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1-6 of 6
- Mahfoud is a young professor at a technical school in Algiers. With his technical and computer knowledge, he renovates an old weaving loom which he plans to show at an international inventor's convention in Germany. His travel plans though are frustrated by administrative obstacles. Meanwhile his neighbors have their eye on him - especially old M'nouar who has been scarred by terrible memories from the Algerian War. He views everything and everyone with suspicion. As far as he's concerned, Mahfoud is up to no good, maybe he's even involved in subversive activities! Of course it doesn't help that Mahfoud is having a love affair with Samia, a young psychiatrist who has returned to the country after her studies to Belgium. She fights against conforming to the local norms and breaks taboos which don't please the people. Finally Mahfoud succeeds in obtaining his visa to go to the international Fair. His invention wins an award there and when he returns home there is a very different welcome for him!
- "A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.
- The daily life and tribulations of colorful residents in the millennial popular district of the Casbah of Algiers.
- "Poussières de Juillet", produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.