The 77th edition of the Cannes Film Festival continues on Day 4 with the world premieres of Three Kilometers to the End of the World, Oh Canada directed by Paul Schrader, and The Surfer, starring Nicolas Cage.
Director Yorgos Lanthimos presented the world premiere of Kinds of Kindness reuniting with past collaborators Emma Stone, Jesse Plemons, and Margaret Qualley from Poor Things.
Lanthimos was joined on the carpet by cast members Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Mamoudou Athie, Joe Alwyn, and Hunter Schafer on Friday, May 17 at the Grand Théâtre Lumière.
Other guests who attended the gala included Lily Gladstone, Eva Green, Pierfrancesco Favino, Kristen Dunst, Demi Moore, Mike Faist, James Franco, Sophie Wilde, Victoria Justice, Tess Barthélemy, Judith Godrèche, Kelly Rutherford, Eva Longoria and Bebe Vio.
Related: ‘Kinds of Kindness’ Cannes Film Festival Premiere Photos: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley & More
Tonight,...
Director Yorgos Lanthimos presented the world premiere of Kinds of Kindness reuniting with past collaborators Emma Stone, Jesse Plemons, and Margaret Qualley from Poor Things.
Lanthimos was joined on the carpet by cast members Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Mamoudou Athie, Joe Alwyn, and Hunter Schafer on Friday, May 17 at the Grand Théâtre Lumière.
Other guests who attended the gala included Lily Gladstone, Eva Green, Pierfrancesco Favino, Kristen Dunst, Demi Moore, Mike Faist, James Franco, Sophie Wilde, Victoria Justice, Tess Barthélemy, Judith Godrèche, Kelly Rutherford, Eva Longoria and Bebe Vio.
Related: ‘Kinds of Kindness’ Cannes Film Festival Premiere Photos: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley & More
Tonight,...
- 5/17/2024
- by Robert Lang
- Deadline Film + TV
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof and Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking...
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof and Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking...
- 5/17/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Jacob Elordi Skips Cannes as Crying Paul Schrader Accepts 4-Minute Standing Ovation for ‘Oh, Canada’
Paul Schrader shed tears as his new film “Oh, Canada” earned a four-minute standing ovation at Cannes Film Festival on Friday night.
Jacob Elordi was notably absent from the premiere, possibly because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out. Im very happy to be back here on the Croisette.”
Elordi, whose star continues to rise after acclaimed turns in “Saltburn” and “Priscilla,” made his Cannes debut last year in Sean Price Williams’ road movie “The Sweet East.”
The drama tells the life story of a troubled writer, Leonard Fife, who at the end of his life reflects on his decision to flee to Canada to avoid the Vietnam War draft. Richard Gere plays the present-day Leonard,...
Jacob Elordi was notably absent from the premiere, possibly because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out. Im very happy to be back here on the Croisette.”
Elordi, whose star continues to rise after acclaimed turns in “Saltburn” and “Priscilla,” made his Cannes debut last year in Sean Price Williams’ road movie “The Sweet East.”
The drama tells the life story of a troubled writer, Leonard Fife, who at the end of his life reflects on his decision to flee to Canada to avoid the Vietnam War draft. Richard Gere plays the present-day Leonard,...
- 5/17/2024
- by Matt Donnelly, Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Paul Schrader’s Oh, Canada, the new drama that reunites the director with his American Gigalo star Richard Gere, had its world premiere at the Cannes Film Festival Friday night, where it was welcomed with a three-minute-plus standing ovation for Schrader and his team at the Grand Lumiere Theatre. With typical Canadian politeness, the crowd even applauded the film’s producers.
Before the premiere, Schrader and the cast of Oh, Canada, including Richard Gere, and Uma Thurman, but not Jacob Elordi, had climbed the red carpet steps up the Palais to the sounds of the Canadian national anthem. Among the famous faces in the audience at the theater was Nathalie Emmanuel.
While the creative team received a warm welcome, the film itself was less warmly received, with only polite applause and a perfunctory standing ovation for Schrader and his cast. But there was a collection of whoops and cheers, and at least one “bravo!
Before the premiere, Schrader and the cast of Oh, Canada, including Richard Gere, and Uma Thurman, but not Jacob Elordi, had climbed the red carpet steps up the Palais to the sounds of the Canadian national anthem. Among the famous faces in the audience at the theater was Nathalie Emmanuel.
While the creative team received a warm welcome, the film itself was less warmly received, with only polite applause and a perfunctory standing ovation for Schrader and his cast. But there was a collection of whoops and cheers, and at least one “bravo!
- 5/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
“How can so much suffering have no meaning?”
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Cannes film festival
A dying director who fled from the US to Canada agrees to make a confessional film in Schrader’s fragmented and anticlimactic story
Muddled, anticlimactic and often diffidently performed, this oddly passionless new movie from Paul Schrader is a disappointment. It is based on the novel Foregone by Russell Banks (Schrader also adapted Banks’s novel Affliction in 1997) and reunites Schrader with Richard Gere, his star from American Gigolo. Though initially intriguing, it really fails to deliver the emotional revelation or self-knowledge that it appears to be leading up to. There are moments of intensity and promise; with a director of Schrader’s shrewdness and creative alertness, how could there not be? But the movie appears to circle endlessly around its own emotions and ideas without closing in.
The title is partly a reference to the national anthem of that nation, which is a place of freedom...
A dying director who fled from the US to Canada agrees to make a confessional film in Schrader’s fragmented and anticlimactic story
Muddled, anticlimactic and often diffidently performed, this oddly passionless new movie from Paul Schrader is a disappointment. It is based on the novel Foregone by Russell Banks (Schrader also adapted Banks’s novel Affliction in 1997) and reunites Schrader with Richard Gere, his star from American Gigolo. Though initially intriguing, it really fails to deliver the emotional revelation or self-knowledge that it appears to be leading up to. There are moments of intensity and promise; with a director of Schrader’s shrewdness and creative alertness, how could there not be? But the movie appears to circle endlessly around its own emotions and ideas without closing in.
The title is partly a reference to the national anthem of that nation, which is a place of freedom...
- 5/17/2024
- by Peter Bradshaw
- The Guardian - Film News
Straying from the hotheaded “Taxi Driver” style that has dominated much of his career, Paul Schrader pays ruminative and respectful tribute to his late friend, novelist Russell Banks, who gave the writer-director the raw material for one of his best films, “Affliction” — and now, for one of his best films in years. Adapted from Banks’ “Foregone” (and given the title the author told Schrader he wanted for the book), “Oh, Canada” presents a dying artist’s final testimony as a multifaceted film-within-a-film, honoring Banks while also revealing so many of Schrader’s own thoughts on mortality.
Fighting a long, painful bout with cancer, documentary filmmaker Leonard Fife has scores of admirers and a shelf full of awards. As the movie opens, two former students, Malcolm (Michael Imperioli) and Diana (Victoria Hill), arrive at their mentor’s Montreal home and proceed to set up a unique camera rig. It’s a...
Fighting a long, painful bout with cancer, documentary filmmaker Leonard Fife has scores of admirers and a shelf full of awards. As the movie opens, two former students, Malcolm (Michael Imperioli) and Diana (Victoria Hill), arrive at their mentor’s Montreal home and proceed to set up a unique camera rig. It’s a...
- 5/17/2024
- by Peter Debruge
- Variety Film + TV
Hard to believe it has been 44 years since Paul Schrader and star Richard Gere last worked together on 1980’s seminal American Gigolo, a film that became not just a keystone in Gere’s celebrated career but also one for one Schrader’s as one of his earliest directorial credits. Of course he has written some of the great screenplays, particularly in his collaborations with Martin Scorsese on Raging Bull, The Last Temptation of Christ and Taxi Driver. But it is what interests him now a half century later as a writer-director that continues to fascinate.
In recent years that has included insular works like The Card Counter, Master Gardener and the critically acclaimed First Reformed. Now he has returned to more of what he labels a “mosaic,” in this case a movie made up of pieces of a life put under a cinematic microscope at different periods, all moving in...
In recent years that has included insular works like The Card Counter, Master Gardener and the critically acclaimed First Reformed. Now he has returned to more of what he labels a “mosaic,” in this case a movie made up of pieces of a life put under a cinematic microscope at different periods, all moving in...
- 5/17/2024
- by Pete Hammond
- Deadline Film + TV
Above: 1980 Japanese poster for Apocalypse Now. Design by Eiko Ishioka, artwork by Haruo Takino.With Francis Ford Coppola’s long-gestated Megalopolis having premiered yesterday at Cannes, it's a good time to look back at the posters from his 60-year-long career. The only problem is that many posters for his films are either too well known or nothing to write home about. Like Coppola’s career itself, there are peaks and valleys—one of my very first posts for Notebook, almost exactly fifteen years ago, was about the gorgeous design for The Rain People (1969)—but a career retrospective of his posters seems like it might result in less than the sum of its parts. Yet of all his posters there are three rare Japanese designs that have always stood out as utterly extraordinary: two for Apocalypse Now (1979) and one for Bram Stoker’s Dracula (1992).I’ve always seen these posters attributed to Eiko Ishioka,...
- 5/17/2024
- MUBI
Martin Scorsese is widely regarded as the greatest living filmmaker of modern cinema. But like a modest director, Scorsese has long credited his success to his collaborative partnership with Thelma Schoonmaker, whom he considers the greatest living film editor. For over five decades, Schoonmaker has been the mastermind behind the editing room, shaping Scorsese’s vision into cinematic masterpieces.
Martin Scorsese at the 74th Berlin International Film Festival 2024 | credit: Harald Krichel/Wikimedia Commons
Scorsese-Schoonmaker collaboration has given birth to the most iconic films in history, including Raging Bull, Goodfellas, and more. However, despite their celebrated legacy that won Martin Scorsese and Thelma Schoonmaker several accolades, their triumphant moment at the 1981 Academy Awards was tinged with sadness.
Martin Scorsese was Snubbed at the Oscars for Raging Bull
Acclaimed filmmaker Martin Scorsese is often known for pushing the boundaries of filmmaking with his iconic vision and spectacular art. But a major part...
Martin Scorsese at the 74th Berlin International Film Festival 2024 | credit: Harald Krichel/Wikimedia Commons
Scorsese-Schoonmaker collaboration has given birth to the most iconic films in history, including Raging Bull, Goodfellas, and more. However, despite their celebrated legacy that won Martin Scorsese and Thelma Schoonmaker several accolades, their triumphant moment at the 1981 Academy Awards was tinged with sadness.
Martin Scorsese was Snubbed at the Oscars for Raging Bull
Acclaimed filmmaker Martin Scorsese is often known for pushing the boundaries of filmmaking with his iconic vision and spectacular art. But a major part...
- 5/17/2024
- by Krittika Mukherjee
- FandomWire
Martin Scorsese is acknowledged for his multiple collaborations with two of Tinseltown’s finest leading men, Leonardo DiCaprio & Robert De Niro. As giants in their field, they’ve individually contributed to Scorsese with masterful performances that have shaken audiences and critics alike.
Yet, having already gifted us cinematic treasures like Mean Streets and Taxi Driver, Scorsese once found himself at a harrowing crossroads. Is a masterpiece really born out of a personal crisis? Well, the answer lies in Scorsese’s own phoenix-like rise from the ashes of adversity, as he faced a dire period marred by substance abuse, depression, and the chilly reception of his bold musical New York, New York.
Leonardo DiCaprio & Robert De Niro in Martin Scorsese’s Killers of the Flower Moon/Paramount Pictures
It took a hospital bed realization and the profound intervention of his artistic compatriot, Robert De Niro, to channel his turbulent experience into the creation of Raging Bull.
Yet, having already gifted us cinematic treasures like Mean Streets and Taxi Driver, Scorsese once found himself at a harrowing crossroads. Is a masterpiece really born out of a personal crisis? Well, the answer lies in Scorsese’s own phoenix-like rise from the ashes of adversity, as he faced a dire period marred by substance abuse, depression, and the chilly reception of his bold musical New York, New York.
Leonardo DiCaprio & Robert De Niro in Martin Scorsese’s Killers of the Flower Moon/Paramount Pictures
It took a hospital bed realization and the profound intervention of his artistic compatriot, Robert De Niro, to channel his turbulent experience into the creation of Raging Bull.
- 5/17/2024
- by Siddhika Prajapati
- FandomWire
What makes for a Cannes Palme d’Or winner? Ignore the critics, because it’s up to the jury, this year led by president Greta Gerwig, to decide.
While far-flung prognosticators might consult the ever-updating Screen Daily international critics’ grid for the writing on the walls, predicting winners is more about assessing the makeup and tastes of the jury. Screening 22 films are filmmakers like J.A. Bayona, Nadine Labaki, and Hirokazu Kore-eda, plus actors like Lily Gladstone, Ebru Ceylan, Eva Green, and Omar Sy. Though past Palme d’Or winners indicate jurors respond to emotion, more recent winners have been less typically audience-pleasing. Last year’s Palme d’Or recipient, “Anatomy of a Fall,” was hardly an overwhelmingly emotional movie, but its smart screenplay and great performances took it beyond Cannes all the way to a Best Original Screenplay Oscar win (for director Justine Triet and her partner and co-writer Arthur Harari...
While far-flung prognosticators might consult the ever-updating Screen Daily international critics’ grid for the writing on the walls, predicting winners is more about assessing the makeup and tastes of the jury. Screening 22 films are filmmakers like J.A. Bayona, Nadine Labaki, and Hirokazu Kore-eda, plus actors like Lily Gladstone, Ebru Ceylan, Eva Green, and Omar Sy. Though past Palme d’Or winners indicate jurors respond to emotion, more recent winners have been less typically audience-pleasing. Last year’s Palme d’Or recipient, “Anatomy of a Fall,” was hardly an overwhelmingly emotional movie, but its smart screenplay and great performances took it beyond Cannes all the way to a Best Original Screenplay Oscar win (for director Justine Triet and her partner and co-writer Arthur Harari...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Update: In his first mainstream television interview in years (excerpted by THR), Kevin Spacey sat down with Chris Cuomo on NewsNation to address what’s being seen as resistance (by some) to his return to acting. While he acknowledges those who have supported him, such as Neeson and Stone, he blames fear for the fact that many have only reached out to him privately rather than publically. “But there are also people that I’ve spoken to who, they love me, they believe in me. They’ve stood with me in private… but they’re afraid to stand up. And I’ve been very fortunate that people have been honest with me about that. And I think that’s a shame, that we’ve come to a place as a society where people are afraid to say what they believe and what they feel because they’re afraid they’re going to get canceled too.
- 5/17/2024
- by Kevin Fraser
- JoBlo.com
Is Francis Ford Coppola’s controversial magnum opus “Megalopolis” any good?
The two hour and 20 minute dystopian drama certainly divided the audience at the Cannes Film Festival on Thursday night with its collision course of shocking scenes: a doctored sex tape featuring Adam Driver, Shia Labeouf in drag playing a Trumpian figure and Aubrey Plaza dominating her way through a slew of men.
But there was still a huge amount of respect for iconic director Coppola, who received a four-minute standing ovation upon entering the room. After the credits rolled — which included a tribute to his late wife Eleanor — and the standing ovation began, Coppola hugged Driver and Giancarlo Esposito and got emotional as he made a speech dedicating the film to hope and family.
“Thank you all so much. It is so impossible to find words to tell you how I feel,” Coppola said, then introducing his family members in the audience.
The two hour and 20 minute dystopian drama certainly divided the audience at the Cannes Film Festival on Thursday night with its collision course of shocking scenes: a doctored sex tape featuring Adam Driver, Shia Labeouf in drag playing a Trumpian figure and Aubrey Plaza dominating her way through a slew of men.
But there was still a huge amount of respect for iconic director Coppola, who received a four-minute standing ovation upon entering the room. After the credits rolled — which included a tribute to his late wife Eleanor — and the standing ovation began, Coppola hugged Driver and Giancarlo Esposito and got emotional as he made a speech dedicating the film to hope and family.
“Thank you all so much. It is so impossible to find words to tell you how I feel,” Coppola said, then introducing his family members in the audience.
- 5/16/2024
- by Ellise Shafer
- Variety Film + TV
Filmmaking was the domain of Oscar-winning director Martin Scorsese before Joe and Anthony Russo turned it into a family affair. How? The director of Taxi Driver, 81, has worked on almost every movie in which his family was involved. Catherine Scorsese, his late mother, was one of his closest collaborators and made appearances in several of her son’s films.
Her most famous role, however, is that of Mrs. DeVito (Tommy’s mother) in the Robert De Niro starrer film Goodfellas. And Scorsese once shared a cute little fact about this cameo. Having said that, even though it is unquestionably a superbly made film, one of its most memorable scenes was still largely improvised.
Martin Scorsese at the 60th Berlin International Film Festival | image: Wikimedia Commons/Siebb
Indeed, the dinner scene with Catherine Scorsese is unquestionably hilarious in this biographical crime drama film, and to make the scene even better, she improvised most part of it.
Her most famous role, however, is that of Mrs. DeVito (Tommy’s mother) in the Robert De Niro starrer film Goodfellas. And Scorsese once shared a cute little fact about this cameo. Having said that, even though it is unquestionably a superbly made film, one of its most memorable scenes was still largely improvised.
Martin Scorsese at the 60th Berlin International Film Festival | image: Wikimedia Commons/Siebb
Indeed, the dinner scene with Catherine Scorsese is unquestionably hilarious in this biographical crime drama film, and to make the scene even better, she improvised most part of it.
- 5/16/2024
- by Siddhika Prajapati
- FandomWire
Richard Gere and Jacob Elordi star in Paul Schrader’s latest, highly anticipated film ‘Oh, Canada,’ which premieres at the Cannes Film Festival on Friday.
Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam” who “shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard.
In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate. “Amanda was a jazz pianist,” his voiceover begins. “She said she was the mistress of Gerry Mulligan, but he was always on the road.” Then, the footage displays the film’s magic trick, as Elordi’s younger Leonard appears, pushing open the home’s gate and peering in the window,...
Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam” who “shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard.
In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate. “Amanda was a jazz pianist,” his voiceover begins. “She said she was the mistress of Gerry Mulligan, but he was always on the road.” Then, the footage displays the film’s magic trick, as Elordi’s younger Leonard appears, pushing open the home’s gate and peering in the window,...
- 5/16/2024
- by Angelique Jackson
- Variety Film + TV
Uma Thurman has been to Cannes more times than she can remember, either to pledge support for the glamorous annual charity event amfAR or with films as diverse as the genteel Merchant-Ivory period film The Golden Bowl (2000) and Quentin Tarantino’s ultraviolent Kill Bill: Volume 2 (2004), in which she reprised her badass role as The Bride. The film that propelled her to stardom, Pulp Fiction, won the Palme d’Or there, and Thurman hasn’t forgotten what it did for her. This year, she’s back with Paul Schrader’s Oh, Canada, the kind of smart, character-based indie on which she earned her spurs.
Deadline: How did you get involved with Oh, Canada?
Uma Thurman: Really, I just got the call through my agents to read a Paul Schrader script and meet with him. I’m so glad I did. I love Paul Schrader.
Deadline: Did you know him already?...
Deadline: How did you get involved with Oh, Canada?
Uma Thurman: Really, I just got the call through my agents to read a Paul Schrader script and meet with him. I’m so glad I did. I love Paul Schrader.
Deadline: Did you know him already?...
- 5/16/2024
- by Damon Wise
- Deadline Film + TV
It’s been more than four decades since Paul Schrader and Richard Gere worked together on the seminal American Gigolo. Some 40 years after they impressed upon audiences the power of a well-tailored Giorgio Armani suit, the director and star have reteamed for Oh, Canada.
The film, which is premiering in the Cannes Film Festival competition and is being sold out of the fest by Arclight Films and WME Independent, sees Gere play Leonard Fife, a renowned muckraking documentarian who, as he is dealing with a terminal illness, decides to sit for a documentary to tell the truth about his own life story while his wife and longtime filmmaking partner, Emma (Uma Thurman), listens in the wings. The story flashes back to his younger, unmoored self (Jacob Elordi) who stumbles into a career as a documentarian and travels to Canada under the auspices of dodging the Vietnam draft, but is revealed...
The film, which is premiering in the Cannes Film Festival competition and is being sold out of the fest by Arclight Films and WME Independent, sees Gere play Leonard Fife, a renowned muckraking documentarian who, as he is dealing with a terminal illness, decides to sit for a documentary to tell the truth about his own life story while his wife and longtime filmmaking partner, Emma (Uma Thurman), listens in the wings. The story flashes back to his younger, unmoored self (Jacob Elordi) who stumbles into a career as a documentarian and travels to Canada under the auspices of dodging the Vietnam draft, but is revealed...
- 5/16/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The tagline for the 2024 Cannes Film Festival should probably be “Back to the Future.” Indeed, four Hollywood legends who first established themselves in the 1970s as part of the “New Hollywood,” and haven’t been back to festival in decades, are front and center on the Croisette this year.
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
- 5/15/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Reflecting on her illustrious career at Cannes Film Festival, Oscar winner Meryl Streep opened up about one of her most iconic on-screen moments — the shampoo scene from “Out of Africa.”
The 1986 Sydney Pollack film starred Streep and Robert Redford as a baroness and a big game hunter who fall in love in a lush desert romance. In what is considered one of the most intimate moments in movie history, Redford gives Streep a steamy salon scrub in a South African river. The actress went so far as to call the moment a sex scene.
“It’s a sex scene in a way, because it’s so intimate. We’ve seen so many scenes of people fucking, but we don’t see that loving touch, that care,” Streep said to big applause during a conversation at Cannes’ Théâtre Debussy.
In an interesting wrinkle, Redford needed some coaching on precisely how to...
The 1986 Sydney Pollack film starred Streep and Robert Redford as a baroness and a big game hunter who fall in love in a lush desert romance. In what is considered one of the most intimate moments in movie history, Redford gives Streep a steamy salon scrub in a South African river. The actress went so far as to call the moment a sex scene.
“It’s a sex scene in a way, because it’s so intimate. We’ve seen so many scenes of people fucking, but we don’t see that loving touch, that care,” Streep said to big applause during a conversation at Cannes’ Théâtre Debussy.
In an interesting wrinkle, Redford needed some coaching on precisely how to...
- 5/15/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Is there a harder-working actor in the movie business than Willem Dafoe? The 68-year-old, who splits his time between Los Angeles, New York and Rome, has appeared in more than 150 films, co-starring in everything from superhero features to dozens of movie-buff favorites from David Lynch, Martin Scorsese, Lars von Trier, Paul Schrader, Oliver Stone, Julian Schnabel, Wes Anderson, Sean Baker, Spike Lee, Robert Eggers and so many more.
Fresh from his acclaimed performance in Yorgos Lanthimos‘ recent awards season favorite Poor Things, Dafoe is already returning to Cannes this month in the Greek director’s much-buzzed-about follow-up, Kinds of Kindness. Described as a surrealist fable set in the present day, the new project is an anthology film told in three parts, reuniting Lanthimos with the provocative screenwriting partner of his early career, Efthymis Filippou (Dogtooth, The Lobster, The Killing of a Sacred Deer). The film’s multi-Oscar-feted key cast — Dafoe,...
Fresh from his acclaimed performance in Yorgos Lanthimos‘ recent awards season favorite Poor Things, Dafoe is already returning to Cannes this month in the Greek director’s much-buzzed-about follow-up, Kinds of Kindness. Described as a surrealist fable set in the present day, the new project is an anthology film told in three parts, reuniting Lanthimos with the provocative screenwriting partner of his early career, Efthymis Filippou (Dogtooth, The Lobster, The Killing of a Sacred Deer). The film’s multi-Oscar-feted key cast — Dafoe,...
- 5/15/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
One of the pleasures of the Cannes Film Festival is seeing what films and what directors break out. Sure, in the current crop of films premiering at the 77th festival this May, there are some big names everybody knows; you don’t need an explainer to know that Francis Ford Coppola and “Megalopolis” are a big deal. But Cannes is also where filmmakers such as Julia Ducournau and Justine Triet gained wide exposure and became international known quantities, thanks to the prestige granted by nabbing the festival’s top prize, the Palme d’Or.
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
Introduced a full decade into the festival’s existence, the Palme d’Or has a strong pedigree associated with it; several of the films that received the prize — “La Dolce Vita,” “The Umbrellas of Cherbourg,” “Taxi Driver,” “Paris, Texas,” “Pulp Fiction,” “The Tree of Life,” “Parasite,” and way too many others to properly list — have claim...
- 5/15/2024
- by Wilson Chapman
- Indiewire
Who let the dog out?
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
- 5/14/2024
- by Brent Lang and Ramin Setoodeh
- Variety Film + TV
Before Meryl Streep could accept her honorary Palme d’Or at the Cannes Film Festival on Tuesday night, she was greeted by a thunderous two-minute standing ovation. The 74-year-old Oscar winner was so overcome with emotion that she first pretended to walk off the stage, but eventually began to dance to the applause.
French star Juliette Binoche, herself emotional, presented the award to Streep, saying: “When I see you on the screen, I don’t see you … Where does it come from? Were you born like this? I don’t know, but there’s a believer in you; a believer that allows me to believe.”
Binoche called Streep “an international treasure” as she listed off many of Streep’s most beloved roles, from “Sophie’s Choice” to “Julie and Julia.” Binoche later added, “You changed the way we look at cinema.”
In her speech, Streep thanked Cannes for welcoming her back after 35 years,...
French star Juliette Binoche, herself emotional, presented the award to Streep, saying: “When I see you on the screen, I don’t see you … Where does it come from? Were you born like this? I don’t know, but there’s a believer in you; a believer that allows me to believe.”
Binoche called Streep “an international treasure” as she listed off many of Streep’s most beloved roles, from “Sophie’s Choice” to “Julie and Julia.” Binoche later added, “You changed the way we look at cinema.”
In her speech, Streep thanked Cannes for welcoming her back after 35 years,...
- 5/14/2024
- by Ellise Shafer
- Variety Film + TV
Richard Gere is back onscreen with his own mini renaissance.
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
These auteurs are ready for their close-up.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
- 5/14/2024
- by Gregg Goldstein
- Variety Film + TV
Oh, Canada debuting this week on the Croisette is high time to see lesser-seen Schrader on the Criterion Channel, who’ll debut an 11-title series including the likes of Touch, The Canyons, and Patty Hearst, while Old Boyfriends (written with his brother Leonard) and his own “Adventures in Moviegoing” are also programmed. Five films by Jean Grémillon, a rather underappreciated figure of French cinema, will be showing
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
Series-wise, there’s an appreciation of the synth soundtrack stretching all the way back to 1956’s Forbidden Planet while, naturally, finding its glut of titles in the ’70s and ’80s––Argento and Carpenter, obviously, but also Tarkovsky and Peter Weir. A Prince and restorations of films by Bob Odenkirk, Obayashi, John Greyson, and Jacques Rivette (whose Duelle is a masterpiece of the highest order) make streaming debuts. I Am Cuba, Girlfight, The Royal Tenenbaums, and Dazed and Confused are June’s Criterion Editions.
- 5/14/2024
- by Nick Newman
- The Film Stage
As Cannes Film Festival kicks off, the Paris-based international sales company MK2 Films has revealed it has acquired three films and made substantial investments in new restorations, set against the backdrop of a strong presence at Cannes Classics.
MK2 Films has entered into a collaboration with the Niki Charitable Art Foundation on the global rights (excluding the U.S.) for two films directed by artist Niki de Saint Phalle: “Un Rêve plus long que la nuit” (1976) and “Daddy” (1973). “Un Rêve plus long que la nuit” has been restored in 4K by L’Immagine Ritrovata (Bologna-Paris) under the supervision of Arielle de Saint Phalle and with funding from Dior. It was presented at Il Cinema Ritrovato in Bologna, New York Film Festival and the new Los Angeles Festival of Movies. “Daddy” will soon be available in a restored version. MK2 Films described it as a “unique feminist work by one of...
MK2 Films has entered into a collaboration with the Niki Charitable Art Foundation on the global rights (excluding the U.S.) for two films directed by artist Niki de Saint Phalle: “Un Rêve plus long que la nuit” (1976) and “Daddy” (1973). “Un Rêve plus long que la nuit” has been restored in 4K by L’Immagine Ritrovata (Bologna-Paris) under the supervision of Arielle de Saint Phalle and with funding from Dior. It was presented at Il Cinema Ritrovato in Bologna, New York Film Festival and the new Los Angeles Festival of Movies. “Daddy” will soon be available in a restored version. MK2 Films described it as a “unique feminist work by one of...
- 5/14/2024
- by Leo Barraclough
- Variety Film + TV
The 2024 Cannes Film Festival may be lighter on glitz and glamour than in years past, but that means arthouse and international fare from emerging and established filmmakers will get a chance to shine. Still, at least two American auteurs, Francis Ford Coppola (“Megalopolis”) and Paul Schrader, have films in the main competition for the first time in decades. David Cronenberg (“The Shrouds”) and Yorgos Lanthimos (“Kinds of Kindness”) are also back at the festival, with both making personal stories in their own way: Cronenberg, here, reckons with grief over the death of his wife seven years ago, while Lanthimos appears to retreat back into “Dogtooth” territory in a film that’s almost a rebuke of the global success he’s acquired with “Poor Things” and “The Favourite.”
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
- 5/14/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
Jury duty began Tuesday, May 14 for this year’s Cannes Film Festival competition panelists, led by president Greta Gerwig, the billion-dollar filmmaker behind “Barbie.”
Omar Sy, Eva Green, Lily Gladstone, Pierfrancesco Favino, Hirokazu Kore-eda, J.A. Bayona, Nadine Labaki, and Ebru Ceylan, along with Gerwig, convened at the Palais des Festivals for the annual opening day press conference. Tonight’s festival launches with the world premiere of Quentin Dupieux’s “The Second Act.” The jury will discuss, debate, and deliberate on films including Paul Schrader’s “Oh, Canada,” Francis Ford Coppola’s “Megalopolis,” Andrea Arnold’s “Bird,” Yorgos Lanthimos’ “Kinds of Kindness,” and more.
But the 77th edition of the global leading film festival is on edge right now as Cannes stares down two major scandals plaguing the Croisette and the French film industry at large. There’s a looming potential strike from a labor collective calling itself Sous les écrans la dèch,...
Omar Sy, Eva Green, Lily Gladstone, Pierfrancesco Favino, Hirokazu Kore-eda, J.A. Bayona, Nadine Labaki, and Ebru Ceylan, along with Gerwig, convened at the Palais des Festivals for the annual opening day press conference. Tonight’s festival launches with the world premiere of Quentin Dupieux’s “The Second Act.” The jury will discuss, debate, and deliberate on films including Paul Schrader’s “Oh, Canada,” Francis Ford Coppola’s “Megalopolis,” Andrea Arnold’s “Bird,” Yorgos Lanthimos’ “Kinds of Kindness,” and more.
But the 77th edition of the global leading film festival is on edge right now as Cannes stares down two major scandals plaguing the Croisette and the French film industry at large. There’s a looming potential strike from a labor collective calling itself Sous les écrans la dèch,...
- 5/14/2024
- by Ryan Lattanzio
- Indiewire
Are we headed for a bon marché?
A new class of finished films and packages (unmade movies with big stars and a director attached) will travel to Cannes this week in search of cash and homes with the studios, streamers and global indie players.
The 2024 Cannes market comes equipped with some interesting contradictions. Stateside, the content buying machine is fraught. Major media stock prices are getting hammered day by day, and a new age of austerity has gripped the once free-spending tech giants. At the same time, distributors paralyzed by the 2023 Hollywood labor strikes need content to fill their slates for the end the year and the top of 2025.
“We’d agree that finished film volume isn’t as high due to the strikes, but Cannes is a much better setting for packages to begin with,” one top sales agent told Variety. “These movies can get financed out of the international marketplace,...
A new class of finished films and packages (unmade movies with big stars and a director attached) will travel to Cannes this week in search of cash and homes with the studios, streamers and global indie players.
The 2024 Cannes market comes equipped with some interesting contradictions. Stateside, the content buying machine is fraught. Major media stock prices are getting hammered day by day, and a new age of austerity has gripped the once free-spending tech giants. At the same time, distributors paralyzed by the 2023 Hollywood labor strikes need content to fill their slates for the end the year and the top of 2025.
“We’d agree that finished film volume isn’t as high due to the strikes, but Cannes is a much better setting for packages to begin with,” one top sales agent told Variety. “These movies can get financed out of the international marketplace,...
- 5/14/2024
- by Matt Donnelly
- Variety Film + TV
Industry veterans and producers Frida Torresblanco (Pan’s Labyrinth) and Frank Murray (First Reformed), have launched Hangtime, a transatlantic production company headquartered in both London and New York.
Unveiled Tuesday as the duo works from the Cannes Film Festival and market, Hangtime will develop and produce U.S. and regional content with global appeal.
The partnership will focus on specialist and mainstream content across film, television, and documentaries in both English and Spanish language. The team is backed by an eight-figure investment out of New York and are in the late stages of securing an additional development fund.
Their lineup across film and television will span all genres including drama, crime, thrillers, action/adventure, horror, and sci-fi.
Whilst remaining true to “unwavering creative integrity, the company is built as an agile development-to-delivery operation with a focus on the fundamentals of production efficiency.” Hangtime will also work with partners to be...
Unveiled Tuesday as the duo works from the Cannes Film Festival and market, Hangtime will develop and produce U.S. and regional content with global appeal.
The partnership will focus on specialist and mainstream content across film, television, and documentaries in both English and Spanish language. The team is backed by an eight-figure investment out of New York and are in the late stages of securing an additional development fund.
Their lineup across film and television will span all genres including drama, crime, thrillers, action/adventure, horror, and sci-fi.
Whilst remaining true to “unwavering creative integrity, the company is built as an agile development-to-delivery operation with a focus on the fundamentals of production efficiency.” Hangtime will also work with partners to be...
- 5/14/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Exclusive: Veteran producers Frida Torresblanco (Pan’s Labyrinth) and Frank Murray (First Reformed) have teamed up to launch Hangtime International Pictures, a new transatlantic production company headquartered in London and New York.
Backed by an eight-figure investment out of New York, the company will focus on developing and producing what London-based Murray and NYC-based Torresblanco described to us as “U.S. and regional content with global appeal.”
The partners told us they will work on high-end, specialist, and mainstream content across film, television, and documentaries in both English and Spanish. In addition to the US and Spain, Torresblanco and Murray told us they will prioritize producing content in other key markets, including the UK, Ireland, Australia, Canada, and Latam. The company is currently in the process of securing cash for an additional development fund.
“We are so very thankful to our backers for believing in our vision for Hangtime,” Murray told us.
Backed by an eight-figure investment out of New York, the company will focus on developing and producing what London-based Murray and NYC-based Torresblanco described to us as “U.S. and regional content with global appeal.”
The partners told us they will work on high-end, specialist, and mainstream content across film, television, and documentaries in both English and Spanish. In addition to the US and Spain, Torresblanco and Murray told us they will prioritize producing content in other key markets, including the UK, Ireland, Australia, Canada, and Latam. The company is currently in the process of securing cash for an additional development fund.
“We are so very thankful to our backers for believing in our vision for Hangtime,” Murray told us.
- 5/14/2024
- by Zac Ntim
- Deadline Film + TV
Last summer, Paul Schrader was about to start shooting “Oh, Canada,” his adaptation of Russell Banks’ novel about a troubled artist taking stock of his life, when the major actors union went on strike. For a second, it looked like all that hard work, passion and planning might be for nothing — with performers on the picket lines and major studios holding out on their contract demands, it was hard to see how cameras would ever roll on the low-budget indie.
“Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film. “We were in this position where we had spent all this money and secured all this talent and we weren’t sure we could move forward until the strikes were over.”
Because it was made outside the studio system, “Oh, Canada” was able to get a union waiver and...
“Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film. “We were in this position where we had spent all this money and secured all this talent and we weren’t sure we could move forward until the strikes were over.”
Because it was made outside the studio system, “Oh, Canada” was able to get a union waiver and...
- 5/14/2024
- by Brent Lang, John Hopewell and Elsa Keslassy
- Variety Film + TV
Cannes isn’t Sundance. The movies on offer aren’t generally genre horror box office surprises or heartwarming indie dramedies, and sometimes they’re not even sure-fire Oscar hopefuls.
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
- 5/13/2024
- by Brian Welk
- Indiewire
Sigourney Weaver is in talks to star in the upcoming Star Wars film, The Mandalorian & Grogu.
Word of Weaver’s involvement became public on Friday, first reported by The InSneider newsletter. Currently, her role and its scope are unknown, but given Weaver’s track record for starring in sci-fi hits, the casting feels appropriate.
The Mandalorian & Grogu was first announced this past January, and will see Pedro Pascal reprise the titular role that he originated with the 2019 Disney+ series The Mandalorian. N0w, making the jump to the big screen, the film will expand upon the show’s universe (which also spurred the spinoff series Ahsoka).
Jon Favreau, creator of The Mandalorian, will return to direct the film, which also marks the first feature-length Star Wars release since 2019’s Star Wars: The Rise of Skywalker. Lucasfilm head Kathleen Kennedy and chief creative officer Dave Filoni will produce, as will Favreau.
Word of Weaver’s involvement became public on Friday, first reported by The InSneider newsletter. Currently, her role and its scope are unknown, but given Weaver’s track record for starring in sci-fi hits, the casting feels appropriate.
The Mandalorian & Grogu was first announced this past January, and will see Pedro Pascal reprise the titular role that he originated with the 2019 Disney+ series The Mandalorian. N0w, making the jump to the big screen, the film will expand upon the show’s universe (which also spurred the spinoff series Ahsoka).
Jon Favreau, creator of The Mandalorian, will return to direct the film, which also marks the first feature-length Star Wars release since 2019’s Star Wars: The Rise of Skywalker. Lucasfilm head Kathleen Kennedy and chief creative officer Dave Filoni will produce, as will Favreau.
- 5/11/2024
- by Jo Vito
- Consequence - Film News
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
Paul Schrader has often landed himself in controversies with his anti-political correctness takes. There have been instances when Schrader was asked to back down from social media during his film’s release. He continues his usual controversial takes by announcing a Frank Sinatra biopic starring Kevin Spacey. Schrader had defended the actor back in 2018 at the peak of the #MeToo movement. He wants to cast him now since Spacey was cleared of the charges against him.
The Card Counter director Paul Schrader wants to cast Kevin Spacey in his Frank Sinatra biopic
Schrader’s intention to fight against Cancel Culture could cost him his movie as no studio may be willing to work on a controversial project. Even if it gets taken up by a studio, Schrader’s film still has to compete with Martin Scorsese’s biopic of the late singer and actor.
Paul Schrader Wants To Bring Back...
The Card Counter director Paul Schrader wants to cast Kevin Spacey in his Frank Sinatra biopic
Schrader’s intention to fight against Cancel Culture could cost him his movie as no studio may be willing to work on a controversial project. Even if it gets taken up by a studio, Schrader’s film still has to compete with Martin Scorsese’s biopic of the late singer and actor.
Paul Schrader Wants To Bring Back...
- 5/10/2024
- by Hashim Asraff
- FandomWire
According to a Variety interview, yes. But is this part of the director and Taxi Driver writer’s self-mythologising? The American Kennel Club might have the answer
Stephen Rodrick’s interview with Paul Schrader in Variety is a thing of great heft. Over the course of the piece, Schrader grapples openly with the looming spectre of death, contacts Kevin Spacey to star in a potential Sinatra biopic and revisits a decade-old feud he has had with his own interviewer. But that isn’t why people will remember it. No, they will remember the interview because, out of nowhere, Martin Scorsese’s dog eats Paul Schrader’s finger.
During one of their conversations for the piece, late last year, Schrader turned up for dinner with “a massive, bloody bandage” wrapped around his hand. Rodrick asks what happened, and then pastes in a transcript of the following exchange.
Stephen Rodrick’s interview with Paul Schrader in Variety is a thing of great heft. Over the course of the piece, Schrader grapples openly with the looming spectre of death, contacts Kevin Spacey to star in a potential Sinatra biopic and revisits a decade-old feud he has had with his own interviewer. But that isn’t why people will remember it. No, they will remember the interview because, out of nowhere, Martin Scorsese’s dog eats Paul Schrader’s finger.
During one of their conversations for the piece, late last year, Schrader turned up for dinner with “a massive, bloody bandage” wrapped around his hand. Rodrick asks what happened, and then pastes in a transcript of the following exchange.
- 5/10/2024
- by Stuart Heritage
- The Guardian - Film News
Paul Schrader has spoken with Kevin Spacey about the actor starring in a Frank Sinatra biopic, despite multiple allegations still flanking the actor. Spacey is facing a civil trial in the U.K. in 2025 over allegations for which he was acquitted there in a criminal court last year. A new U.K. docuseries airing on Channel 4 also features claims of sexual offenses by the actor from 10 men.
Writer/director Schrader told Variety that he has been in contact with Spacey about him portraying an elderly Sinatra for a film.
“Cancel culture won’t let him go,” Schrader said of Spacey, citing that the actor was acquitted of sexually assaulting four men in 2023. “He’s reading a book on how Charlie Chaplin was canceled.”
Schrader added of the potential biopic, “I would not use Kevin if he had been convicted. But he was not convicted.”
Schrader’s latest film “Oh, Canada...
Writer/director Schrader told Variety that he has been in contact with Spacey about him portraying an elderly Sinatra for a film.
“Cancel culture won’t let him go,” Schrader said of Spacey, citing that the actor was acquitted of sexually assaulting four men in 2023. “He’s reading a book on how Charlie Chaplin was canceled.”
Schrader added of the potential biopic, “I would not use Kevin if he had been convicted. But he was not convicted.”
Schrader’s latest film “Oh, Canada...
- 5/9/2024
- by Samantha Bergeson
- Indiewire
Like many film executives, Tamara Birkemoe spends much of the Cannes Film Festival sprinting from lunches to drinks to dinners, as she meets with potential distributors, financiers and filmmakers. Most nights, the Palisades Park CEO hosts a cocktail hour at the company’s temporary headquarters directly across from the Palais des Festivals, where Cannes’ biggest premieres are held.
“We are looking to dazzle people,” she says, noting that her office boasts a commanding view of the red carpet. “We want to entertain people in fancy places and impress them with our presentation. This is the entertainment business after all, so you might as well work hard, but have fun while you’re doing it.”
That glamour that Birkemoe and others seek in the south of France continues to be the defining feature of Cannes as it prepares to launch its 77th edition this month. But despite the parties on the sparkling Riviera,...
“We are looking to dazzle people,” she says, noting that her office boasts a commanding view of the red carpet. “We want to entertain people in fancy places and impress them with our presentation. This is the entertainment business after all, so you might as well work hard, but have fun while you’re doing it.”
That glamour that Birkemoe and others seek in the south of France continues to be the defining feature of Cannes as it prepares to launch its 77th edition this month. But despite the parties on the sparkling Riviera,...
- 5/9/2024
- by Brent Lang
- Variety Film + TV
Paul Schrader absentmindedly builds installation art out of seven prescription bottles, two inhalers and an empty martini glass, as we sit in a restaurant for seniors in a Manhattan high-rise. Outside, lights twinkle on the Hudson. In 1975, Schrader went to bed with a pistol under his pillow while writing “Taxi Driver.” “Having the option to end things is the only way I could sleep,” Schrader says.
The specter of death is less dramatic but still remains a central focus for the 77-year-old Schrader. Not coincidentally, it’s the subject of his new film, “Oh, Canada,” starring Richard Gere, Jacob Elordi and Uma Thurman. Schrader’s breathing is now shallow and raspy. The voice he once used to argue with Marty Scorsese, direct Willem Dafoe and seduce Nastassja Kinski is now a broken-glass growl. He raises it the best he can to get another drink.
“Can we get some service, please.
The specter of death is less dramatic but still remains a central focus for the 77-year-old Schrader. Not coincidentally, it’s the subject of his new film, “Oh, Canada,” starring Richard Gere, Jacob Elordi and Uma Thurman. Schrader’s breathing is now shallow and raspy. The voice he once used to argue with Marty Scorsese, direct Willem Dafoe and seduce Nastassja Kinski is now a broken-glass growl. He raises it the best he can to get another drink.
“Can we get some service, please.
- 5/9/2024
- by Stephen Rodrick
- Variety Film + TV
BayView Entertainment have released the horror film A Stranger In The Woods worldwide on Digital Platforms including on FlixFling, Hoopla, Vudu and Xumo.
A Stranger In The Woods will arrive on AVOD Digital Platforms worldwide on 25th June 2024.
Starring popular cult film actors Bill Oberst, Jr. and Lynn Lowry, and multi-award-winning actress and black belt martial artist, Laura Ellen Wilson.
Synopsis:
A young film student is about to make a documentary about an elderly man who has been hiding from the world for many years. But as secrets from his past come to light, their strange relationship takes a fateful turn.
A Stranger In The Woods was Directed by József Gallai (Moth). The film stars Bill Oberst Jr., Laura Ellen Wilson and Lynn Lowry.
Keep up to date with all things BayView Entertainment by following them on social media and via their website.
Links below:
Website
Facebook
Twitter
Instagram
Youtube...
A Stranger In The Woods will arrive on AVOD Digital Platforms worldwide on 25th June 2024.
Starring popular cult film actors Bill Oberst, Jr. and Lynn Lowry, and multi-award-winning actress and black belt martial artist, Laura Ellen Wilson.
Synopsis:
A young film student is about to make a documentary about an elderly man who has been hiding from the world for many years. But as secrets from his past come to light, their strange relationship takes a fateful turn.
A Stranger In The Woods was Directed by József Gallai (Moth). The film stars Bill Oberst Jr., Laura Ellen Wilson and Lynn Lowry.
Keep up to date with all things BayView Entertainment by following them on social media and via their website.
Links below:
Website
Youtube...
- 5/8/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
A highlight of 2024’s TCM Classic Film Festival was the world premiere of a pristine restoration of John Ford‘s “The Searchers,” one of the greatest Westerns ever made and certainly — given its impact on directors like Martin Scorsese, George Lucas, and Paul Schrader — one of the most influential. “The Searchers” was photographed in VistaVision, arguably the best of the widescreen formats that emerged in the 1950s to combat television’s encroachment on the film business, and to see it projected on the big screen is a transcendent experience — especially if one is lucky enough to view the 70mm print that premiered at TCM’s fest and is currently making its way around the revival circuit (it screens in Los Angeles at the American Cinematheque on May 3 and 4).
The 70mm print is the end result of a meticulous restoration project overseen by Warner Brothers Discovery and Scorsese’s Film Foundation,...
The 70mm print is the end result of a meticulous restoration project overseen by Warner Brothers Discovery and Scorsese’s Film Foundation,...
- 5/3/2024
- by Jim Hemphill
- Indiewire
Elisabeth Moss fully committed to one of her earliest roles in Oscar-winning film “Girl, Interrupted.” So the the prosthetics team.
In her prosthetics, the future “Mad Men” star was so unrecognizable, even the film crew believed she was an actual burn victim, Moss said during the “Let’s Talk Off Camera with Kelly Ripa” podcast. In the 1999 film, a teenage Moss played Polly “Torch” Clark, a girl with schizophrenia who ended up with facial scars after getting caught in a fire.
Moss’s facial prosthetics would take “about three hours every morning,” she said. Due to how long the process took, Moss would wear the prosthetics even when the cameras weren’t rolling.
“I would forget that I had [the prosthetics] on,” she said. “You wouldn’t take it off at lunch or anything. I would go with [co-star] Winona [Ryder], because we became kind of good friends, I would go with her to the store or something.
In her prosthetics, the future “Mad Men” star was so unrecognizable, even the film crew believed she was an actual burn victim, Moss said during the “Let’s Talk Off Camera with Kelly Ripa” podcast. In the 1999 film, a teenage Moss played Polly “Torch” Clark, a girl with schizophrenia who ended up with facial scars after getting caught in a fire.
Moss’s facial prosthetics would take “about three hours every morning,” she said. Due to how long the process took, Moss would wear the prosthetics even when the cameras weren’t rolling.
“I would forget that I had [the prosthetics] on,” she said. “You wouldn’t take it off at lunch or anything. I would go with [co-star] Winona [Ryder], because we became kind of good friends, I would go with her to the store or something.
- 5/2/2024
- by Samantha Bergeson
- Indiewire
Meryl Streep is set to receive the highest honor at the Cannes 2024 ceremony.
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
- 5/2/2024
- by Samantha Bergeson
- Indiewire
Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned.
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
Arp has picked up French rights to Paul Schrader’s Cannes competition title Oh, Canada starring Richard Gere, Uma Thurman, Michael Imperioli and Jacob Elordi.
Arclight Films is handling international sales. WME Independent is co-repping domestic rights with producer David Gonzales.
Schrader has also written the drama, which is based on Russell Banks’ 2021 novel Foregone.
Oh, Canada reunites Schrader with his American Gigolo star Gere after over 40 years. Oh, Canada marks Schrader’s second adaptation of Banks’ work – he also wrote and directed Affliction starring Nick Nolte and Sissy Spacek.
It centres on documentary filmmaker Leonard Fife (Gere), an American...
Arclight Films is handling international sales. WME Independent is co-repping domestic rights with producer David Gonzales.
Schrader has also written the drama, which is based on Russell Banks’ 2021 novel Foregone.
Oh, Canada reunites Schrader with his American Gigolo star Gere after over 40 years. Oh, Canada marks Schrader’s second adaptation of Banks’ work – he also wrote and directed Affliction starring Nick Nolte and Sissy Spacek.
It centres on documentary filmmaker Leonard Fife (Gere), an American...
- 4/30/2024
- ScreenDaily
Paris-based distributor Arp Selection has acquired French rights for Paul Schrader’s Oh, Canada ahead of its world premiere in Competition at the Cannes Film Festival in May.
Oscar nominee Schrader wrote and directed the film, which reunites him with Richard Gere some 40 years after their collaboration on American Gigolo, with other members of the cast including Uma Thurman, Michael Imperioli and Jacob Elordi.
Schrader has adapted the drama from late writer Russell Banks’ 2021 novel Foregone, about a renowned documentary maker with secrets from the past. It is Schrader’s second adaptation of a work by Banks, after 1997 mystery thriller Affliction, starring Nick Nolte and Sissy Spacek.
“We’ve been long-time admirers of Paul Schrader’s work and devout readers of Russell Banks’ books,” said Arp Selection head Michèle Halberstadt.
“Oh, Canada is the reunion of two masters, and also a reunion between Paul Schrader and Richard Gere,...
Oscar nominee Schrader wrote and directed the film, which reunites him with Richard Gere some 40 years after their collaboration on American Gigolo, with other members of the cast including Uma Thurman, Michael Imperioli and Jacob Elordi.
Schrader has adapted the drama from late writer Russell Banks’ 2021 novel Foregone, about a renowned documentary maker with secrets from the past. It is Schrader’s second adaptation of a work by Banks, after 1997 mystery thriller Affliction, starring Nick Nolte and Sissy Spacek.
“We’ve been long-time admirers of Paul Schrader’s work and devout readers of Russell Banks’ books,” said Arp Selection head Michèle Halberstadt.
“Oh, Canada is the reunion of two masters, and also a reunion between Paul Schrader and Richard Gere,...
- 4/30/2024
- by Melanie Goodfellow
- Deadline Film + TV
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