Great largely unsung actresses of the 60s
Always worth watching in anything, actresses who appeared often on tv shows of the 50s, 60s, 70s and who were brilliant every time.
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- Beah Richards left her native Vicksburg, Mississippi, for New York City in 1950. She would not acquire a significant role on stage until 1955,when she appeared in the off-Broadway show "Take a Giant Step" convincingly portraying an 84-year-old grandmother without using theatrical makeup. In 1962 she appeared in writer James Baldwin's "The Amen Corner" directed by noted actor/director/activist Frank Silvera, who told Richards "Don't act, just be." She credited Silvera with helping her further develop the subtlety and quiet dignity that distinguished all of her performances.
A prolific actress, poet and playwright, her first authored play was "All's Well That Ends" that delved into the issues of racial segregation. Always ahead of her time, she defined herself as "Black" when the term "Negro" was the preferred ethnic/racial label of Black Americans. Richards would bring her salutary satisfaction with being "Black" and her immense acting talents to the role of the peacemaking mother in Guess Who's Coming to Dinner (1967), a role for which she was nominated for an Oscar. Additionally, she appeared in "Purlie Victorious" by Ossie Davis and "The Little Foxes" by Lillian Hellman.
In 1988, she won an Emmy Award for her performance in Frank's Place (1987). Although stricken with emphysema, she delivered a tour-de-force performance on the ABC legal drama The Practice (1997) in 2000; she received her second Emmy Award for this performance three days before her death in her native Vicksburg.Beautiful, soft eyed and voiced; did receive recognition with an Oscar nom. for Guess Who's Coming to Dinner, memorable appearance on Designing Women - Actress
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Red-haired Jacqueline Sue Scott began her career in show biz as a three-year-old by winning a tap-dancing contest. Though she once self-deprecatingly described herself as "the worst child tap dancer ever to haunt an audience" she made the successful transition from juvenile performer in tent shows to accomplished leading and character actress with an impressive number of screen credits to her resume.
The daughter of John D. Scott and Maxine Finley, Jackie was born in the small town of Sikeston, Missouri. She began acting professionally from the age of 17 with a small St. Louis community theatre company. She then moved to New York, graduated from New York's Hunter College, did some admin work for David Sarnoff at RCA and eventually studied acting under Uta Hagen. Her breakthrough came when she was chosen by the distinguished thespian Louis Calhern to play the part of his granddaughter in The Wooden Dish on Broadway. Mentored by Calhern (who undoubtedly taught her many tricks of the trade) Jackie was cast that same year opposite Paul Muni in Inherit the Wind, playing a young lass in love with the hapless teacher at the center of the infamous 1925 Scopes Monkey Trial.
On the strength of some early television work in live anthology drama, Jacqueline was brought to Hollywood by William Castle, well-known as a producer of gimmicky low-budget horror movies. Her debut big screen appearance was to be in Macabre (1958), a picture shot in just seven days for a reputed investment of around $90,000. No audience members 'died of fright', nor were any of the $1000 life insurance policies handed out to audiences as part of the publicity campaign cashed in. While certainly no critical masterpiece, the enterprise managed to gross a cool $5 million. More importantly for Jacqueline was meeting on the set of Macabre her future husband (screenwriter and photographer Gene Lesser who also became her agent). Their marriage lasted an impressive (especially by Hollywood standards) 62 years.
Jacqueline's prolific output during the succeeding three decades consisted primarily of TV guest spots. Very much 'a working actress, she could always be counted upon to portray strength and give quietly effective performances, even in relatively passive roles like those many sympathetic wives and girlfriends in assorted Quinn Martin productions of the 60s and 70s. Among her better-known roles were Donna Kimble Taft, sister of David Janssen's man-on-the-run in five installments of The Fugitive (1963), the wife of an astronaut stranded in an alternate universe in The Parallel (1963) and the chimpanzee physician Dr. Kira (Roddy McDowall's friend) in Planet of the Apes (1974) (for which she had to undergo a three-hour make-up session). She later quipped in an interview: "When some of the crew said how pretty I looked, I knew they had been on the show too long!"
In films, Jacqueline was also frequently cast as supportive spouses: Walter Matthau's in Charley Varrick (1973) (her own personal favorite), Dennis Weaver's in Steven Spielberg's directorial debut picture Duel (1971) and James Stewart's in the western Firecreek (1968). A sturdier outdoorsy part came her way via the monster flick Empire of the Ants (1977) in which she found herself pitted against giant killer insects, along with co-stars Robert Lansing and (a less glamorous than usual) Joan Collins. Jackie's frequent forays into the Wild West included repeat appearances in Have Gun - Will Travel (1957), Laramie (1959), Bonanza (1959) and Gunsmoke (1955).Always cut right to the genuine emotional moment of a scene with complete honesty; memorable in everything from The Fugitive to any western.- A resolute, blue-eyed brunette with attractive, slightly pinched features, Geraldine Brooks was born to a Dutch couple on October 29, 1925, in New York City. Her parents had a theater-based background -- father, James Stroock, owned a top costume company and mother, Bianca, was a costume designer and stylist. In dance shoes from age 2, her closer relatives were also extensively involved in theater -- one aunt being a former Ziegfeld Follies girl and another a contralto with the Metropolitan Opera. Growing up surrounding by these theatrical types, it was only natural that it rubbed off on her. She attended the Hunter Modeling School as a young teen and graduated from Julia Richman High School in 1942 as president of her drama club. Older sister, Gloria Stroock, also became an actress, primarily on TV.
In New York, Geraldine studied at the American Academy of Dramatic Art and the Neighborhood Playhouse before apprenticing in summer stock productions. In a pre-Broadway tryout of "Follow the Girls" in 1944, Geraldine subsequently went with the show to Broadway in May of that same year and enjoyed a nine-month run. Following her role as "Perdita" in "A Winter's Tale" at the Theatre Guild, she was signed by Warner Bros. and made her film debut promisingly as a second femme lead in the mystery thriller Cry Wolf (1947) starring Barbara Stanwyck and Errol Flynn. At this time, she shunned her odd-sounding last name of "Stroock" in favor of the more euphonious marquee name of "Brooks", which was the name of her father's costume company. Playing Flynn's cool, conniving niece who gives trouble to Stanwyck, she gave added suspense to the film. In her second movie, Possessed (1947), she is again at odds with another powerhouse star, this time Joan Crawford, but shows more sensitivity against the manic Crawford character in this film-noir chiller.
Geraldine moved to dramatic lead status with Embraceable You (1948) opposite Dane Clark, and played daughter to real wife-and-husband team Fredric March and Florence Eldridge in An Act of Murder (1948), a drama that dealt with the topic of euthanasia. Less impressive was the standard Warner Bros. "B" western The Younger Brothers (1949) and her MGM loanout appearance in Challenge to Lassie (1949). Floundering a bit at this time and failing to strike a star-making chord with audiences, she attempted a few continental film assignments, one in which she played Anna Magnani's younger sister, but grew quickly disillusioned there as well and returned to America.
Focusing instead on stage and TV, including a Broadway stint in "Time of the Cuckoo" starring Tony-winning Shirley Booth, Geraldine eventually went back to studying acting again. In 1956, she became a member of the Actor's Studio and became a strong exponent of its method style. Despite this renewed, enlightening acting technique, her film career found no momentum at all. In fact, she appeared in only two films in the oncoming years as brittle, harder-core ladies in Street of Sinners (1957) and Johnny Tiger (1966). Her greater notices were to be found guesting on various popular TV series. Particularly noteworthy were her roles on Perry Mason (1957), The Defenders (1961), Bus Stop (1961) (for which she earned an Emmy nomination), the pilot of Ironside (1967) and the last final climactic episode of The Fugitive (1963). A regular as Dan Dailey's secretary on the mildly received Faraday and Company (1973), she also appeared in the 70s episodes of Kung Fu (1972), Cannon (1971), Barnaby Jones (1973) and McMillan & Wife (1971), the last in which sister, Gloria Stroock, had a recurring role as Rock Hudson's secretary.
Geraldine's later theater included her Tony-nominated role in "Brightower" (1970) (despite it closing after only one performance) on Broadway and as wife "Golde" in the musical "Fiddler on the Roof". Her final movie part came in the rather ho-hum crime movie Mr. Ricco (1975) alongside Dean Martin. A short-lived series regular as the matriarch of The Dumplings (1976), a rare comedic venture for her, and a stage production of Jules Feiffer's "Hold Me!" in 1977 capped her capable but somewhat unsatisfying career. She deserved much better attention than she got, especially in films. Divorced from TV writer Herbert Sargent after only three years (1958-1961), she married author Budd Schulberg (best known for his screenplay of On the Waterfront (1954)), in 1964. The couple moved to Los Angeles and opened a writers' workshop together for the underprivileged. She also collaborated with Schulberg on the book Swan Watch (1975), a study on the elegant birds in which she also took photographs. In addition, she wrote poetry for children although she herself never had any. Sadly, Geraldine died in 1977 at age 51 of a heart attack while battling cancer, thus depriving the entertainment industry of a valuable talent. She was survived by her husband, mother and sister.Great actress, so memorable in The Outer Limits and so many other things. - Actress
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Nancy Malone was born on 19 March 1935 in Queens Village, Long Island, New York, USA. She was an actress and director, known for Naked City (1958), Merlene of the Movies (1981) and The Long, Hot Summer (1965). She died on 8 May 2014 in Duarte, California, USA.Great support in The Naked City, memorable in The Outer Limits, Twilight Zone, etc.- Louise Latham was an American actress from Texas, whose career lasted from the 1950s to the early 2000s. She is primarily remembered for her film debut as the invalid mother Bernice Edgar, who is financially dependent on her daughter Marnie (played by Tippi Hedren). At age 42, Latham was playing the mother of 34-year-old Hedren.
In 1922, Latham was born in Hamilton, Texas. Hamilton is a small city, and had a population of about 2000 people in 1920. Hamilton has a "humid subtropical climate", with hot, humid summers and typically mild winters. Latham's family were ranchers, and she had relatives working as ranchers in both San Saba County and Mason County.
Latham received her secondary education at Sunset High School, located in Dallas. Little is known about her early adulthood. By the 1950s, Latham had started following an acting career. She was primarily a theatrical actress. Around 1954, Latham was working for the famed Texan stage director Margo Jones (1911-1955). Jones died of kidney failure in 1955, after accidentally inhaling toxic fumes.
In 1956, Latham was cast in the Broadway revival of the play "Major Barbara" (1905) by George Bernard Shaw. The play concerns the difficult relationship between self-righteous charity worker Barbara Undershaft (a Major of the Salvation Army) and her estranged father Andrew Undershaft. Andrew is a somewhat shady businessman, whose newfound wealth derives from owning a successful munitions factory. Andrew offers to help the poor by providing them with jobs and a steady income, which he argues is far more useful than providing them with a cheap meal (like his daughter). Barbara is an idealist, while Andrew is more practical in his views.
In 1958, Latham was part of touring company which performed the play "Cat on a Hot Tin Roof" (1955) by Tennessee Williams. The play features the family of successful tycoon Big Daddy Pollitt gathering to celebrate his birthday. The aging patriarch is unaware that he is dying of cancer, as his family has kept the diagnosis secret from him. His potential heirs have already started scheming over who gets the lion's share of his estate. Greed and decay are among the play's main themes.
By the early 1960s, Latham was regularly performing in Broadway. She appeared in plays such as "Invitation to a March" (1960), and "Isle of Children" (1962). She received press attention when cast in a key supporting role in the psychological thriller "Marnie" (1964), despite having no experience with film roles. The film had a box office gross of about 7 million dollars, becoming the 22nd highest-grossing film of 1964. Professional film critics initially hated the film, but the film's critical reputation has improved over the years and it is often listed among director Alfred Hitchcock's best films. Latham reportedly enjoyed the experience of working in film. In a 1965 press interview, she informed the press that she was interested in more film roles.
Following her film debut, Latham started regularly appearing as a guest star in various television series. She was twice cast as the murderer in 1965 episodes of then-popular legal drama series "Perry Mason" (1957-1966). In 1966, Latham was cast in the recurring role of aunt Fran Heiger in the sitcom "Family Affair" (1966-1971). In the pilot episode, Latham's character convinces her bachelor kinsman Bill Davis to become the legal guardian of his orphaned niece Buffy Patterson Davis (played by Anissa Jones). Aunt Fran appeared once a year in the sitcom's episodes until 1968.
Latham made her second film appearance in the Western film "Firecreek" (1968). Its plot features cowardly townspeople refusing to assist a peace officer in a confrontation with outlaws. The film was primarily noted for featuring popular actors James Stewart and Henry Fonda as its co-stars. Despite being close friends in real life, the two actors rarely appeared together in films. Latham also appeared in the Vietnam War-themed war film "Hail, Hero!" (1969), which is primarily remembered as the feature film debut for actor Michael Douglas.
Latham had a supporting role in the drama film "Adam at 6 A.M." (1970), as part of the family of female lead Jerri Jo Hopper (played by Lee Purcell). The film focuses on a bored college professor, who finds a new love interest and new friends during his summer vacation in Missouri. He then has the dilemma of whether to return to his old job at summer's end, or to permanently settle in Missouri. The film was the first produced by a fledgling production company, Solar Productions. The company's owner was veteran actor Steve McQueen (1930-1980).
Latham had a more important supporting role as Mrs. Wilson in the comedy-drama film "Making It" (1971), where the cast mostly included then-popular character actors. The film's main character is an amorous 17-year-old boy, whose hobby is seducing girls and adult women. He eventually learns that his actions come with unintended consequences. Early in the film, the boy spikes the food of his virginal classmate Debbie (played by Sherry Miles) with marijuana. He then deflowers her while she is under the influence. Latham played Debbie's mother. Following a pregnancy scare for Debbie, she tries to have the boy married to her daughter. The boy instead convinces Mrs. Wilson that abortion is a more prudent option, but he has to pay for it out of his own pocket.
Latham's next film role was a supporting part in the action comedy "White Lightning" (1973). Its plot revolves around a sympathetic moonshiner who tries to expose the crimes of a corrupt sheriff, in retaliation for his brother's murder by the sheriff. The film earned about 6.5 million dollars at the box office. It was considered a "breakthrough" in the action genre for combining fast-paced action with comedic elements. It reportedly inspired the production of more action comedies, and popularized car chases and car crushes in American action films.
Latham also appeared in the crime drama film "The Sugarland Express" (1974), which focuses on a police officer taken hostage by a husband-and-wife crime duo. The plot was based on the 1969 kidnapping of police officer J. Kenneth Crone by the married couple of Robert "Bobby" Dent and Ila Fae Holiday. The film earned 12 million dollars at the box office, and won the award for Best Screenplay at the 1974 Cannes Film Festival. The film is remembered for being the theatrical feature directorial debut of Steven Spielberg, who had previously only directed television films.
Latham next had a minor role in the drama film "92 in the Shade" (1975), which was both a box office-flop and a critical failure. The film features the business rivalry between a fishing guide and a sea captain in Florida, which quickly escalates to an arson case and violent retaliation. Two different versions of the film were released, one with a happy ending (where the rivals befriend each other), and one with a dramatic ending (where one of the rivals murders the other one). Neither was a hit with audiences and critics. The film was one of the first efforts of director Thomas McGuane, who had previously mainly worked as a novelist. Critics found that the film was plagued by amateur mistakes.
At about that time, Latham had the recurring role of Martha Higgins (the main character's landlady) in the short-lived Western television series "Sara" (1976). The series focused on the efforts of schoolteacher Sara Yarnell (played by Brenda Vaccaro) to introduce progressive values to a conservative town in 1870s Colorado. She regularly clashed with her landlady Martha. The series only lasted for 12 regular episodes and one television film, as it consistently received low ratings. Vaccaro received critical praise for her role and was nominated for an Emmy Award, but the ratings never improved.
In 1977, Latham was cast in the recurring role of Katherine Mitchell in the comedy-drama television series "Eight Is Enough" (1977-1981). Her character was the mother of the female leading character Sandra Sue "Abby" Mitchell, the mother-in-law of Abby's second husband Thomas "Tom" Bradford, and the step-grandmother of Tom's eight children from a previous marriage. Katherine Mitchell's last appearance in the series dealt with the character's upcoming divorce.
In the early 1980s, Latham had few television roles, despite having regularly appeared on television for decades by that time. She had a substantial supporting role in the time-travel-themed science fiction film "The Philadelphia Experiment" (1984). She played Pamela Parker, the wife of time traveler Jim Parker (played by Bobby Di Cicco). The film's plot features two sailors who accidentally time travel from the year 1943 to 1984. While Jim mysteriously disappears, his elderly wife Pamela recognizes the other time traveler and offers some explanations of what happened 40 years before. The film only earned 8. 1 million dollars at the box office, but its cast received nominations for Saturn Awards.
Also in 1984, Latham had a supporting role in the religious-themed drama film "Mass Appeal" (1984). The film primarily concerns the relationship between an aging Catholic priest and his youthful deacon. The priest is a conservative who has made a career out of charming people, telling them white lies, narrating inane jokes, and avoiding any controversial issues. The deacon is a liberal firebrand who wants the Church to make great reforms, and who is surprisingly sincere about his own bisexuality. The film grossed only 1.9 million dollars at the box office, though it was warmly received by critics. The film was one of several 1980s box-office flops for leading actor Jack Lemmon, whose career declined considerably during this period.
In the late 1980s, Latham appeared frequently in television films and resumed having guest appearances in television series. She was part of the cast in the television miniseries "Dress Gray" (1986). The series focused on the mystery of who raped and murdered cadet David Hand (played by Patrick Cassidy) within the grounds of a prestigious military academy. The series was nominated for three Emmy Awards.
Latham had a substantial role in the comedy miniseries "Fresno" (1986), which parodied prime time soap operas. She played Ethel Duke, owner of a private lake which served as the main water source for two rival ranches. Duke refuses all offers to sell her water rights. When she is accidentally killed by a ricocheting bullet, her death triggers both a murder trial and a struggle between two powerful families over who gets to bribe Duke's heir. The miniseries was nominated for five Emmy Awards.
In 1988, Latham was part of the main cast in the short-lived medical drama series "Hothouse". The series focused on the owners and staff of a psychiatric clinic. It only lasted for 7 episodes, canceled due to low ratings. The series was considered a rare failure for successful screenwriter Jay Presson Allen (1922-2006), who was the series' creator.
In 1991, Latham had a minor role in the drama film "Paradise". The film mainly focused on a 10-year-old boy's inability to deal with the end of his parents' failed marriage, and with his surrogate family's inability to deal with their own son's death in the near past. The film earned about 18.6 million dollars at the box office, though it received overwhelmingly negative reviews by critics.
In 1992, Latham had her last role in a feature film. She played in the interracial romance-themed drama "Love Field". Her role was that of Mrs. Enright, mother of the main character's boss. The film depicted Texan housewife Lurene Hallett (played by Michelle Pfeiffer) falling in love with African-American single father Paul Cater (played by Dennis Haysbert), after she wrongly accuses him of having kidnapped his own daughter. The film was a box-office flop, but was critically praised. Pfeiffer won the Silver Bear for Best Actress for this film, and was nominated for the Academy Award for Best Actress.
Latham's last appearances in television miniseries were in two true-crime dramas. She appeared in both "Cruel Doubt" (1992) and "In Cold Blood" (1996). The first series dramatized the 1988 murder of wealthy businessman Lieth Von Stein by his stepson Christopher Wayne Pritchard, who aspired to inherit the family fortune. The second series dramatized the 1959 Clutter family murders, when four members of the same family were killed by two ex-convicts.
Latham had her last known television role in a 2000 episode of the science-fiction series "The X-Files" (1993-2002). She played Marjorie Butters (Louise Latham), a 118-year-old gardener whose life was being prolonged by an alien implant in her body. The episode featured the mysterious villain Cigarette Smoking Man (played by William B. Davis), who is claiming that he could cure and other human diseases with such alien technology. The episode has the villainous man intentionally spare the life of heroine Dana Scully (played by Gillian Anderson), while leaving it unclear whether he cares for her or views her as a useful pawn. The episode received critical praise, and it was the only contribution by actor William B. Davis to the series' scripts.
At age 78, Latham retired from acting. She spend her last years at Casa Dorinda, a retirement community located in Montecito, California. In 2018, Latham died there of natural causes. She was 95-years-old, and had no known family members at the time of her death. Her obituaries noted that she was still fondly remembered for various supporting roles, and for her versatility in portraying characters which were distinct in background and behavior.Could play a warm person or a cold fish, great in everything from Marnie to any western, etc. - Actress
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Born in 1911, Jeanette Nolan began her acting career in the Pasadena Community Playhouse. While still a student at Los Angeles City College, she made her radio debut in 1932, aged 20, in "Omar Khayyam", the first transcontinental broadcast from station KHJ. Her film debut was probably also her best part: Lady Macbeth opposite director/actor Orson Welles's Macbeth (1948). Her final film role was as Tom Booker (Robert Redford)'s mother, Ellen Booker, in The Horse Whisperer (1998).
She appeared in more than 300 television shows, including episode roles in Perry Mason (1957), I Spy (1965), MacGyver (1985), Alfred Hitchcock Presents (1955), and as a regular on The Richard Boone Show (1963) and The Virginian (1962). She received four Emmy nominations.
Nolan died at Cedars-Sinai Medical Center, Los Angeles, in 1998, aged 86, following a stroke.Such a great character actress, fearless, not afraid to play evil or crazy or look old and haggard as with her very memorable Dirty Sally character on Gunsmoke. Appeared in virtually everything. Character actors--backbone of the industry.- Joanne Linville made her mark on television from the 1950s-1980s, appearing in such respected anthology series as Studio One (1948), Kraft Theatre (1947) and Alfred Hitchcock Presents (1955), among others. While her film work consisted mainly of smaller character roles and she never had regular roles on television, she guest-starred on numerous series over her career, often in Westerns but, especially in the 1970s, in a variety of drama and detective series. Star Trek (1966) fans will remember her in the episode "The Enterprise Incident", in which she played a Romulan commander--the first female Romulan ever portrayed on the series--who goes up against Captain James T. Kirk and is romanced by Mr. Spock.
The ex-wife of director Mark Rydell, she has two children by that marriage who are also actors, Amy Rydell and Christopher Rydell. She was a master teacher at Stella Adler's Academy and later started her own acting school.Lovely, best remembered as the Romulan commander on Star Trek, but also memorable in everything from Twilight Zone to The Invaders to Columbo. - Actress
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The daughter of a well-to-do attorney and a socialite, Jane Bethel Leslie was born on August 3, 1929, in New York City. She was a 15-year-old student at the Brearley School on the Upper East Side when she was discovered by legendary producer George Abbott for the Broadway play "Snafu" in 1944. She quickly became a theatre mainstay with such plays as "The Dancer" (1946), "How I Wonder" (1947), "Goodbye, My Fancy" (1948), "Pygmalion" (1952) and "The Time of the Cuckoo" (1952) under her belt.
In later years she gave stunning theater performances in "Inherit the Wind" (1955), "Career" (1957), and "Catch Me If You Can" (1965), then capped her formidable career with a Tony nomination as drug-addicted mother Mary Tyrone in "Long Day's Journey Into Night" in 1986 opposite Jack Lemmon, Kevin Spacey, and Peter Gallagher. It was subsequently televised.
While not as well known for her movie work, the seriously attractive actress was best utilized as a brittle support player in such films as The Rabbit Trap (1959) and Captain Newman, M.D. (1963). Sporadic filming later included A Rage to Live (1965), The Molly Maguires (1970), Old Boyfriends (1979), Ironweed (1987), and Message in a Bottle (1999). On TV as a teen, her first series was playing Cornelia Otis Skinner in The Girls (1950), in 1950. Throughout the '50s, she appeared in scores of dramatic parts on episodic TV and became one of those faces without a name, playing neurotic or cruel villainesses. TV soaps took up her later years; she appeared in The Doctors (1963), All My Children (1970), and One Life to Live (1968), at various times. At one point, she was a head writer for The Secret Storm (1954).
Bethel died of cancer at age 70, survived by her daughter Leslie McCullough Jeffries.Highly respected, great dramatic actress, always in demand as a guest star, heartbreaking and real in everything from Gunsmoke to The Fugitive. Quiet, incisive, versatile.