Has any young actress ever had a year Katharine Hepburn experienced in 1933? After making her film debut in 1932’s “Bill of Divorcement” with John Barrymore, the 26-year-old with the preternatural cheekbones demonstrated her versatility in three exceptional motion pictures 90 years ago. The great Kate soared high as famed aviatrix who has a tragic affair with a married member of Parliament in Dorothy Arzner’s daring pre-code romantic drama “Christopher Strong.” Next up was “Morning Glory,” for which she won her first of four best actress Oscars-and of course was a no-show at the ceremony- as an eager young actress. And Hepburn ended the year with “Little Women,” the acclaimed box office hit which made $100,000 during its first week at Radio City Music Hall, based on Louisa May Alcott’s beloved novel.
Most “little women” have read Alcott’s autobiographical coming-of-age novel that was published in two volumes in 1868 and 1869. Set...
Most “little women” have read Alcott’s autobiographical coming-of-age novel that was published in two volumes in 1868 and 1869. Set...
- 10/2/2023
- by Susan King
- Gold Derby
In the Supporting Actress Smackdown series we take a particular Oscar vintage and explore it with a panel of artists and journalists. This episode goes way back to 1938.
The Actresses & Characters
In 1938 the Academy was still evolving and the "Best Supporting Actress" category was just three years old. Still, their all time favourite type (the long-suffering wife/mom) was already showing its strength. Other then-popular character types like 'the vamp' (Milja Korjus in The Great Waltz) and ditzy/funny moms (Billie Burke in Merrily We Live! and Spring Byington in You Can't Take It With You) didn't stay in vogue with the Academy for as long. In 1938 we also got an historic first: Fay Bainter was the first actor to be double-nominated, competing in both Lead (White Banners) and Supporting (Jezebel) categories simultaneously, winning the latter. Will our panel agree?
The Panelists
Here to talk about these performances and movies...
The Actresses & Characters
In 1938 the Academy was still evolving and the "Best Supporting Actress" category was just three years old. Still, their all time favourite type (the long-suffering wife/mom) was already showing its strength. Other then-popular character types like 'the vamp' (Milja Korjus in The Great Waltz) and ditzy/funny moms (Billie Burke in Merrily We Live! and Spring Byington in You Can't Take It With You) didn't stay in vogue with the Academy for as long. In 1938 we also got an historic first: Fay Bainter was the first actor to be double-nominated, competing in both Lead (White Banners) and Supporting (Jezebel) categories simultaneously, winning the latter. Will our panel agree?
The Panelists
Here to talk about these performances and movies...
- 9/17/2020
- by NATHANIEL R
- FilmExperience
Which Bette Davis movies qualify for greatness? Her flawed character in this costume picture doesn’t conquer all, and it’s historically more sensitive than Gone With the Wind. It’s also William Wyler at the top of his form, creating in just 104 minutes a rich image of a long-gone world. Southern Belle Julie Marsden is a contrary troublemaker, a flip coquette who shoots her whole life to hell with just a couple of social gaffes. The story is ‘bigger than Bette’ – the apocalyptic finale is just a side event in a fable about the nature of chivalry and honor in a flawed social structure.
Jezebel
Blu-ray
Warner Archive Collection
1938 / B&w / 1:37 flat Academy / 104 min. / Street Date August 27, 2019 / available through the WBshop / 21.99
Starring: Bette Davis, Henry Fonda, George Brent, Margaret Lindsay, Donald Crisp, Fay Bainter, Richard Cromwell, Henry O’Neill, Spring Byington, John Litel, Theresa Harris, Irving Pichel, Eddie Anderson,...
Jezebel
Blu-ray
Warner Archive Collection
1938 / B&w / 1:37 flat Academy / 104 min. / Street Date August 27, 2019 / available through the WBshop / 21.99
Starring: Bette Davis, Henry Fonda, George Brent, Margaret Lindsay, Donald Crisp, Fay Bainter, Richard Cromwell, Henry O’Neill, Spring Byington, John Litel, Theresa Harris, Irving Pichel, Eddie Anderson,...
- 9/21/2019
- by Glenn Erickson
- Trailers from Hell
This may be the year for new cinephile converts to the cult of appreciation for the great Ernst Lubitsch. One of his last pictures but his first in color is this Production Code-defying tale of a serial philanderer and his relationship with the woman of his dreams, his wife. It’s stylized as a series of birthdays, and our hero is judged not by St. Peter but at the gates of Hades, by the fallen angel himself.
Heaven Can Wait
Blu-ray
The Criterion Collection 291
1943 / Color / 1:37 flat full frame / 112 min. / available through The Criterion Collection / Street Date August 21, 2018 / 39.95
Starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main, Laird Cregar, Spring Byington, Allyn Joslyn, Eugene Pallette, Signe Hasso, Louis Calhern
Cinematography Edward Cronjager
Art Direction James Basevi, Leland Fuller
Film Editor Dorothy Spencer
Original Music Alfred Newman
Written by Samson Raphaelson from a play by Leslie Bush-Fekete
Produced and Directed by Ernst Lubitsch
Wait one second,...
Heaven Can Wait
Blu-ray
The Criterion Collection 291
1943 / Color / 1:37 flat full frame / 112 min. / available through The Criterion Collection / Street Date August 21, 2018 / 39.95
Starring Gene Tierney, Don Ameche, Charles Coburn, Marjorie Main, Laird Cregar, Spring Byington, Allyn Joslyn, Eugene Pallette, Signe Hasso, Louis Calhern
Cinematography Edward Cronjager
Art Direction James Basevi, Leland Fuller
Film Editor Dorothy Spencer
Original Music Alfred Newman
Written by Samson Raphaelson from a play by Leslie Bush-Fekete
Produced and Directed by Ernst Lubitsch
Wait one second,...
- 8/7/2018
- by Glenn Erickson
- Trailers from Hell
Before Vincent Price haunted houses, he chalked up plenty of experience as a Broadway star and a versatile character actor. This superb Joseph L. Mankiewicz gothic romance assigns him major leading man duty as a ‘dark and troubled’ soul — the kind that intimidates cowering leading ladies. With typical good humor, Price called it the first of his ‘dead wife’ movies!
Dragonwyck
Blu-ray
Twilight Time
1946 / B&W / 1:37 Academy / 103 min. / Street Date , 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Gene Tierney, Walter Huston, Vincent Price, Glenn Langan, Anne Revere, Spring Byington, Connie Marshall, Harry Morgan, Vivienne Osborne, Jessica Tandy, Trudy Marshall, Reinhold Schünzel, Grady Sutton.
Cinematography: Arthur C. Miller
Film Editor: Dorothy Spencer
Original Music: Alfred Newman
From the novel by Anya Seton
Produced by Ernst Lubitsch, Darryl F. Zanuck
Written for the screen and Directed by Joseph H. Mankiewicz
You’d have to say that Vincent Price’s film...
Dragonwyck
Blu-ray
Twilight Time
1946 / B&W / 1:37 Academy / 103 min. / Street Date , 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Gene Tierney, Walter Huston, Vincent Price, Glenn Langan, Anne Revere, Spring Byington, Connie Marshall, Harry Morgan, Vivienne Osborne, Jessica Tandy, Trudy Marshall, Reinhold Schünzel, Grady Sutton.
Cinematography: Arthur C. Miller
Film Editor: Dorothy Spencer
Original Music: Alfred Newman
From the novel by Anya Seton
Produced by Ernst Lubitsch, Darryl F. Zanuck
Written for the screen and Directed by Joseph H. Mankiewicz
You’d have to say that Vincent Price’s film...
- 3/13/2018
- by Glenn Erickson
- Trailers from Hell
This unusually sensitive, overlooked WW2 romance skips the morale-boosting baloney of the day. Two people meet on a train, each with a personal shame they dare not speak of. Ginger Rogers and Joseph Cotten are excellent under William Dieterle’s direction, and Shirley Temple doesn’t do half the damage you’d think she might.
I’ll Be Seeing You
Blu-ray
Kl Studio Classics
1944 / B&W / 1:37 flat Academy / 85 min. / Street Date November 21, 2017 / available through Kino Lorber / 29.95
Starring: Ginger Rogers, Joseph Cotten, Shirley Temple, Spring Byington, John Derek, Tom Tully, Chill Wills, Kenny Bowers.
Cinematography: Tony Gaudio
Film Editor: William H. Zeigler
Special Effects: Jack Cosgrove
Original Music: Daniele Amfitheatrof
Stunt Double: Cliff Lyons
Written by Marion Parsonette from a play by Charles Martin
Produced by Dore Schary
Directed by William Dieterle
Aha! A little research explains why several late-’40s melodramas from David O. Selznick come off as smart productions,...
I’ll Be Seeing You
Blu-ray
Kl Studio Classics
1944 / B&W / 1:37 flat Academy / 85 min. / Street Date November 21, 2017 / available through Kino Lorber / 29.95
Starring: Ginger Rogers, Joseph Cotten, Shirley Temple, Spring Byington, John Derek, Tom Tully, Chill Wills, Kenny Bowers.
Cinematography: Tony Gaudio
Film Editor: William H. Zeigler
Special Effects: Jack Cosgrove
Original Music: Daniele Amfitheatrof
Stunt Double: Cliff Lyons
Written by Marion Parsonette from a play by Charles Martin
Produced by Dore Schary
Directed by William Dieterle
Aha! A little research explains why several late-’40s melodramas from David O. Selznick come off as smart productions,...
- 11/4/2017
- by Glenn Erickson
- Trailers from Hell
One of the quirks of Il Cinema Ritrovato, Bologna's annual jamboree celebrating restored or rediscovered movies, is that expensive products of the Hollywood studio system can be just as obscure and hard-to-see as low-budget oddities, foreign arthouse affairs and forgotten silents from a hundred years ago. Dave Kehr's retrospective of neglected items from Universal's vaults demonstrates this clearly.James Whale always liked to say By Candlelight was his favorite of his own films, bypassing the more celebrated Frankenstein films. It's a romantic comedy of confused identities and it's no surprise that P.G. Wodehouse had a hand in the stage source.But in this movie, when a butler impersonates his master in order to seduce a wealthy lady who turns out to be a maid impersonating her mistress, all the irony of Wodehouse's inversion of traditional ideas about class has gone. All right, so George Orwell argued persuasively that Wodehouse...
- 7/6/2017
- MUBI
Turner Classic Movies continues with its Gay Hollywood presentations tonight and tomorrow morning, June 8–9. Seven movies will be shown about, featuring, directed, or produced by the following: Cole Porter, Lorenz Hart, Farley Granger, John Dall, Edmund Goulding, W. Somerset Maughan, Clifton Webb, Montgomery Clift, Raymond Burr, Charles Walters, DeWitt Bodeen, and Harriet Parsons. (One assumes that it's a mere coincidence that gay rumor subjects Cary Grant and Tyrone Power are also featured.) Night and Day (1946), which could also be considered part of TCM's homage to birthday girl Alexis Smith, who would have turned 96 today, is a Cole Porter biopic starring Cary Grant as a posh, heterosexualized version of Porter. As the warning goes, any similaries to real-life people and/or events found in Night and Day are a mere coincidence. The same goes for Words and Music (1948), a highly fictionalized version of the Richard Rodgers-Lorenz Hart musical partnership.
- 6/9/2017
- by Andre Soares
- Alt Film Guide
Really, I mean Preston Sturges' Hotel Haywire, because nobody's too interested in George Archainbaud, a Paramount contract director who had been directing for 20 years without helming a really memorable film (Thirteen Women, an uncomfortably racist pre-Code with Myrna Loy, is as exciting as it gets, and even that one is remembered chiefly for featuring the girl who threw herself off the Hollywood sign), He would continue for another 20, moving from B-westerns into TV westerns, without making anything else of particular note.Sturges wrote the script as part of his plan to get a long-term contract at Paramount. To particularly appeal to the suits there, he filled the story with roles for Paramount stars such as Mary Boland, Charles Ruggles, Fred MacMurray and Burns & Allen, none of whom were necessarily famous enough to carry a movie, but whose combined star-power might make an attractive investment for studio or future ticket-buyers.
- 5/11/2017
- MUBI
On this day in showbiz history...
1886 Spring Byington is born in Colorado Springs. Goes on to supporting actress glory in Hollywood including Marmee in Little Women (1933, her feature debut) and an Oscar nomination as the eccentric hobbyist mom in You Can't Take It With You (1938). Curiously her screen daughter in that best picture winner Jean Arthur, an even bigger star, shares her same birthday (for the year of 1900)
1888 Thomas Edison files a patent for the Optical Phonograph (an early step in creating the cinema)
1903 Author and screenwriter Nathanael West is born in NYC. Movies adapted from his work include Lonelyhearts (1958) and The Day of the Locust (1975)
1915 One of the world's most celebrated playwrights, Arthur Miller, is born. His classics include Death of a Salesman, The Crucible and A View From the Bridge. After marrying movie star Marilyn Monroe, he wrote The Misfits (1961) for her which would eerily (considering its elegiac...
1886 Spring Byington is born in Colorado Springs. Goes on to supporting actress glory in Hollywood including Marmee in Little Women (1933, her feature debut) and an Oscar nomination as the eccentric hobbyist mom in You Can't Take It With You (1938). Curiously her screen daughter in that best picture winner Jean Arthur, an even bigger star, shares her same birthday (for the year of 1900)
1888 Thomas Edison files a patent for the Optical Phonograph (an early step in creating the cinema)
1903 Author and screenwriter Nathanael West is born in NYC. Movies adapted from his work include Lonelyhearts (1958) and The Day of the Locust (1975)
1915 One of the world's most celebrated playwrights, Arthur Miller, is born. His classics include Death of a Salesman, The Crucible and A View From the Bridge. After marrying movie star Marilyn Monroe, he wrote The Misfits (1961) for her which would eerily (considering its elegiac...
- 10/17/2016
- by NATHANIEL R
- FilmExperience
Though nobody foresaw it at the time, 1948 was a major turning point in what would be Judy Garland’s last few years at MGM. After the one-two Freed Unit punch of Easter Parade and Words and Music at the beginning of 1948, Judy was supposed to head straight into her third Arthur Freed film,The Barkleys of Broadway. With Fred Astaire coaxed out of retirement, the duo of Astaire and Garland looked to be a new box office guarantee. Unfortunately, what wasn’t a guarantee was Judy’s health. After two months of rehearsal, Judy backed out of The Barkleys of Broadway, to be replaced by Ginger Rogers. This decision sounded the death knell for her partnership with Arthur Freed, the producer who had created the Judy Garland formula. Judy was too tired, too thin, and too weak to go on filming, until another producer from her past swooped back into the picture: Joe Pasternak.
- 7/13/2016
- by Anne Marie
- FilmExperience
Anne Marie is tracking Judy Garland's career through musical numbers...
With Judy Garland now such an established hit, MGM worked overtime to make the most of its musical star. This meant that while Arthur Freed and the Freed Unit "made" her by crafting her star image (and arguably used her to her best advantage), Judy couldn't work with them exclusively. She was too valuable a commodity for that. So, MGM also put her under the watchful tutelage of another producer well-known for his musical mojo: Joe Pasternak.
The Movie: Presenting Lily Mars (1942)
The Songwriters: Walter Jurmann (music) and Paul Francis Webster (lyrics)
The Players: Judy Garland, Van Heflin, Fay Bainter, Spring Byington, directed by Norman Taurog
The Story: Had Judy's fateful short with Deanna Durbin turned out differently only six years previous, she might have met Joe Pasternak earlier. For most of the 1930s, Pasternak was a top producer at Universal Studios,...
With Judy Garland now such an established hit, MGM worked overtime to make the most of its musical star. This meant that while Arthur Freed and the Freed Unit "made" her by crafting her star image (and arguably used her to her best advantage), Judy couldn't work with them exclusively. She was too valuable a commodity for that. So, MGM also put her under the watchful tutelage of another producer well-known for his musical mojo: Joe Pasternak.
The Movie: Presenting Lily Mars (1942)
The Songwriters: Walter Jurmann (music) and Paul Francis Webster (lyrics)
The Players: Judy Garland, Van Heflin, Fay Bainter, Spring Byington, directed by Norman Taurog
The Story: Had Judy's fateful short with Deanna Durbin turned out differently only six years previous, she might have met Joe Pasternak earlier. For most of the 1930s, Pasternak was a top producer at Universal Studios,...
- 5/4/2016
- by Anne Marie
- FilmExperience
'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy...
- 1/31/2016
- by Andre Soares
- Alt Film Guide
Frank Capra won his third Best Directing Oscar for this Kaufman and Hart adaptation. Star Jean Arthur is radiant, and relative newcomer James Stewart seems to have lifted his 'aw shucks' nice-guy personal from his role. With Lionel Barrymore, Ann Miller, Dub Taylor, Spring Byington and a terrific Edward Arnold. You Can't Take It with You Blu-ray + Digital HD Sony Pictures Home Entertainment 1938 / B&W / 1:37 flat / 126 min. / Street Date December 8, 2015 / 19.99 Starring Jean Arthur, Lionel Barrymore, James Stewart, Edward Arnold, Mischa Auer, Ann Miller, Spring Byington, Samuel S. Hinds, Donald Meek, H.B. Warner, Halliwell Hobbes, Dub Taylor, Mary Forbes, Lillian Yarbo, Eddie 'Rochester' Anderson. Cinematography Joseph Walker Art Direction Stephen Goosson Film Editor Gene Havlick Original Music Dimitri Tiomkin Written by Robert Riskin from the play by George S. Kaufman and Moss Hart Produced and Directed by Frank Capra
Reviewed by Glenn Erickson
One of Frank Capra's brightest, most entertaining features,...
Reviewed by Glenn Erickson
One of Frank Capra's brightest, most entertaining features,...
- 12/12/2015
- by Glenn Erickson
- Trailers from Hell
Gary Cooper movies on TCM: Cooper at his best and at his weakest Gary Cooper is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 30, '15. Unfortunately, TCM isn't showing any Cooper movie premiere – despite the fact that most of his Paramount movies of the '20s and '30s remain unavailable. This evening's features are Mr. Deeds Goes to Town (1936), Sergeant York (1941), and Love in the Afternoon (1957). Mr. Deeds Goes to Town solidified Gary Cooper's stardom and helped to make Jean Arthur Columbia's top female star. The film is a tad overlong and, like every Frank Capra movie, it's also highly sentimental. What saves it from the Hell of Good Intentions is the acting of the two leads – Cooper and Arthur are both excellent – and of several supporting players. Directed by Howard Hawks, the jingoistic, pro-war Sergeant York was a huge box office hit, eventually earning Academy Award nominations in several categories,...
- 8/30/2015
- by Andre Soares
- Alt Film Guide
Robert Walker: Actor in MGM films of the '40s. Robert Walker: Actor who conveyed boy-next-door charms, psychoses At least on screen, I've always found the underrated actor Robert Walker to be everything his fellow – and more famous – MGM contract player James Stewart only pretended to be: shy, amiable, naive. The one thing that made Walker look less like an idealized “Average Joe” than Stewart was that the former did not have a vacuous look. Walker's intelligence shone clearly through his bright (in black and white) grey eyes. As part of its “Summer Under the Stars” programming, Turner Classic Movies is dedicating today, Aug. 9, '15, to Robert Walker, who was featured in 20 films between 1943 and his untimely death at age 32 in 1951. Time Warner (via Ted Turner) owns the pre-1986 Metro-Goldwyn-Mayer library (and almost got to buy the studio outright in 2009), so most of Walker's movies have...
- 8/9/2015
- by Andre Soares
- Alt Film Guide
Katharine Hepburn movies. Katharine Hepburn movies: Woman in drag, in love, in danger In case you're suffering from insomnia, you might want to spend your night and early morning watching Turner Classic Movies' "Summer Under the Stars" series. Four-time Best Actress Academy Award winner Katharine Hepburn is TCM's star today, Aug. 7, '15. (See TCM's Katharine Hepburn movie schedule further below.) Whether you find Hepburn's voice as melodious as a singing nightingale or as grating as nails on a chalkboard, you may want to check out the 1933 version of Little Women. Directed by George Cukor, this cozy – and more than a bit schmaltzy – version of Louisa May Alcott's novel was a major box office success, helping to solidify Hepburn's Hollywood stardom the year after her film debut opposite John Barrymore and David Manners in Cukor's A Bill of Divorcement. They don't make 'em like they used to Also, the 1933 Little Women...
- 8/7/2015
- by Andre Soares
- Alt Film Guide
Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the...
- 8/3/2015
- by Andre Soares
- Alt Film Guide
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
Lenny Bruce: Dustin Hoffman in the 1974 Bob Fosse movie. Lenny Bruce movie review: Polemical stand-up comedian merited less timid biopic (Oscar Movie Series) Bob Fosse's 1974 biopic Lenny has two chief assets: the ever relevant free speech issues it raises and the riveting presence of Valerie Perrine. The film itself, however, is only sporadically thought-provoking or emotionally gripping; in fact, Lenny is a major artistic letdown, considering all the talent involved and the fertile material at hand. After all, much more should have come out of a joint effort between director Fosse, fresh off his Academy Award win for Cabaret; playwright-screenwriter Julian Barry, whose stage version of Lenny earned Cliff Gorman a Tony Award; two-time Best Actor Oscar nominee Dustin Hoffman (The Graduate, Midnight Cowboy); and cinematographer Bruce Surtees (Play Misty for Me, Blume in Love). Their larger-than-life subject? Lenny Bruce, the stand-up comedian who became one of the...
- 6/5/2015
- by Andre Soares
- Alt Film Guide
Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
The Best Picture winners of 1938 and 1953, which were based on hit plays and best selling novels respectively, have moved to the stage. Let's take a look...
Annaleigh Ashford dances up a comic storm in "You Can't Take It With You"
You Can't Take It With You
For this Broadway revival of the classic 30s comedy, famously moviefied by Frank Capra back in the day, they've gone all star: James Earl Jones plays the tax-avoiding follow-your-dreams grandfather, Broadway vet and A+ comic actress Christine Nielsen (recently Tony nominated for Vanya & Sonia & Masha & Spike) is the easily distracted mother of a large brood, Rose Byrne her gorgeous daughter (essentially the 'Marilyn Munster' of this band of eccentrics), Fran Krantz from Dollhouse and Cabin in the Woods her rich would-be fiancee and Annaleigh Ashford, who has been on such a brilliant role these past couple of years with her ex-hooker lesbian receptionist on...
Annaleigh Ashford dances up a comic storm in "You Can't Take It With You"
You Can't Take It With You
For this Broadway revival of the classic 30s comedy, famously moviefied by Frank Capra back in the day, they've gone all star: James Earl Jones plays the tax-avoiding follow-your-dreams grandfather, Broadway vet and A+ comic actress Christine Nielsen (recently Tony nominated for Vanya & Sonia & Masha & Spike) is the easily distracted mother of a large brood, Rose Byrne her gorgeous daughter (essentially the 'Marilyn Munster' of this band of eccentrics), Fran Krantz from Dollhouse and Cabin in the Woods her rich would-be fiancee and Annaleigh Ashford, who has been on such a brilliant role these past couple of years with her ex-hooker lesbian receptionist on...
- 10/9/2014
- by NATHANIEL R
- FilmExperience
Mickey Rooney dead at 93: Four-time Oscar nominee, frequent Judy Garland co-star may have had the longest film career ever (photo: Mickey Rooney ca. 1940) Mickey Rooney, four-time Academy Award nominee and one of the biggest domestic box-office draws during the studio era, died of "natural causes" on Sunday, April 6, 2014, at his home in the Los Angeles suburb of North Hollywood. The Brooklyn-born Rooney (as Joseph Yule Jr., on September 23, 1920) had reportedly been in ill health for some time. He was 93. Besides his countless movies, and numerous television and stage appearances, Mickey Rooney was also known for his stormy private life, which featured boozing and gambling, some widely publicized family infighting (including his testifying in Congress in 2011 about elder abuse), his filing for bankruptcy in 1962 after having earned a reported $12 million (and then going bankrupt again in 1996), his eight marriages — including those to actresses Ava Gardner, Martha Vickers, and Barbara Ann Thomason...
- 4/9/2014
- by Andre Soares
- Alt Film Guide
Bette Davis movies: TCM schedule on August 14 (photo: Bette Davis in ‘Dangerous,’ with Franchot Tone) See previous post: “Bette Davis Eyes: They’re Watching You Tonight.” 3:00 Am Parachute Jumper (1933). Director: Alfred E. Green. Cast: Douglas Fairbanks Jr., Bette Davis, Frank McHugh, Claire Dodd, Harold Huber, Leo Carrillo, Thomas E. Jackson, Lyle Talbot, Leon Ames, Stanley Blystone, Reginald Barlow, George Chandler, Walter Brennan, Pat O’Malley, Paul Panzer, Nat Pendleton, Dewey Robinson, Tom Wilson, Sheila Terry. Bw-72 mins. 4:30 Am The Girl From 10th Avenue (1935). Director: Alfred E. Green. Cast: Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge, Phillip Reed, Katharine Alexander, Helen Jerome Eddy, Bill Elliott, Edward McWade, André Cheron, Wedgwood Nowell, John Quillan, Mary Treen. Bw-69 mins. 6:00 Am Dangerous (1935). Director: Alfred E. Green. Cast: Bette Davis, Franchot Tone, Margaret Lindsay, Alison Skipworth, John Eldredge, Dick Foran, Walter Walker, Richard Carle, George Irving, Pierre Watkin, Douglas Wood,...
- 8/15/2013
- by Andre Soares
- Alt Film Guide
Turner Classic Movies (TCM), Sony Masterworks and Warner Home Video (Whv) are teaming up on a multi-tiered celebration of one of Hollywood’s most beloved stars: Doris Day. The celebration includes a new four-movie DVD package of memorable Day performance from Whv (in stores now); a brand new double CD set from Sony Masterworks (releasing April 3), with a collection of 31 songs curated by Day herself; and a five-night salute on TCM (April 2-6) This multi-pronged Doris Day tribute is timed to coincide with her birthday on April 3.
.I am so thrilled to have the opportunity to work with Sony Music on this collection of my recordings. I sang hundreds of songs, but because I was so busy singing, I rarely had the time to be involved in the compilation of the albums. So in this collection are some of my favorites, ones that I loved singing, and I hope you like them too,...
.I am so thrilled to have the opportunity to work with Sony Music on this collection of my recordings. I sang hundreds of songs, but because I was so busy singing, I rarely had the time to be involved in the compilation of the albums. So in this collection are some of my favorites, ones that I loved singing, and I hope you like them too,...
- 3/14/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Chicago – Few character actresses have proven to be as effortlessly versatile as Piper Laurie. Her Oscar-nominated turns as Paul Newman’s alcoholic lover in Robert Rossen’s 1961 classic “The Hustler” and Marlee Matlin’s estranged but loving mother in Randa Haines’s 1986 drama “Children of a Lesser God” offer a mere sample of her remarkable range and magnetic screen presence.
Yet her role that remains immortalized in the minds of moviegoers is Margaret White, the psychotic mother of the titular telekinetic teen in Brian De Palma’s marvelously effective 1976 thriller “Carrie.” Chicagoans will have the opportunity to meet the legendary actress when she attends Camp Midnight’s presentation of “A Very Carrie Christmas” at 2 p.m. Friday, Dec. 4 at the Music Box Theatre.
The event includes pre-show entertainment from Hell in a Handbag Productions, as well as an interactive audience guide and running commentary from Dick O’Day and David...
Yet her role that remains immortalized in the minds of moviegoers is Margaret White, the psychotic mother of the titular telekinetic teen in Brian De Palma’s marvelously effective 1976 thriller “Carrie.” Chicagoans will have the opportunity to meet the legendary actress when she attends Camp Midnight’s presentation of “A Very Carrie Christmas” at 2 p.m. Friday, Dec. 4 at the Music Box Theatre.
The event includes pre-show entertainment from Hell in a Handbag Productions, as well as an interactive audience guide and running commentary from Dick O’Day and David...
- 11/29/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Most people know the song, “Que Sera, Sera,” but not as many know where it came from. Well, it wasn’t this film. It was first featured on screen in Hitchcock’s The Man Who Knew Too Much with Doris Day sweetly laying it out. It became her signature song, and she had to sing it a ton. Including her co-starring role in Please Don’t Eat the Daisies opposite David Niven. It’s a brilliant comedic pairing, and it’s unclear why they didn’t work more together. A last bit of trivia here: this was the final movie for Oscar nominee Spring Byington, who people probably most recognize from You Can’t Take it With You and Mutiny on the Bounty. Let the film marketers of the past sell you on their movie by checking out more VTOTDs...
- 4/29/2011
- by Cole Abaius
- FilmSchoolRejects.com
Christmas Movie Recommendations: Black Christmas, Santa Claus Conquers The Martians, Mr. Skeffington
Bette Davis, at 3 a.m. in Vincent Sherman's Mr. Skeffington Forget Judy Garland and Van Johnson (and Spring Byington and three-year-old Liza Minnelli) in Robert Z. Leonard's In the Good Old Summertime. Forget Janet Leigh and Robert Mitchum in Don Hartman's Holiday Affair. Forget June Allyson, Elizabeth Taylor, and Rossano Brazzi in Mervyn LeRoy's Little Women. It's too late to watch any of those Turner Classic Movies Christmas presentations, anyhow. My first TCM Christmas recommendation kicks off at 11 p.m. Pt: Olivia Hussey (Romeo and Juliet), Margot Kidder (Superman), and Keir Dullea (2001: A Space Odyssey) star in Black Christmas (1974), in which "a deranged killer terrorizes the women staying in a sorority house over Christmas." Bob Clark, best known for Porky's and the Jack Lemmon drama Tribute, directed. At 12:45 a.m., TCM offers another Christmas flick for the whole family: Nicholas Webster's Santa Claus Conquers the Martians...
- 12/18/2010
- by Andre Soares
- Alt Film Guide
It seems like every time there's a new biography about a past Hollywood star or starlet, we get to know a little more about their sexual history and it involves both sexes. The recent discovery that Vivien Leigh had several female lovers adds her to an ever-growing list of talented actresses that were married to men but involved with women in the early days of Hollywood. While we know about several already (Marlene Dietrich, Tallulah Bankhead, Greta Garbo) there are several others who we can claim as well. Here's a small list of actresses with whom we share a kinship.
Spring Byington (1886 - 1971)
Most Famous For: Meet John Doe, Little Women
Romanced: Marjorie "Ma Kettle" Main, Maude Adams
Estelle Winwood (1883 - 1984)
Most Famous For: Quality Street, Camelot
Romanced: Tallulah Bankhead
Ona Munson (1903 - 1955)
Most Famous For: Gone With the Wind, The Hot Heiress
Romanced: Mercedes de Acosta
Joan Crawford (1905 - 1977)
Most Famous For: Mildred Pierce,...
Spring Byington (1886 - 1971)
Most Famous For: Meet John Doe, Little Women
Romanced: Marjorie "Ma Kettle" Main, Maude Adams
Estelle Winwood (1883 - 1984)
Most Famous For: Quality Street, Camelot
Romanced: Tallulah Bankhead
Ona Munson (1903 - 1955)
Most Famous For: Gone With the Wind, The Hot Heiress
Romanced: Mercedes de Acosta
Joan Crawford (1905 - 1977)
Most Famous For: Mildred Pierce,...
- 9/1/2010
- by dennis
- The Backlot
You Can’t Take It with You is a classic case of good old-fashioned American optimism, a celebration of family and small-town values courtesy of Frank Capra, who made a distinguished career out of such things. By the time of its release in 1938 films like It Happened One Night and Mr. Deeds Goes to Town had already made Capra a household name, a premiere chronicler of the Depression era national mood and a primary spokesman for cinema’s ability to serve as a tonic, spreading good cheer among audiences that had experienced too little of it. That history looms over every frame of what is one of the original quirky family dramedies, a direct ancestor of the entire genre of independent filmmaking devoted to such ventures today. It instills even the more banal, dated moments with particular resonance. One can sense in Capra’s joyful indulgence of the sheer chaotic nature of the life of the Sycamore...
- 6/7/2009
- by Robert Levin
- FilmSchoolRejects.com
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