Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-17 of 17
- When a land surveyor arrives at a small snowy village, local authorities refuse to allow him to advance to the nearby castle. Increasingly complicated bureaucratic obstacles arise.
- In only 15 minutes with some 30 people Jane Elliott manages to build up a realistic microcosmos of society today with all its phenomena and feelings. As already known from the ill reputed Milgram experiment, even participants who knew the "rules" are unable to remain uninvolved. What starts as a game turns into cruel reality which causes some participants' emotions to erupt with unforeseen intensity ...
- Two friends from a small Greek town travel to Bulgaria and Switzerland, hoping they can gain money from the difference in foreign exchange rates.
- Like the diary of a journey, "Wild Blue" is a succession of life fragments. Punctuated by female voices, this film gathers children, trees and winds as musical motifs. Variations on these motifs evoke a world wounded by civil or religious horror. A world approached through gestures, silences, gazes and songs. As time goes, these notes for several voices compose a simple poem on listening.
- A successful young Athenian lawyer, Theodora, who is the daughter of a general, takes on the case of Mantzavinos who is a grocer in Kolonos. Trying to avoid the usual hum-drum approach, she becomes involved with a strange gang with a blind beggar for a leader, Linos, a former teacher, and current idol, of hers, who seems to Theodora like a modern Oedipus. Linos' companion and right-hand man is the former caretaker of the school. The group is completed by two sister-hookers, Anta and Mina, who work in a brothel housed in the school building and who sometimes force Linos to beg for money. The gang is planning a "big score", the theft of the antiquities of Plato's Academy, but Theodora's reluctance, combined with the timely intervention of the police, cancel the plan.
- The search for a missing woman gives an Athenian lawyer, Manos - who is suffocating in his marriage to Kynthia - the opportunity to travel to Epirus. Leaving his familiar surroundings, he gradually enters another world, unknown and mysterious. His journey resembles the descent to Hades, and his visit to the supposed entrance to the underworld is revelatory. In Epirus he discovers that Evanthia, the woman he is searching for and whose disappearance twenty years ago provoked a major inheritance issue, has, in the meantime, married a Greek refugee from Albania, Fanis. Circumstances oblige Fanis to return to Albania, but Evanthia goes in his stead. Manos discovers Fanis hiding in an isolated hut and learns that Evanthia has been in Albania for quite some time. He decides to cross the border, finds Evanthia and brings her back. This is a film about loss and searching, both external and internal. An introspective meditation on life inspired by the social disorder of the Balkans in the mid '90s.
- The story of a seriously ill 25-year-old man, in need of a kidney transplant, and his mother, whose fate is also influenced by the explosion of revolutionary events of 1968 in Czechoslovakia, restrained by the Russian invasion of Prague.
- The story of a seriously ill 25-year-old man, in need of a kidney transplant, and his mother, whose fate is also influenced by the explosion of revolutionary events of 1968 in Czechoslovakia, restrained by the Russian invasion of Prague.
- Once upon a time there was a little girl named Nina. Born in Crimea, she and her mother left the country for France. She was only three when they settled down in the town of Meudon. There, Nina's mum became a dance teacher and the little girl soon became a little figure - dancer. After taking classes with famous names of Russian dance mistresses (Trefilova, Preobrajenja, Egorova) she became a dancer in a troupe. In 1946 a good fairy named Roland Petit chose her to be the star of Henri Sauguet's ballet « Les Forains ». Three years later the miracle continued for the little refugee from Meudon, the immense choreographer Serge Lifar called upon her to replace the star dancer of the Paris Opera, Yvette Chauviré. She was now a prima ballerina. Combining her high technical level with a taste for lyricism, mysticism and expressiveness, she furthered her career in the troupe of the Marquis de Cuevas. Until in the mid-1960s, she considered time was ripe for retirement - and for transmission. Dominique Delouche's camera shows her in 1995, at the age of 74, at the Opéra de Paris transmitting to young dancers all the subtleties of her art, particularly the choreographies she inspired in Lifar and other great masters. We also follow her on a trip to her native Russia, to Saint Petersburg, where she is honored at the Russian Ballet Academy, and to Gurzuf, the Crimean town on the Black Sea where she was born. Throughout the film, photos, archive footage and film extracts (including two by Delouche) are interspersed between the sequences devoted to the present, movingly linking a particularly successful life story, a winning mixture of exceptional personal talent and favorable conditions.