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1-50 of 79
- Castuera, Spain, April 1939. During the night two Falangist Guards appear at the door of the house where Paz is taking refuge with her family. They request her presence at the police station. Paz immediately understands the fatality of this visit.
- How would it look like, the body of Dom Afonso Henriques, first king of Portugal, tutelary figure, subject to successive mythifications throughout Portuguese history?
- Birds fly over two kids playing by the lake. The disappearance of one dims the night of the other.
- A shoemaker wrapped up in memories of his life and the demands of his job, experiences a crucial moment in his existence. We accompany him through an enormous day in his life which will determine his future.
- Iberian smugglers wait for nightfall so they can attempt to cross the treacherous Gerês Mountain on the border of Portugal and Galicia.
- Téo, a lunar teenager, meets the new priest of his rural village, who just returned from Mozambique. As the two get closer, they develop a spiritual bond immersed in attraction.
- Cinderella escapes at midnight, leaving behind one of her glass slippers. The following days, the prince won't put his mind off the idea of completing the pair.
- Reconversion portrays seventeen buildings and projects by Portuguese architect Eduardo Souto Moura, accompanied by his own writings. An investigation upon his architecture and his critical approach.
- YULYA is a film that, without having any dialogues, develops itself as an exploratory and sensorial movement which follows the emotional journey of Yulya, a fragile and precious young woman.
- "During my cleaning duties, I examined the belongings of each guest of the hotel and observed, through the details, lives that will remain unknown", says the temporary chambermaid in a large seaside hotel. Hotel Royal is a fragmented and incomplete mosaic of contemporary society. It could be defined as a film about the horrors of the soul, of voyeurs or simply misfits.
- A Dominican hairdresser's in Buenos Aires serves as a meeting place for all sorts of people. A place where music links them, from reggaeton to modern electronic music, and where dancing expresses freedom and joie de vivre - even for the very youngest.
- The shots of timeless landscapes and sleepy suburbs in Armour often last mere seconds. Sporadically employed title cards help them coalesce into the tale of a man who threatens to lose control of his life. While his father lays dying and his girlfriend has just left him, taking their 11-year-old son, Hector wanders across town and through the surrounding nature dressed in a suit of armour and numbed by alcohol.
- Lisbon, 1971. A young housewife has the courage to find out if there is more to her world than her husband, her baby, and her home. What she discovers is a reality that will change her forever.
- What do you do with the desire that is just awakening? At dance performances, in concerts, during sports, while skating, eyes are searching and bodies are exposed. Each space possesses its own choreography, its own music. Almost without words desire and rejection, hope and disappointment become tangible.
- After her parents' divorce, middle-class teenager Matilde is evicted and moves to a working-class neighborhood in another part of Lisbon. Now she has to adjust to her new life.
- Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.
- In summer, the Portuguese countryside is ravaged by fires. Otilia struggles between her job as a pool cleaner and the need to take care of her mother alone. Stunned by this suffocating daily life, the flames awaken in her solitude, despair and the desire to escape.
- An isolated air traffic controller in a small island of the Azores archipelago is contacted by a lone pilot cut helplessly adrift over the North Atlantic.
- Russa returns to Bairro do Aleixo in Porto, visiting her sister and friends with whom she celebrates her son's birthday. In this brief reunion, Russa returns to the collective memory of her neighbourhood where three of the five towers still remain standing.
- In the comfort of his home, Casaco Rosa uses couture and torture to stitch up the opponents of the system.
- An oil spill contaminates the Brazilian coast. Capivara, an offshore oil rig worker, is evacuated back to Rio de Janeiro, where the locals remain ignorant of the incoming disaster. Despite the danger, Capivara wishes only to return to the offshore oil fields.
- Two points of view. One extreme event. Two voices. There is no more air, not any more, nothing. So much time wasted on little things.
- And then, a house will appear to be waiting for you: as in a slope, this is a leaning story on the memory of places and things, on returns and new beginnings. Are all equal?
- We defined a rule: the sound should not illustrate the image and the image should not absorb the sound.
- Alberto is 40 years old and lives with his mother in an apartment complex where he works as a concierge.
- Bernardino Fernandes emigrated to Canada in the sixties. Over two decades he filmed hundreds of Super 8 reels, organizing them methodically and obsessively, always in silence.
- Johny Good, private detective, fights against corruption and crime in the streets of New York.
- In the last floor of a tall building, a woman lives her memories with obsession.
- Just like a young man starting to love, a river has to find its way through the mountains.
- ..so the past and the future merge into a single present, in the terrible and unusual life of the Cursed Courtyard. " Ivo Andric"
- A survivor travels in search of the last bastion of civilization.
- Donkey's Head is an experimental film that is based on two questions: How comes the first image in our head, and when an image loses its original meaning and becomes into something else.
- This is a film about how the war settles in the body of the people who are forced to live it directly in the eye. And then, thousands of miles away and dozens of years ahead, how, like a virus, it can still infect other human beings.