20 Actors,before they were famous, on Original Twilight Zone
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Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.played death- Actor
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Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.- Actor
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Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.Mr Easy Rider- Actor
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William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.
Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.
Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".
After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).
He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).
Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.Airline maybe most famous episode- Actor
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Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).
Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).
At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).
The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.
He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.- Actress
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Elizabeth Montgomery was born into show business. Her parents were screen actor Robert Montgomery and Broadway actress Elizabeth Allen. Elizabeth graduated from the Spence School in New York City and attended the Academy of Dramatic Arts in New York. After three years' intensive training, she made her TV debut in her father's 1950s playhouse series Robert Montgomery Presents (1950) and appeared in more than 200 live programs over the next decade. She once remarked, "I guess you could say I'm a TV baby." Notable early film roles included The Court-Martial of Billy Mitchell (1955) and Johnny Cool (1963). However, she is best remembered for her leading role as the witch Samantha in the top-rated ABC sitcom Bewitched (1964). Her family - mother Endora (Agnes Moorehead), look-alike cousin Serena (Montgomery, wearing a dark wig) and advertising executive husband Darrin (first Dick York then Dick Sargent) - tried to suppress her supernatural skills but often turned to her tricks to solve problems. The signal of impending witchcraft was a twitch of Samantha's nose. After her first and only TV series ended she turned to made-for-TV movies, many of which won critical praise: A Case of Rape (1974), The Legend of Lizzie Borden (1975), Black Widow Murders: The Blanche Taylor Moore Story (1993). She narrated the movie The Panama Deception (1992) which won an Academy Award in 1993. Reference works showed her as 62 when she died though the family said she was 57. The family did not disclose the type of cancer which caused her death.Last Survivor of war- The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.
He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).
He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.
Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).
European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").
American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).
The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).
Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).
Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.
Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make.Last Survivors with Elizabeth Montgomery - Actor
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Donald Jay Rickles was born May 8, 1926 in New York. Following the Golden Era of Hollywood, he remained active until early 2017. He got his start in night clubs, toiling for over 20 years, until 1958, when he made his film debut in Run Silent Run Deep (1958). The movie was a big hit. Afterward, Rickles continued acting, starring in films like X: The Man with the X-Ray Eyes (1963), Bikini Beach (1964), Enter Laughing (1967), and Kelly's Heroes (1970). In 1973, Don became a regular on Dean Martin's Celebrity Roasts.
From 1973-84, he appeared frequently on Dean's show, paying tribute to some of his friends, like Bob Hope, Frank Sinatra, Lucille Ball, and was even the roast master on the roast for Dean Martin himself. In 1976, he had his own TV series CPO Sharkey (1976), which enjoyed a two year run. After 1984, he slowed down, appearing in a few minor film roles. In 1995, he made a comeback, appearing with Tom Hanks and Tim Allen in Toy Story (1995) in the role of the grouchy Mr. Potato Head. In 1999, he returned as Mr. Potato Head in Toy Story 2 (1999). He died on April 6, 2017, in Los Angeles, California, aged 90. He is interred at Mount Sinai Memorial Park in Los Angeles, California, in the Courts of Tanach.insult comic plays a bettor- Actor
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Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.Appeared twice- Described in the press as the heir apparent to James Stewart and Jack Lemmon, Jim Hutton broke out of the pack with his funny, awkward TV Thompson in Where the Boys Are (1960). Son of Col. Thomas R. Hutton and Helen Ryan, his parents divorced when he was an infant. Jim recalled seeing his father only twice before his death, and moved to Albany, New York, in 1938. A bright but troublesome child (claiming to have been in five high schools and a boarding school), he excelled as a writer and won a journalism scholarship when he began writing sports for his high school newspaper. At Syracuse University, he lost his position in the school of journalism (and scholarship) when he was bitten by the acting bug. He subsequently lost academic ambition and failed three classes as a freshman. He used his summers to train in summer stock, but his intentions to continue academic pursuits were ended when he was expelled from Syracuse as a sophomore and again at Niagara College as a junior.
He lived in Greenwich Village for almost a year to pursue a career on the stage, but when out of money and unable to pay his rent or buy food, he joined the army and was assigned to special services to act in training films. He was later stationed in Berlin, where he founded the American Community Theater, by renovating an abandoned theater for a GI production of the play "Harvey" (which he starred in). Receiving high praise from officers including official commendation, his superior officer agreed to assign Hutton to manage the theater as part of his official duties and he produced, directed, and acted in five productions over two years, receiving the European Theater Award for Best GI Theater. One of his productions, The Caine Mutiny (1954), received the attention of director Douglas Sirk, who offered him the significant role of "Hirschland" in A Time to Love and a Time to Die (1958) as a young Nazi who commits suicide. Using his entire military leave to film for 22 days, Universal was so impressed they offered him a contract, but he still had 18 months of service. Within five days of his military discharge, he had married and moved to Hollywood to pursue a career, but by then the offer was off the table from Universal. He eventually landed at MGM. The first role of significance to get attention (and use his new stage name of Jim Hutton) was the first season The Twilight Zone (1959) episode, And When the Sky Was Opened (1959), which earned the newbie good notice within the industry. Eventually, he landed his breakout role of "TV Thompson" in Where the Boys Are (1960), paired with new-comer Paula Prentiss. He came in third in 1960's Golden Laurel Awards Top Male New Personality, was named one of Motion Picture Herald's Stars of Tomorrow, was a Photoplay Favorite Male Newcomer nominee, and Screen World Award winner for Most Promising Personality.
Prentiss and Jim Hutton were immediately paired into three other films, The Honeymoon Machine (1961), Bachelor in Paradise (1961), and The Horizontal Lieutenant (1962). But despite their likable personalities and on-screen chemistry, none of the films captured the magic of the first film. Frustrated, Hutton campaigned for the lead in Period of Adjustment and then refused jobs for 15 months until MGM agreed to give him better roles or dissolve their exclusive contract. He agreed to appear with Connie Francis in the film Looking for Love (1964) if he were let go to pursue work independently.
Once free from contracts, he was selected by Sam Peckinpah for the role of the young lieutenant in Major Dundee (1965). Dundee's turbulent production was the primary subject of reviews, yet the subsequent reassessment of the flawed film (particularly by Peckinpah scholars) has garnered Hutton posthumous praise for his youthful and exuberant performance. "Dundee" was followed by several acting veterans taking an interest in the underused actor's career, including Burt Lancaster in The Hallelujah Trail (1965), Cary Grant in Walk Don't Run (1966), and John Wayne in The Green Berets (1968). Like his later-appreciated performance in "Dundee", his role in The Green Berets (1968) was overlooked due to the film's controversial political stance on Vietnam. Yet, it has become common to see Hutton's performance as one of the bright spots in the film, thanks to his ability to incorporate his natural comic skills and cocky swagger into the role of wartime cynical scavenger who becomes the heroic adoptive father of a Vietnamese orphan. His work in these films, and leading roles in the underrated heist farce, Who's Minding the Mint? (1967), showed his growth as an actor. However, when all three of his 1965 releases flopped at the box office, his Hollywood stock took a major tumble, particularly when Gene Kelly dropped him from the lead in of A Guide for the Married Man (1967), one month before production started.
Film roles dried up and he was relegated to TV work, which coincided with what he called an eight-year depression. It wasn't until 1975 that he experienced a career comeback with the cult detective series Ellery Queen (1975), which coincided with an upturn of theater work and reunion with his son, actor Timothy Hutton, who moved in with him at this time at 15 years old. Tragically, his comeback didn't last long, as he died of liver cancer in 1979, two days after his 45th birthday.Tim,s father lung cancer killed him at 45 - Actress
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This enigmatic Stockholm-born beauty had everything going for her, including a rapidly rising film and TV career. Yet on April 30, 1970, at only 35, Inger Stevens would become another tragic Hollywood statistic -- added proof that fame and fortune do not always lead to happiness. Over time, a curious fascination, and perhaps even a morbid interest, has developed over Ms. Stevens and her life. What exactly went wrong? A remote, paradoxical young lady with obvious personal problems, she disguised it all with a seemingly positive attitude, an incredibly healthy figure and a megawatt smile that wouldn't quit. Although very little information has been filtered out about Ms. Stevens and her secretive life over the years, William T. Patterson's eagerly-anticipated biography, "The Farmer's Daughter Remembered: The Biography of Actress Inger Stevens" (2000), finally put an end to much of the mystery. But not quite all. The book claims that a large amount of previously-published information about Ms. Stevens is either untrue or distorted.
A strong talent and consummate dramatic player of the late 50s and 60s, she was born Inger Stensland, the eldest of three children, of Swedish parentage. A painfully shy and sensitive child, she was initially drawn to acting as a girl after witnessing her father perform in amateur theater productions. Her rather bleak childhood could be directed at a mother who abandoned her family for another man when Inger was only 6. Her father moved to the States, remarried, and eventually summoned for Inger and a younger brother in 1944 to join him and his new bride. Family relations did not improve. As a teenager, she ran away from home and ended up in a burlesque chorus line only to be brought home by her father. After graduation and following some menial jobs here and there, she moved to New York and worked briefly as a model while studying at the Actors Studio. She broke into the business through TV commercials and summer stock, rising in the ingénue ranks as a guest in a number of weekly series.
Often viewed as the beautiful loner or lady of mystery, an innate sadness seemed to permeate many of her roles. Inger made her film debut at age 22 opposite Bing Crosby in Man on Fire (1957). Serious problems set in when Inger began falling in love with her co-stars. Broken affairs with Crosby, James Mason, her co-star in Cry Terror! (1958), Anthony Quinn, her director in Cecil B. DeMille's The Buccaneer (1958), and Harry Belafonte, her co-star in The World, the Flesh and the Devil (1959), left her frequently depressed and ultimately despondent. An almost-fatal New Year's day suicide attempt in 1959 led to an intense period of self-examination and a new resolve. A brief Broadway lead in "Roman Candle," an Emmy-nominated role opposite Peter Falk in Price of Tomatoes (1962), and popular appearances on such TV shows as Bonanza (1959), The Twilight Zone (1959) and Route 66 (1960) paved the way to a popular series as "Katy Holstrum," the Swedish governess, in The Farmer's Daughter (1963). This brisk, change-of-pace comedy role earned her a Golden Globe award and Emmy nomination, and lasted three seasons.
Now officially a household name, Inger built up her momentum once again in films. A string of parts came her way within a three-year period including the sex comedy A Guide for the Married Man (1967) as roving eye husband Walter Matthau's unsuspecting wife; Clint Eastwood's first leading film role in Hang 'Em High (1968); the crime drama, Madigan (1968) with Henry Fonda and Richard Widmark; the westerns Firecreek (1968) with Fonda again plus James Stewart, and 5 Card Stud (1968) opposite Dean Martin and Robert Mitchum; the political thriller House of Cards (1968) starring George Peppard and Orson Welles; and A Dream of Kings (1969) which reunited her with old flame Anthony Quinn. Although many of her co-starring roles seemed to be little more than love interest filler, Inger made a noticeable impression in the last movie mentioned, by far the most intense and complex of her film career. Adding to that mixture were a number of well-made TV mini-movies. On the minus side, she also resurrected the bad habit of pursuing affairs with her co-stars, which would include Dean Martin and, most notably, Burt Reynolds, her last.
In April of 1970, Inger signed on as a series lead in a crime whodunit The Most Deadly Game (1970) to be telecast that September. It never came to be. Less than a week later, she was found unconscious on the floor of her kitchen by her housekeeper and died en route to the hospital of acute barbiturate intoxication -- a lethal combination of drugs and alcohol. Yvette Mimieux replaced her in the short-lived series that fall. For all intents and purposes, Ms. Stevens' death was a suicide but Patterson's bio indicates other possibilities. Following her death, it came out in the tabloids that she had been secretly married to a Negro, Ike Jones, since 1961. The couple was estranged at the time of her death.- Actor
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Arte Johnson was born on 20 January 1929 in Benton Harbor, Michigan, USA. He was an actor and writer, known for Rowan & Martin's Laugh-In (1967), Love at First Bite (1979) and Baggy Pants & the Nitwits (1977). He was married to Gisela Johnson and Texie Waterman. He died on 3 July 2019 in Los Angeles, California, USA.First named role as Irv- Actor
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The gangly York is best remembered as the first and most frustrated "Darrin Stephens" on the long-running TV series Bewitched (1964). He left the series in 1969 because of a chronic back ailment. He later founded Acting for Life, a private fund-raising effort for the homeless which he managed from his home, where he was bedridden with a degenerative spine injury.Every member of Bewitched appeared in TZ- Actor
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Buddy Ebsen began his career as a dancer in the late 1920s in a Broadway chorus. He later formed a vaudeville act with his sister Vilma Ebsen, which also appeared on Broadway. In 1935 he and his sister went to Hollywood, where they were signed for the first of MGM's Eleanor Powell movies, Broadway Melody of 1936 (1935). While Vilma retired from stage and screen shortly after this, Buddy starred in two further MGM movies with Powell. Two of his dancing partners were Frances Langford in Born to Dance (1936) and Judy Garland in Broadway Melody of 1938 (1937). They were a little bit taller than Shirley Temple, with whom he danced in Captain January (1936). MGM studio chief Louis B. Mayer offered him an exclusive contract in 1938, but Ebsen turned it down. In spite of Mayer's warning that he would never get a job in Hollywood again, he was offered the role of the scarecrow in The Wizard of Oz (1939). Ebsen agreed to change roles with Ray Bolger, who was cast as the Tin Man. Ebsen subsequently became ill from the aluminum make-up, however, and was replaced by Jack Haley. He returned to the stage, making only a few pictures before he got a role in the Disney production of Davy Crockett: King of the Wild Frontier (1955). After this, he became a straight actor, and later won more fame in his own hit series, The Beverly Hillbillies (1962) and Barnaby Jones (1973).Not his big break, but i had grmpa Clampett on list- Actor
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Along with his most impressive list of television/film credits, Bill is also a very talented well-known musician, songwriter, recording artist, as well as writer. He plays guitar, bass, keyboards, banjo, mandolin, harmonica, percussion and sings. He has released three solo CDs, 1997's "Dying To Be Heard", 1999's "In The Current" and the 2000 release of his third solo album, "Pandora's Box". All three released on Renaissance Records. In 1978, Bill and his partner, Robert Haimer, officially formed the infamous "quirky-rock duo" Barnes and Barnes. They are known worldwide, and have recorded 9 albums on Rhino and CBS Record labels. They also released a feature length home video titled "Zabagabee" featuring a Collaboration of Barnes and Barnes short films. Their infamous "Fish Heads" song placed #57 in Rolling Stones Top 100 Videos of All Time. In 2000, Ogio Records released the 24 song "Yeah: The Essential Barnes & Barnes" CD. Bill was nominated for an Emmy in 1991/1992 for his original song composition for Adventures in Wonderland for Disney which he wrote 105 songs for 100 episodes. He also scored three episodes of the award winning PBS series The Universe and I and contributed songs and themes to Santa Barbara, TV Guide Looks At, Hard to Hold (1984), Plain Clothes (1988), Archie, Sunshine (1975), Bless the Beasts & Children (1971), The Simpsons (1989), and many other film and television projects. Bill and Miguel Ferrer are in a rock and roll band called the Jenerators. Their first CD and cassette titled the "Jenerators" was released in 1994 on Asil Records. Their second CD produced by Frank Wolf titled "Hitting The Silk" was released in November of 1998 on Wildcat Records. They perform in the Los Angeles area when possible. If that is not enough, Bill has also worked on various children albums as well. "The Yogi Bear Environmental Album: This Land Is Our Land" a 1993 release on Rhino Records/Hanna Barbera, "The Dinosaur Album" also a 1993 release on Rhino Records, and his album "Kiss My Boo Boo" which has been released on the Infinite Visions label.
In addition to his many other talents, Bill co-created the popular children television series, Space Cases (1996) with Peter David which he also co-wrote, produced, composed music for, and guest starred in as well. It was nominated for the 1996 Ace Award for "Outstanding Children's Series." The series has run globally in over sixty countries. Peter and Bill have written the screenplay to the feature film, "Overload" which Bill is also starring in. Bill has written as well as co-created many comic books, stories, and television series. He has written for Marvel Comics, Dark Horse Comics, DC Comics and Pocket Books. The stories he co-wrote include well-known titles as "Spider-Man", "The Hulk", and "Clive Barker's Hellraiser." He co-wrote a Star Trek trilogy "Return of the Worthy", and was a creative consultant and writer to the Lost In Space Innovation monthly comic. He also has written for DC comics, "Aquaman", "The Spectre" and "Star Trek". His writing projects include the feature film, _Overload_ and a fantasy novel co-written with Angela Cartwright, "Realms Of Majik: The Pocket in Reality". His short stories, "The Black '59" and "The Undeadliest Game" appeared in Pocket Books "Shock Rock" Volumes 1 and 2. Both have been printed globally in many languages. He has also written for animation, most recently an episode of the sci fi series, "Roswell Conspiracies". He has also written episodics for NBC's series, "Sunshine", USA network's Swamp Thing, as well as scripting an unfilmed episode of Babylon 5 (1993). He co-created and wrote the Marvel Comics series' "The Comet Man", "The Dreamwalker" graphic novel, and Dark Horse Comics' "Trypto, The Acid Dog" with Miguel Ferrer.
Included in his various multi-talent accomplishments, he is also a prolific voice over actor and can be heard narrating several of the prestigious "A&E: Biographies" as well as many other documentaries and specials. Some of his commercial work in that arena includes McDonalds, Mattel, Bud Ice, Amtrak, Blockbuster, Ford, KFC, Wal Mart, and Nickelodeon - just to name a few. He is presently doing all the television and radio spots for Farmers Insurance. His voice over work in animation includes The Ren & Stimpy Show (1991), Batman: The Animated Series (1992), Animaniacs (1993), Little Wizard Adventures, and Buzz Lightyear of Star Command (2000).3 times before Lost in Space- Actor
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Shelley Berman began studying acting shortly after he was honorably discharged from the US navy. He enrolled as a drama student at Chicago's Goodman Theater, where he met Sarah Herman, another aspiring thespian. They fell in love and were married in 1947. After graduating from the Goodman Theater, Shelley joined the Woodstock Players, a stock theater company in Woodstock, IL. It was here that he had the opportunity to really develop and polish his acting skills, with the support and encouragement of fellow players Geraldine Page, Betsy Palmer and Tom Bosley. Leaving Woodstock in 1949, Shelley and Sarah made their way across the country, with Shelley in search of acting work. When those jobs were scarce, he worked as a social director, a cab driver, a speech teacher, an assistant manager at a drug store and an instructor at Arthur Murray Dance Studios. While in New York Shelley found work as a sketch writer for The Steve Allen Plymouth Show (1956), and was doing well when he received an invitation to join an improvisational troupe known as The Compass Players, which took him back home to Chicago. With Compass (which later evolved into Second City) Shelley worked with soon-to-be famous performers Mike Nichols, Elaine May, Severn Darden and Barbara Harris, among others. While performing improvised sketches with the Compass Players, Shelley began developing solo pieces, employing an imaginary telephone to take the place of an onstage partner. While watching Mort Sahl perform at Mr. Kelly's in Chicago in 1957, Shelley realized he didn't necessarily have to tell traditional jokes, as other comedians of the day did, in order to work in nightclubs and went on to audition at the club, performing his one-man monologues and telephone routines with great success. Those first dates at Mr. Kelly's led to other nightclub engagements around the country, appearances on national television and a recording contract with Verve Records. "Inside Shelley Berman", released in early 1959, became the first comedy album to be awarded a gold record--for selling one million copies--and the first non-musical recording to win a Grammy Award. Shelley would eventually record a total of six albums for Verve, including "Outside Shelley Berman" and "The Edge of Shelley Berman", both of which also went gold. Shelley would go on to appear on numerous TV specials, and all of the major variety shows, including those of Ed Sullivan, Steve Allen, Jack Paar, Dinah Shore, Perry Como, Andy Williams and Dean Martin. Shelley's great success as a comedian enabled him to continue with his first love, acting. He starred on Broadway in "A Family Affair" and would continue to do stage work in productions of "The Odd Couple", "Damn Yankees", "Where's Charley?", "Fiddler On the Roof", "Two by Two", "I'm Not Rappaport", "La Cage aux Folles", "Prisoner of Second Avenue" and "Guys & Dolls", among others. Comedic and dramatic acting roles in what came to be known as "The Golden Age of Television" began to come his way, including memorable appearances on episodes of Peter Gunn (1958), The Twilight Zone (1959), Rawhide (1959), Bewitched (1964), The Man from U.N.C.L.E. (1964), The Mary Tyler Moore Show (1970), Adam-12 (1968), Emergency! (1972), CHiPs (1977), St. Elsewhere (1982), Night Court (1984), MacGyver (1985), L.A. Law (1986), Friends (1994), Arli$$ (1996), Lizzie McGuire (2001), Providence (1999), Walker, Texas Ranger (1993), The King of Queens (1998), "The Bernie Mac Show" (2001)_, "Grey's Anatomy" (2005)_ Entourage (2004) Hannah Montana (2006), CSI: NY (2004) and Boston Legal (2004), the latter of which he made numerous recurring guest -tar appearances as the hilariously semi-senile Judge Robert Sanders. Since 2002 Shelley has appeared as Nat David (Larry David's father) on HBO's Curb Your Enthusiasm (2000), a role for which he received a 2008 Emmy Award nomination. With dialogue entirely improvised by its cast, "Curb" has given Shelley the opportunity to return to his improv roots, introduced him to a new generation of TV viewers and brought him acclaim from critics and fans alike. Among Shelley's film credits are The Best Man (1964) with Henry Fonda; Divorce American Style (1967) with Dick Van Dyke and Debbie Reynolds; Every Home Should Have One (1970) with Marty Feldman; '80s cult favorite Teen Witch (1989); with 'Burt Reynolds' in The Last Producer (2000); Meet the Fockers (2004) with Robert De Niro and Ben Stiller; The Aristocrats (2005); The Holiday (2006) with Cameron Diaz, and You Don't Mess with the Zohan (2008) (with Adam Sandler). Shelley continues to do film and television work and make personal appearances across the country year-round. He has authored three books, two plays, several TV pilot scripts and numerous poems. For over 20 years he taught humor writing in the Master of Professional Writing program at USC, where he is now a Lecturer Emeritus. Shelley spends his (precious little) free time volunteering for various charitable organizations and indulging in his favorite hobby, knife collecting.Comic went on to long career- Lovable, laid-back Jesse White made acting seem fun and easy. He was born Jesse Marc Weidenfeld in Buffalo, New York, and was raised in Akron, Ohio. He made his first amateur appearance on the local stage at age 15. Before breaking into professional theater in the 1940s, he held many different jobs, including selling beauty supplies and lingerie. Jesse got his start in vaudeville and burlesque, and eventually reached Broadway in 1943. The following year, he played the rascally, gruff-mannered asylum attendant in Harvey, starring Frank Fay. This role made him famous and he went on to appear with James Stewart in the movie version (Harvey (1950)). The 1950s was a decade of transition to the new medium of television. As a television regular, he did something that had never been done before - he appeared regularly in two series at the same time. In Private Secretary (1953) and The Danny Thomas Show (1953). This record stood for 13 years until Leo G. Carroll appeared simultaneously on The Man from U.N.C.L.E. (1964) and The Girl from U.N.C.L.E. (1966)).
One of Jesse's earliest television appearances is a 1961 episode of the sci-fi series Once Upon a Time (1961) in which he played, prophetically enough, The Repairman. Jesse would make guest appearances on dozens of television series, and appear in 60 movies, almost always playing a lovable rascal. Some of his last movie appearances were in the sci-fi movies Pajama Party (1964) and The Ghost in the Invisible Bikini (1966). Then the 50-year-old Jesse seized a terrific career opportunity. From 1968-1989, he would be television's second and longest running Maytag Repairman in a long series of commercials. For this, he made several hundred thousand dollars a year, for just a few days filming. Even though he was semi-retired during this time, Jesse appeared in a dozen movies, his last film being Matinee (1993), which was an homage to some of the 1950s-1960s sci-fi films of which he had been a part. Jesse always seemed to be having as much fun acting as the fans did watching him.
Jesse White died of a heart attack on January 9, 1997, only six days after his 80th birthday. He was interred at Mount Sinai Memorial Park in Los Angeles, California.played ironically a repair man - Actor
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Towering 7' 2" tall actor who cornered the market on playing giants, intimidating henchmen, bayou swamp monsters and steel toothed villains! Kiel worked in numerous jobs including as a night club bouncer and a cemetery plot salesman, before breaking into film & TV in several minor roles in the late 1950s / early 1960s. Noted among these was the alien "Kanamit" in the classic The Twilight Zone (1959) episode "To Serve Man", and terrorizing Arch Hall Jr. while clad in a loincloth in the prehistoric caveman meets virile teenage drama Eegah (1962).
Kiel turned up in two episodes of the classic horror TV series Kolchak: The Night Stalker (1974). On one occasion playing a Native American evil spirit with the ability to transform into various animals. On his second appearance, Kiel was unrecognizable as a Spanish moss covered, Louisiana swamp monster brought to life by a patient involved in deep sleep therapy.
However, his biggest break came in 1977 when he was cast as the unstoppable, steel toothed henchman "Jaws" in the finest Roger Moore film of the Bond series The Spy Who Loved Me (1977). Such was Kiel's popularity with movie audiences, that his character was brought back for the next Bond outing Moonraker (1979). However, audiences were quite split on opinions when Kiel's "Jaws" character changes sides near the film's conclusion and assists 007, Roger Moore, in saving the Earth.
Over the next few years, Kiel appeared in relatively non-demanding comedy or fantasy type films taking advantage of his physical stature and presence. Kiel then decided to try his hand behind the camera and co-wrote and produced, plus took the lead role, in the well received family movie The Giant of Thunder Mountain (1990). Demand for Kiel's unique attributes dropped very sharply in the 1990's, leading to only a handful of roles including reprising his "Jaws" character in the Matthew Broderick film Inspector Gadget (1999). In 2002, Kiel penned his informative autobiography entitled "Making it BIG in the movies". He passed away in 2014.- Actor
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The son of a sales clerk and a department store owner, Bill Bixby was the sixth-generation Californian born as Wilfred Bailey Bixby, on January 22, 1934, in San Francisco, California. An only child growing up in the 1940s and 1950s, he attended schools in the same area, took ballroom dance lessons, before attending Lowell High School, where he excelled in drama. After his graduation from high school, he attended San Francisco City College, where he majored in drama. He transferred to the University of California-Berkeley, where he majored in the pre-law program, but never stopped falling in love with his interest in acting. After almost graduating, he left his native San Francisco, to travel to Los Angeles, where he became a lifeguard and a bellhop.
Two years later, in 1959, two executives noticed him and hired him immediately for commercial work and modeling, in Detroit, Michigan. At the same time, he auditioned for theater roles. He joined the Detroit Civic Theatre Company and made his professional stage debut in the musical, "The Boy Friend." Long after his trip to Michigan, he continued doing commercial work and made numerous guest appearances on popular TV sitcoms.
He made his TV debut in an episode of The Many Loves of Dobie Gillis (1959). He also did many other roles, most notably as "Charles Raymond" in The Joey Bishop Show (1961). After many guest and recurring roles, he landed a co-starring role opposite Ray Walston in My Favorite Martian (1963), in which he portrayed a newspaper reporter playing host to a visitor from another planet. After the first season, it became a hit and Bixby became a household name to millions of fans who liked the show. The show was going well until its cancellation in 1966, which left Bixby in the dark, for the time being. However, he finally got the chance to go onto the big screen. The first of the four post-"Martian" 60s movies he played in was the Western, Ride Beyond Vengeance (1966). The following year, he played in Doctor, You've Got to Be Kidding! (1967) and, soon after, he was approached by Elvis Presley to appear in both Clambake (1967), and Speedway (1968). Afterwards, he once again returned to series television, this time playing widowed father, "Tom Corbett", on The Courtship of Eddie's Father (1969), based on the popular 1963 movie. After its first season, it became a much bigger hit than his first show and Bixby, heretofore one of Hollywood's most confirmed bachelors, changed his views on marriage and family, subsequently taking actress Brenda Benet as his bride and fathering a son. He also tried his hand at directing an episode of the series, called "Gifts Are For Giving," about Norman's highly treasured gift. After completing its second season, Bixby received an Emmy nomination for Lead Actor in a Comedy Series, but didn't win. By its third season in 1972, the show had bad scripts and ABC decided to pull the plug.
Once again, Bixby was not long out of work and was offered a chance to star in a lead role as "Anthony Dorian/Anthony Blake," on his first and only NBC dramatic series called, The Magician (1973). The show focused on Anthony performing magic tricks which helped people who were in trouble, and in real-life, Bill became a fine magician, performing to both children and adults. But sadly, the show was canceled after one season due to its expensive costs.
After a seven-year absence from the big screen, he co-starred in another western, opposite Don Knotts and Tim Conway, in The Apple Dumpling Gang (1975). Like most of the theatrical movies he did, it was not a blockbuster at the box office, but was still an average hit. In late 1977, he was offered the role of "Dr. David Bruce Banner," in a two-hour pilot called, The Incredible Hulk (1977). About a physician/scientist who turned into a green monster whenever he became angry, the idea appealed to CBS, and several months later, they premiered a new science fiction-dramatic series, called, The Incredible Hulk (1978). When it debuted as a mid-season replacement, it became the #1 show in the United States, and in many other countries. His character became famous for ripping up shirts each time he turned into the Hulk, played by bodybuilder Lou Ferrigno. Bixby had wanted to direct some episodes, but the time he had to spend in the make-up chair for the transformation sequences made that problematical, and he managed to helm only one segment, "Bring Me the Head of the Hulk," in the fourth season. The series was canceled in 1981 (although the last few episodes didn't air until 1982).
Bixby, once again, came back to series television, acting in, producing and directing his last sitcom, Goodnight, Beantown (1983), on which he played "Matt Cassidy." Chosen for the role of "Jennifer Barnes," was one of Bixby's old friends, Mariette Hartley, who had won an Emmy for her guest appearance in The Incredible Hulk (1978) as Banner's second wife. The two played co-anchor newscasters of a Boston television station whose sparring on and off the air developed into friendship and respect. Discounting a brief, inconsequential return to the network's schedule in the summer of 1984, the series lasted for less than a year, from April 1983 to January 1984.
Bixby now decided to concentrate on directing and worked on Wizards and Warriors (1983), Goodnight, Beantown (1983) and Sledge Hammer! (1986). He also directed the pilot for a New York spy series, "Rockhopper." He also appeared in front of the camera as the host of the daytime anthology series, True Confessions (1985), which dealt with real-life crises of everyday people. Bixby additionally served as host for two shows targeting younger viewers: "Against the Odds," a series of biographies of prominent people, frequently from history, for the Nickelodeon cable channel; and "Once Upon a Classic," a collection of British TV adaptations of literary classics on PBS.
He came back to reprise his role of "Dr. David Banner" from The Incredible Hulk (1978) by acting in, producing, and directing the three spin-off movies: The Incredible Hulk Returns (1988), The Trial of the Incredible Hulk (1989) and The Death of the Incredible Hulk (1990). He also directed TV movies such as Baby of the Bride (1991) and Another Pair of Aces: Three of a Kind (1991).
In April 1991, while directing one of his last movies, he became very ill and was diagnosed with prostate cancer. He underwent surgery and by December, his cancer seemed to be in remission, so he came back to guest star as "Nick Osborne" in a two-hour TV movie/pilot called Diagnosis Murder: Diagnosis of Murder (1992). In mid-1992, while his cancer continued to be in remission, Bixby returned to work as a director to direct several episodes of the popular NBC sitcom, Blossom (1990), where he became the main director of the show. At first, he hid his illness from the cast and crew, until one of the producers found out, and then he announced publicly that he wanted to continue working until he could no longer do so. Prior to going public with his cancer, he directed a TV movie starring Roseanne Barr and Tom Arnold, The Woman Who Loved Elvis (1993), which was his final directing project.
Unfortunately, the cancer returned by mid-1993 and, on November 21, 1993, six days after directing his last episode on "Blossom" (1991), Bill Bixby died at age 59 in his home after a two-year battle with cancer. For over 30 years, he was in great demand and his big roles and directing credits have been a personal testimony to his fans. His life is gone, but his legacy lives on for years to come.before he was eithr Eddie,s father or thrHulk- Actress
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Anne Francis got into show business quite early in life. She was born on September 16, 1930 in Ossining, New York (which is near Sing Sing prison), the only child of Phillip Ward Francis, a businessman/salesman, and the former Edith Albertson. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and television in New York. By age 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School.
Metro-Goldwyn-Mayer put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war World War II years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on television's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen").
Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young, So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952), and Dreamboat (1952) but she still could not seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the science fiction cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on television series. She found a most appreciative audience in two classic The Twilight Zone (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series Honey West (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe Award and Emmy Award nomination.
The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of television movies (The Intruders (1970), Haunts of the Very Rich (1972), Little Mo (1978), A Masterpiece of Murder (1986)), usually providing colorful, wisecracking support. She billed herself as Anne Lloyd Francis on occasion in later years.
For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Later, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.