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- StarsMarcello Di FalcoVirgilio GazzoloAdriano Amidei MiglianoThis is a lengthy exposition of the social and political history of renaissance Florentine history, told through dramatised conversations between the main participants, particularly Cosimo de Medici and Brunelleschi. Among its themes are commerce and banking, artistic and scientific advances such as perspective and early automation of manufacturing processes, political processes such as taxation and voting and conflict.
- DirectorChantal AkermanStarsChantal AkermanIn a 360° circular panoramic shot the camera slowly pans an entire apartment (or house). When it first passes the bedroom there is nobody there but each time it shows the room again Chantal Akerman is sitting on the bed, motionless first, then busy doing something (peeling an orange, eating an orange, etc.). When she is last seen she yawns and lies down on her bed. The camera continues panning but after 10 minutes and 21 seconds the film comes to an end and she can't be seen asleep.
- DirectorChantal AkermanHotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.
- DirectorChantal AkermanStarsChantal AkermanImpersonal and beautiful images of Akerman's life in New York are combined with letters from her loving but manipulative mother, read by Akerman herself.
- DirectorLouis MalleStarsJean BobetJacques AnquetilRaymond PoulidorChronicles the cyclists of the Tour de France and their daily trails along the race.
- DirectorLouis MalleRené VautierStarsGeorges PompidouA documentary with almost no words following the production of Citroen cars at a plant in Northern France and their later sales.
- DirectorLouis MalleStarsLouis MalleVibrant scenes of individuals' daily life are filmed in Place de la République.
- DirectorAurélien GerbaultStarsOlivier BlancPedro CostaPedro Filipe MarquesPedro Costa is observed during the shooting and editing of Colossal Youth ,and revisits the Fontainhas neighborhood ,setting for several of his films.
- DirectorPedro CostaHarun FarockiEugène GreenStarsIsabel CardosoClément CogitoreDelphine HecquetThis is the short Pedro Costa made for the Jeonju Digital Project in 2007.
- DirectorPedro CostaConversations between Cape Verdean migrants about their lives, their homeland, its people and culture.
- DirectorJean PainlevéUnderwater photography presents the octopus: breathing, swimming, eating, dying.
- DirectorJean PainlevéTitles in French and English help us know what we're seeing. In all waters, daphnia abound. They are crustaceans about 2 ml long, with one eye that turns in all directions. Antennae enable daphnia to move: in a close up magnified 150,000 times, we see the muscles of the antennae pulse. We see the eye, the nerve mass, blood globules, and the heart, beating several times per second. The intestine forms a long line. All are females; eggs develop above the intestine. New generations come rapidly. Inside each daphnia are tiny infusoria; we watch them clean the intestine of a dead daphnia. An enemy, the hydra, approaches. A daphnia dies, but many remain.
- DirectorJean PainlevéA close-up look at sand urchins and rock urchins. At the seashore, a man digs up a sand urchin. We look closely. He sets it back in the sand, and it burrows out of sight. Its intestines take nutrients out of sand. Using magnification 200,000 times normal size, we see a rock urchin's spines with suckers on the end; a drawing illustrates how they work. A sea urchin walks toward a rock. We see three-fingered jaws - pedicellaria at the end of flexible stems - take in algae and other bits. We also see cilia less than 0.001 ml in length; their motion constant, creating whirlpools. On the shore again, we watch the setting sun. Occasional titles in French tell us what to watch for.
- DirectorJean PainlevéAn educational film, a movie through a microscope, in two parts. Within minutes after the egg drops in the water, fertilization occurs and contractions start. Soon, in a fertilized egg, we see the germinal disc divide into two blastomeres. Divisions continue; contractions re-occur at the cap as it covers the egg. Title cards in French tell us what to watch for. Muscular movements and circulation appear; the heart beats. In part two, we see blood circulation begin as red cells develop on the surface of the yoke. They mass toward the heart. Arteries form, blood flows. The egg hatches and blood flows to new areas.
- DirectorJean PainlevéA short black and white film which documents an experimental canine surgery.
- DirectorA.-P. DufourJean PainlevéThe film begins with methodical descriptions of one-dimensional, two-dimensional, and three-dimensional space. It then looks at a two-dimensional world inhabited by flat mice. It imagines how a human, from the third dimension could interact with that world. It then suggests how beings from a fourth dimension might interact with us. Next the film posits time as a fourth dimension, with scenes to aid comprehension. An off-screen narrator, graphs, and clever photography provide explanations and illustrations. The film asks viewers to use their imaginations.
- DirectorA.-P. DufourJean PainlevéA black and white short from Jean Painlevé which explores the concept of populations and their interdependence on one another for survival.
- DirectorA.-P. DufourJean PainlevéWe begin on planet Earth, with a demonstration of measuring distances using triangulation. Then, an imaginary voyage begins from earth to the moon, on to Mars, Saturn, the closest star (besides the sun), and beyond to the edge of our universe. The film depicts imagined landscapes, and it speculates on universes beyond ours. It ends with philosophical musings about the significance of Earth.
- DirectorA.-P. DufourJean PainlevéA black and white short from Jean Painlevé which explores the relationships of size and length in organisms.
- DirectorRené BertrandJean PainlevéPerrault's fairy tale presented in claymation with choral voices. Bluebeard goes courting, all six of his wives having died. He arrives at the house of a widow with two daughters. He's greatly feared, but he overcomes objections with a generous dowry. One sister (Anne) refuses him; the other accepts. At his castle, the damsel delights in precious minutes away from Bluebeard in the rose garden. The Saracens declare war; Bluebeard goes off to fight them, leaving the keys to the castle in the damsel's hands. He warns her not to enter the forbidden room. As war rages, she discovers riches in the castle and then enters the forbidden room. Will Bluebeard discover her act? Can she escape death?
- DirectorDenis DerrienStarsJean Painlevé
- DirectorDenis DerrienStarsJean Painlevé
- DirectorJean PainlevéPopular science descriptions of two marine crustaceans, both of whom camouflage themselves in found objects, moving, eating, interacting.
- DirectorJean PainlevéGeneviève HamonA complex creature. Regular underwater photography, magnified close-ups, and film through a microscope present sea urchins. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.
- DirectorGeneviève HamonJean PainlevéAt a marine biology station, a clump of algae reveals polyps, stomachs with limbs, limbs with buds, buds with poison cells. This animal reproduces by buds, which we watch close up in time-lapse images. In another kind of jellyfish, the buds grow inside then live outside for a few days until being on their own. Another produces eggs, sometimes self-fertilized. Some single eggs become buds with colonies. Another clump gathered at low tide consists of filaments of a colony - plumes with poison ends. In images taking 72 hours, we see filaments grow and produce a feeding organ from which a plume emerges. New jellyfish emerge from buds twice a day at set times to form a new colonies.