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1-8 of 8
- The tension between aesthetic experience and the reverberations of colonial ideology is central to the film. Through assemblages and collages, the film maps the colonial gaze from a broken view, how it persists across time.
- In the back room of a flower shop, Tomi, Rasto and Mizu are digging a tunnel in order to break into the safe of the National Bank. After heavy rainfall, the underground maze gets submerged by water and they are forced to stop working.
- The entrancing love story of Billie and Lucas, a young Brussels couple. The film paints a candid portrait of the formative but also uncertain facets of every (first) love.
- Under the tutelage of commander Walter Van Dyck, young recruits of the Belgian Armed Forces receive their basic military training.
- Through the lens of evolving recording devices, from 16mm film reels and VHS tapes to modern gadgets, CCTV cameras, and military thermal imaging, we follow an army man. He locks his trophies in a jewelry box as a keepsake, cherishes a family photo, and films recruits at boot camp. Yet, he's captured on CCTV committing a crime - a deed forever etched in a computer's memory.
- Up until November 2013, the Gesu convent in Brussels was home to around 250 people including a number of Roma families originating from Slovakia. Over the months leading up to their impending eviction, Ruben Desiere worked with a number of the inhabitans to create a film. Kosmos is loosely based on the book of the same name by the Polish author Witold Gombrowicz. It focuses on the family of Kevin Mroc who had been living at Gesu for three years, and also features two newcomers, Mizu Balasz en Rastjo Vano.
- After a package belonging to a woman residing in the neighboring apartment block is mistakenly delivered to Jimi's address, he attempts to hand it personally to its rightful owner. Only she is never in. As time passes, Jimi's desire to deliver the parcel turns into an obsession.
- Mitten follows the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her company Rosas and cellist Jean- Guihen Queyras, based on the six cello suites by Johann Sebastian Bach. The film offers a glance into De Keersmaeker's meticulous working process, building a choreographic universe by studying the musical composition. This intense creative process of continuously reshaping and honing, characterised by an inexhaustible longing for precision and detail, is reflected in the filmmakers' patient look at the work of the choreographer, the musician and the dancers.