In this week’s International TV Newswire: Covid-19 lockdowns halt Spanish post-production; HBO finds a home in Thailand; Globo shifts its broadcast priorities; Sundance Now gets a new Nordic thriller; Zed sells two newly-finished series; and Spain’s “Élite” tops global binge lists as audiences self-isolate.
Coronavirus Halts HBO Post-production of “Patria”
Film and TV shoots have been canceled across Europe and the globe in the wake of Covid-19’s rapid spread, and now with stricter quarantines being put into place in hard-hit countries post-production services are taking a similar hit. Today it was announced that the release of HBO Europe’s highly anticipated Spanish series “Patria” has been pushed back in an effort to reduce risk to the health of those still working on finishing the series.
“We really wanted to release and share #PatriaHBO with you, but due to circumstances that we cannot control and to guarantee the safety of the post-production teams,...
Coronavirus Halts HBO Post-production of “Patria”
Film and TV shoots have been canceled across Europe and the globe in the wake of Covid-19’s rapid spread, and now with stricter quarantines being put into place in hard-hit countries post-production services are taking a similar hit. Today it was announced that the release of HBO Europe’s highly anticipated Spanish series “Patria” has been pushed back in an effort to reduce risk to the health of those still working on finishing the series.
“We really wanted to release and share #PatriaHBO with you, but due to circumstances that we cannot control and to guarantee the safety of the post-production teams,...
- 3/20/2020
- by Jamie Lang
- Variety Film + TV
Spanish erotic thriller Instinto and Nordic Noir thriller Sanctuary are heading to streaming service Starzplay in the UK.
The digital platform will launch the pair of acquisitions from Studiocanal and will launch the scripted series on December 5. Separately, Starzplay will air Starz original drama The Rook in the UK.
Instinto follows Marco Mur, an attractive, successful businessman, whose trauma from his past prevents him from getting emotionally involved with women. Instead, he has intimate encounters in a club where no one knows anyone else. But when his past returns Marco is forced to face it and all the other conflicts in his life. The series stars Mario Casas (The Mule), Ingrid Garcia-Jonsson (Beautiful Youth), Oscar Casas (The Orphanage), Silvia Alonso (Shrew’s Nest) and Bruna Cusi (Red Bracelets).
Created and written by Teresa Fernández-Valdés, Ramón Campos, Gema R. Neira, it is produced by Teresa Fernández-Valdés and Ramon Campos and executive produced...
The digital platform will launch the pair of acquisitions from Studiocanal and will launch the scripted series on December 5. Separately, Starzplay will air Starz original drama The Rook in the UK.
Instinto follows Marco Mur, an attractive, successful businessman, whose trauma from his past prevents him from getting emotionally involved with women. Instead, he has intimate encounters in a club where no one knows anyone else. But when his past returns Marco is forced to face it and all the other conflicts in his life. The series stars Mario Casas (The Mule), Ingrid Garcia-Jonsson (Beautiful Youth), Oscar Casas (The Orphanage), Silvia Alonso (Shrew’s Nest) and Bruna Cusi (Red Bracelets).
Created and written by Teresa Fernández-Valdés, Ramón Campos, Gema R. Neira, it is produced by Teresa Fernández-Valdés and Ramon Campos and executive produced...
- 11/19/2019
- by Peter White
- Deadline Film + TV
Disney and ImageMovers are in talks to pick up movie rights to fantasy series The Stoneheart Trilogy by Charlie Fletcher. The book follows the adventures of 12-year-old George. During a school trip to London's Natural History Museum George vandalises a dragon's head that is carved into the wall. Soon after he finds himself fleeing from a pterodactyl carving that has come to life. He discovers he is in a different reality where his appearance has triggered a new war between good and evil spirits. According to The Hollywood Reporter Robert Zemeckis, Jack Rapke and Steve Starkey will produce. The trilogy is made up of The Stoneheart, The Ironhand and the forthcoming Silvertongue.
- 3/25/2009
- by James Wray
- Monsters and Critics
Robert Zemeckis is continuing to put pretty much all of his eggs in the performance capture basket. His ImageMovers studio and Disney have picked up the film rights to The Stoneheart Trilogy, a children's fantasy series by Charlie Fletcher, which they plan to turn into a performance-capture animated movie. Oddly enough, according to The Hollywood Reporter, the third book in the series is called Silvertongue, which was precisely the name for people with a certain gift in this January's fantasy release Inkheart. Coincidence? Or are all releases intended for children melding into one weird fantasy mishmash? The rest of the Stoneheart plot actually sounds fairly different from Inkheart, following a London boy who finds himself in a magical world where statues come to life and a battle between good and evil rages on. But I guarantee you there will be some confused children when this movie hits theaters, if they...
- 3/24/2009
- cinemablend.com
Disney and ImageMovers are in talks to acquire the film rights to Charlie Fletcher's young-adult fantasy book, "The Stoneheart Trilogy."
The book revolves around a 12-year-old boy who enters a hidden alternate world where statues come to life. Unfortunately, his arrival upsets the balance between good and evil. While he deals against sphinxes and gargoyles, he teams with an orphan girl and the statue of a Wwi gunner to set things right.
As per Hollywood Reporter, ImageMovers' Robert Zemeckis, Jack Rapke, and Steve Starkey will produce.
If "Stoneheart" proves successful at the box office, the sequels "Ironhand" and "Silvertongue," which will be out next month, will follow.
The book revolves around a 12-year-old boy who enters a hidden alternate world where statues come to life. Unfortunately, his arrival upsets the balance between good and evil. While he deals against sphinxes and gargoyles, he teams with an orphan girl and the statue of a Wwi gunner to set things right.
As per Hollywood Reporter, ImageMovers' Robert Zemeckis, Jack Rapke, and Steve Starkey will produce.
If "Stoneheart" proves successful at the box office, the sequels "Ironhand" and "Silvertongue," which will be out next month, will follow.
- 3/24/2009
- icelebz.com
ImageMovers and Disney are in negotiations to pick up film rights to "The Stoneheart Trilogy," a young-adult fantasy book series by Charlie Fletcher. ImageMovers' Robert Zemeckis, Jack Rapke and Steve Starkey will produce. The Hollywood Reporter says the books revolve around a 12-year-old London boy who enters a hidden alternate world where statues, imbued with the soullike essence of their makers, come to life. The boy's presence upsets a balance between good and evil, and while dealing with such creatures as sphinxes and gargoyles, he teams with an orphan girl and the statue of a World War I gunner to try to set things right. The third "Stoneheart" book, "Silvertongue," is due in stores next month. The intent is to adapt Stoneheart using...
- 3/24/2009
- Comingsoon.net
Robert Zemeckis' ImageMovers and Disney are in negotiations to acquire the rights to Charlie Fletcher's young-adult fantasy book series "The Stoneheart Trilogy". The news that ImageMovers is involved means, of course, that this is going to be developed as a completely CGI film based on motion-capture performances, much like Polar Express and Beowulf. The books revolve around a London boy who discovers a hidden world where statues come to life. The boy's presence upsets a balance between good and evil, and he must team with an orphan girl and the statue of a World War I gunner to try to set things right. The first book, called just "Stoneheart", first hit shelves in 2006. One reviewer on Amazon compares the book to the work of Neil Gaiman, although not as twisted. Not only does it feature dragons, but also sphinxes, gargoyles, and pterodactyls, which means it'll be quite a...
- 3/24/2009
- by Alex Billington
- firstshowing.net
Looks like Disney is busy searching for a new fantasy series to replace Narnia - the company has nabbed the rights to The Stoneheart Trilogy. Written by Charlie Fletcher, the books follow a 12-year-old lad who journeys to a hidden parallel world where statues can come to life. Sadly for him, his arrival upsets the nervy balance between good and evil, and sets him against sphinxes and gargoyles. To help sort things out, he teams up with an orphaned girl and a World War One gunner statue. Because, you know, that’s what you... .
.
.
- 3/24/2009
- by jwhite
- TotalFilm
ImageMovers and Disney are in negotiations to pick up film rights to "The Stoneheart Trilogy," a young-adult fantasy book series by Charlie Fletcher. ImageMovers' Robert Zemeckis, Jack Rapke and Steve Starkey will produce.
The books revolve around a 12-year-old London boy who enters a hidden alternate world where statues, imbued with the soullike essence of their makers, come to life. The boy's presence upsets a balance between good and evil, and while dealing with such creatures as sphinxes and gargoyles, he teams with an orphan girl and the statue of a World War I gunner to try to set things right.
The third "Stoneheart" book, "Silvertongue," is due in stores next month.
ImageMovers is set to go into production on "Mars Needs Moms," an adaptation of a Berkeley Breathed children's novel being directed by Simon Wells. It also is developing an adaptation of Eoin Colfer's adventure book "Airman...
The books revolve around a 12-year-old London boy who enters a hidden alternate world where statues, imbued with the soullike essence of their makers, come to life. The boy's presence upsets a balance between good and evil, and while dealing with such creatures as sphinxes and gargoyles, he teams with an orphan girl and the statue of a World War I gunner to try to set things right.
The third "Stoneheart" book, "Silvertongue," is due in stores next month.
ImageMovers is set to go into production on "Mars Needs Moms," an adaptation of a Berkeley Breathed children's novel being directed by Simon Wells. It also is developing an adaptation of Eoin Colfer's adventure book "Airman...
- 3/23/2009
- by By Borys Kit
- The Hollywood Reporter - Movie News
For the first time, the two top producing dogs at Paramount Pictures are teaming on a movie. Paramount has purchased film rights for high-six figures for screenwriter Charlie Fletcher's contemporary novel Stoneheart, which is scheduled for publication in September in the U.S. (Hyperion) and the U.K. (Hachette). Both Scott Rudin and Lorenzo di Bonaventura wanted to produce the movie, which has franchise potential; Fletcher plans to complete a trilogy. Paramount production co-president Alli Shearmur asked the two men to work together on the large-scale project, and they heartily agreed. "It's a great children's book, which Scott and I both read," di Bonaventura said. "We thought, 'This is the way to do 'The Wizard of Oz' in England.' We're setting our goals high." In Stoneheart, London statues of famous people come alive to re-enact their history -- much like 20th Century Fox's holiday comedy Night at the Museum, which brings animals and insects to life at New York's Museum of Natural History. "This is very Harry Potter," said di Bonaventura, who supervised that franchise when he was president of production at Warner Bros. Pictures. "It's scary when gargoyles come to life and soldiers in Trafalgar Square are still fighting battles. It's a very visual piece."...
- 3/20/2006
- The Hollywood Reporter - Movie News
For the first time, the two top producing dogs at Paramount Pictures are teaming on a movie. Paramount has purchased film rights for high-six figures for screenwriter Charlie Fletcher's contemporary novel Stoneheart, which is scheduled for publication in September in the U.S. (Hyperion) and the U.K. (Hachette). Both Scott Rudin and Lorenzo di Bonaventura wanted to produce the movie, which has franchise potential; Fletcher plans to complete a trilogy. Paramount production co-president Alli Shearmur asked the two men to work together on the large-scale project, and they heartily agreed. "It's a great children's book, which Scott and I both read," di Bonaventura said. "We thought, 'This is the way to do 'The Wizard of Oz' in England.' We're setting our goals high." In Stoneheart, London statues of famous people come alive to re-enact their history -- much like 20th Century Fox's holiday comedy Night at the Museum, which brings animals and insects to life at New York's Museum of Natural History. "This is very 'Harry Potter,'" said di Bonaventura, who supervised that franchise when he was president of production at Warner Bros. Pictures. "It's scary when gargoyles come to life and soldiers in Trafalgar Square are still fighting battles. It's a very visual piece."...
- 3/19/2006
- The Hollywood Reporter - Movie News
There is no mistaking the fact that "Mean Machine" comes from the same production company behind the hit British crime films "Lock, Stock and Two Smoking Barrels" and "Snatch". Not only do the casts and dialogue feel very familiar, but all these films are very much for British lads. The simple, often quite brutal entertainment of "Mean Machine" will probably find a strong theatrical life in the United Kingdom and could be an appealing video release in other territories.
Soccer player-turned-actor Vinnie Jones is almost an iconic figure in the United Kingdom, with a reputation for toughness that has transferred to his film roles. He made his debut with "Lock, Stock" as a tough enforcer, developed his skills (as a tough enforcer) in "Snatch", then played tough enforcers in "Swordfish" and "Gone in 60 Seconds". In "Mean Machine", he finally gets to tackle more than a few lines of dialogue.
He is stepping into the boots of Burt Reynolds, however. "Mean Machine" is adapted from the 1974 film "The Longest Yard", in which Reynolds played a footballer (of the NFL variety, however), sent to jail, who trains the prison team to take on the guards. Jones does not have the natural comedy skills of Reynolds nor the star quality, but he does offer a brutal form of charisma.
In "Mean Machine", Jones plays Danny Meehan, a former captain of the England team (though in real life Jones played for the Welsh national team), a man who had it all until he was banned following accusations of fixing an England vs. Germany match. Following a drunken assault on two policemen, he is jailed for three years at the tough HM Longmarsh Prison.
Here he finds that celebrity gets you nowhere, especially since he is regarded as a traitor for fixing a match against Germany, the old footballing enemy. The Governor (David Hemmings), though, has other plans. He wants Danny to train his prison guards soccer team. Siding with the Governor would be a big mistake, so Danny offers to train a team of cons to play against the guards as a preseason warm-up.
Danny finally wins over the tough inmates, especially when he saves a small con nicknamed Massive (Vas Blackwood) from a beating by the guards. Gradually, he puts a team together. Cue a series of amusing scenes of the inmates going through training sessions, consisting mainly of them missing the ball. With the help of the infamous Broadhurst Monk (Jason Statham), a psychotic inmate who is recruited as goalkeeper, the team is lectured in the dirtiest tactics known to soccer.
The big match offers plenty of drama. Danny is told by the Governor that unless he throws the match and allows the prison guards to win, he will be framed for another offense and locked up for even more years.
Excellent performances by veteran actor David Kelly ("Waking Ned Devine"), Danny Dyer, Blackwood and Robbie Gee as fellow prisoners give the film the appropriate atmosphere. Hemmings has fun as the Governor, though as with "Gladiator", his performance tends to be dominated by his bushy eyebrows. Sally Phillips ("Bridget Jones's Diary") has the unfortunate job of being the sole woman in the film, with the seduction of Jones her only job.
Soccer has never really made it on the big screen as it doesn't really lend itself cinematically. Debuting director Barry Skolnick does make a fine attempt at giving the match suitable energy, and Jones at least does know how to look like a soccer player. "Mean Machine" offers no real surprises, and probably should have upped the comedy level.
MEAN MACHINE
United International Pictures (U.K.)
and Paramount Pictures
in association with Ska Films
Producer: Matthew Vaughn
Director: Barry Skolnick
Executive producers: Guy Ritchie, Al Ruddy, Cynthia Pett-Dante
Screenwriters: Charlie Fletcher, Chris Baker, Andy Day
Based on the film: "The Longest Yard"
Director of photography: Alex Barber
Production designer: Russell de Rozario
Music: John Murphy
Costume designer: Stephanie Collie
Editor: Dayn Williams, Eddie Hamilton
Color/stereo
Cast:
Danny Meehan: Vinnie Jones
Monk: Jason Statham
Billy the Limpet: Danny Dyer
Doc: David Kelly
The Governor: David Hemmings
Massive: Vas Blackwood
Trojan: Robbie Gee
Sykes: John Forgeham
Running time -- 92 minutes
No MPAA rating...
Soccer player-turned-actor Vinnie Jones is almost an iconic figure in the United Kingdom, with a reputation for toughness that has transferred to his film roles. He made his debut with "Lock, Stock" as a tough enforcer, developed his skills (as a tough enforcer) in "Snatch", then played tough enforcers in "Swordfish" and "Gone in 60 Seconds". In "Mean Machine", he finally gets to tackle more than a few lines of dialogue.
He is stepping into the boots of Burt Reynolds, however. "Mean Machine" is adapted from the 1974 film "The Longest Yard", in which Reynolds played a footballer (of the NFL variety, however), sent to jail, who trains the prison team to take on the guards. Jones does not have the natural comedy skills of Reynolds nor the star quality, but he does offer a brutal form of charisma.
In "Mean Machine", Jones plays Danny Meehan, a former captain of the England team (though in real life Jones played for the Welsh national team), a man who had it all until he was banned following accusations of fixing an England vs. Germany match. Following a drunken assault on two policemen, he is jailed for three years at the tough HM Longmarsh Prison.
Here he finds that celebrity gets you nowhere, especially since he is regarded as a traitor for fixing a match against Germany, the old footballing enemy. The Governor (David Hemmings), though, has other plans. He wants Danny to train his prison guards soccer team. Siding with the Governor would be a big mistake, so Danny offers to train a team of cons to play against the guards as a preseason warm-up.
Danny finally wins over the tough inmates, especially when he saves a small con nicknamed Massive (Vas Blackwood) from a beating by the guards. Gradually, he puts a team together. Cue a series of amusing scenes of the inmates going through training sessions, consisting mainly of them missing the ball. With the help of the infamous Broadhurst Monk (Jason Statham), a psychotic inmate who is recruited as goalkeeper, the team is lectured in the dirtiest tactics known to soccer.
The big match offers plenty of drama. Danny is told by the Governor that unless he throws the match and allows the prison guards to win, he will be framed for another offense and locked up for even more years.
Excellent performances by veteran actor David Kelly ("Waking Ned Devine"), Danny Dyer, Blackwood and Robbie Gee as fellow prisoners give the film the appropriate atmosphere. Hemmings has fun as the Governor, though as with "Gladiator", his performance tends to be dominated by his bushy eyebrows. Sally Phillips ("Bridget Jones's Diary") has the unfortunate job of being the sole woman in the film, with the seduction of Jones her only job.
Soccer has never really made it on the big screen as it doesn't really lend itself cinematically. Debuting director Barry Skolnick does make a fine attempt at giving the match suitable energy, and Jones at least does know how to look like a soccer player. "Mean Machine" offers no real surprises, and probably should have upped the comedy level.
MEAN MACHINE
United International Pictures (U.K.)
and Paramount Pictures
in association with Ska Films
Producer: Matthew Vaughn
Director: Barry Skolnick
Executive producers: Guy Ritchie, Al Ruddy, Cynthia Pett-Dante
Screenwriters: Charlie Fletcher, Chris Baker, Andy Day
Based on the film: "The Longest Yard"
Director of photography: Alex Barber
Production designer: Russell de Rozario
Music: John Murphy
Costume designer: Stephanie Collie
Editor: Dayn Williams, Eddie Hamilton
Color/stereo
Cast:
Danny Meehan: Vinnie Jones
Monk: Jason Statham
Billy the Limpet: Danny Dyer
Doc: David Kelly
The Governor: David Hemmings
Massive: Vas Blackwood
Trojan: Robbie Gee
Sykes: John Forgeham
Running time -- 92 minutes
No MPAA rating...
November 7, 1995
THE AMERICAN PRESIDENT
Columbia Pictures
After watching his "North" go south at the boxoffice, Rob Reiner has reverted to top form with Columbia Pictures' "The American President", a thoroughly entertaining tale of love at the White House.
Acerbic, warm and timely, the winning picture also boasts one of the year's best scripts and a slew of terrific performances. Michael Douglas, who stepped in when Robert Redford stepped out, makes for a highly effective President Andrew Shepherd, who, in his rare spare time is a widower trying to give his daughter a normal upbringing. But the film's most pleasant surprise is Annette Bening, who is nothing short of sensational here, demonstrating a rarely seen comedic side that expertly conveys the right mix of steely determination and unnerved vulnerability (HR 11/3-5).
Michael Rechtshaffen
FAIR GAME
Warner Bros.
Although popcorn fights might occur during the silliest moments of this very silly exercise in big-bang movie-making, there's just enough preposterous action and sleazy& A to make Joel Silver's latest production an overachiever, at least during the first weekend at the boxoffice. Curiosity over the film debut of model Cindy Crawford and Warner Bros. marketing savvy will line 'em up, but word-of-mouth will be deadly as debut director Andrew Sipes' "Fair Game" is ultimately fatuous bunk inspired to provide only the cheapest sort of thrills.
Based on Paula Gosling's novel, Charlie Fletcher's screenplay boasts some of the most inane dialogue and pitifully inadequate plotting to show up on the screen this year. There's not a single believable moment, but the intended humor is generally lame and the cartoonish characters are not captivating in the slightest.
Bloody, explosive showdowns occur regularly and the body count is hard to keep up with (HR 11/3-5).
David Hunter
ONCE UPON A TIME ...
WHEN WE WERE COLORED
Republic Pictures
Making festival rounds on its way to a January select-site release, TV actor Tim Reid's $2.5 million directorial debut is a dramatically unfocused but nobly intentioned adaptation of Clifton Taulbert's coming-of-age book set among poor blacks in post-World War II Mississippi.
A tough sell outside the core African-American audience, "Once Upon a Time" centers on young Cliff (Willie Norwood Jr.), whose single mother leaves him in the care of grandparents and others in the ramshackle "village" they call home.
Episodic and idealistic in its portrayal of the archetypal characters, Paul Cooper's screenplay concentrates on the strong community environment that nourishes Cliff, with just a few scenes showing the ugliness of the era's overt racism and segregation (HR 11/6).
David Hunter
NOBODY LOVES ME
CFP Distribution
A black comedy about a lonely young woman looking for love, and a big hit in her native Germany, Doris Dorrie's "Nobody Loves Me" will no doubt strike a chord with single women everywhere, if its relentless quirkiness isn't too off-putting.
The chief problem with the film is the relentless and ultimately wearying eccentricity of the characters, who prove to be entertaining but less than endearing (HR 11/6).
Frank Scheck
Other reviews
Also reviewed last week were the films "The Monster" (HR 11/1), "Red Ribbon Blues" (11/2), "Sweet Nothing" (11/3-5) and "Nobody Loves Me (11/6)."...
THE AMERICAN PRESIDENT
Columbia Pictures
After watching his "North" go south at the boxoffice, Rob Reiner has reverted to top form with Columbia Pictures' "The American President", a thoroughly entertaining tale of love at the White House.
Acerbic, warm and timely, the winning picture also boasts one of the year's best scripts and a slew of terrific performances. Michael Douglas, who stepped in when Robert Redford stepped out, makes for a highly effective President Andrew Shepherd, who, in his rare spare time is a widower trying to give his daughter a normal upbringing. But the film's most pleasant surprise is Annette Bening, who is nothing short of sensational here, demonstrating a rarely seen comedic side that expertly conveys the right mix of steely determination and unnerved vulnerability (HR 11/3-5).
Michael Rechtshaffen
FAIR GAME
Warner Bros.
Although popcorn fights might occur during the silliest moments of this very silly exercise in big-bang movie-making, there's just enough preposterous action and sleazy& A to make Joel Silver's latest production an overachiever, at least during the first weekend at the boxoffice. Curiosity over the film debut of model Cindy Crawford and Warner Bros. marketing savvy will line 'em up, but word-of-mouth will be deadly as debut director Andrew Sipes' "Fair Game" is ultimately fatuous bunk inspired to provide only the cheapest sort of thrills.
Based on Paula Gosling's novel, Charlie Fletcher's screenplay boasts some of the most inane dialogue and pitifully inadequate plotting to show up on the screen this year. There's not a single believable moment, but the intended humor is generally lame and the cartoonish characters are not captivating in the slightest.
Bloody, explosive showdowns occur regularly and the body count is hard to keep up with (HR 11/3-5).
David Hunter
ONCE UPON A TIME ...
WHEN WE WERE COLORED
Republic Pictures
Making festival rounds on its way to a January select-site release, TV actor Tim Reid's $2.5 million directorial debut is a dramatically unfocused but nobly intentioned adaptation of Clifton Taulbert's coming-of-age book set among poor blacks in post-World War II Mississippi.
A tough sell outside the core African-American audience, "Once Upon a Time" centers on young Cliff (Willie Norwood Jr.), whose single mother leaves him in the care of grandparents and others in the ramshackle "village" they call home.
Episodic and idealistic in its portrayal of the archetypal characters, Paul Cooper's screenplay concentrates on the strong community environment that nourishes Cliff, with just a few scenes showing the ugliness of the era's overt racism and segregation (HR 11/6).
David Hunter
NOBODY LOVES ME
CFP Distribution
A black comedy about a lonely young woman looking for love, and a big hit in her native Germany, Doris Dorrie's "Nobody Loves Me" will no doubt strike a chord with single women everywhere, if its relentless quirkiness isn't too off-putting.
The chief problem with the film is the relentless and ultimately wearying eccentricity of the characters, who prove to be entertaining but less than endearing (HR 11/6).
Frank Scheck
Other reviews
Also reviewed last week were the films "The Monster" (HR 11/1), "Red Ribbon Blues" (11/2), "Sweet Nothing" (11/3-5) and "Nobody Loves Me (11/6)."...
- 11/7/1995
- The Hollywood Reporter - Movie News
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