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- David Hilton is a mythological research expert. When his friend, Dr Kixley, is kidnapped by dangerous Satanists, David is called on by the Vatican to help save Dr Kixley from an evil end.
- Street sweeper Joe Fallow is approached by the ailing Grim Reaper who offers to train him as his replacement, becoming the new 'face of death'. Elsewhere in town, an evil force threatens to merge the worlds of Hell and Earth into one. And only Joe, assisted by an enigmatic supernatural bounty-hunter, can stop it from happening.
- Kate is devastated when her husband Dan is killed crossing the road outside a charity shop. But inside the shop is a mysterious old tape recorder, which Kate discovers has the power to stop and rewind time itself. Meeting the enigmatic shopkeeper Alice, Kate is introduced to a vast underground library of cassettes - the whole of time, divided into 90 minute segments. Which tape will she choose? And can she save her husband?
- A gentleman arrives for a romantic picnic with his lady friend, only to find her in the arms of another man.
- In April 2002, writer-director Neil Oseman and writer-producer James Clarke set out to make an ambitious fantasy-adventure movie. Telling the story of an ordinary guy who is trained to be the new Grim Reaper, Soul Searcher requires martial arts, countless special effects and a climactic chase between a 1973 Ford Mustang and an express train to Hell. Despite the pair's optimism and over a year of development work, they are unable to raise financing for the project. Oseman decides to go ahead with the film on a shoestring budget, and although Clarke has reservations, he agrees. In October 2003 they begin a six week shoot, taking place almost entirely at night, with an unpaid cast and crew. They have just £7,000 in the bank. The shoot quickly becomes a nightmare with freezing temperatures, props that fall apart and a malfunctioning camera. But the problems are just beginning. Two weeks in, Clarke quits, leaving Oseman and his heroic Assistant Director Ed Reed to carry the project. The schedule overruns, exhausting cast and crew as they shoot from 5pm to 9am more than once.? As post-production arrives, the troubles continue. Reed drops out, the money is long gone and there are 250 FX shots to complete, not to mention that Oseman is dead-set on recording the score with a real orchestra. Can he complete what may just be the most ambitious movie ever made on a five figure budget?