It’s a big weekend for critically acclaimed indies in limited release as well as a handful of moderate openings, including Richard Gere’s latest film Longing. The provenance of that is unusual as the film from Lionsgate/Grindstone is a Canada-set remake of a 2017 Israeli drama. The original was quite well received, but the film opening this weekend has been thoroughly skewered by critics.
After winning screenplay and audience awards in Israel, the film premiered in Venice, taking the Bnl People’s Choice Award, then played Toronto.
Both versions are written and directed by Savi Gabizon. Characters and story are identical: a successful single American businessman (Gere) meets up with a 20-year-old old flame (Suzanne Clément) and learns that he has a son, and, a beat later, that the young man has just died in a car accident. Trying to process that and find a connection,...
After winning screenplay and audience awards in Israel, the film premiered in Venice, taking the Bnl People’s Choice Award, then played Toronto.
Both versions are written and directed by Savi Gabizon. Characters and story are identical: a successful single American businessman (Gere) meets up with a 20-year-old old flame (Suzanne Clément) and learns that he has a son, and, a beat later, that the young man has just died in a car accident. Trying to process that and find a connection,...
- 6/7/2024
- by Jill Goldsmith
- Deadline Film + TV
Julia Roberts has donned quite a few iconic roles among the likes of Anna Scott in Notting Hill and Erin Brockovich in Erin Brockovich. And yet, none of her fan-favorite roles is still regarded as incredibly successful and popular as Vivian Ward in Pretty Woman.
But what many people don’t know is that she nearly lost that role right after scoring it.
Julia Roberts in Pretty Woman. | Credit: Walt Disney Studios Motion Pictures.
Although surprising it may seem, Roberts originally bagged the role when the film was under production with a different studio and a whole other storyline.
However, within a mere three days of her getting the chance to play Ward in the iconic rom-com from 1990, the actress pretty much temporarily lost the role — that was until one producer came to the rescue: Garry Marshall.
Julia Roberts Almost Lost Pretty Woman Temporarily
Originally, Pretty Woman was named $3,000 and...
But what many people don’t know is that she nearly lost that role right after scoring it.
Julia Roberts in Pretty Woman. | Credit: Walt Disney Studios Motion Pictures.
Although surprising it may seem, Roberts originally bagged the role when the film was under production with a different studio and a whole other storyline.
However, within a mere three days of her getting the chance to play Ward in the iconic rom-com from 1990, the actress pretty much temporarily lost the role — that was until one producer came to the rescue: Garry Marshall.
Julia Roberts Almost Lost Pretty Woman Temporarily
Originally, Pretty Woman was named $3,000 and...
- 6/7/2024
- by Mahin Sultan
- FandomWire
Al Pacino is one of America’s greatest stars of all time. Known for his impeccable acting talent and wit, the actor has been in several features that have turned out to be some of the most iconic cult classics today. From his work in The Godfather to The Irishman, fans have come to admire and respect Al Pacino for his versatility and ability to bring depth to any character he portrays.
Al Pacino as Michael Corleone in The Godfather | Paramount Pictures
Known mostly for playing rough and tough characters, it is baffling to think that Pacino was once in talks to play the lead opposite Julia Roberts in her career-defining movie. Although impressed by the young actress, the actor ultimately let go of the opportunity.
Al Pacino Was Once Slated to Star Opposite Julia Roberts
Richard Gere and Julia Roberts are still from Pretty Woman | Walt Disney Studios
Al...
Al Pacino as Michael Corleone in The Godfather | Paramount Pictures
Known mostly for playing rough and tough characters, it is baffling to think that Pacino was once in talks to play the lead opposite Julia Roberts in her career-defining movie. Although impressed by the young actress, the actor ultimately let go of the opportunity.
Al Pacino Was Once Slated to Star Opposite Julia Roberts
Richard Gere and Julia Roberts are still from Pretty Woman | Walt Disney Studios
Al...
- 6/6/2024
- by Maria Sultan
- FandomWire
In Savi Gabizon’s “Longing,” an English-language remake of his own award-winning 2017 Israeli drama, Richard Gere stars as Daniel Bloch. He’s an old, wealthy businessman who suddenly finds out he has a 19-year-old son. You’ve probably seen this plot point enough times that you can already imagine where the film is going. He’ll meet the boy, they’ll develop a bond and in the end he’ll probably show up at the last possible minute to the kid’s dance recital or something.
But only seconds after Daniel finds out he has a child, he finds out he doesn’t anymore. His son died a few days ago, so they’ll never get to meet. Daniel never wanted a kid in the first place, but the opportunity was handed to him and then taken immediately away. There are five-car pileups that don’t give this much whiplash.
But only seconds after Daniel finds out he has a child, he finds out he doesn’t anymore. His son died a few days ago, so they’ll never get to meet. Daniel never wanted a kid in the first place, but the opportunity was handed to him and then taken immediately away. There are five-car pileups that don’t give this much whiplash.
- 6/5/2024
- by William Bibbiani
- The Wrap
Diane Keaton is a living lesson to all the female actors in the industry on how to stay relevant for more than 50 years. Keaton is definitely one of the most successful actors of all time with a glorious resume of credits to her name. The actor never got married and enjoyed her life as a single woman throughout her long illustrious career.
Diane Keaton in Annie Hall. Credit: Metro-Goldwyn-Mayer, United Artists
Of course, Keaton was one of the most sought-after actors in the 70s, and she showed exquisite beauty and prowess in acting. She appeared in many prominent movies and worked with several directors and actors including Annie Hall, acted and directed by Woody Allen.
Several Actors Wanted To Kiss Diane Keaton In Movies
Diane Keaton and Al Pacino in The Godfather. Credit: Paramount Pictures, FilmFlex
Diane Keaton who has an Oscar win and four nominations to her credit has...
Diane Keaton in Annie Hall. Credit: Metro-Goldwyn-Mayer, United Artists
Of course, Keaton was one of the most sought-after actors in the 70s, and she showed exquisite beauty and prowess in acting. She appeared in many prominent movies and worked with several directors and actors including Annie Hall, acted and directed by Woody Allen.
Several Actors Wanted To Kiss Diane Keaton In Movies
Diane Keaton and Al Pacino in The Godfather. Credit: Paramount Pictures, FilmFlex
Diane Keaton who has an Oscar win and four nominations to her credit has...
- 6/4/2024
- by Lachit Roy
- FandomWire
Courtroom dramas are the ones that fully immerse you into the growing suspense and the technicalities of trials. The genre’s lovers can agree that it’s truly an experience to peep into the process of maintaining law and order and to try to figure out who is right.
Here are 5 worth-watching court dramas, picked by Reddit and available for watching on Prime Video.
12 Angry Men (1957)
First comes Sidney Lumet’s masterpiece that paved the way for all modern court movies. Set in one jury room, it follows the case of a young man accused of murder and judged by 12 men. The more they delve into the case, the more disagreement between them arouses, while they need to abstract from their own values to render a verdict.
Primal Fear (1996)
Richard Gere-starring thriller focuses on a defense attorney who becomes convinced of his client’s innocence in the case of murdering a Catholic archbishop.
Here are 5 worth-watching court dramas, picked by Reddit and available for watching on Prime Video.
12 Angry Men (1957)
First comes Sidney Lumet’s masterpiece that paved the way for all modern court movies. Set in one jury room, it follows the case of a young man accused of murder and judged by 12 men. The more they delve into the case, the more disagreement between them arouses, while they need to abstract from their own values to render a verdict.
Primal Fear (1996)
Richard Gere-starring thriller focuses on a defense attorney who becomes convinced of his client’s innocence in the case of murdering a Catholic archbishop.
- 6/2/2024
- by info@startefacts.com (Ava Raxa)
- STartefacts.com
If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess.
As the industry increasingly veers towards streaming as its primary mode of distribution, collecting physical media is becoming a niche yet cherished pastime. It remains the most reliable method to ensure access to a broad spectrum of titles, often in the highest possible quality. A 4K Blu-ray on your shelf guarantees immediate, uninterrupted viewing—free from buffering or service outages—of your favorite films and TV shows in stunning resolution. Moreover, these discs frequently include a wealth of bonus content, ranging from archival gems to freshly...
In this digital-dominated era, the allure of physical media like DVDs and Blu-rays remains robust, transcending mere nostalgia. These formats offer a tangible, personal connection to the artistry of film and television—a curated collection that one can physically handle, showcase, and possess.
As the industry increasingly veers towards streaming as its primary mode of distribution, collecting physical media is becoming a niche yet cherished pastime. It remains the most reliable method to ensure access to a broad spectrum of titles, often in the highest possible quality. A 4K Blu-ray on your shelf guarantees immediate, uninterrupted viewing—free from buffering or service outages—of your favorite films and TV shows in stunning resolution. Moreover, these discs frequently include a wealth of bonus content, ranging from archival gems to freshly...
- 5/31/2024
- by Todd Gilchrist and Clayton Davis
- Variety Film + TV
Entre ellas, ‘Anora’, ‘The Substance’ y ‘Emilia Pérez’, que ya tienen asegurada su llegada a España.
Concluida la 77 edición del Festival de Cannes, desde mundoCine os traemos las películas más comentadas y aclamadas de la sección oficial a competición de Cannes 2024 , además de deciros si tienen o no distribución en España.
10. All We Imagine as Light (Payal Kapadia)
¿De qué trata? La rutina de la enfermera Prabha se ve trastocada cuando recibe un regalo inesperado de su marido, del que se ha separado. Su compañera de piso y más joven que ella, Anu, trata de encontrar en vano un lugar en la ciudad para intimar con su novio. Un viaje a una ciudad costera les permite encontrar un espacio para que sus deseos se manifiesten.
Premio: Gran Premio del Jurado.
¿Tiene distribución en España? Sí. Distribuye Atalante Films.
9. Bird (Andrea Arnold)
¿De qué trata? En su pequeña y destartalada casa del norte de Kent,...
Concluida la 77 edición del Festival de Cannes, desde mundoCine os traemos las películas más comentadas y aclamadas de la sección oficial a competición de Cannes 2024 , además de deciros si tienen o no distribución en España.
10. All We Imagine as Light (Payal Kapadia)
¿De qué trata? La rutina de la enfermera Prabha se ve trastocada cuando recibe un regalo inesperado de su marido, del que se ha separado. Su compañera de piso y más joven que ella, Anu, trata de encontrar en vano un lugar en la ciudad para intimar con su novio. Un viaje a una ciudad costera les permite encontrar un espacio para que sus deseos se manifiesten.
Premio: Gran Premio del Jurado.
¿Tiene distribución en España? Sí. Distribuye Atalante Films.
9. Bird (Andrea Arnold)
¿De qué trata? En su pequeña y destartalada casa del norte de Kent,...
- 5/28/2024
- by Marta Medina
- mundoCine
On Tuesday, May 28, 2024, Good Morning America welcomes actor Richard Gere, star of Broadway Ali Louis Bourzgui, and lifestyle contributor Lori Bergamotto to the show. Richard Gere joins the show to discuss his upcoming film, Longing, in which he plays a bachelor who discovers he has a son with an ex-girlfriend. The film is […]
Good Morning America: Richard Gere, Ali Louis Bourzgui...
Good Morning America: Richard Gere, Ali Louis Bourzgui...
- 5/28/2024
- by Riley Avery
- MemorableTV
Paul Schrader’s Oh, Canada has one of the warmest scenes in the filmmaker’s storied career—one that his acolytes may find startling. A dying man, Leonard Fife (Richard Gere), is sitting at a stool in a diner that’s bathed in sunlight at magic hour, while people from his past push through the front door to join him. It’s a traditional moment of forgiveness, which is why it’s so shocking to see in a film by a man who brokered his legend on stories of alienation. But there’s a catch even here: Schrader doesn’t hold the moment for long, maybe a few seconds, and so it hits you nearly subliminally among other images and other episodes of Leonard’s life, incidents that are understood to be possibly imagined.
Which is to say that the warmth of Oh, Canada renders it even trickier than many...
Which is to say that the warmth of Oh, Canada renders it even trickier than many...
- 5/25/2024
- by Chuck Bowen
- Slant Magazine
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
For decades, Paul Schrader’s taste in cinema has been widely known, particularly the Bressonian proclivities he’s repeatedly worked over—and, especially since becoming a Facebook poster, he’s provided an open invitation to make his problems ours as well. Watching Oh, Canada knowing of his recent health scares, my guess was that the topical draw of Russell Banks’s source novel Foregone was death; indeed, after several hospitalizations for long Covid, Schrader told himself, “If I’m going to make a film about death, I’d better hurry up.” Thus Oh, Canada, which reteams Schrader with his American Gigolo star Richard Gere (the writer-director jokes […]
The post Cannes 2024: Oh, Canada and The Shrouds first appeared on Filmmaker Magazine.
The post Cannes 2024: Oh, Canada and The Shrouds first appeared on Filmmaker Magazine.
- 5/24/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
For decades, Paul Schrader’s taste in cinema has been widely known, particularly the Bressonian proclivities he’s repeatedly worked over—and, especially since becoming a Facebook poster, he’s provided an open invitation to make his problems ours as well. Watching Oh, Canada knowing of his recent health scares, my guess was that the topical draw of Russell Banks’s source novel Foregone was death; indeed, after several hospitalizations for long Covid, Schrader told himself, “If I’m going to make a film about death, I’d better hurry up.” Thus Oh, Canada, which reteams Schrader with his American Gigolo star Richard Gere (the writer-director jokes […]
The post Cannes 2024: Oh, Canada and The Shrouds first appeared on Filmmaker Magazine.
The post Cannes 2024: Oh, Canada and The Shrouds first appeared on Filmmaker Magazine.
- 5/24/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
‘If you see one movie this summer, see Star Wars. If you see a second, see Austin Powers.’ Thus spake trailer-man, in the teaser for Mike Myers’s upcoming comedy sequel, and to a great extent, that’s exactly what happened in the summer of 1999. Well, almost.
The 20th century was running out of time and that summer was impatiently filled with as many tantalising prospects as any big movie season in recent memory. It appeared to be the summer of comebacks. Following Terrence Malick’s long-awaited return to directing in the recently-released The Thin Red Line, Summer ’99 would see not only George Lucas but Stanley Kubrick making their much-delayed encores – though we knew by then that this was actually Kubrick’s swan song.
An exercise in peak-nostalgia seemed inevitable, but the season proved to be full of surprises. None more so than the success of that second Austin Powers film,...
The 20th century was running out of time and that summer was impatiently filled with as many tantalising prospects as any big movie season in recent memory. It appeared to be the summer of comebacks. Following Terrence Malick’s long-awaited return to directing in the recently-released The Thin Red Line, Summer ’99 would see not only George Lucas but Stanley Kubrick making their much-delayed encores – though we knew by then that this was actually Kubrick’s swan song.
An exercise in peak-nostalgia seemed inevitable, but the season proved to be full of surprises. None more so than the success of that second Austin Powers film,...
- 5/24/2024
- by Cai Ross
- HeyUGuys.co.uk
It has been more than three decades since the fan-favorite romantic comedy, Pretty Woman, was released. An unconventional tale of forbidden romance, the movie starred Richard Gere and Julia Roberts in the lead. Despite being critically lambasted by critics, the movie is now a beloved cult classic that continues to be enjoyed by many.
Richard Gere and Julia Roberts in Pretty Woman | Walt Disney Studios
Often one or the other clip from the movie or of the stars goes viral and fans can’t help but get swooned by the magical chemistry of its lead stars. Recently the 25th reunion of the Pretty Woman cast went viral across the internet and fans can’t help but notice how much chemistry Roberts and Gere still have.
Richard Gere and Julia Roberts Still Have Epic Chemistry
Roberts and Gere still have great chemistry (PC: Today Show | YouTube)
In the long list of iconic romantic couples,...
Richard Gere and Julia Roberts in Pretty Woman | Walt Disney Studios
Often one or the other clip from the movie or of the stars goes viral and fans can’t help but get swooned by the magical chemistry of its lead stars. Recently the 25th reunion of the Pretty Woman cast went viral across the internet and fans can’t help but notice how much chemistry Roberts and Gere still have.
Richard Gere and Julia Roberts Still Have Epic Chemistry
Roberts and Gere still have great chemistry (PC: Today Show | YouTube)
In the long list of iconic romantic couples,...
- 5/22/2024
- by Maria Sultan
- FandomWire
Director Sean Baker and his Anora star Mikey Madison have spoken about the “collaborative” process of portraying sex workers in a film that he acknowledged hearkens back to the captivating love story in Pretty Woman.
Baker spoke with his cast at Cannes’ press conference for the film, which follows Anora (Madison), a young sex worker from Brooklyn, who gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch (Mark Eydelshteyn). But the fairytale is threatened when her fiancé’s parents set out to get the marriage annulled.
“Mikey had so much to do with the development of Anora,” Baker said as he lauded his lead actress. “I wrote the script for Mikey. We had a meeting and asked if she was interested, I said: ‘Okay, I’m going to write you a script and come back in three months.’ It took a year.
Baker spoke with his cast at Cannes’ press conference for the film, which follows Anora (Madison), a young sex worker from Brooklyn, who gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch (Mark Eydelshteyn). But the fairytale is threatened when her fiancé’s parents set out to get the marriage annulled.
“Mikey had so much to do with the development of Anora,” Baker said as he lauded his lead actress. “I wrote the script for Mikey. We had a meeting and asked if she was interested, I said: ‘Okay, I’m going to write you a script and come back in three months.’ It took a year.
- 5/22/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Jacob Elordi in Oh, CanadaImage: Oh Canada LLC
It is said that the grand metaphor to describe the United States is a melting pot, where cultures from all over the world that have gathered in a shared space form a gumbo where their flavors merge, the whole supplanting the constituent parts.
It is said that the grand metaphor to describe the United States is a melting pot, where cultures from all over the world that have gathered in a shared space form a gumbo where their flavors merge, the whole supplanting the constituent parts.
- 5/21/2024
- by Jason Gorber
- avclub.com
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Richard Gere and Uma Thurman in Paul Schrader’s Oh, Canada. Gere said: 'When actors look at their films you see your face and your energy at that particular time' Photo: Courtesy of Cannes Film Festival They first worked together some 45 years ago but now directors Richard Schrader and an actor who defined the Eighties Richard Gere have resurrected their collaboration.
Richard Gere: 'As the make-up was put on I saw myself a few years from now, assuming I live to the same ripe age as my father' Photo: Richard Mowe In Oh, Canada, presented in Competition at the Cannes Film Festival, Schrader pays tribute to his late friend, the novelist Russell Banks with Gere almost unrecognisable as a dying documentary filmmaker Leonard Fife setting the record straight at his home in Montreal, filmed by two of his former students and watched over by his wife (play by Uma Thurman...
Richard Gere: 'As the make-up was put on I saw myself a few years from now, assuming I live to the same ripe age as my father' Photo: Richard Mowe In Oh, Canada, presented in Competition at the Cannes Film Festival, Schrader pays tribute to his late friend, the novelist Russell Banks with Gere almost unrecognisable as a dying documentary filmmaker Leonard Fife setting the record straight at his home in Montreal, filmed by two of his former students and watched over by his wife (play by Uma Thurman...
- 5/19/2024
- by Richard Mowe
- eyeforfilm.co.uk
Writer of the 1976 Palme d’Or winner Taxi Driver, and having been in comp with Mishima (1985) and Patty Hearst (1988), this is Paul Schrader’s long-awaited return with might be the final film of his career in Oh, Canada.
This stars Richard Gere, Jacob Elordi, Uma Thurman, Victoria Hill and Michael Imperioli.
Gist: Based on the 2021 novel Foregone by Russell Banks, this delves into the life of a tormented writer on the brink of death, a Canadian-American leftist who fled to Canada to avoid the Vietnam War draft. Leonard Fife is a terminally ill writer and filmmaker who has agreed to have his final testament of his life filmed by documentary filmmakers Malcolm (Michael Imperioli) and Diana (Victoria Hill), but proves to be an unreliable narrator due to his failing and distorted memory.…...
This stars Richard Gere, Jacob Elordi, Uma Thurman, Victoria Hill and Michael Imperioli.
Gist: Based on the 2021 novel Foregone by Russell Banks, this delves into the life of a tormented writer on the brink of death, a Canadian-American leftist who fled to Canada to avoid the Vietnam War draft. Leonard Fife is a terminally ill writer and filmmaker who has agreed to have his final testament of his life filmed by documentary filmmakers Malcolm (Michael Imperioli) and Diana (Victoria Hill), but proves to be an unreliable narrator due to his failing and distorted memory.…...
- 5/18/2024
- by Eric Lavallée
- IONCINEMA.com
Paul Schrader hit Cannes this weekend with Competition title Oh, Canada, reuniting him with American Gigolo star Richard Gere in the role of a terminally ill documentarian who reveals secrets as his life nears its end.
Lead producer David Gonzales says the fact that the film was ready for a Cannes splash was a miracle on a number of fronts.
Development began just 18 months ago after Schrader learned that his good friend, writer Russell Banks, was suffering from cancer.
Schrader, who previously adapted Banks’ novel Affliction to the big screen, felt compelled to make a new film based on Banks’ penultimate 2021 book Foregone, which the writer had originally wanted to title ‘Oh, Canada.’
“He said, ‘This is my next film, I can see the film in my head.’ We’re going back to the end of 2022,” says Gonzales, who secured the rights.
Banks died in January 2023 as Schrader was mid-screenplay.
Lead producer David Gonzales says the fact that the film was ready for a Cannes splash was a miracle on a number of fronts.
Development began just 18 months ago after Schrader learned that his good friend, writer Russell Banks, was suffering from cancer.
Schrader, who previously adapted Banks’ novel Affliction to the big screen, felt compelled to make a new film based on Banks’ penultimate 2021 book Foregone, which the writer had originally wanted to title ‘Oh, Canada.’
“He said, ‘This is my next film, I can see the film in my head.’ We’re going back to the end of 2022,” says Gonzales, who secured the rights.
Banks died in January 2023 as Schrader was mid-screenplay.
- 5/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
The cinema of Paul Schrader has always felt like a confessional, all those dark rooms and troubled men, the registered Swiftie’s own tortured poets department. The confessional edges closer to the form in his latest film Oh, Canada, an august adaptation of Russell Banks’ 2021 novel Foregone that tells of a famous documentary filmmaker at the end of his days, divulging secrets of his past to an interviewer’s head-on camera. Might the old Calvinist be looking for a little more absolution? When Banks, a friend since the director’s adaptation of Affliction, died in 2023, Schrader was coming to the tail end of his own series of health scares––these included everything from hospitalizations for long Covid to the retina detaching from his right eye during the filming of Master Gardener. “If I’m going to make a film about death,” he recently admitted thinking to himself at the time,...
- 5/18/2024
- by Rory O'Connor
- The Film Stage
The Paul Schrader Renaissance began the moment “First Reformed” debuted to the director’s best reviews in at least 15 years, back in 2017. The spiritual trilogy formed around it — “The Card Counter” and “Master Gardener” — have fostered in a new generation’s mind this frankly narrow vision of what constitutes a Paul Schrader movie: men in rooms, pens across diaries, peculiar revenge plots.
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
- 5/18/2024
- by Nick Newman
- Indiewire
Diaries are written in secrecy, free-flowing thoughts anchored to the page as if the ink could stop memories from vanishing through the hands of time. Filmmaker Paul Schrader understands the lingering, often quiet desperation of journaling like few filmmakers do. From “Taxi Driver” to “Master Gardener,” the director’s work returns time and time to a man sitting by a desk with only an open journal, his words, and a small lamp for company.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
- 5/18/2024
- by Rafa Sales Ross
- The Playlist
Paul Schrader will shoot his next feature Non Compos Mentis in the autumn.
The veteran director revealed the details of the project while speaking at the Cannes Film Festival press conference for his latest film Oh, Canada.
”I’ve written a noir, [about] a kind of sexual obsession, called Non Compos Mentis,” he said, with the producer David Gonzales clarifying the title is Latin for ’An Unsound Mind’.
”[Gonzales] has most of the money for the next one already and we’re not even cast, we’re just down to the actors right now.”
Cinema is “up in the air”
The...
The veteran director revealed the details of the project while speaking at the Cannes Film Festival press conference for his latest film Oh, Canada.
”I’ve written a noir, [about] a kind of sexual obsession, called Non Compos Mentis,” he said, with the producer David Gonzales clarifying the title is Latin for ’An Unsound Mind’.
”[Gonzales] has most of the money for the next one already and we’re not even cast, we’re just down to the actors right now.”
Cinema is “up in the air”
The...
- 5/18/2024
- ScreenDaily
Paul Schrader revealed first details about his next feature project entitled Non Compos Mentis during a press conference Saturday for his Cannes Competition title Oh, Canada.
“I’ve written a noir, as a kind of a sexual obsession, called Non Compos Mentis about the stupid things men do for love,” he said.
The project will reunite him with Oh, Canada producer David Gonzales at Northern Lights, who said the project will shoot this fall.
“David has most money for the next one already and we’re not even cast, we just out to actors right now. So on this one we couldn’t get the money until we were cast, but now we’re getting it before we cast.”
Adapted from Russell Banks’ 2021 novel Foregone, Schrader’s Cannes Palme d’Or contender Oh, Canada stars Richard Gere as a famed, terminally ill documentary maker who reveals secrets from...
“I’ve written a noir, as a kind of a sexual obsession, called Non Compos Mentis about the stupid things men do for love,” he said.
The project will reunite him with Oh, Canada producer David Gonzales at Northern Lights, who said the project will shoot this fall.
“David has most money for the next one already and we’re not even cast, we just out to actors right now. So on this one we couldn’t get the money until we were cast, but now we’re getting it before we cast.”
Adapted from Russell Banks’ 2021 novel Foregone, Schrader’s Cannes Palme d’Or contender Oh, Canada stars Richard Gere as a famed, terminally ill documentary maker who reveals secrets from...
- 5/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
Paul Schrader had a special job on the set of his latest film, “Oh, Canada”: drawing on the jockstrap that Jacob Elordi wears in one of the Vietnam War drama’s pivotal scenes.
There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical. He shows up in a jockstrap with “peace and love” written on the jock, surrounded by tiny flowers. He jitters and shakes and waves his arms flamboyantly. In character, Elordi is attempting to look as unstable as possible to avoid enlisting into military service.
At the Cannes Film Festival press conference for the film, Schrader revealed that he added a finishing touch to the jockstrap that Elordi...
There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical. He shows up in a jockstrap with “peace and love” written on the jock, surrounded by tiny flowers. He jitters and shakes and waves his arms flamboyantly. In character, Elordi is attempting to look as unstable as possible to avoid enlisting into military service.
At the Cannes Film Festival press conference for the film, Schrader revealed that he added a finishing touch to the jockstrap that Elordi...
- 5/18/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Yorgos Lanthimos’ Kinds Of Kindness has landed top of Screen International’s Cannes jury grid with an average score of 2.4.
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
- 5/18/2024
- ScreenDaily
Paul Schrader may have found a trick for cheating death: Just make more movies. Amid some serious health struggles over the past few years, the 77-year-old auteur and screenwriting legend has entered one of his most prolific phases.
“Every time I’m getting ready to die, I have a new idea,” Schrader says. “Then I think, ‘Oh well, I guess I can’t die yet. I have to write this.’ ”
Over a recent five-year stretch, Schrader wrote and directed what he describes as an accidental trilogy — First Reformed (2017) with Ethan Hawke, The Card Counter (2021) with Oscar Isaac and Master Gardener (2022) with Joel Edgerton — with each film involving a fresh spin on the “man alone in a room” archetype he invented nearly 50 years ago with his script for Martin Scorsese’s Taxi Driver (1976). Schrader is now back again with a new feature, Oh, Canada, co-starring Richard Gere, Uma Thurman, Michael Imperioli,...
“Every time I’m getting ready to die, I have a new idea,” Schrader says. “Then I think, ‘Oh well, I guess I can’t die yet. I have to write this.’ ”
Over a recent five-year stretch, Schrader wrote and directed what he describes as an accidental trilogy — First Reformed (2017) with Ethan Hawke, The Card Counter (2021) with Oscar Isaac and Master Gardener (2022) with Joel Edgerton — with each film involving a fresh spin on the “man alone in a room” archetype he invented nearly 50 years ago with his script for Martin Scorsese’s Taxi Driver (1976). Schrader is now back again with a new feature, Oh, Canada, co-starring Richard Gere, Uma Thurman, Michael Imperioli,...
- 5/18/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Jacob Elordi Skips Cannes as Crying Paul Schrader Accepts 4-Minute Standing Ovation for ‘Oh, Canada’
Paul Schrader shed tears as his new film “Oh, Canada” earned a four-minute standing ovation at Cannes Film Festival on Friday night.
Jacob Elordi was notably absent from the premiere because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out. Im very happy to be back here on the Croisette.”
Elordi, whose star continues to rise after acclaimed turns in “Saltburn” and “Priscilla,” made his Cannes debut last year in Sean Price Williams’ road movie “The Sweet East.”
The drama tells the life story of a troubled writer, Leonard Fife, who at the end of his life reflects on his decision to flee to Canada to avoid the Vietnam War draft. Richard Gere plays the present-day Leonard,...
Jacob Elordi was notably absent from the premiere because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out. Im very happy to be back here on the Croisette.”
Elordi, whose star continues to rise after acclaimed turns in “Saltburn” and “Priscilla,” made his Cannes debut last year in Sean Price Williams’ road movie “The Sweet East.”
The drama tells the life story of a troubled writer, Leonard Fife, who at the end of his life reflects on his decision to flee to Canada to avoid the Vietnam War draft. Richard Gere plays the present-day Leonard,...
- 5/17/2024
- by Matt Donnelly, Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Paul Schrader’s Oh, Canada, the new drama that reunites the director with his American Gigalo star Richard Gere, had its world premiere at the Cannes Film Festival Friday night, where it was welcomed with a three-minute-plus standing ovation for Schrader and his team at the Grand Lumiere Theatre. With typical Canadian politeness, the crowd even applauded the film’s producers.
Before the premiere, Schrader and the cast of Oh, Canada, including Richard Gere, and Uma Thurman, but not Jacob Elordi, had climbed the red carpet steps up the Palais to the sounds of the Canadian national anthem. Among the famous faces in the audience at the theater was Nathalie Emmanuel.
While the creative team received a warm welcome, the film itself was less warmly received, with only polite applause and a perfunctory standing ovation for Schrader and his cast. But there was a collection of whoops and cheers, and at least one “bravo!
Before the premiere, Schrader and the cast of Oh, Canada, including Richard Gere, and Uma Thurman, but not Jacob Elordi, had climbed the red carpet steps up the Palais to the sounds of the Canadian national anthem. Among the famous faces in the audience at the theater was Nathalie Emmanuel.
While the creative team received a warm welcome, the film itself was less warmly received, with only polite applause and a perfunctory standing ovation for Schrader and his cast. But there was a collection of whoops and cheers, and at least one “bravo!
- 5/17/2024
- by Scott Roxborough and Scott Feinberg
- The Hollywood Reporter - Movie News
“How can so much suffering have no meaning?”
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Cannes film festival
A dying director who fled from the US to Canada agrees to make a confessional film in Schrader’s fragmented and anticlimactic story
Muddled, anticlimactic and often diffidently performed, this oddly passionless new movie from Paul Schrader is a disappointment. It is based on the novel Foregone by Russell Banks (Schrader also adapted Banks’s novel Affliction in 1997) and reunites Schrader with Richard Gere, his star from American Gigolo. Though initially intriguing, it really fails to deliver the emotional revelation or self-knowledge that it appears to be leading up to. There are moments of intensity and promise; with a director of Schrader’s shrewdness and creative alertness, how could there not be? But the movie appears to circle endlessly around its own emotions and ideas without closing in.
The title is partly a reference to the national anthem of that nation, which is a place of freedom...
A dying director who fled from the US to Canada agrees to make a confessional film in Schrader’s fragmented and anticlimactic story
Muddled, anticlimactic and often diffidently performed, this oddly passionless new movie from Paul Schrader is a disappointment. It is based on the novel Foregone by Russell Banks (Schrader also adapted Banks’s novel Affliction in 1997) and reunites Schrader with Richard Gere, his star from American Gigolo. Though initially intriguing, it really fails to deliver the emotional revelation or self-knowledge that it appears to be leading up to. There are moments of intensity and promise; with a director of Schrader’s shrewdness and creative alertness, how could there not be? But the movie appears to circle endlessly around its own emotions and ideas without closing in.
The title is partly a reference to the national anthem of that nation, which is a place of freedom...
- 5/17/2024
- by Peter Bradshaw
- The Guardian - Film News
Paul Schrader’s 1999 adaptation of novelist Russell Banks’ Affliction, led by scorching performances from Nick Nolte and James Coburn, was an unsettlingly bleak meeting of two writers who share a fascination with conflicted morality and complicated relationships pushed to dark extremes. But Schrader’s return to the late author’s work, this time the 2021 novel Foregone, yields fewer rewards. For a film about big themes like mortality, memory, truth and redemption, Oh, Canada feels both slight and stubbornly page-bound, too unsatisfyingly fleshed out to give its actors meat to chew on.
Published two years before Banks’ death in early 2023, the book is an intimate portrait of a man contemplating his legacy while approaching the end of his life. It’s easy to see what drew Schrader to the story, given his own pandemic health scares and the diagnosis of his wife, the actress Mary Beth Hurt, with Alzheimer’s. But...
Published two years before Banks’ death in early 2023, the book is an intimate portrait of a man contemplating his legacy while approaching the end of his life. It’s easy to see what drew Schrader to the story, given his own pandemic health scares and the diagnosis of his wife, the actress Mary Beth Hurt, with Alzheimer’s. But...
- 5/17/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Straying from the hotheaded “Taxi Driver” style that has dominated much of his career, Paul Schrader pays ruminative and respectful tribute to his late friend, novelist Russell Banks, who gave the writer-director the raw material for one of his best films, “Affliction” — and now, for one of his best films in years. Adapted from Banks’ “Foregone” (and given the title the author told Schrader he wanted for the book), “Oh, Canada” presents a dying artist’s final testimony as a multifaceted film-within-a-film, honoring Banks while also revealing so many of Schrader’s own thoughts on mortality.
Fighting a long, painful bout with cancer, documentary filmmaker Leonard Fife has scores of admirers and a shelf full of awards. As the movie opens, two former students, Malcolm (Michael Imperioli) and Diana (Victoria Hill), arrive at their mentor’s Montreal home and proceed to set up a unique camera rig. It’s a...
Fighting a long, painful bout with cancer, documentary filmmaker Leonard Fife has scores of admirers and a shelf full of awards. As the movie opens, two former students, Malcolm (Michael Imperioli) and Diana (Victoria Hill), arrive at their mentor’s Montreal home and proceed to set up a unique camera rig. It’s a...
- 5/17/2024
- by Peter Debruge
- Variety Film + TV
Hard to believe it has been 44 years since Paul Schrader and star Richard Gere last worked together on 1980’s seminal American Gigolo, a film that became not just a keystone in Gere’s celebrated career but also one for one Schrader’s as one of his earliest directorial credits. Of course he has written some of the great screenplays, particularly in his collaborations with Martin Scorsese on Raging Bull, The Last Temptation of Christ and Taxi Driver. But it is what interests him now a half century later as a writer-director that continues to fascinate.
In recent years that has included insular works like The Card Counter, Master Gardener and the critically acclaimed First Reformed. Now he has returned to more of what he labels a “mosaic,” in this case a movie made up of pieces of a life put under a cinematic microscope at different periods, all moving in...
In recent years that has included insular works like The Card Counter, Master Gardener and the critically acclaimed First Reformed. Now he has returned to more of what he labels a “mosaic,” in this case a movie made up of pieces of a life put under a cinematic microscope at different periods, all moving in...
- 5/17/2024
- by Pete Hammond
- Deadline Film + TV
Update: In his first mainstream television interview in years (excerpted by THR), Kevin Spacey sat down with Chris Cuomo on NewsNation to address what’s being seen as resistance (by some) to his return to acting. While he acknowledges those who have supported him, such as Neeson and Stone, he blames fear for the fact that many have only reached out to him privately rather than publically. “But there are also people that I’ve spoken to who, they love me, they believe in me. They’ve stood with me in private… but they’re afraid to stand up. And I’ve been very fortunate that people have been honest with me about that. And I think that’s a shame, that we’ve come to a place as a society where people are afraid to say what they believe and what they feel because they’re afraid they’re going to get canceled too.
- 5/17/2024
- by Kevin Fraser
- JoBlo.com
Horror movies use different tropes to scare the audience, with the most obvious of them being jumpscares that are waiting for a viewer around the corner together with a loud nasty sound. However, some genre’s staples manage to creep you out and haunt your mind without using this technique.
Here are 7 inventive, yet extremely frightening horrors, handpicked by Redditors.
1. Sinister (2012)
First comes Ethan Hawke’s supernatural flick, following a disgraced true-crime writer, who finds films depicting relentless murders in his new house.
It’s notorious for having “one of the scariest soundtracks ever” made for a movie , as voiced by @BD_Sanchez.
2. Rec (2007)
This Spanish movie is truly a gem of the subgenre of found footage horrors. It centers on a reporter following the exploration of an infection spreading inside a dark apartment building and the aftermath of a quarantine introduced for its inhabitants.
3. The Blair Witch Project (1999)
The...
Here are 7 inventive, yet extremely frightening horrors, handpicked by Redditors.
1. Sinister (2012)
First comes Ethan Hawke’s supernatural flick, following a disgraced true-crime writer, who finds films depicting relentless murders in his new house.
It’s notorious for having “one of the scariest soundtracks ever” made for a movie , as voiced by @BD_Sanchez.
2. Rec (2007)
This Spanish movie is truly a gem of the subgenre of found footage horrors. It centers on a reporter following the exploration of an infection spreading inside a dark apartment building and the aftermath of a quarantine introduced for its inhabitants.
3. The Blair Witch Project (1999)
The...
- 5/16/2024
- by info@startefacts.com (Ava Raxa)
- STartefacts.com
Is Francis Ford Coppola’s controversial magnum opus “Megalopolis” any good?
The two hour and 20 minute dystopian drama certainly divided the audience at the Cannes Film Festival on Thursday night with its collision course of shocking scenes: a doctored sex tape featuring Adam Driver, Shia Labeouf in drag playing a Trumpian figure and Aubrey Plaza dominating her way through a slew of men.
But there was still a huge amount of respect for iconic director Coppola, who received a four-minute standing ovation upon entering the room. After the credits rolled — which included a tribute to his late wife Eleanor — and the standing ovation began, Coppola hugged Driver and Giancarlo Esposito and got emotional as he made a speech dedicating the film to hope and family.
“Thank you all so much. It is so impossible to find words to tell you how I feel,” Coppola said, then introducing his family members in the audience.
The two hour and 20 minute dystopian drama certainly divided the audience at the Cannes Film Festival on Thursday night with its collision course of shocking scenes: a doctored sex tape featuring Adam Driver, Shia Labeouf in drag playing a Trumpian figure and Aubrey Plaza dominating her way through a slew of men.
But there was still a huge amount of respect for iconic director Coppola, who received a four-minute standing ovation upon entering the room. After the credits rolled — which included a tribute to his late wife Eleanor — and the standing ovation began, Coppola hugged Driver and Giancarlo Esposito and got emotional as he made a speech dedicating the film to hope and family.
“Thank you all so much. It is so impossible to find words to tell you how I feel,” Coppola said, then introducing his family members in the audience.
- 5/16/2024
- by Ellise Shafer
- Variety Film + TV
The most awaited film this year at the Cannes Film Festival, Francis Ford Coppola’s Megalopolis, had its world premiere Thursday night, with the dystopian epic decades in the making landing a seven-minute standing ovation.
Coppola, the 85-year-old director and five-time Oscar winners, bowed as the lights came up inside the Grand Theatre Lumiere. He was congratulated by his Cotton Club star Richard Gere and got a hug from Cannes boss Thierry Fremaux as the ovation carried on.
Said Coppola to the crowd finally: “Thank you all so much — it is impossible to find words how I feel.” He then introduced those around him — including his granddaughter and son and collaborator Roman Coppola and sister Talia Shire. He called his cast “family” and emphasized the movie’s end message: “We should pledge allegiance to our families…that children should inherit a beautiful world from us.”
Coppola gives a speech after...
Coppola, the 85-year-old director and five-time Oscar winners, bowed as the lights came up inside the Grand Theatre Lumiere. He was congratulated by his Cotton Club star Richard Gere and got a hug from Cannes boss Thierry Fremaux as the ovation carried on.
Said Coppola to the crowd finally: “Thank you all so much — it is impossible to find words how I feel.” He then introduced those around him — including his granddaughter and son and collaborator Roman Coppola and sister Talia Shire. He called his cast “family” and emphasized the movie’s end message: “We should pledge allegiance to our families…that children should inherit a beautiful world from us.”
Coppola gives a speech after...
- 5/16/2024
- by Nancy Tartaglione, Anthony D'Alessandro and Baz Bamigboye
- Deadline Film + TV
Francis Ford Coppola’s long-gestating and much-discussed sci-fi epic Megalopolis had its world premiere on Thursday night at the Cannes Film Festival, and was greeted with a 10-minute standing ovation inside the Grand Lumiere Theatre, as he gave a hug to each of his his principal stars — among them Nathalie Emmanuel, Adam Driver, Aubrey Plaza and Giancarlo Esposito — and threw his hat into the cheering crowd.
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
- 5/16/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Richard Gere and Jacob Elordi star in Paul Schrader’s latest, highly anticipated film ‘Oh, Canada,’ which premieres at the Cannes Film Festival on Friday.
Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam” who “shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard.
In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate. “Amanda was a jazz pianist,” his voiceover begins. “She said she was the mistress of Gerry Mulligan, but he was always on the road.” Then, the footage displays the film’s magic trick, as Elordi’s younger Leonard appears, pushing open the home’s gate and peering in the window,...
Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam” who “shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard.
In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate. “Amanda was a jazz pianist,” his voiceover begins. “She said she was the mistress of Gerry Mulligan, but he was always on the road.” Then, the footage displays the film’s magic trick, as Elordi’s younger Leonard appears, pushing open the home’s gate and peering in the window,...
- 5/16/2024
- by Angelique Jackson
- Variety Film + TV
Uma Thurman has been to Cannes more times than she can remember, either to pledge support for the glamorous annual charity event amfAR or with films as diverse as the genteel Merchant-Ivory period film The Golden Bowl (2000) and Quentin Tarantino’s ultraviolent Kill Bill: Volume 2 (2004), in which she reprised her badass role as The Bride. The film that propelled her to stardom, Pulp Fiction, won the Palme d’Or there, and Thurman hasn’t forgotten what it did for her. This year, she’s back with Paul Schrader’s Oh, Canada, the kind of smart, character-based indie on which she earned her spurs.
Deadline: How did you get involved with Oh, Canada?
Uma Thurman: Really, I just got the call through my agents to read a Paul Schrader script and meet with him. I’m so glad I did. I love Paul Schrader.
Deadline: Did you know him already?...
Deadline: How did you get involved with Oh, Canada?
Uma Thurman: Really, I just got the call through my agents to read a Paul Schrader script and meet with him. I’m so glad I did. I love Paul Schrader.
Deadline: Did you know him already?...
- 5/16/2024
- by Damon Wise
- Deadline Film + TV
It’s been more than four decades since Paul Schrader and Richard Gere worked together on the seminal American Gigolo. Some 40 years after they impressed upon audiences the power of a well-tailored Giorgio Armani suit, the director and star have reteamed for Oh, Canada.
The film, which is premiering in the Cannes Film Festival competition and is being sold out of the fest by Arclight Films and WME Independent, sees Gere play Leonard Fife, a renowned muckraking documentarian who, as he is dealing with a terminal illness, decides to sit for a documentary to tell the truth about his own life story while his wife and longtime filmmaking partner, Emma (Uma Thurman), listens in the wings. The story flashes back to his younger, unmoored self (Jacob Elordi) who stumbles into a career as a documentarian and travels to Canada under the auspices of dodging the Vietnam draft, but is revealed...
The film, which is premiering in the Cannes Film Festival competition and is being sold out of the fest by Arclight Films and WME Independent, sees Gere play Leonard Fife, a renowned muckraking documentarian who, as he is dealing with a terminal illness, decides to sit for a documentary to tell the truth about his own life story while his wife and longtime filmmaking partner, Emma (Uma Thurman), listens in the wings. The story flashes back to his younger, unmoored self (Jacob Elordi) who stumbles into a career as a documentarian and travels to Canada under the auspices of dodging the Vietnam draft, but is revealed...
- 5/16/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The tagline for the 2024 Cannes Film Festival should probably be “Back to the Future.” Indeed, four Hollywood legends who first established themselves in the 1970s as part of the “New Hollywood,” and haven’t been back to festival in decades, are front and center on the Croisette this year.
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
- 5/15/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Korea’s Finecut has landed pre-sales of upcoming action-comedy The Desperate Chase and secured further deals for black comedy A Normal Family in the US and Asia.
The Desperate Chase, which marks the second feature of Devils director Kim Jae-hoon, has been snapped up for Japan (Rights Cube), Taiwan (Apex Success Global), and Vietnam (Mockingbird Pictures) ahead of its market premiere in Cannes, where a rough cut will be screened for buyers.
Starring Kwak Si-yang (The Battle Of Jangsari), Park Sung-woong (Hunt) and Yoon Kyung-ho (Alienoid), the caper centres on a detective on the case of a Chinese triad boss...
The Desperate Chase, which marks the second feature of Devils director Kim Jae-hoon, has been snapped up for Japan (Rights Cube), Taiwan (Apex Success Global), and Vietnam (Mockingbird Pictures) ahead of its market premiere in Cannes, where a rough cut will be screened for buyers.
Starring Kwak Si-yang (The Battle Of Jangsari), Park Sung-woong (Hunt) and Yoon Kyung-ho (Alienoid), the caper centres on a detective on the case of a Chinese triad boss...
- 5/15/2024
- ScreenDaily
"Nothing is as it seems. And the truth will be revealed." Lionsgate has unveiled an official trailer for the US remake of the film titled Longing, which was originally an Israeli film from filmmaker Savi Gabizon (aka Savi Gavison). The film is a direct remake of his own 2017 film also called Longing (or Ga'agua), and it is once again written and directed by Gabizon this time. A business mogul named Daniel Bloch runs into his old small town girlfriend from 20 years ago while she is visiting the big city only to find out that they had a child together that he was unaware of, but has since died. This remake is set to open in the US in June this summer. Starring Richard Gere as Daniel, with Diane Kruger, Suzanne Clément, Marnie McPhail, Jessica Clement, Tomaso Sanelli, and Shauna MacDonald. This trailer reveals almost the entire plot though that doesn't help much,...
- 5/14/2024
- by Alex Billington
- firstshowing.net
What would you do if you find out you have a son and then learn that your son tragically passed away? That’s the question at the center of “Longing,” a new family drama.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer, “Longing” tells the story of a man who discovers that he has a son. Unfortunately, the news of his son is quickly followed by news that his son passed away.
Continue reading ‘Longing’ Trailer: Richard Gere & Diane Kruger Star In Savi Gabizon’s New Drama at The Playlist.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer, “Longing” tells the story of a man who discovers that he has a son. Unfortunately, the news of his son is quickly followed by news that his son passed away.
Continue reading ‘Longing’ Trailer: Richard Gere & Diane Kruger Star In Savi Gabizon’s New Drama at The Playlist.
- 5/14/2024
- by Martin Miller
- The Playlist
Richard Gere is back onscreen with his own mini renaissance.
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
Richard Gere
Photo: Darren Goldstein and Courtesy of Lionsgate
We have good news and bad news for Richard Gere, star of the upcoming drama Longing. The good news: Gere’s character, Daniel Bloch, just found out that he’s a father. The bad: His new son is dead. With his English-language remake of Longing,...
Photo: Darren Goldstein and Courtesy of Lionsgate
We have good news and bad news for Richard Gere, star of the upcoming drama Longing. The good news: Gere’s character, Daniel Bloch, just found out that he’s a father. The bad: His new son is dead. With his English-language remake of Longing,...
- 5/14/2024
- by Matt Schimkowitz
- avclub.com
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