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1-23 of 23
- How do you craft the portrait of Jean-Luc Godard, or better yet a portrait of his methodology, his universe, his way of constructing or deconstructing cinema, that is equal to his own cinematic audacity and genius? How could it be anything other than by taking risks, and trying out equally radical methods, never straying from to his example. The two filmmakers immerse us into the storage warehouse where, in 2010, all the archives kept by Godard in Switzerland were transferred, and they create a doppelganger (or a duplicate) of the director, who takes up the role of our guide into his world. Excerpts from his writings, his images, his perspective in cinema give us a glimpse into his mythology, his techniques, his singular gaze, and therefore also in his worldview. His questions, his relentless experimentation in cinema, and the nature of creation are showcased here as being both truly prolific, as well as still relevant, while they are intricately intertwined into a film essay that we are certain even Godard himself would have enjoyed.
- On January 11, 2015, a Parisian crowd not seen since the Liberation invaded Paris for the the Republican March, or white march, a gesture dedicated to pushing back terrorism at least in people's minds. Early in the morning, Place de la République.
- Great Lakes, both documentary and stage production: the destruction of the Great Lakes Chemical France plant in Persan, Val d'Oise, and the demolition of its last bastion, 52 m-high chimney, culmination of a local socioeconomic tragedy.
- This film raises important questions about the nature of tradition and technology, localization and globalization, in order to save both the environment and ethnic cultures.
- A report from the 6th Intercommunal Orienteering Fair of Taverny, Bessancourt and Saint-Leu-la Forêt, Val d'Oise: in 2006, some firearms at trade shows dedicated to the future of youth ?. - With IdFM Radio Enghien and Bernard Ventre.
- In their own words, the last surviving South African bushmen tell their story, and of their fight to reclaim their ancestral lands.
- The film portrays the hectic life of the "Great Z", an engine driver of the Abidjan-Ouagadougou line for 20 years, laid off in 1995 by the National Railways of Burkina Faso following the privatization imposed by the World Bank. To the sound of his own particular language, of his harsh and tormented words describing his past and present misfortune, his hate and his hope. An inveterate hedonist to the bone, he suddenly found himself struck down as he was experiencing pure joyfulness. He lost everything, and has since then lived a gloomy life waiting for his retirement pension.
- Atlantic Produce Togo is a company of the Togolese Free Zone that produces and exports ornamental plant cuttings. Because it guarantees certain benefits to its 90 employees, it is considered a social model in Togo. But after 30 years, Altantic Produce is on the brink of bankruptcy. Tony, a young French-Togolese, decides to buy the company to save the social model. But Altantic Produce's situation remains precarious. Between his financial problems and the pressure of his European customers, Tony has more and more difficulties to guarantee the social perks.