You Get to Carnegie Hall?” – notable for some major forward progress in the relationship between Midge (Rachel Brosnahan) and Lenny Bruce (Luke Kirby) – the club where the show’s title character has spent the season performing is raided by the police. The blitz leads to a chaotic scene as everyone tries to escape without being detained – and it was shot in one take, in keeping with the “Mrs. Maisel” visual aesthetic.
“All the seasons have had very elaborate camera movements, mostly pulled off by Jim McConkey, our Steadicam operator. But this one was one of the hardest he’s had to do,” Mullen tells...
- 8/8/2022
- by Christopher Rosen
- Gold Derby
Five top TV cinematographers will reveal secrets behind their projects when they join Gold Derby’s special “Meet the Experts” Q&a event with 2022 Emmy Awards nominees. They will participate in two video discussions to premiere on Thursday, August 4, at 4:00 p.m. Pt; 7:00 p.m. Et. We’ll have a one-on-one with our senior editor Christopher Rosen and a roundtable chat with all of the group together.
RSVP today to our entire ongoing Emmy contenders panel series by clicking here to book your free reservation. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2022 nominees:
Atlanta (FX)
Synopsis: Earn and his cousin Alfred, based in Atlanta, try to make their way in the world through the rap scene.
Bio: Christian Sprenger won at the Emmys previously for “Atlanta” and had a nomination for “Glow.
RSVP today to our entire ongoing Emmy contenders panel series by clicking here to book your free reservation. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2022 nominees:
Atlanta (FX)
Synopsis: Earn and his cousin Alfred, based in Atlanta, try to make their way in the world through the rap scene.
Bio: Christian Sprenger won at the Emmys previously for “Atlanta” and had a nomination for “Glow.
- 7/28/2022
- by Chris Beachum and Christopher Rosen
- Gold Derby
Curated by the IndieWire Crafts team, Craft Considerations is a platform for filmmakers to talk about recent work we believe is worthy of awards consideration. In partnership with Amazon, for this edition we look at how production designer Bill Groom, costume designer Donna Zakowska, and director of photography M. David Mullen created the exquisite period detail of “The Marvelous Mrs. Maisel.”
As Season 4 of the Amazon series “The Marvelous Mrs. Maisel” opens, stand-up comedian Miriam “Midge” Maisel (Rachel Brosnahan) finds herself at a crossroads. Fired from her job on tour with singer Shy Baldwin (Leroy McClain), Midge decides the time has come to be uncompromising in her career, and she finds a surprising outlet for the creative freedom that she craves: a bawdy strip club where Midge performs between acts, slowly attracting a female audience that is a source of both added income and new frustrations for the club’s owner.
As Season 4 of the Amazon series “The Marvelous Mrs. Maisel” opens, stand-up comedian Miriam “Midge” Maisel (Rachel Brosnahan) finds herself at a crossroads. Fired from her job on tour with singer Shy Baldwin (Leroy McClain), Midge decides the time has come to be uncompromising in her career, and she finds a surprising outlet for the creative freedom that she craves: a bawdy strip club where Midge performs between acts, slowly attracting a female audience that is a source of both added income and new frustrations for the club’s owner.
- 5/18/2022
- by Jim Hemphill
- Indiewire
Los Angeles The American Society of Cinematographers (ASC) presented its annual awards during a virtual ceremony today, with Erik Messerschmidt, ASC claiming the top prize in feature film for Mank. The 35th ASC Outstanding Achievement Awards also honored Aurélien Marra for Two of Us in the Spotlight Award category, and Michael Dweck and Gregory Kershaw for the documentary The Truffle Hunters. Winners in the TV categories included Steven Meizler for The Queen?s Gambit; Fabian Wagner, ASC, Bsc for The Crown; Jon Joffin, ASC for Motherland: Fort Salem; and Baz Idoine for The Mandalorian. TCM?s Ben Mankiewicz hosted the awards show, which was streamed live from the historic ASC Clubhouse in Hollywood. Below is the complete list of winners and nominees: Feature Award – presented by Roger Deakins, ASC, Bsc, Cbe and James Deakins -Erik Messerschmidt, ASC for Mank – Winner -Phedon Papamichael, ASC, Gsc for The Trial of the...
- 4/18/2021
- by HollywoodNews.com
- Hollywoodnews.com
Earlier today, the American Society of Cinematographers revealed their nominations, hoping to clear up who might be Oscar nominees next week. Well, they definitely confirmed that Erik Messerschmidt, Phedon Papamichael, Joshua James Richards, and Dariusz Wolski are very likely to hear their names called on Monday morning. As for the final slot, they went with Newton Thomas Sigel, but for Cherry, not Da 5 Bloods, as many expected. Messerchmidt (Mank), Papamichael (The Trial of the Chicago 7), Richards (Nomadland), and Wolski (News of the World) feel safe. As for the final spot at the Academy Awards in Best Cinematography, anything is possible, so sit tight… Here are the ASC nominees for this year: Feature Film Erik Messerschmidt, ASC Mank Phedon Papamichael, ASC, Gsc The Trial of the Chicago 7 Joshua James Richards Nomadland Newton Thomas Sigel, ASC Cherry Dariusz Wolski, ASC News of the World Spotlight Katelin Arizmendi Swallow Aurélien Marra Two...
- 3/11/2021
- by Joey Magidson
- Hollywoodnews.com
The American Society of Cinematographers on Wednesday set its nominees for the 35th Asc Outstanding Achievement Awards, recognizing the best in feature film, documentary and television cinematography over the past 14 months. Winners will be revealed April 18 in a virtual ceremony from the Asc Clubhouse in Hollywood.
The marquee Feature Film category this year features awards-season staples including Erik Messerschmidt for Mank and Phedon Papamichael for The Trial of the Chicago 7, both from Netflix, and Chloé Zhao’s go-to Dp Joshua James Richards for Seachlight’s Nomadland. Also in the running is Newton Thomas Sigel for A24’s Russo Brothers-directed Cherry and Dariusz Wolski for Universal’s News of the World.
Papamichael has been nominated for five Asc Awards including last year for Ford v Ferrari. He lost to Roger Deakins for 1917; Deakins went on to win the Oscar, marking the 15th time the Asc winner has gone on to scoop the Academy Award in 34 years.
The marquee Feature Film category this year features awards-season staples including Erik Messerschmidt for Mank and Phedon Papamichael for The Trial of the Chicago 7, both from Netflix, and Chloé Zhao’s go-to Dp Joshua James Richards for Seachlight’s Nomadland. Also in the running is Newton Thomas Sigel for A24’s Russo Brothers-directed Cherry and Dariusz Wolski for Universal’s News of the World.
Papamichael has been nominated for five Asc Awards including last year for Ford v Ferrari. He lost to Roger Deakins for 1917; Deakins went on to win the Oscar, marking the 15th time the Asc winner has gone on to scoop the Academy Award in 34 years.
- 3/10/2021
- by Patrick Hipes
- Deadline Film + TV
The cinematography for “Mank,” “Nomadland,” “The Trial of the Chicago 7,” “News of the World” and “Cherry” has been nominated as the best film work of 2020 by the American Society of Cinematographers, the Asc announced on Wednesday.
The first four of those films were expected to be recognized by the Asc and are thought to be strong contenders for the Oscar for Best Cinematography, but “Cherry” came as a surprise. The Russo brothers film came out in February to withering reviews and had not been considered an awards contender until the Asc included its cinematographer, Newton Thomas Sigel, in its list of nominees.
“Cherry” landed that nomination over a group of films that included “Tenet,” “Minari,” “Ma Rainey’s Black Bottom,” “Judas and the Black Messiah” — and “Da 5 Bloods,” a more high-profile film that was also shot by Sigel.
In the Spotlight category, which singles out cinematographers from films that...
The first four of those films were expected to be recognized by the Asc and are thought to be strong contenders for the Oscar for Best Cinematography, but “Cherry” came as a surprise. The Russo brothers film came out in February to withering reviews and had not been considered an awards contender until the Asc included its cinematographer, Newton Thomas Sigel, in its list of nominees.
“Cherry” landed that nomination over a group of films that included “Tenet,” “Minari,” “Ma Rainey’s Black Bottom,” “Judas and the Black Messiah” — and “Da 5 Bloods,” a more high-profile film that was also shot by Sigel.
In the Spotlight category, which singles out cinematographers from films that...
- 3/10/2021
- by Steve Pond
- The Wrap
Writer, producer, director Lee Daniels discusses some of his favorite films with Josh & Joe.
Show Notes: Movies Referenced In This Episode
Infested (2002)
Shadowboxer (2005)
The United States Vs. Billie Holiday (2021)
A Star Is Born (1937)
Lee Daniels’ The Butler (2013)
Dawn of the Planet of the Apes (2014)
Lady Sings The Blues (1972)
Island In The Sun (1957)
Carmen Jones (1954)
Claudine (1974)
Mandingo (1975)
Drum (1976)
Caligula (1979)
Gloria (1980)
The Exorcist (1973)
Abby (1974)
Blacula (1972)
Scream Blacula Scream (1973)
Cabaret (1972)
Lenny (1974)
Sounder (1972)
All That Jazz (1979)
I Am A Camera (1955)
Travels With My Aunt (1972)
The Emigrants (1971)
Star 80 (1983)
Harold And Maude (1971)
The Godfather (1972)
The Godfather Part II (1974)
Pickup On South Street (1953)
In The Mood For Love (2000)
Leave Her To Heaven (1945)
Laura (1944)
Dragonwyck (1946)
The Baron of Arizona (1950)
His Kind of Woman (1951)
Explorers (1985)
Innerspace (1987)
Jack Reacher (2012)
Them (1954)
Revenge of the Creature (1955)
Tarantula! (1955)
Coogan’s Bluff (1968)
Going In Style (1979)
Going In Style (2017)
Judas And The Black Messiah (2021)
Stroszek (1977)
Fitzcarraldo (1982)
Land of Silence and Darkness (1971)
Cave Of Forgotten Dreams...
Show Notes: Movies Referenced In This Episode
Infested (2002)
Shadowboxer (2005)
The United States Vs. Billie Holiday (2021)
A Star Is Born (1937)
Lee Daniels’ The Butler (2013)
Dawn of the Planet of the Apes (2014)
Lady Sings The Blues (1972)
Island In The Sun (1957)
Carmen Jones (1954)
Claudine (1974)
Mandingo (1975)
Drum (1976)
Caligula (1979)
Gloria (1980)
The Exorcist (1973)
Abby (1974)
Blacula (1972)
Scream Blacula Scream (1973)
Cabaret (1972)
Lenny (1974)
Sounder (1972)
All That Jazz (1979)
I Am A Camera (1955)
Travels With My Aunt (1972)
The Emigrants (1971)
Star 80 (1983)
Harold And Maude (1971)
The Godfather (1972)
The Godfather Part II (1974)
Pickup On South Street (1953)
In The Mood For Love (2000)
Leave Her To Heaven (1945)
Laura (1944)
Dragonwyck (1946)
The Baron of Arizona (1950)
His Kind of Woman (1951)
Explorers (1985)
Innerspace (1987)
Jack Reacher (2012)
Them (1954)
Revenge of the Creature (1955)
Tarantula! (1955)
Coogan’s Bluff (1968)
Going In Style (1979)
Going In Style (2017)
Judas And The Black Messiah (2021)
Stroszek (1977)
Fitzcarraldo (1982)
Land of Silence and Darkness (1971)
Cave Of Forgotten Dreams...
- 3/2/2021
- by Kris Millsap
- Trailers from Hell
The fifth and final night of the 2020 Creative Arts Emmys is complete — and thus, so is the entire 2020 Creative Arts Emmy Awards. The final 30 Creative Arts winners were crowned Saturday evening on Fxx, 24 hours ahead of the real-deal Primetime Emmys on ABC.
The first trophy of the night went to “Rick and Morty,” the year’s Outstanding Animated Program. The final award went to ESPN’s “The Last Dance,” which beat out “Tiger King” and “McMillion$” in the documentary series category.
Plenty transpired between those awards, which were announced more than two hours apart. One lowlight came when the cable presentation’s voiceover accidentally announced the wrong winner for Guest Actor in a Drama series. Sorry Jason Bateman, it wasn’t actually you.
Below is the full list of Saturday’s winners.
Find all of the 2020 Creative Arts Emmys winners, ranked by the number of trophies per project, here. For individual (themed) evenings,...
The first trophy of the night went to “Rick and Morty,” the year’s Outstanding Animated Program. The final award went to ESPN’s “The Last Dance,” which beat out “Tiger King” and “McMillion$” in the documentary series category.
Plenty transpired between those awards, which were announced more than two hours apart. One lowlight came when the cable presentation’s voiceover accidentally announced the wrong winner for Guest Actor in a Drama series. Sorry Jason Bateman, it wasn’t actually you.
Below is the full list of Saturday’s winners.
Find all of the 2020 Creative Arts Emmys winners, ranked by the number of trophies per project, here. For individual (themed) evenings,...
- 9/19/2020
- by Tony Maglio
- The Wrap
As the titular Miriam “Midge” Maisel (Rachel Brosnahan) becomes a bigger name in standup comedy within Amazon Prime Video’s “The Marvelous Mrs. Maisel,” the venues she plays get larger and the scope of those scenes, too, continues to grow. Pivotal to making that possible are both co-creator, writer, executive producer and director Amy Sherman-Palladino and director of photography M. David Mullen.
The duo had never worked together before “Maisel,” and Sherman-Palladino admits that in the early days of the pilot they “did have to get used to each other’s rhythms.” She considers herself a “let’s go, let’s go, let’s go” personality, while David “needs that moment to step back and think. He’s a quiet soul.” But they got into a groove quickly enough and found the “energy and flow” of the show that has more often than not included oners.
“We have a love of movement,...
The duo had never worked together before “Maisel,” and Sherman-Palladino admits that in the early days of the pilot they “did have to get used to each other’s rhythms.” She considers herself a “let’s go, let’s go, let’s go” personality, while David “needs that moment to step back and think. He’s a quiet soul.” But they got into a groove quickly enough and found the “energy and flow” of the show that has more often than not included oners.
“We have a love of movement,...
- 7/8/2020
- by Danielle Turchiano
- Variety Film + TV
At a trying time when every day feels like Monday, here’s a week-starting pick-me-up that fans of Amazon’s “The Marvelous Mrs. Maisel” may not want to miss. For eight weeks starting on May 11, there will be an Amazon Live and Twitter Watch Party focused on the episodes from Season 3.
Beginning at 3 p.m. Pt/ 6 p.m. Et, fans of the show can participate in the Watch Party as the “Maisel” cast will tweet along with those watching a specific episode each week in chronological order by using #MaiselMonday.
Afterwards, you can watch a live chat with the series’ cast and crew hosted by Amazon Live on Amazon.com/Live or via the Amazon Shopping app on Fire TV devices, beginning at 4:15 p.m. Pt/7:15 p.m. Et. Up first this Monday, Mrs. Maisel herself, Rachel Brosnahan, and Michael Zegen, who plays ex-hubby Joel. They will be...
Beginning at 3 p.m. Pt/ 6 p.m. Et, fans of the show can participate in the Watch Party as the “Maisel” cast will tweet along with those watching a specific episode each week in chronological order by using #MaiselMonday.
Afterwards, you can watch a live chat with the series’ cast and crew hosted by Amazon Live on Amazon.com/Live or via the Amazon Shopping app on Fire TV devices, beginning at 4:15 p.m. Pt/7:15 p.m. Et. Up first this Monday, Mrs. Maisel herself, Rachel Brosnahan, and Michael Zegen, who plays ex-hubby Joel. They will be...
- 5/11/2020
- by Susan Wloszczyna
- Gold Derby
Last year, Amazon Prime Video promoted its Emmy-winning comedy “The Marvelous Mrs. Maisel” with a “Maisel Day.” This year, they’re giving “Maisel” its own day of the week. As part of the show’s Emmy For Your Consideration push, Amazon will launch a “Maisel Mondays” campaign for eight weeks to showcase the show’s third season — and it’s all for a good cause, to highlight a variety of charities.
With stay-at-home orders in effect, there will be no discounted gas or sandwiches this year. Instead, it will be a weekly Amazon Live and Twitter Watch party. “Maisel” cast and crew will post on Twitter along with fans as they watch a specific episode.
The weekly event will take place Mondays at 3 p.m. Pt/6 p.m. Et each week, starting May 11. After the watch party, a live conversation will take place with the stars and various crafts people...
With stay-at-home orders in effect, there will be no discounted gas or sandwiches this year. Instead, it will be a weekly Amazon Live and Twitter Watch party. “Maisel” cast and crew will post on Twitter along with fans as they watch a specific episode.
The weekly event will take place Mondays at 3 p.m. Pt/6 p.m. Et each week, starting May 11. After the watch party, a live conversation will take place with the stars and various crafts people...
- 5/8/2020
- by Michael Schneider
- Variety Film + TV
Yesterday saw a deluge of precursor results hit the Oscar race, including one of the biggest Guilds chiming in. Obviously, we know already that last night the Directors Guild of America gave their top prize to Sam Mendes for 1917, but Saturday evening also saw the American Society of Cinematographers Awards, the Annie Awards, the Cinema Audio Society Awards, and the USC Scripter Awards, in addition to the Directors Guild of America Awards. Below, we’ll run down the results of the various shows, though obviously we already covered DGA in a previous post. Together, you can begin to piece together more of the awards season, as the races head into the home stretch… First up, the Asc results: Theatrical Release Roger Deakins, Asc, Bsc for “1917” – Winner Phedon Papamichael, Asc, Gsc for “Ford v Ferrari” Rodrigo Prieto, Asc, AMC for “The Irishman” Robert Richardson, Asc for “Once Upon a Time in Hollywood” Lawrence Sher,...
- 1/26/2020
- by Joey Magidson
- Hollywoodnews.com
Cinematographer Roger Deakins won the top prize Saturday night at the 34th annual Asc Awards (at the Ray Dolby Ballroom at Hollywood & Highland) for his bravura camera work on “1917,” the continuous-shot, World War I extravaganza, directed by Sam Mendes.
Deakins beat Phedon Papamichael (“Ford v Ferrari”), Rodrigo Prieto (“The Irishman”), Robert Richardson (“Once Upon a Time in Hollywood”), and Lawrence Sher (“Joker”). The latter three are Oscar-nominated with Deakins. The fifth nominee, Jarin Blaschke (“The Lighthouse”), earned the Asc Spotlight Award for his gritty, Gothic-looking black-and-white cinematography.
Additionally, Fejmi Daut and Samir Ljuma took the Asc Documentary category for “Honeyland.”
Given the Best Picture momentum and universal acclaim for the technical feat, Deakins moves a step closer to his second Oscar. He finally landed his first with “Blade Runner 2049″ after 14 Academy Award nominations. Deakins leads the Asc with five wins.
“1917” is not only the tour de force of the season,...
Deakins beat Phedon Papamichael (“Ford v Ferrari”), Rodrigo Prieto (“The Irishman”), Robert Richardson (“Once Upon a Time in Hollywood”), and Lawrence Sher (“Joker”). The latter three are Oscar-nominated with Deakins. The fifth nominee, Jarin Blaschke (“The Lighthouse”), earned the Asc Spotlight Award for his gritty, Gothic-looking black-and-white cinematography.
Additionally, Fejmi Daut and Samir Ljuma took the Asc Documentary category for “Honeyland.”
Given the Best Picture momentum and universal acclaim for the technical feat, Deakins moves a step closer to his second Oscar. He finally landed his first with “Blade Runner 2049″ after 14 Academy Award nominations. Deakins leads the Asc with five wins.
“1917” is not only the tour de force of the season,...
- 1/26/2020
- by Bill Desowitz
- Indiewire
The features “Honeyland,” “Antopocene: The Human Epoch” and “Obscuro Barroco” were each recognized Monday with nominations for the brand-new documentary award from the American Society of Cinematographers’ Outstanding Achievement Awards.
The Asc also announced nominees in various TV categories for the 34th annual ceremony, which will be held at the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles on Jan. 25, 2020.
The Asc, which celebrated its 100th year in 2019, is a nonprofit organization dedicated to advancing the art of cinematography.
Also Read: Eddie Murphy to Receive Career Achievement Award from Critics Choice Association
New to this year’s ceremony is the Asc Documentary Award, which was added to recognize exceptional cinematography in non-fiction filmmaking.
First-time nominees this year are Fejmi Daut, Nicholas de Pencier, Evangelia Kranioti, Samir Ljuma, C. Kim Miles, Polly Morgan, Peter Robertson, Chris Seeger and Craig Wrobleski. This year’s honorees include Frederick Elmes, Donald A. Morgan,...
The Asc also announced nominees in various TV categories for the 34th annual ceremony, which will be held at the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles on Jan. 25, 2020.
The Asc, which celebrated its 100th year in 2019, is a nonprofit organization dedicated to advancing the art of cinematography.
Also Read: Eddie Murphy to Receive Career Achievement Award from Critics Choice Association
New to this year’s ceremony is the Asc Documentary Award, which was added to recognize exceptional cinematography in non-fiction filmmaking.
First-time nominees this year are Fejmi Daut, Nicholas de Pencier, Evangelia Kranioti, Samir Ljuma, C. Kim Miles, Polly Morgan, Peter Robertson, Chris Seeger and Craig Wrobleski. This year’s honorees include Frederick Elmes, Donald A. Morgan,...
- 11/25/2019
- by Margeaux Sippell
- The Wrap
Asc Awards Nominees: ‘Honeyland’, ‘The Marvelous Mrs. Maisel’ Make The Cut In Docu And TV Categories
American Society of Cinematographers (Asc) revealed the nominees in documentary and television categories for the 34th Annual Asc Outstanding Achievement Awards which will take place January 25, 2020, at the Ray Dolby Ballroom in Los Angeles.
Nominees in the newly created documentary category include Honeyland, Anthropocene: The Human Epoch and Obscuro Barroco. On the TV side, nominees include awards season favorites The Marvelous Mrs. Maisel and The Handmaid’s Tale in the Non-Commercial Television category while FX’s Legion received two noms in the Commercial Television category. Meanwhile, the AMC series The Terror: Infamy and CBS All Access’ new take on The Twilight Zone were among those in the Motion Picture, Miniseries, or Pilot Made for Television category.
Earlier this year, the Asc announced the new documentary category to recognize exceptional cinematography in nonfiction filmmaking. The category was open to all features and episodes 30 minutes or longer that are released in theaters, at film festivals,...
Nominees in the newly created documentary category include Honeyland, Anthropocene: The Human Epoch and Obscuro Barroco. On the TV side, nominees include awards season favorites The Marvelous Mrs. Maisel and The Handmaid’s Tale in the Non-Commercial Television category while FX’s Legion received two noms in the Commercial Television category. Meanwhile, the AMC series The Terror: Infamy and CBS All Access’ new take on The Twilight Zone were among those in the Motion Picture, Miniseries, or Pilot Made for Television category.
Earlier this year, the Asc announced the new documentary category to recognize exceptional cinematography in nonfiction filmmaking. The category was open to all features and episodes 30 minutes or longer that are released in theaters, at film festivals,...
- 11/25/2019
- by Dino-Ray Ramos
- Deadline Film + TV
FX’s science-fiction series “Legion” scored a leading two nominations for the American Society of Cinematographers Awards.
“Legion” received nods in the commercial television category, along with “Project Blue Book,” “Vikings” and “Gotham.”
Non-commercial TV series recognition went to “Das Boot,” “The Marvelous Mrs. Maisel,” “Carnival Row,” “Titans” and “The Handmaid’s Tale.”
Winners will be announced at the organization’s gala on Jan. 25 at the Ray Dolby Ballroom at Hollywood and Highland.
See the full list of nominees below:
Documentary
Fejmi Daut and Samir Ljuma – Honeyland
Nicholas de Pencier – Anthropocene: The Human Epoch
Evangelia Kranioti – Obscuro Barroco
Episode of a Series for Non-Commercial Television
David Luther – Das Boot, “Gegen die Zeit” (episode 6) (Sky)
M. David Mullen, Asc – The Marvelous Mrs. Maisel, “Simone” (Amazon)
Chris Seager, Bsc – Carnival Row, “Grieve No More” (Amazon)
Brendan Steacy, Csc – Titans, “Dick Grayson” (DC Universe)
Colin Watkinson, Asc, Bsc – The Handmaid’s Tale, “Night” (Hulu)
Episode...
“Legion” received nods in the commercial television category, along with “Project Blue Book,” “Vikings” and “Gotham.”
Non-commercial TV series recognition went to “Das Boot,” “The Marvelous Mrs. Maisel,” “Carnival Row,” “Titans” and “The Handmaid’s Tale.”
Winners will be announced at the organization’s gala on Jan. 25 at the Ray Dolby Ballroom at Hollywood and Highland.
See the full list of nominees below:
Documentary
Fejmi Daut and Samir Ljuma – Honeyland
Nicholas de Pencier – Anthropocene: The Human Epoch
Evangelia Kranioti – Obscuro Barroco
Episode of a Series for Non-Commercial Television
David Luther – Das Boot, “Gegen die Zeit” (episode 6) (Sky)
M. David Mullen, Asc – The Marvelous Mrs. Maisel, “Simone” (Amazon)
Chris Seager, Bsc – Carnival Row, “Grieve No More” (Amazon)
Brendan Steacy, Csc – Titans, “Dick Grayson” (DC Universe)
Colin Watkinson, Asc, Bsc – The Handmaid’s Tale, “Night” (Hulu)
Episode...
- 11/25/2019
- by Dave McNary
- Variety Film + TV
HBO’s “Game of Thrones” made a major splash with a record 32 Emmy nominations in July for its eighth and final season, bringing the show’s ultimate total to 161. One of those 32 bids is for Best One-Hour Single-Camera Cinematography, a category the show has never won. Can it finally do it this year with director of photography Jonathan Freeman, who is nominated for shooting the series finale “The Iron Throne”?
“Thrones” wasn’t able to break into this race until 2013 for its third season, but has since nabbed eight additional noms to become the most nominated show in this category. If anyone can now finally get it across the finish line, it’s Freeman, a three-time Emmy winner for another HBO show, “Boardwalk Empire”, and previous nominee for “Thrones” (in 2014 for the episode “Two Swords”). He’s also won five out of eight times at the American Society of Cinematographer Awards,...
“Thrones” wasn’t able to break into this race until 2013 for its third season, but has since nabbed eight additional noms to become the most nominated show in this category. If anyone can now finally get it across the finish line, it’s Freeman, a three-time Emmy winner for another HBO show, “Boardwalk Empire”, and previous nominee for “Thrones” (in 2014 for the episode “Two Swords”). He’s also won five out of eight times at the American Society of Cinematographer Awards,...
- 9/13/2019
- by Luca Giliberti
- Gold Derby
IndieWire reached out to this year’s nominees for Outstanding Cinematography for a Single-Camera Series (One Hour), Single-Camera Series (Half-Hour), and Limited Series or Movie, and asked them which cameras and lenses they used — but even more important: Why were these these the right tools to create the look of their series?
Single Camera Series (One Hour)
The 2019 Emmy nominees for outstanding cinematography in this category are Jonathan Freeman (“Game of Thrones”), Zoë White (“The Handmaid’s Tale”), Colin Watkinson (“The Handmaid’s Tale”), Dana Gonzales (“Hanna”), Gonzalo Amat (“The Man In The High Castle”), M. David Mullen (“The Marvelous Mrs. Maisel”), and Robert McLachlan (“Ray Donovan”).
2018 Emmy Winner: Adriano Goldman for “The Crown”
2017 Emmy Winner: Colin Watkinson for “The Handmaid’s Tale.”
“Game Of Thrones”
Nominated Episode: “The Iron Throne”
Format: 3.2K Pro-Res and Arriraw 1:78
Camera: Alexa Sxt Plus, Mini; Red Epic-m Dragon (for some VFX work)
Lens: Cooke S-4, Angenieux Optimo Zooms,...
Single Camera Series (One Hour)
The 2019 Emmy nominees for outstanding cinematography in this category are Jonathan Freeman (“Game of Thrones”), Zoë White (“The Handmaid’s Tale”), Colin Watkinson (“The Handmaid’s Tale”), Dana Gonzales (“Hanna”), Gonzalo Amat (“The Man In The High Castle”), M. David Mullen (“The Marvelous Mrs. Maisel”), and Robert McLachlan (“Ray Donovan”).
2018 Emmy Winner: Adriano Goldman for “The Crown”
2017 Emmy Winner: Colin Watkinson for “The Handmaid’s Tale.”
“Game Of Thrones”
Nominated Episode: “The Iron Throne”
Format: 3.2K Pro-Res and Arriraw 1:78
Camera: Alexa Sxt Plus, Mini; Red Epic-m Dragon (for some VFX work)
Lens: Cooke S-4, Angenieux Optimo Zooms,...
- 8/20/2019
- by Chris O'Falt
- Indiewire
For two seasons, director of photography M. David Mullen has been responsible for inviting the audience into the world of a housewife-turned-comedian on Amazon Prime Video’s “The Marvelous Mrs. Maisel.” With often naturally-lit 360-shots, oners and long, wide shots of real locations, he captures the beauty of the somewhat simpler time of 1950s New York. Now, he sees his second consecutive Emmy nomination for cinematography of a one-hour, single-camera program for his work on the second season premiere entitled “Simone.”
“Simone” includes a couple of intricate oners. How collaborative is the process to decide what scenes call for such a visual technique?
They’re almost always from [co-creators] Amy [Sherman-Palladino] and Dan [Palladino]. After having worked with them for awhile, you can tell when you read the scene. They don’t write it in the script that it’s a oner, but the way it flows, it’s obvious if it keeps...
“Simone” includes a couple of intricate oners. How collaborative is the process to decide what scenes call for such a visual technique?
They’re almost always from [co-creators] Amy [Sherman-Palladino] and Dan [Palladino]. After having worked with them for awhile, you can tell when you read the scene. They don’t write it in the script that it’s a oner, but the way it flows, it’s obvious if it keeps...
- 8/1/2019
- by Danielle Turchiano
- Variety Film + TV
With “Gilmore Girls,” creators Amy Sherman-Palladino and Dan Palladino defined their show with dialogue that exhibited a distinct cadence and whip-smart wit. Using The CW show’s extremely limited resources, the duo put what little time they had into long walk-and-talk master shots in which the scene’s rhythm stemmed from pacing the performances.
“’Gilmore Girls’ was like the greatest gig in the entire world,” said Sherman-Palladino when she and Palladino were recent guests on IndieWire’s Filmmaker Toolkit podcast. “We were sort of ran crazy over the Warner Bros. lot. We were really left alone and we got to really sort of hone in and develop our style of storytelling and rhythm, but we never had a dime.”
Subscribe via Apple Podcasts to the Filmmaker Toolkit Podcast
With “The Marvelous Mrs. Maisel,” the team was determined to only make the show if they had the resources to create a...
“’Gilmore Girls’ was like the greatest gig in the entire world,” said Sherman-Palladino when she and Palladino were recent guests on IndieWire’s Filmmaker Toolkit podcast. “We were sort of ran crazy over the Warner Bros. lot. We were really left alone and we got to really sort of hone in and develop our style of storytelling and rhythm, but we never had a dime.”
Subscribe via Apple Podcasts to the Filmmaker Toolkit Podcast
With “The Marvelous Mrs. Maisel,” the team was determined to only make the show if they had the resources to create a...
- 6/19/2019
- by Chris O'Falt
- Indiewire
How ‘The Marvelous Mrs. Maisel’ Cinematographer M. David Mullen Navigated Season 2’s Location Shoots
With Season 2 of The Marvelous Mrs. Maisel, Amy Sherman-Palladino decided to take her show on the road, leaving cinematographer M. David Mullen to adjust to new environments. Set in New York, the ‘50s Amazon comedy about housewife-turned-comedian Midge Maisel opened its second season in Paris before transitioning to an idyllic resort in the Catskills of Upstate New York. And while there was “a lot of fun” to be had with each location, Mullen had to grapple with new logistical challenges in each case, to do with available space, lighting, weather and more.
While navigating the complexities of these location shoots, the Dp was also undertaking some of the most ambitious tracking shots to be found on television today—typically, without so much as a single storyboard, apart from the odd montage involving visual effects.
Speaking with Deadline from his office, with production on Season 3 currently underway, Mullen reflects on the...
While navigating the complexities of these location shoots, the Dp was also undertaking some of the most ambitious tracking shots to be found on television today—typically, without so much as a single storyboard, apart from the odd montage involving visual effects.
Speaking with Deadline from his office, with production on Season 3 currently underway, Mullen reflects on the...
- 6/14/2019
- by Matt Grobar
- Deadline Film + TV
“Cold War” cinematographer Łukasz Żal has won the top feature award from the American Society of Cinematographers.
“Cold War,” shot in black and white, topped Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” and Robbie Ryan for Yorgos Lanthimos’ “The Favourite.”
Zal was unable to attend the Saturday night ceremonies, now in their 33rd year. The gala took place in the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles, with Ben Mankiewicz hosting.
Zal is also up for the Academy Award in cinematography along with Cuaron, Labitique, Ryan and Caleb Deschanel for “Never Look Away.” “Cold War,” directed by Pawel Pawlikowski, is set in Poland and Paris from the late 1940s until the 1960s and follows a musical director and a young singer...
“Cold War,” shot in black and white, topped Alfonso Cuaron’s digital 65mm black-and-white lensing of his own “Roma,” Linus Sandgren’s multi-format work on Damien Chazelle’s moonshot drama “First Man,” Matthew Libatique for Bradley Cooper’s “A Star Is Born,” and Robbie Ryan for Yorgos Lanthimos’ “The Favourite.”
Zal was unable to attend the Saturday night ceremonies, now in their 33rd year. The gala took place in the Ray Dolby Ballroom at Hollywood & Highland in Los Angeles, with Ben Mankiewicz hosting.
Zal is also up for the Academy Award in cinematography along with Cuaron, Labitique, Ryan and Caleb Deschanel for “Never Look Away.” “Cold War,” directed by Pawel Pawlikowski, is set in Poland and Paris from the late 1940s until the 1960s and follows a musical director and a young singer...
- 2/10/2019
- by Dave McNary
- Variety Film + TV
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