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- Seven young women and men, Arab citizens of Israel, of the Y and Z generations, are deliberating: Where to live? To stay in their parents' home or to leave? Having left, it is worthwhile to return home? These deliberations and others are at the heart of the series Near/Far,
- Darwish returns home from work with one concern: to fix the broken fan in his house while his neighbour is shot in the building's lobby and hospitalised. Darwish gets stuck in the crime scene looking for solutions for the fan while police investigate the scene.
- In a documentary with a dash of fiction, we enter the mind of the elderly Hiam, a Palestinian woman from Nazareth. We see her at the hairdresser's, waxing her upper lip and shuffling her way to bed. The mundanity of everyday life acquires extra layers of meaning because the filmmaker Juna Suleiman-her granddaughter-accompanies many scenes with internal monologues from Hiam. Gradually we gain a picture of her past: her marriage, her family and her wealthy brother, who bears the remarkable first name of Mussolini. Hiam's life is nearly over. Just a few threads are left to connect this lonely and embittered woman with the outside world: the telephone, the TV, her housekeeper and her 55-year-old son Mbadda. Like Hiam, he's blunt and sarcastic. The question rises as to when the present becomes history, as fragments of TV news gradually transition into old footage of a wedding. Through the protagonist's oppressively small world, Mussolini's Sister takes an original and restrained approach to large themes, such as arranged marriage, loneliness, decline and racism.
- A hole between two neighbors turns their world around.